Baroque

Xinhua Martial Arts Hall (新化武德殿)

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Well, it’s certainly been a minute! 

Years ago, when I first started on this quest to document historic buildings from the Japanese Colonial Era, I started out with the Longtan Martial Arts Hall, and then from then on set out to visit them all. 

With well over a dozen of these former Martial Arts Halls scattered throughout the country, I knew that getting to all of them would end up becoming a long-term project, but when I first started, I never expected that a global pandemic would slow me down. 

The year 2020 ended up being a bit of a miss in terms of travel, and when I did find an opportunity to take a vacation, I instead chose to head over to the East Coast to relax on Orchid Island and hung out in Taitung and Hualien for a couple of weeks.  

Shortly into the new year however, the weather here in northern Taiwan was miserable for several weeks, with a constant barrage rain and near-freezing temperatures. It was so cold that one night I actually had to wear socks to bed for the first time since I left Canada!

After a few weeks, I had had enough and abruptly decided that I’d take a day to head down south to check out one of the few Martial Arts Halls that had so far evaded me.

So I rented a car, woke up really early in the morning and headed down to Tainan’s historic Xinhua District to check out its Old Street, and its newly restored Martial Arts Hall. If you’ve ever read anything about this particular Martial Arts Hall in the past, you’re probably aware that people often throw around the word “unique” (唯一), whenever they mention it. And yeah, they’re right. 

The Xinhua Martial Arts Hall is unique in a lot of ways, but if you want to know how, you’re going to have to keep reading to find out! 

Before I get into it though, if you haven’t already, I recommend stopping here and first going through my introduction to Taiwan’s Martial Arts Halls, which provides an overview of the purpose of the buildings, their history and where else you’re able to find them around the country! 

Link: Martial Arts Halls of Taiwan (臺灣的武德殿)

If you’re already up to date with all of that, let’s just get into it! 


The Xinhua Martial Arts Hall (新化武德殿) 

As mentioned above, I’ll be introducing one of the ‘most unique’ of Taiwan’s remaining Martial Arts Halls, the (second generation) Xinhua Martial Arts Hall, formerly known as the Shinka Budokuden (新化武德殿 / しんかぶどう). 

The Xinhua Martial Arts Hall is located within the historic downtown core of Tainan’s Xinhua District, near its popular Old Street (新化老街). Since the Colonial Era, Xinhua, which was then known as “Shinkagun” (新化郡 /しんかぐん) was a prosperous community and an important economic gateway to the mountains of Tainan, making most of its riches through the wholesale trade of fruit. The history of the village of course dates back much further than the colonial era (1895-1945), but the vast majority of its modern development more or less took place during that period and shaped the town as we know it.

These days, pretty much everywhere you go in town, you can see the evidence of the colonial era - from the urban design of the the streets, to the baroque architecture on the Old Street, and the numerous Japanese-style buildings left behind. 

Link: Xinhua Old Street 新化老街 (Spectral Codex)

The rear of the building.

Xinhua’s historic street, like many of Taiwan’s popular “Old Streets” (老街), beautifully displays a variety of ‘Baroque Revival’ and ‘Art Deco’ architectural designs, with beautiful facades dating back to the 1920s.

In almost every case, the historic streets located throughout the country are a reflection of prosperity, and the sense of modernity expressed by the architects of that era, but is also one of the reasons why this Martial Arts Hall is considered so unique.

These days, apart from the Old Street, the Martial Arts Hall has become one of the most popular destinations to visit when in town, but you’ll also find a cluster of Japanese-era dormitories next door and several other colonial era-related buildings, many of which have already been restored (or are currently in the process of being restored).

The First Generation Xinhua Martial Arts Hall (第一代新化武德殿)

A rare uncovered photo of the original Martial Arts Hall

The First Generation Martial Arts Hall in Xinhua was constructed in 1924 (大正13年), and served a dual role as a Martial Arts Hall and a Malaria Prevention Centre. At this point you might be scratching your head and wondering how these two could possibly be related. 

To put it simply, the hall was initially constructed for the local police to practice Martial Arts, but before water treatment and sewage systems were constructed, malaria was an enormous issue for everyone living in Taiwan. In fact, figures show that over ninety percent of the Japanese military deaths during the occupation of Taiwan were due to malaria-related complications - Even one of the members of the Japanese royal family is thought to have fallen victim. 

Known as the Shinka Malaria Prevention Station and Martial Arts Hall (瘧疾防遏事務所並演武場), not much has been recorded about the original building, except that it had a total area of 285 square meters and cost a total of 8,200 yen to construct.

From an article about the opening ceremonies published on October 10th, 1924 in the Taiwan Police Association Magazine (臺灣警察協會雜誌), the building was described as being “beautifully built using carefully selected materials, and was a branch hall (支所) that the local community could be proud of.

In 2010, historic photos of the building were uncovered displaying the original appearance of the building. The photos, which were taken in 1934 (昭和9年) showed that the hall was constructed on a base of reinforced bricks, while the rest of the building was constructed using local cypress. The photos have led historians to hypothesize that the Second Generation of the Building wasn’t a complete rebuild, and when it was constructed they preserved several parts of the original building while improving upon the construction of the exterior and its base.

But if much of the original building was able to be preserved, why was a rebuild even necessary? As you’re probably aware, earthquakes are a common occurrence in Taiwan, and have caused problems for many of its historic buildings. 

In 1931 (昭和6年), the Great Tainan Earthquake (台南大地震), with an epicenter in nearby Shinei/Xinying (しんえいぐん/新營), took place and caused a considerable amount of damage to buildings throughout Tainan Prefecture. Then in 1935 (昭和10年), the magnitude 7.1 Shinchiku-Taichū Earthquake (年新竹–台中地震) dealt the final blow to the original building, forcing the local authorities to commit to a massive reparation project.

 

The Second Generation Xinhua Martial Arts Hall (第二代新化武德殿)

The Second Generation Xinhua Martial Arts Hall was completed only a year after the earthquake in 1936 (昭和11年), and although it retains a relatively similar design to the original hall, the subtle changes that were made allow the building to stand out among all of the remaining Martial Arts Halls in Taiwan today.

It also blends in quite well with the buildings constructed on the old street nearby.

Yes, as you may have already guessed, the Xinhua Martial Arts Hall is unique in that its architectural design features a fusion of Art Deco and traditional Japanese design. 

But I’ll leave the design of the building for a bit later. 

The Martial Arts Hall officially reopened on September 5th, 1936 as the “Shinka Branch of the Tainan Prefectural Butokai Association” (武德會台南支部新化支所演武場), and this time was focused solely on the promotion of Japanese Martial Arts. 

By the late 1930s, the malaria situation in Taiwan had improved considerably and the necessity for malaria treatment centers had already been delineated to hospitals and clinics, which were better suited to deal with the disease than a Martial Arts Hall would have been. 

For the next decade, the Martial Arts functioned as a training centre for the local police.

When the Second World War came to an end and the Japanese were forced to surrender and leave Taiwan, the hall was converted into a dormitory for the Republic of China’s police force.

Later (it seems like) the building was occupied by veterans, who used it as a community centre for the Military Village (眷村) that was constructed in the area surrounding the hall. Unfortunately most of the information about what happened to the Martial Arts Hall between 1945 and 2005 is hit-and-miss, and I don’t really feel like reporting something that isn’t factual, so I won’t go into too much detail about this ‘dark’ period of the building’s history. 

What I can say is that by 2005, the veterans had vacated the military village constructed in the area around the hall and in addition to the Japanese dormitories nearby, the Martial Arts Hall was recognized by the government as a Protected Historic Building (歷史建築), which meant that public funding would become available to restore the buildings and plans were drawn up to do so.

Sliding glass doors at the rear of the building.

Sliding glass doors at the rear of the building.

However, as you can see in the photos in the link below, the hall was still in pretty bad shape when the they were taken in 2008. Likewise, the buildings that had been constructed on the grounds surrounding the hall had yet to be torn down, and it’s fairly obvious from the front facade that the porch was removed at some point. 

Link: 台南新化武德殿 (就是愛趴趴走照)

In 2009, with plans for the restoration of the hall stalled, Typhoon Morakot (莫拉克), one of the deadliest typhoons in Taiwanese history, wreaked havoc around the country and caused a considerable amount of damage, especially in the south. The Martial Arts Hall likewise was damaged, which forced the local authorities to accelerate their plans for a complete restoration of the building.

The light is almost always beautiful in Tainan.

One of the major obstacles to the reconstruction process however was that the people in charge of planning the project had no idea what the original porch of the building looked like. So, a request was put out to people around Taiwan for photos of the original building so that it could be faithfully reconstructed.

It took almost a year, but photos were eventually found and the project finally got underway.

Today the Martial Arts Hall is open to the public and is an enjoyable place to visit while checking out the historic Xinhua Old Street and some of the other destinations in the town. The interior is often used as an exhibition space, but it also continues to play a role as a Martial Arts training centre, which is really great! 

Design (設計) 

As I’ve already mentioned several times above, the Xinhua Martial Arts Hall is a fusion of Western and Japanese architectural styles, with its front facade making it one of the most unique halls of its kind constructed in Taiwan. Its exterior design however isn’t the only aspect that sets this hall apart from all of the others that remain in Taiwan today.

The Martial Arts Hall has an interior space of about 238 square meters (72坪), and an exterior space of around 941 square meters (285坪), which includes the front courtyard and back yard.

While the building doesn’t appear very large from the outside, the interior simply consists of a single wide-open room, making it seem considerably larger from the inside. 

Separating the hall from almost all of its contemporaries around the country, the front facade was constructed with reinforced concrete and designed in the western ‘Art Deco’ style, while also featuring some important Japanese design elements.

What you’ll want to notice is that the porch has been designed using a traditional ‘hafu’ door, essentially a covered porch that opens up to the main doors of the hall. The ‘hafu-style door’ is a popular style of design indicative of Japanese architecture dating back to the Heian Period (平安時代) from 794-1185.

This style of design is a common architectural characteristic found in Japanese castles, temples, and shrines and its inclusion makes the building stand out a lot more thanks to its addition. With this hall though, the porch blends in really well with the European-style facade and the roof, which gives the building a lot more character.

The roof covering the hafu porch.

The roof covering the hafu porch.

The next thing you’ll want to notice about the front facade is the inclusion of the four dormer (oxeye) windows (牛眼窗), located on either side of the porch. This is a style of window was quite popular with Japanese architects of the early 20th century, and in conjunction with the more tradition sliding glass windows below allows for a considerable amount of natural light to enter the building.

The roof of the building was constructed using the traditional Japanese Irimoya-zukuri (入母屋造) style, meaning that it has a hip-and-gable roof with four ridges on the corners. The roof on this hall however is much more simplistic in its design than what you’d expect from a Shinto Shrine or Buddhist Temple, like those that have a similar types of roof such as the Taoyuan Shinto Shrine or the Puji Buddhist Temple in Taipei. 

As a hip-and-gable roof, the ‘irimoya’ style is a combination of the two-sided kirizuma-zukuri (切妻造) on the highest part of the roof, otherwise known as the ridged ‘gable’ and the four-sided yosemune-zukuri (寄棟造), or the ‘hips’ on the lower section.

Interestingly, the roof of the building is one of the aspects of the building’s design that wasn’t altered between the first and second generations, so even those the front facade of the building and the ‘moya’ (母屋) had been completely reconstructed, the size of the roof remained the same.

In most cases with this style of roof, the four hips extend beyond the lower base of the building, but one of the differences in the design of the second generation of the building is that the front facade extends beyond the roof, so they’ve added a extension on the western side of the roof to cover the side doors.

While the roof retains much of its original shape, including the network of trusses on the interior, it has been completely re-tiled on the outside with a fresh batch of grey tiles as well as decorative end-tiles. Even though it isn’t as decorative as some of its counterparts across Taiwan, it does include a complex collection of different pieces that keep it held together. 

Unfortunately, by this point you’re probably already a bit confused, and it is difficult to actually explain each of these parts in an easy to understand way, so I’m including a helpful diagram below that should help you better understand what I’m talking about.

  1. Hiragawara (平瓦 /ひらがわら) - A type of arc-shaped clay roofing tile.

  2. Munagawara (棟瓦 /むながわらあ) - Ridge tiles used to cover the apex of the roof.

  3. Onigawara (鬼瓦/おにがわら) - Decorative roof tiles found at the ends of a main ridge.

  4. Nokigawara (軒瓦/のきがわら) - The roof tiles placed along the eaves lines.

  5. Noshigawara (熨斗瓦/のしがわら) - Thick rectangular tiles located under ridge tiles.

  6. Sodegawara (袖瓦/そでがわら) - Cylindrical sleeve tiles

  7. Tsuma (妻/つま) - The triangular-shaped parts of the gable on the roof under the ridge.

  8. Hafu (破風板/ はふいた) - Bargeboards that lay flat against the ridge ends to finish the gable.

What I will say about the roof is that although it appears to be minimalistic compared to most of the other Japanese-era buildings around Taiwan, it actually isn’t. But one area where there was a missed opportunity with the restoration was on the ‘onigawara’ (Number 3 above) located at the ends of each of the ridges.

At some of the other Martial Arts Halls that have been recently restored, you’ll find that they are decorated with the Chinese character for ‘Budo’ (武), but they’re devoid of any sort of design at this hall.

Likewise the triangular ‘tsuma’ (妻) on either side, known literally as a ‘Mountain Flower’ (山花) here in Taiwan doesn’t include the traditional ‘hanging fish’ known as ‘omogegyo’ (本懸魚), making the triangular section under the gable somewhat plain as you can see in the fourth photo below.

While the base as well as the front facade were constructed using reinforced cement, the other three sides of the building are pretty much what you’d expect from a Japanese building, constructed entirely with beautiful Taiwanese cypress (檜木). The outer walls feature large beautiful sliding windows and allow for a considerable amount of natural light and fresh air to come into the building.

Likewise, to the left and right of the main door on the front side there are two alternate doors, one of which serves as the main entrance to the building today.

For a lot of people, the fusion of architectural designs on the exterior makes this Martial Arts Hall stand out from all of the others that remain in Taiwan - The interior on the other hand doesn’t stray too far from traditional Japanese design, but it is home to something quite unique, and is the envy of all of the other Martial Arts Halls around the country! 

The interior of the hall

As I already mentioned above, the interior of the building has a space of about 238 square meters (72坪), which isn’t all that large, but it is completely open with large windows on every side allowing you to see outside, making it appear visually much larger than it actually is. 

From top to bottom, the interior of the building has been crafted entirely with Taiwanese cypress, so the open roof trusses and the hardwood floor tend to shine when the weather is nice.

And considering it’s Tainan, the weather is pretty much always beautiful. 

Keeping with the simplicity of the interior, there isn’t really much in terms of decoration on the walls - You will however find a small shrine space in the centre of the building where you’ll find displays of a black “Bogu” (防具 / ぼうぐ), the armor used by those practicing Kendo on one side and a white “Judogi” (柔道着 / じゅうどうぎ), the uniform worn by people practicing Judo. In the centre, there is a space with a katana sword on a pedestal, and in the past would have featured the awards that the people who practiced martial arts there had won.

The shrine area in the center of the building.

Looking up, the ceiling is completely open and we are treated to a view of the intricate network of trusses that help to ensure that the heavy roof is held in place. Since we don’t have any photos of the original interior of the building, I can’t tell you if the ceiling was always open like this, but if the other Martial Arts Halls are any indication, its very likely it has always appeared this way. 

One of the best pieces of evidence to argue in favor of the roof having always been open in this way is the inclusion of the munafuda (棟札 / むなふだ), which is placed in the centre of the ceiling.

Munafuda markers are traditionally added to buildings upon completion and display important information about its construction, when it was built, who built it, who paid for it, etc.

The recent restoration has done an excellent job stabilizing the roof, combining modern materials with those used when the building was first constructed in 1924. Interestingly though, in the centre you’ll find a display that points out the location of the original munafuda, (which unfortunately doesn’t exist anymore) as well as a new one, with the addition of the original emblem of the "Dai Nippon Butoku Kai" that reads “武德” and has a bow and arrow below. 

Unfortunately there isn’t much information about these important aspects of the building in English, so I’m translating them below so you’ll know what you’re looking at: 

  1. Placed on March 24th, 1924 (Taisho Year 13) “上棟 - 日本大正13年3月24日”

  2. Placed on September 26th, 2011 (ROC Year 100) “上棟 - 中華民國100年9月26日”

Red ribbons hanging from where the munafuda is located

From both, we can ascertain the date when the Martial Arts Hall was officially established in addition to when it was most recently restored. The addition of the most recent munafuda likewise is a welcome added touch to the restoration that is in most cases is ignored. So, props should be given to those in charge of the restoration of the building for their attention to detail! 

Now, let’s talk about what makes the interior of this Martial Arts Hall unique from all the others that have been restored around the country - The Xinhua Martial Arts Hall is currently the only Martial Arts Hall in Taiwan that features a spring floor (彈簧地板).

The floor originally consisted of ninety springs that were placed on concrete pedestals on the ground beneath it. So when you walk in the building, its normal to feel a bit of a spring in your step as the floor is slightly bouncy in certain areas.

Originally, the entire floor space would have consisted of these spring boards, but due to flooding and moisture over the past eight decades, most of the original springs have rusted and broken.

Four of the original springs however have been preserved and there is a display space with a glass window in the floor where you can check them out. The rest of the floor space features newly constructed springs and makes walking on the floor an interesting experience - and somewhat annoying if you’re trying to take photos!


As I mentioned above, in addition to the Martial Arts Hall, there are a couple of other colonial era buildings to take note of while visiting the Martial Arts Hall. At this point, I’m not going to write about them individually, so I’m just going to offer a bit of an introduction to each of them so that you don’t miss them while visiting!

Civil Servant Dormitories (日式警察宿舍群)

Next to the Martial Arts Hall you’ll find a small cluster of former civil servant dormitories that once housed the local administrative workers in the town. When the colonial era ended they were repurposed as dormitories for the local police, but kept their original Japanese design.

The buildings today (for the most part) have been completely restored and are home to a mixture of ‘public-private participation’ that includes a couple of restaurants and some exhibition spaces about the local indigenous culture. The dorms have also become a popular Instagram photo spot, so you’ll often see quite a few tourists outside taking photos.

These public-private participation partnerships are something that you’ll find is taking place all over Taiwan and has become quite instrumental when it comes to the preservation of historic properties. If you’d like to learn more about how these partnerships are used to help conserve historic buildings in Taiwan, check out the link below: 

Link: The Role Of Public-Private Partnerships In Conserving Historic Buildings In Taiwan

Personally, I’m not as big of a fan of the restoration work that went into them as I am with the Martial Arts Hall. They seem kind of overdone and there are some unsightly (and out of place) modern additions (air conditioners, video cameras, electricity meters, etc) that are stuck in the middle of what would be a beautiful building. 

Air Raid Shelter (防空洞) 

Across the street from the Martial Arts Hall you’ll find a small Air Raid Shelter dug into the ground.

The shelter dates back over eight decades to the colonial era but only about half of the original shelter remains today. You’re free to walk down and check it out and it only takes about half a minute to go in and out.

The shelter would have been used by the civil servants living in the community of dormitories near the Martial Arts Hall during the Second World War when the Americans were bombing Taiwan.

There are some questions about its origin as some argue that it was constructed after the Chinese Nationalists took control of Taiwan. I’m not actually sure why they’d need bomb shelters at the point in time, unless they figured China was about to bomb Tainan. Better safe than sorry I guess.

Getting There 

 

The Xinhua Martial Arts Hall is located within the downtown core of Xinhua and is within walking distance of the historic Old Street.

The downtown core is home to quite a few attractions apart from the Old Street and the Martial Arts Hall, so if you’re in the area you’re probably better off if you just enjoy a walking tour of the town. 

Address: #53 Heping Road, Xinhua District, Tainan (臺南市新化區東榮里和平街53號)

GPS: 23.033238, 120.308855

If you’re driving a car or a scooter, getting to Xinhua is pretty easy, simply input the address or the GPS coordinates provided above into your GPS or Google Maps and your route will be mapped out for you. 

Xinhua is a popular tourist area, so you should be able to easily find parking available along the streets or in some of the paid parking lots. If you are driving a car, I’d recommend not attempting to drive through the tourist section of the Old Street, especially on the weekend as it is narrow and there will be tourists walking everywhere. 

If you’re relying on public transportation to get to Xinhua, you’re unfortunately going to have to either take a bus or a taxi to the town as it isn’t serviced by Taiwan Railways.

Bus

From Tainan Railway Station (臺南火車站)

From the Train Station you’ll want to take the Green Line (綠幹線), Tainan - Xinhua (臺南-新化) bus provided by the Shing-nan Bus Company (興南客運).

From Tainan High Speed Rail Station (臺南高鐵站) 

Your only option from the High Speed Rail Station is to take the free shuttle bus to Tainan Railway Station and then transfer to the bus mentioned above. 

The Martial Arts Hall is closed on Mondays and National Holidays. 

Hours: 09:00 - 12:00, 13:30 - 17:00

I know I’ve said it a few times already, but the Xinhua Martial Arts Hall is one of the most unique of all the historic halls remaining in Taiwan today. The Hall stands out in its architectural design as well as the continued existence of its spring floor, which is actually really cool.

Considering the hall is located in beautiful Tainan, its also a pleasure to visit as Xinhua is a great little tourist town with quite a few things to do. If you plan on visiting the hall, you should probably plan to spend an entire day in Xinhua as there are quite a few things to do while you’re there, with its old street being one of the best that you’ll find in Taiwan!   

References

  1. 大日本武德會 (Wiki)

  2. 大日本武德會 – 從弓術到弓道 (Kyo桑的弓道部落格)

  3. 歷史建築新莊武德殿修復或再利用計畫 (新北市政府文化局)

  4. 台南新化武德殿 (就是愛趴趴走照)

  5. 武德會與武德殿 (陳信安)

  6. 歷史建築─新化武德殿 (超不像老師的新安桑)

  7. 臺灣的武德殿 (Wiki)

  8. 新化武德殿 (Wiki)

  9. 新化武德殿 (Mimi韓の旅行生活)

  10. 新化武德殿 (Betty’s Footprints)

  11. 新化武德殿 (微笑的眼)

  12. 新化武德殿 (台南旅遊網)


Archbasilica of St. John Lateran

Rome is a city like no other - You could spend months, even years there and not even scratch the surface of everything the city has to offer.

Very few travellers however can afford to spend that much time in a city while on vacation. So if you've only got a week or two in the city, you're going to have to plan your trip wisely, right?

When planning my Roma vacation I spent quite a bit of time mapping out where I was going, when I was going and buying all the appropriate tickets.

While planning the itinerary, I made sure to add a few extra stops as 'possibilities' in case we ended up having extra time or if the weather wasn’t cooperating. 

On our last day in the city, I planned for a half-day excursion to the Roman neighbourhood of Trastevere which is just across the Tiber river and away from the main touristy areas of the city.

Trastevere is known for its nightlife, fine dining and bustling atmosphere while also being a bit more laid back and less hectic than other parts of Rome.

Admittedly, one of the main reasons I wanted to visit the area was to visit the restaurant “Roma Sparita” which was gained world-wide attention thanks to Anthony Bourdain’s praise for their unique take on Rome’s favourite pasta “Cacio e Pepe”.

Unfortunately I wasn’t really paying attention to the time, nor the restaurant’s hours of operation and we missed out on lunch service while exploring the area.

Instead we visited a random Trattoria in the area and had yet another amazing meal.

I think every meal I had in Rome was amazing though.

My original plan was to stick around Trastevere all afternoon and then head over to take some night photos of the historic Ponte Sisto bridge before heading back to our hotel.

My girlfriend however had a better idea - Looking at the list of possible places to visit, she thought that time would be better spent checking out the Archbasilica of St. John Lateran. 

Oddly enough, the Archbasillica, which happens to be one of the most important cathedrals in the world as well as also the oldest public church in Rome only happens to be a minor tourist attraction compared to other destinations in the city. 

Which I'm sure you'll agree after reading this blog is a shame. 

History

Dating back to the 4th Century, the Archbasilica of St. John Lateran is the oldest church in Rome and is also the highest ranking of the four papal basilicas. Home of the “cathedra” (throne) of the Roman Bishop, the church acts as the primary cathedral of the Catholic religion and you might be surprised to learn that it outranks St. Peter’s Basilica in the Vatican.

Situated four kilometres away from the Vatican, the archbasilica’s status can be a bit confusing for non-Catholics - It is currently property of the Holy See and enjoys 'extra-territorial' status from Italy but also serves as the “Cathedral of Rome.

To put it a bit more simply: Due to a mixture of history and politics, the church is not currently home to the pope but is still owned by the Holy See but also shared with the people of Rome.

Today it is considered the “mother church” of the Roman Catholic religion and even though the Pope rarely visits, it is still the most important of the four major catholic basilicas and oddly enough its administration falls to whomever is currently the President of the French Republic.

Confused yet?

I guess to sum things up easily we can just agree that when politics and religion get involved with each other, things can be a bit messy.

The land where the archbasilica was constructed was once owned by a powerful family known as the "Laterani's" who were well-known for their service to the Roman Empire with members of the family serving under several different emperors.

Unfortunately for the family, Plautius Lateranus, was accused by Emperor Nero (who was a bit insane) for conspiracy against the empire and all of their property, which included the Lateran Palace was confiscated by the state.

Around the year 312, Emperor Constantine commissioned the construction of a basilica on a plot of land next to the Lateran palace and donated all of it to the Bishop of Rome with the intention of the palace becoming the home of the church and the clergy where they would live for more than a thousand years! 

Over that period of time the basilica has survived several fires and earthquakes and has had to be repaired and renovated on several occasions. Despite a thousand years of fixing leaks and scraping fire damage off the walls, the basilica today remains almost the same as it did when it was originally constructed. 

Two fires in the 1300s in particular though caused an extreme amount of damage to the basilica and the palace next door - The fires forced the popes, who at the time had already taken up residence in Avignon, France to make plans to move to the Vatican.

If you are unaware of the events which forced the Popes out of Rome for most of the 14th Century, you might want to read about the “Avignon Papacy”, the “Western Schism” and the “Anti-Popes”.

When the pope returned from France in 1377, Rome was a ghost town and most of the churches were in ruins. Pope Martin V and his successors started a process of restoration at the basilica which transformed the interior and remodelled the church into what we see today.

Seeing as how the leadership of the church was now living in the Vatican, they found alternate uses for the Latern Palace over the years which included a hospice for orphans, a museum for religious art and later as as storage space for overflow from the Vatican Museum Galleries. During the Second World War, the Lateran became a safe haven for Jewish refugees.

Today the archbasilica continues to play an important ceremonial role within the Roman Catholic Church and also serves as both the Cathedral of Rome and a tourist destination making it a busy place all day and night.

Visitors would do well to take notice of the giant bronze doors of the basilica which were previously used at Curia Julia (The Roman Senate) in the Roman Forum.

You’ll also want to take notice of the statues, mosaics and frescoes which decorate the walls all over the church.

You might also be interested in checking out the 'Altar of the Holy Sacrament' which contains a cedar table that is thought to have been the table used during the Last Supper.

In truth, there’s a lot to see when you visit this basilica - Make sure you have ample amount of time to enjoy your visit

Getting There

 

As I mentioned above, the Archbasilica of St. John Lateran isn’t as popular as some of Rome’s other tourist hot spots. I'm guessing the reason is because of its distance from the city centre.

In truth, its only a 10-20 minute walk from Roma Termini Station, but for some tourists, that might be a bit too much. Personally, I found Rome much more enjoyable as a walking city, so I walked over from Trastevere and then walked back to my hotel.  

If you aren't interested in walking and want to get there quicker, the best way to do that is to take the Rome Metro to ‘San Giovanni’ Metro station. The basilica is more or less across the street. 

There is also a Hop On/Hop Off bus that will take you there, but it’s important to note that not all of the buses go that way, so you’re going to have to check at the bus stop to make sure which bus goes there.

Entrance to the basilica is free of charge and is open to tourists everyday before six.

It is also worth mentioning that before being admitted to the basilica you’re going to have to pass through a security check point. You may not want to bring too much with you when you visit in order to save time!

Like a lot of tourists who visit Rome, I listed St. John Lateran as a “possibility” in case I had some extra time. In retrospect, I think that the it should have been much higher on my list of places to visit. It is a beautiful church that is full of history and is coincidentally the only church on my trip where I actually saw church-related things happening.

If you’ve already finished visiting the Colosseum, the Vatican and Trevi Fountain, I recommend a stop at this beautiful basilica. The history and architecture on display at the Catholic Church’s most important basilica is something I think all tourists should enjoy. 


Trevi Fountain

A visit to Rome is sure to be an action-packed and unforgettable adventure that puts everything you learned in History class to the test - If you were a good student and paid attention in class, you’re bound to appreciate everything you see and do in the ancient city. Don’t worry though, if you weren’t a good student, you’re still going to be awestruck walking around the ancient city and seeing all these amazing things that you've never seen before!  

While buildings like the Colosseum and the Pantheon are some of the main tourist attractions in the city, not everything has to date back over a thousand years to the Roman Empire to be impressive. Rome has always been considered one of the most important cities in the world not only for its former military conquests but also for its culture, art and technological innovations. 

The unparalleled history of the city is one solely of great success and human development but also large scale failures and corruption which have allowed the city to be destroyed or pillaged on a number of occasions. What we see on the streets of the city today is a reflection of that history as there is a healthy mixture of old and new on every street corner. 

The Rome that we know and love today was given new life in the 17th Century thanks to the efforts of a collection of legendary artists, designers and architects during the Renaissance period as well as for a style of architectural design that was born of the city and eventually spread throughout Europe and the rest of the world creating some of the most iconic buildings that we have today. 

What we know today as "Baroque" architecture transformed the decaying city into the beautiful one we see today. In true Roman fashion, Baroque designs promoted grandeur and extravagance and came along at the most opportune time as the city was experiencing its first taste of opulence in nearly a thousand years.

Today the designs of Baroque's elite, Bernini, Borromini and Pietro da Cortona can be seen all over the city thanks to the patronage of the Catholic Church which funded most of the city’s modern renewal. 

When it comes to Baroque art and design, there is no where better to visit than Rome, and the subject of today’s post is just one of the many masterpieces in the city. The Trevi Fountain is considered to be one of the most beautiful fountains in the entire world and is grand not only in size but also its artistic design and if you pay close attention, you'll notice that the fountain is telling you a story - which happens to be the history of Rome itself. 

 History

There are over 2,000 fountains in Rome - more than any other city in the world. Of those fountains, fifty of them are considered monumental and the rest are smaller and are used as public drinking spaces. 

To talk about the history of the Trevi Fountain, or any of Rome’s major fountains, it is important to start with one of the ancient world's most important engineering projects, the aqueduct system, which brought water into Roman cities and towns supplying citizens with drinking water as well as for public baths, latrines, etc.

The aqueduct system is what separated Ancient Rome from any other city in human history as the availability of clean running water allowed it to expand at rates previously unseen becoming the first city to have a population of more than a million residents.

Prior to the construction of the aqueduct system, Rome, like every other city in the world relied on local water sources which included streams and springs as well as underground wells and seasonal rain-water. As Rome grew however, the water supply not only became insufficient but was polluted causing health issues for the residents of the city.  

In 326BC, censor Appius Claudius Caecus commissioned the first of Rome’s aqueducts named the "Aqua Appia" which provided the city with 75,500 cubic meters of water per year. As demand for water continued to grow though, the city was forced to construct ten more aqueduct systems all of which were completed by 109AD.

In total, the eleven aqueducts combined for a length of approximately 800 kilometres (both above and under ground) and supplied the city with 300 million gallons of water a day.

Although the aqueduct system was one of Ancient Rome’s greatest strengths, it was also one of its biggest tactical weaknesses as the water supply became a prime target for the enemies of the empire who on August 24, 410, were finally able to sack the city.

Even though by that time the city had ceased to be the capital of the Western Roman Empire, its loss to King Alaric and the Visigoths was symbolic of the decline of the once great civilization, which would itself cease to exist less than sixty years later. 

For almost a thousand years after the Sack of Rome, the aqueducts which once made the city great had fallen into disrepair or were completely destroyed.

In the 14th Century Pope Nicholas V made it his mission to restore Rome and make it a ‘worthy capital of the Christian world.'

One of the projects undertaken by the Pope was to rebuild the Acqua Vergine to bring clean drinking water into the city. As part of this project he also decided to revive the old custom of marking the arrival point of an aqueduct with a ‘mostra’ or a grand commemorative fountain.

Over the next few centuries, successors to Pope Nicholas V continued the work of restoring the other aqueducts as well as remaining committed to building large display fountains at at their terminal locations, despite the high cost. 

The Trevi Fountain or ‘Fontana di Trevi’ was constructed at the terminus of the Acqua Vergine and is the largest and most spectacular of all of Rome’s commemorative fountains. 

In 1730, Pope Clement XII organized a competition to design the future fountain. The contest was originally won by a Florentine named Alessandro Galilei, but the people of Rome were none too pleased with the fact that a Roman wasn’t chosen, so after public outcry the commission was awarded to Nicola Salvi who began construction on the fountain two years later.

It took over thirty years to complete work on the Trevi Fountain, but halfway through its construction Salvi died leaving the rest of the work to Giuseppe Pannini who completed the 85 foot tall and 165 foot wide fountain in 1762. 

Design

According to legend, Roman General Agrippa sent out a group of soldiers to search for a water source near Rome. The soldiers spent a considerable amount of time searching but the spring could only found with the help of a local (virgin) girl pointed it out to the soldiers.

The young virgin thus became not only the namesake of the "Acqua Vergine" (Aqua Virgo) but also one of the subjects of the design of the Trevi Fountain.

The central figure on the fountain is a large sculpture of Neptune or “Ocean”, the god of the sea who is riding a shell-shaped chariot pulled by two sea horses. Each of the sea-horses differs in design as one appears to be calm and obedient while the other is restive - which is thought to symbolize the calm yet sometimes violent nature of the sea.

On either side of Neptune are statues representing “Abundance” (left) and “Salubrity” (right). Above each of those statues are reliefs which depict Agrippa, the general who built the aqueduct on the left while the relief on the right pays homage to the virgin who brought the soldiers to the water source.

Above those reliefs are statues of four women who represent the four seasons with Pope Clement XII’s coat of arms above them and a plate of text between them which reads:

CLEMENS XII PONT. MAX. AQUAM VIRGINEM COPIA ET SALUBRITATE COMMENDATAM CULTO MAGNIFICO ORNAVIT ANNO DOMINI MDCCXXXV PONT VI

Translated into English: “Clemens XII Pontifex Maximus (Pope) decorated the Virgin Aqueduct and Committed it with Abundance and Salubrity to the magnificent cult in the Year of the Lord 1735, 6th year of his Pontificate.”

If you look closely enough, the fountain is also home to over thirty species of plants that are native to the region as well as some animals and sea creatures.

So what makes this fountain a masterpiece of baroque design? The fundamental characteristic of Baroque art is dynamism, which means that there should be a sense of motion with strong curves and beautiful decorations.

Now, if you look at the fountain, the most important thing to notice is the sense of motion. The water flowing from the mountain makes it seem as if Neptune is riding his shell towards you. If you look at it long enough, it gives off a 3D-like effect, which is quite an amazing design technique for the 1700s.

Not only are the sculptures masterfully crafted, but the sense of motion defines the fountain in a way that moves almost each and every person who views it. This is why it is a masterpiece and is why it had set a standard that has never been surpassed.

The fountain which is built against the rear wall of the Palazzo Poli is constructed of travertine, the same material which was used to construct Rome’s most famous landmark - The Colosseum. Today the Palazzo Poli is a modern art museum, but its popularity is obviously trumped by the fountain which is one of the most widely visited landmarks in the city. 

The fountain underwent a year-long restoration project between 2014-2015 which most notably included the careful installation of more than 100 LED lights. The lights improved the after-dark illumination of the fountain and was done in such a thoughtful way that the new technology added to the design of the fountain.  

If you are in Rome and you plan to check out the fountain, don’t just visit once. Check it out during the day and also at night when it is illuminated by the lights.

Throwing a Coin?

People everywhere

While visiting Trevi Fountain, you are going to have to put up with large crowds of people, especially during the summer when it is high season. The amount of people crowded around taking photos in such a small space can make it a bit difficult to get up close and personal for you own photos. When you do get close enough though, something you are going to notice is that people are throwing coins into the fountain.

Making a wish at a fountain is tradition that is practiced all over the world, but at the Trevi Fountain there is a legend that goes a little like this:

  • If you throw one coin into the fountain: You will return to Rome.
  • If you throw two coins into the fountain: You will fall in love with an Italian.
  • If you throw three coins into the fountain: You will get married to that person.

If you want any of these wishes to come true however you must use your right hand to throw the coin over your left shoulder and into the water. If you are looking for love, a three euro donation to the fountain might be a good idea! I figured a return trip to the beautiful city was what I wanted most, so I only threw one coin!

Coincidentally with the amount of tourists that visit the fountain, the staff are able to fish out well over a million euros every year - which is then donated to fund a supermarket for Rome’s needy. 

Getting There

Rome is a walking city, no matter where you’re staying in the city, pretty much everything you’ll want to see is within walking distance. It gets hot during the summer though, so for those who don’t really feel like walking around all the time, you can get to Trevi Fountain on Line A (Red) of the Rome Metro and exiting at Barberini Station.

 

Address: Piazza di Trevi, 00187 Rome, Italy

While in the area you should probably get some Gelato at the famous “Il Gelato di San Crispino” which is a short walk behind the fountain or make your way to other sites like Piazza Colonna, Piazza di Spagna & the Spanish Steps, Piazza Barberini, the Pantheon, etc. which are all a short distance away.

When in Rome, you’re likely going to have an action packed schedule of things to see and places to go. It should be no surprise that the Trevi Fountain usually ends up near the top of everyone’s list - Not only is it the most beautiful fountain in the world, but unlike a lot of other tourist attractions in the city, it doesn’t cost you anything to visit - unless of course you decide to make a wish!