Chiayi Train Station (嘉義驛)

Chiayi, is one of those special places in Taiwan that everybody just seems to love. Sure, it often gets overshadowed by its neighbor to the south, Tainan, but similar to Tainan, Chiayi is home to a plethora of historic places to visit, and is home to some of Taiwan’s most well-loved dishes. One of the other similarities that the two cities share, however, is that in recent years, the younger generation, most of whom migrated north to Taipei (or elsewhere) for better opportunities have returned, and they’ve brought with them a really cool hipster vibe that both cities have been more than happy to cash in on, bringing about exponential increases in domestic tourists.

Sometimes when these things happen, its just a stroke of luck, but in Chiayi’s case, I’d argue that it was also excellent timing. The young people from the area saw what was taking place in Tainan, with all of the restaurants and coffee shops opening up there, and thought, why can’t the same thing be done at home in Chiayi? Fortunately, when they returned, they also found themselves with a very willing partner in the local city government, which had invested considerably in the city’s historic properties, making them tourist-friendly, as well as improving the city’s public transportation infrastructure, which makes it even easier for people from all over the country to visit.

When Netflix’s “Street Food: Asia” series was released, to the surprise of no one, cities that are traditionally known for their food scenes, such as Bangkok, Osaka, Delhi, Seoul and Singapore were featured. Amazingly, though, both Taipei and Tainan, which usually hog all the limelight, were skipped, and the series featured a heartwarming story about Chiayi, its street food scene, and a special focus on how the younger generation returned and helped to bring the city back to life. For a lot of people, Chiayi was always just the gateway to the spectacularly beautiful Alishan National Forest Recreation Area, but thanks to the Netflix series, and the contributions of the local government and young entrepreneurs, the city currently provides visitors with a lot more incentive to stick around for a while.

Throughout all of the changes that have taken place in Chiayi in recent years, one of the things that has remained constant, at least for the past century or so, is the means by which most visitors arrive in the city. The city just so happens to be home to one of the few of Taiwan’s major Japanese-era railway stations that remains in operation today. The station, which is absolutely beautiful, is one of the city’s most iconic buildings, and whenever you see an image promoting Chiayi, the station is likely to feature prominently as it so well-known and well-loved.

Suffice to say, if you’ve been following the articles published on this blog over the past few years, you’re likely well-aware that the railway is an incredibly important aspect of everyday life in Taiwan, and has been instrumental in fueling the nation’s rapid development. However, as the country around it has developed, the railway has also had to constantly evolve to meet the needs of the ever-changing population. Sadly, the modernization of the railway has meant that most of the other major Japanese-era stations in Keelung, Taipei, Changhua, Kaohsiung and Pingtung have succumbed to the changing environment, while only the stations in Hsinchu, Chiayi and Tainan remain in operation.

But for how much longer is the real question.

Link: Taiwan’s Remaining Japanese-era Train Stations (台鐵現存日治時期車站)

Fortunately, we’ve entered a period in Taiwan’s national development where citizens actively pay a lot more attention to the preservation of the nation’s heritage buildings, so local governments, in partnership with the national government are held accountable in ensuring that public funding is made available for both their protection and preservation. Thus, when it came time for the historic Taichung Railway Station to be phased out of service, the local government preserved the station and created an absolutely beautiful railway culture park next to the new station, which has become an incredibly popular tourist attraction within the heart of the city.

Link: Taichung Train Station (臺中驛)

While Chiayi’s historic station remains in operation today, that situation is ultimately going to change as the railway within the city is going to go through the same type of modernization as has taken place in Taichung, which will help to ensure faster and more efficient travel times for passengers. When that happens, you can be sure that when this station is phased out, plans will be made to mirror the success of Taichung’s Railway Culture Park, with efforts already underway to coordinate the future park to include the Alishan Forest Railway Garage Park (阿里山森林鐵路車庫園區) and Beimen Station (北門車站), which will make for one of Taiwan’s largest railway culture parks.

Today, though, I’m going to introduce Chiayi Station as it is now, introducing you to its history, and its architectural design so that you can better understand this significant piece of Taiwan’s history.

Kagi Station (嘉義驛/かぎえき)

To introduce the history of the railway station, I’ll have to start by offering a bit of a backstory of events leading up to the arrival of the Japanese in Taiwan, and the development of the railway, which ushered in an era of modernity, development, and economic opportunity. The railroad not only offered the people of Taiwan with a means of public transportation, but allowed for the transport of goods and services allowing for a level of connectivity that the residents of Taiwan had yet to experience. While there were obvious benefits for the residents of the island, the railroad also became an instrumental tool that helped to fuel the fledgling empire’s goal of extracting the island’s precious natural resources, and there are few places in Taiwan where that was more evident than in Chiayi.

The history of the railway in Taiwan dates back as early as 1891 (光緒17年), just a few short years prior to the Japanese take over of the island. The railway project turned out to be one of the most ambitious development projects undertaken by the Qing government, under the leadership of then governor, Liu Mingchuan (劉銘傳). The Qing-era railway stretched from the port city of Keelung (基隆) to Hsinchu (新竹), but even though the project was led by foreign engineers, the final result turned out to be rather rudimentary, and ultimately came at far too high of a cost for the Qing to continue financing. Given that the Qing never particularly cared very much about developing the island, the high cost of the construction of the railway, and the fact that they were also preoccupied with war (and revolution), the project wasn’t particularly a serious one.

The Qing Dynasty was established during a period when China’s previous rulers had become far too weak to contend with the constant rebellions and civil disorder that were erupting around the country. Then, a hundred years later, in what may seem like a case of history repeating itself, by the late 1800s, Qing rule had similarly become incompetent, and corruption was rife throughout the country. The corruption that was prevalent throughout China’s bureaucracy not only prevented the Qing from modernizing its military, but also resulted in some diplomatic missteps that ultimately led to war with Japan, which itself was going through its Meiji Revolution (明治維新), and was in the process of transforming itself into a major military power. That war, known today as the first ‘Sino-Japanese War’ (1894-1895), ended about as quickly as it began, resulting in considerable embarrassment for the Qing rulers, who were completely unprepared to wage war against a much better, modern equipped Japanese military.

The war ultimately shifted the balance of power in Asia from China to Japan, and ultimately became the catalyst for revolution in China, which would within a little over a decade bring imperial rule to an end. Unable to compete with might of the Japanese military, the Qing elected to negotiate for peace, just a little more than six months into the war, formally ending with the signing of the Treaty of Shimonoseki (下関条約). Most notably, the key stipulations of the treaty were that China would be forced to recognize the independence of Korea (which until that time had been a tributary state), and that Taiwan and the Penghu Islands would be ceded to Japan, in addition to paying reparations that amounted to 8,000,000 kilograms of silver.

Shortly thereafter, the Japanese set sail for Taiwan, landing in Keelung on May 29th, 1895. Upon arrival, Japanese forces were met with fierce resistance from the remnants of the Qing forces stationed on the island, local Hakka militias, as well as indigenous groups. Over the next five months, the Japanese made their way south fighting a guerrilla war that ‘officially’ came to an end with the fall of Tainan in October. That being said, even though the military had more or less taken control of Taiwan’s major towns, the insurgency against their rule lasted for quite a while longer, resulting in some brutal massacres against the people of Taiwan. Nevertheless, similar to the war with China, the superiority of the modern Japanese military easily dispatched the local armies. The campaign to take control of Taiwan, however, taught the Japanese a hard, yet valuable lesson, as figures show that over ninety-percent of the Japanese military deaths during those first few months were mostly due to complications related to Cholera, Dengue Fever, and Malaria.

Link: Disease and Mortality in the History of Taiwan (Ts'ui-jung Liu and Shi-yung Liu)

History has shown that for the majority of time that the Qing controlled Taiwan, they were mostly uninterested in the island referring to it as a "ball of mud beyond the sea" which added "nothing to the breadth of China" (海外泥丸,不足為中國加廣). The hostile environment on the island was likely one of the reasons why they were so ambivalent about doing much during their time here, but that probably wasn’t something they were actively reminding the Japanese about prior to their arrival. Learning this the hard way, the Japanese were intent on addressing these issues, which had plagued Taiwan for much of its modern history, especially since they were invested in extracting the island’s vast treasure trove of natural resources.

To accomplish that mission, they would first have to put in place the necessary infrastructure for combating these diseases.

In Actuality, it would take several years for the Japanese to fully take control of Taiwan, and their losses were quite heavy, however, it would be the people of Taiwan who suffered the most, especially with the heavy-handed tactics that the Japanese took to suppress dissent to their rule. That being said, when the dust of war settled and the island started to develop, living standards on the island in turn started to improve, and the frequency of rebellions decreased.

For the Chiayi area, one of the major turning points in the city’s history came in 1906 when the Meishan Earthquake (梅山地震), the third deadliest earthquake in Taiwan’s history reduced the town to rubble. In response, the government quickly dispatched military and medical personnel to the area to assist in recovery efforts. As a major economic center for agriculture, timber and sugar, and Taiwan’s fourth-most populated town at the time, the colonial government placed a considerable amount of attention on the urban development of the city, and the response of the Japanese authorities to the earthquake in regard to both their humanitarian efforts and the reconstruction of the town was something that brought people together in a way that after a decade of violence, many people would have imagined unlikely. The earthquake may have devastated the city, but despite all the suffering and destruction it caused, it also brought with it opportunity, as reconstruction allowed the government to alter the town’s urban planning structure and developed it at such a rapid pace, that it started to flourish as it never had before.

An elderly couple enjoying the famed railway bento while waiting for the train!

Note: Let me take a minute to explain the terms I’ll using here for the town, and the station, so that you don’t get too confused. The area we refer to today as “Chiayi” (嘉義) was originally known either as ‘Tsulosan’ or ‘Tirosen' (諸羅山) in the local indigenous language, and slowly started being settled by Hokkien immigrants from Fujian during the Qing Dynasty. As I referred to earlier, the Qing, though, weren’t all that interested in Taiwan, and in addition to the pejorative phrase used to describe Taiwan above, they also had another saying about Taiwan, that translated literally was "every three years an uprising; every five years a rebellion" (三年一反、五年一亂), referring to the constant civil strife in Taiwan with regard to their governance, or lack thereof.

One of the most well-known of those uprisings was the ‘Lin Shuangwen Rebellion’ (林爽文事件) in 1786, which ended up being one of the more successful attempts at ridding Taiwan of Qing influence. It was during this time that the residents of Tsulosan banded together and fought bravely to defend their town from Lin’s militia, and when the rebellion finally came to an end, Emperor Qianlong (乾隆皇帝) rewarded the people of the town by changing its name from the original indigenous name, to “Chiayi” (嘉義), which pronounced in Hokkien as “Kagi”, and is literally translated as “Commended Righteousness.”

When the Japanese arrived in Taiwan, the name of the town was one of the few that didn’t have to be changed, because the Hokkien pronunciation and the Japanese pronunciation were exactly the same. So, the area was more or less referred to as “Kagi” (嘉義 / かぎし) from 1787 to the late 1940s when it was officially changed to its Mandarin pronunciation of “Chiayi,” although most of the area’s residents are likely still to refer to it as Kagi.

One of the colonial government’s first major development projects got its start shortly after the first Japanese boots stepped foot in Keelung in 1895. The military had brought with them a group of western-educated military engineers, who were tasked with bringing the existing Qing-era railway back online, as well as coming up with proposals for the extension of the railway across the island. As the military made its way south, the engineers followed close behind surveying the land for the future railway. By 1902, the team came up with a proposal for the ‘Jukan Tetsudo Project’ (縱貫鐵道 / ゅうかんてつどう), otherwise known as the ‘Taiwan Trunk Railway Project,’ which would have a railway pass through each of Taiwan’s established settlements, including Kirin (基隆), Taihoku (臺北), Shinchiku (新竹), Taichu (臺中), Tainan (臺南) and Takao (高雄).

Link: Taiwan Railway Museum (臺灣總督府鐵道部)

Construction was divided into three phases with teams of engineers spread out between the ‘northern’, ‘central’ and ‘southern' regions of the island. Amazingly, in just four short years, from 1900 and 1904, the northern and southern portions of the railway were completed, but due to unforeseen complications, the central area met with delays and construction issues. Nevertheless, the more than four-hundred kilometer western railway was completed in 1908 (明治41), taking just under a decade to complete, a feat in its own right, given all of the obstacles that had to be overcome. To celebrate this massive accomplishment, the Colonial Government held an inauguration ceremony within the newly established Taichung Park (台中公園) with Prince Kanin Kotohito (閑院宮載仁親王) invited to take part in the ceremony.

The Japanese government at the time touted the completion of the railway as a major accomplishment that would usher in a new era of peace and stability in Taiwan, and one that would help to bring about a period of modernization, and economic stability to the people of the island, and for the most part, they were right about that.

As mentioned earlier, the northern and southern portions of the railway were completed the fastest, with the engineers having the most trouble with the central region, mostly in Taichung, due to the necessity for the construction of several bridges. The southern section, originally between Kaohsiung and Tainan opened for service in 1900, and just two years later, the railway was extended to Kagi, where the First Generation Kagi Station (第一代嘉義驛) officially opened on April 20th, 1902 (明治35年). The opening of the station would be instrumental in connecting one of southern Taiwan’s largest settlements, but also for the colonial government’s future plans to start extracting natural resources from the Alishan Mountain region.

First Generation Kagi Station (第一代嘉義驛)

Prior to the completion of the main line, construction on the Alishan Railway commenced in 1907, with a terminus for the branch line at Kagi Station. That being said, the construction of the railway, which is now considered to be one of the most beautiful rail lines in the world, met with considerable financial difficulties and delays. Nevertheless, the 86km branch railway was completed in 1913, and offered not only passenger service access to the Alishan region, but was instrumental in the extraction of the area’s prized cypress.

It should be noted, however, that what often gets overlooked in discussions about the history of Kagi Station is that the station wasn’t solely home to the Alishan Forest Branch Railway. There were also other branch railways that connected to Kagi Station, most of which traveled west toward the communities closer to the coast, in what we now refer to as Chiayi County. These branch railways offered passenger services, but were for the most part privately run enterprises belonging to the various sugar factories operating in the region, but made use of Kagi Station for purposes of transporting freight.

Photo from the skywalk to the rear of the First Generation Kagi Station.

After a few decades of use, the First Generation Kagi Station had become far too small for the community that had grown around it, as well as for the amount of freight passing through, so the expansion of the station and the railway became necessary. The station we know today, the Second Generation Kagi Station (第二代嘉義驛) was completed in 1933 (昭和8年), and was considerably larger than its single-story wooden predecessor. The new station, designed by architect Ujiki Takeo (宇敷 赳夫/うじき たけお) was constructed in a style that was considered to be quite contemporary for its time, and displayed just how much Taiwan had progressed in the few short decades since the Japanese took control of the island.

Japanese-era photo of the Second Generation Kagi Station

Just to give you a better indication of architect Ujiki Takeo’s contributions to Taiwan, he was also the mastermind responsible for Tainan Station (臺南驛), Taihoku Station (第三代台北驛), Tai’an Station (泰安驛), Kagi City Hall (嘉義郡役所), the Taipei Railway Workshop (臺北機廠), and the Shinchiku Prefectural Library (新竹州圖書館), among others.

When the new, much larger station was completed, it was part of an urban development plan that transformed the face of the downtown area of Kagi, with a number of beautifully designed civic buildings and industrial buildings nearby, making the station the literal beating heart of the ever-growing city. That being said, the importance of the station to the residents of Kagi is something that evokes both positive and negative memories.

To this point, I’ve only focused on the events that took place regarding its construction, but it has to be noted that when the Japanese surrendered control of Taiwan at the end of the Second World War, the regime that took over used the station’s importance to make a bit of a point to the people of the town about how much they were willing to put up with. By now, most people who have studied Taiwanese history have learned about the terrible events that took place during the February 28th Incident (二二八事件), something which is now commemorated as an annual national holiday in Taiwan.

However, some of the things that happened during this infamous moment in Taiwanese history aren’t very well-told, and the ‘Kagi Station Incident’ might only be one that lingers in the memories of the residents of the city. Essentially, what took place was that in 1947, the Chinese Nationalist Military found itself trapped within the Chiayi Airport, due to protests from local residents because of what was taking place in other parts of Taiwan.

One of the Kagi’s most influential citizens, famed painter and politician, Tan Teng-pho (陳澄波), partnered with a group of the city’s other well-known residents and formed the ‘February 28 Incident Committee’ (二二八事件處理委員會), and after much debate came to the conclusion that they would approach the military under the banner of peace in an attempt to mediate a solution to the conflict. Things didn’t go as planned, though, and instead, they were arrested, and once the military was able to make its way out of the airport, members of the committee were forced to march from the local police station to Kagi Station, where they were then executed in front of a crowd of people. The military and the police forbid family members from removing their corpses, and their bodies ended up being left rotting in the square in front of the station for three days as a warning to the residents of the city not to mess around.

Bloodstained Station Square (血染車站廣場) by Ouyang Wen (歐陽文)

In what has become a well-known work of art depicting what happened, artist Ouyang Wen (歐陽文), a resident of Chiayi, and an eventual political prisoner himself, depicted Tan Teng-pho and others being shot from the back of a truck by Nationalist soldiers. Sadly, this was just one example of the atrocities that the people of Taiwan had to endure during the long-period of martial law, known as the White Terror Period (白色恐怖) that followed.

Over the next half century, ‘Chiayi Station’, as its now known, has overseen considerable changes as the city has grown around it. Not only has the city grown and continued developing, but the railway has as well, with efforts constantly being made to modernize the network. That being said, the station has also overseen long periods of economic stagnation as both the timber and sugar industries that once made it an economic powerhouse have declined. The Alishan Forest Railway has been converted into a passenger-only service, and the massive network of sugar railways that once connected to the station have (for the most part) all been torn up.

With the decline of both of these industries, which were the rocket fuel of Chiayi’s urban and economic development through both the Japanese-era, and the early years of the post-war era, the necessity for freight service out of the city had also declined. While the original freight and military rails remained in place for several decades, they were finally officially put out of service in 2023 and in the time since, construction work has started to have those sections of the railway torn up, in order to prepare for the future elevation of the railway.

Link: Chiayi Urban District Elevated Railway Project (嘉義市區鐵路高架化計畫) (Wiki)

With plans to have the railway elevated off of the ground, and the eventual construction of an MRT system within the city, there will be a considerable amount of investment in the city’s public transportation over the next several decades, and in a situation similar to what happened with Taichung’s historic Japanese-era station, Chiayi Station as we know it today will be retired within the next few years. When that happens, the station will likely undergo a period of restoration, and then re-open to the public as a railway culture park of some sort.

However, since construction projects like this in Taiwan are notorious for their delays, it’s difficult to say when the historic station will see its last day of service, but as I mentioned in my introduction earlier, if you want to enjoy the station in its original glory, now is the time to visit. Try your best to get there as soon as you can so you can enjoy both the beautiful city, and its historic station!

Before I move on to detailing the architectural design of the station, I’ve put together a condensed timeline of events in the drop-down box below with regard to the station’s history for anyone who is interested:

    • 1895 (明治28年) - The Japanese take control of Taiwan as per the terms of China’s surrender in the Sino-Japanese War.

    • 1896 (明治29年) - The Colonial Government puts a team of engineers in place to plan for a railway network on the newly acquired territory.

    • 1900 (明治33年) - The first completed section of the Japanese-era railway opens for service in southern Taiwan between the port town of Kaohsiung and Tainan.

    • 1902 (明治35年) - After years of planning and surveying, the government formally approves the Jukan Tetsudo Project (縱貫鐵道 / ゅうかんてつどう), a plan that will connect the western and eastern coasts of the island by rail.

    • 1902 (明治35年4月20日) - The First Generation Kagi Station opens for service along the southern portion of the railway.

    • 1906 (明治39年) - On March 17th, the Great Kagi Earthquake (嘉義大地震), with an epicenter in Meishan (梅山) leveled much of what had been constructed in the area.

    • 1907 (明治40年) - Construction of the Alishan Railway (阿里山林鐵) commences.

    • 1908 (明治41年) - The 400 kilometer Taiwan Western Line (西部幹線) is completed with a ceremony held within Taichung Park (台中公園) on October 24th. For the first time, the major settlements along the western coast of the island are connected by rail from Kirin (Keelung 基隆) to Takao (Kaohsiung 高雄).

    • 1913 (大正2年) - The 86km Alishan Forest Railway (阿里山線) between Kagi Station and Shohei Station (沼平驛 / しょうへいえき) is completed and opens for service.

    • 1933 (昭和8年) - The Second Generation Kagi Station, designed by Ujiki Takeo (宇敷 赳夫/うじき たけお) opens for service.

    • March 2nd 1947 (民國36年3月2日) - Due to a violent conflict between the residents of Chiayi and the Chinese Nationalist military, which found itself trapped within the Chiayi Airport, several local residents, including famed painter and politician Tan Teng-pho (陳澄波) formed the ‘February 28 Incident Committee’ (二二八事件處理委員會) and approached the military in an attempt to mediate a peaceful solution to the conflict, but were instead arrested.

    • March 25th 1947 (民國36年3月25日) - Tied up with wire, the arrested members of the committee were forced to march from the local police station to the train station and were then publicly executed with members of their families forbidden from removing their corpses, which were left in the square in front of the station for three days as a warning to the residents of the city.

    • 1988 (民國77年) - A statue of Wu Feng (吳鳳), a historic figure who had attempted to ‘civilize the natives’, located near the entrance of the station, was beheaded by members of the local indigenous community as he had been propped up by the Chinese Nationalists as a national hero, but was a constant reminder of the historic racism and stereotypes that the indigenous people of Taiwan have been forced to endure.

    • 1998 (民國87年) - Chiayi Station is recognized as a Chiayi City Protected Heritage Property (市定古蹟) on October 15th.

    • 2007 (民國96年) - With the completion of the High Speed Railway, the Chiayi City government also establishes a bus network that connects the two stations.

    • 2017 (民國106年) - The area in front of the station is cleaned up and a station beautification process is undertaken.

    • 2023 (民國112年) - The non-passenger ‘platforms’ that were used for freight trains and military transport are phased out of service in order to make way for the planned elevation of the railway running through Chiayi City.

Architectural Design

As you saw in some of the historic photos provided above, for the first three decades of its existence, Kagi Station, like almost all of the ‘first-generation’ stations constructed across Taiwan, was a simple, traditionally designed wooden building. However, unlike the few Japanese-era stations that you’ll find remaining in operation today, this one was considerably larger.

If you’ve been reading my articles for any period of time, you’re likely to have noticed that I tend to focus on the more traditional-looking Japanese-style buildings, most of which were constructed with timber, and even though the Second Generation Kagi Station we know and love today is quite beautiful, the historic photos of its predecessor are the kind of thing that make you wish time travel were possible.

It would be amazing to be able to take photos of it in its original glory.

That being said, after three decades of earthquakes, typhoons, termites, and ultimately, changes in the demographics of the city, an upgrade became necessary. Coincidentally, by the time that planning started for the second generation Kagi Station, other major stations around the island were also receiving major upgrades, in most cases, due to the reasons mentioned above, but also for more practical reasons as well.

Far away from Taiwan, back on the Japanese mainland, the devastating Great Kanto Earthquake (関東大地震) in 1923, completely changed the Japanese mindset regarding construction. All of the work that had been done throughout the Meiji and Taisho eras, developing Japan into a modern nation had been reduced to rubble in a matter of minutes and due to the frequency of earthquakes, the Japanese government started to take building safety much more seriously. This was a period when ‘earthquake-proofing’ structures became paramount and as it happened, the colonial government had developed Taiwan to the point that the materials required for constructing buildings with reinforced concrete had become readily available, and considerably more affordable. Thus, many of the civic buildings and train stations that were constructed in the aftermath of the Kanto earthquake started to adapt to this method of construction as safety and longevity became paramount.

Note: Although the Second Generation Kagi Station was completed in 1933, earthquake-proofing in Taiwan didn’t actually became the law of the land until the Governor General’s official building-standard codes came into effect after the Shinchiku-Taichu Earthquake (新竹台中地震 / しんちくたいちゅうじしん) of 1935 (昭和10), which caused tremendous damage around the island.

Ujiki Takeo (宇敷 赳夫/うじき たけお), an architect, who, shortly after his graduation from Nagoya Higher Technical School (名古屋高等工業學校), was commissioned by the Taiwan Governor General’s Office to come to Taiwan to work with the colonial government’s design team. Coincidentally, his father, Ujiki Keiichi (宇敷敬一), came to Taiwan almost a decade earlier, working in various departments prior to the arrival of his son in 1916 (大正5年). During his time in Taiwan, Takeo was shifted around a few times between different departments, working closely with Shinchiku Prefecture (新竹州), Tainan Prefecture (臺南州), and then with the Railway Bureau (鐵道部) as an architect. As noted earlier, Ujiki became an incredibly accomplished architect here in Taiwan, designing some of the era’s most beautiful buildings, several of which remain standing today.

Ujiki’s work, especially the buildings he designed for the railway, differed from the original classic architectural designs reserved for train stations, and instead made use of the European Art Deco architectural style. While not entirely European in design, Ujiki often fused with elements of Japanese style of design, creating what the Taiwan Architectural Society (臺灣建築會誌) referred to at the time as “Modern Revival Style” (近世復興式).

What’s common among the major railway stations that were designed by Ujiki, which most notably include the Third Generation Taihoku Station (第三代臺北驛), Second Generation Tainan Station (第二代臺南驛), and Kagi Station (嘉義驛), the latter two of which remain in operation today, follow his ‘Modern Revival Style’ of design. By the 1930s, the Art Deco style of architectural design had become quite popular throughout Europe and North America, and was a style of design that likely showed up at the right time given the national scars that Japan had endured due to massive earthquakes on the mainland as well as in Taiwan. Buildings constructed in this style were constructed with steel-framed reinforced concrete and were characterized by their clean lines, rectangular forms, with little to no decoration on the facades, which was a stark contrast from the Art Nouveau and Baroque styles that were quite popular with Japanese architects in the early years of the Japanese-era.

In what would have been a stark contrast from what people were used to at the time, the Second Generation Kagi Station was constructed quite faithfully to Art Deco architectural design characteristics. It featured a large box-like main hall, with wings on both its eastern and western sides. The building’s walls were smooth, featured very little in terms of decorative design, and had mostly flat roofs, in what was meant to emphasize classical symmetrical design. While not entirely decorative in nature, the main hall of the station is characterized by its five large arched windows on the front as well as on the rear. Although they do add a decorative element to the building’s design, they’re also quite functional in that they allow for a considerable amount of natural light within the interior of the main hall. Directly above the largest window in the center of the building, you’ll find a clock, which has been part of the building’s design for more than ninety years, and unlike the clock tower that was removed from the historic Taichung Station, its not only still there, but it still works as well.

One of the things you’ll notice about both the entrance to the main hall, and the area where you go through the turnstiles to the platform is it's odd-shape, which is unlike any other railway station in Taiwan. The entrance is not only wide, but it’s also geometrically curved at the top. The border of the entrances features specially-molded curved bricks that were fired in Beitou (北投素燒面磚), which are noticeable, because they are also featured on the edges and borders of the building in the areas where the walls aren’t white washed stone. The combination of the two gives the building its iconic white and orange appearance, which is also quite unique among Taiwan’s railway stations. The clever thing about the shape of the door, with the assistance of the windows, is that during the right time of day, the light that comes in through both the entrance and the windows creates a path of light in the direction of the turnstiles, which if you know anything about the meticulous attention to detail of Japanese architecture, was entirely on purpose.

The interior space of the building is something that has changed considerably over the decades, but as I’ll mention a bit later, now that it has been cleaned up, it has more or less returned to its original interior design. The interior walls are painted with white stucco, which assist in making the space quite bright with the natural light coming in through the windows. The space was set up into different sections with only the Ticket Booth (出札室), a luggage room (赤帽室), and a canteen (賣店) located within the main hall. The western-wing was where you’d find a large Waiting Area (參等待合室), and the area where passengers would exit upon arrival.

The eastern wing, on the other hand, was a little more complicated as it also featured a Waiting Area (壹貳等待合室), but a VIP Waiting Room (特別待合室) that had a special side entrance (特別玄關), and its own special platform gate. It also featured a staff room (給仕室), and public restrooms (用便所與化粧室) for men and women.

Even though the interior design has recently been cleaned up, it’s important to note that there are still considerable differences from the original 1933 design, but that’s to be expected after so many years. The luggage room, for example, was at some point transformed into the ticket booth for the Alishan Forest Railway line, but they’ve since moved it elsewhere, and the area is currently unused. Similarly, the waiting rooms on both the eastern and western wings have been filled. Instead of providing an open space with seating for passengers, the western wing has tourist information booths, and the eastern wing currently has a Family Mart convenience store, which I’m assuming also makes use of the former VIP space as a rear entrance for deliveries.

Space within the Main Hall has remained relatively the same, but the canteen space has been removed, and was originally used for purchasing tickets from machines, but now that the railway allows passengers to swipe in and out using EasyCards, they have been removed and the space is completely open, which is quite nice.

Once you’ve passed through the turnstiles, you’ll have reached the space where I feel like the decorative elements of the station stand out the most. The platform area where you wait for the arrival of your train features an absolutely beautiful network of pillars and trusses that provide passengers with a roof-covered platform waiting area (月台構). What most people don’t actually realize is that this is one area of the station that never really changed in its design since the station first opened in 1933, as you can see compared in the photos below.

The network of pillars and trusses that hold up the canopy have been constructed using the very same rails that are used for the trains, and what’s important to note is that the the curved beams and trusses that hold up the roof were imported directly from Kyushu. Given the age of the station, and the amount of typhoons and earthquakes that have occurred in the decades since, it’s amazing that they have been been able to withstand the test of time the way that they have. If you find yourself at the station, take a minute or two to appreciate the design.

Ultimately, when the Japanese-era came to an end, Chiayi Station went through quite a few changes over the next half century, and I have to admit, on my first visit to the city, the station didn’t leave much of an impression on me. In what has become somewhat of an Internet meme in Taiwan, what happened to the station is similar to what happened to a lot of Taiwan’s other historically significant buildings in that it went through a ‘ROC-Beautification’ (華國美學) process. The jist of the joke is that a bunch of hideous things were added to more or less cover up the original design. If you do a Google search for the station and check out some of the images, you’ll likely be quite surprised at just how sad the station appeared for a few decades, mostly during the years when Chiayi’s economy was in decline.

Fortunately, the city government established the ‘Back to the Future’ program in 2021 prior to the city hosting the Taiwan Design Exhibition (台灣設計展).

Link: Back to the Future!嘉義火車站微改造2.0 重現1933全島第一摩登車站 (Taiwan Design Research Institute)

It was during this time that the decades of modifications were removed, and the ticketing hall was reorganized to restore the building to its original glory. The beautification process not only restored the interior of the station, and removed the hideous concrete that covered up the front of the station, but it also transformed the station front, which used to allow vehicles to drive up pretty close to the main entrance. Now, the square in front of the station has been completely cleaned up, and has also become a lot more pedestrian (and photographer)-friendly.

Getting There

 

Address: #528 Zhongshan Road, Chiayi City (嘉義市中山路528號)

GPS: 23.479436, 120.441055

Whenever I write about one of Taiwan’s historic train stations, obviously the best advice for getting there is to simply take the train. That being said, Chiayi is a pretty popular place, and there are a number of ways to reach the city, without taking the train. Obviously, though, if you want to spend some time checking out the interior space of the station, including the beautiful platform space, you’ll probably want to get on or off the train while in town.

Whether you’re traveling southbound, or northbound, as one of Taiwan’s major railway stations, Chiayi Station is accessible via each of the western trunk line’s express train services as well as the local commuter trains, so matter what train you get on, it’ll make a stop at the station.

High Speed Rail / Bus Rapid Transport

If you arrive in Chiayi via Taiwan’s High Speed Rail, you’ll probably notice that the station is located a fair distance away from the downtown core of the city. Taking the HSR to Chiayi saves a lot of travel time, especially if you’re traveling from Taipei, but once you’ve arrived, you’re going to have to either take a taxi or a bus into town. Fortunately, Chiayi Station is connected to the Chiayi High Speed Railway Station (嘉義高鐵站) through the Chiayi Bus Rapid Transit (嘉義公車捷運), an express bus service that connects the High Speed Rail station to the city.

If you arrive in the area via High Speed Rail, you can easily exit the station to the bus parking area and hop on either bus #7211 or #7212 to get yourself to the downtown core of the city.

Link: Bus #7211 and #7212 schedule (Chiayi City Bureau of Transport)

As one of only three remaining major railway stations from the Japanese-era in operation today, Chiayi Station has a long and storied history, with some pretty great things happening there, but also some pretty sad things as well. Even though the station is just a year years short of celebrating its centennial, the station as we know it today is about to undergo changes similar to what took place in Taichung, and eventually it’ll be retired.

The station is part of a dying breed of Taiwan’s historic public transportation hubs and as the city has developed around it over the past century, with its final breaths, it’ll see the downtown core of the city completely transform when the elevated railway officially starts running. Once that happens, Chiayi Station will be phased out of service, and its role will ultimately change from the city’s most important transportation hub to a place where the history of the city is celebrated for years to come, much like what happened with Taichung Station. So, if you’re interested in checking out this historic station while its still in operation, I highly recommend taking a trip to Chiayi as soon as you can. Obviously, you won’t be disappointed as the city is currently one of the hippest places in Taiwan to visit with a number of great restaurants and coffeeshops!

References

  1. Chiayi railway station | 嘉義車站 中文 | 嘉義駅 日文 (Wiki)

  2. Tainan Prefecture | 臺南州 中文台南州 日文 (Wiki)

  3. Chiayi | 嘉義市 (州轄市) (Wiki)

  4. 宇敷赳夫 中文 | 宇敷赳夫 日本 (Wiki)

  5. 嘉義火車站 (國家文化資產網)

  6. 嘉義火車站 (文化部)

  7. 嘉義車站 (臺灣驛站之旅)

  8. 嘉義車站 (鐵貓)

  9. 林業鐵路歷史介紹 (林業鐵道)

  10. 嘉義火車站 (Wilhelm Chang)

  11. 嘉義火車站空間微改造大變化,減法設計回歸歷史建築的原始美 (微笑台灣)

  12. 2021台灣設計展【02嘉義火車站】微改造!打開古蹟建築的原貌歡迎大家回嘉 (LaVie)

  13. Back to the Future!嘉義火車站微改造2.0 重現1933全島第一摩登車站 (臺灣設計研究院)

  14. 嘉義市市定古蹟嘉義火車站調查研究 (嘉義市文化局)

  15. 日治後期火車站、鐵道大多出自他之手──現代Art Deco風格設計者「宇敷赳夫」(Story Studio)


2024 in Review

Well, here we are again with another look back at the year that just passed.

As usual, whenever I do one of these posts, I always take a look back at how I was feeling and to see what was going on the year prior, before I start writing. Last year, it seemed like even though we were turning the corner from the worst parts of the pandemic, and life seemed like it was getting back to normal, when the year ended, I didn’t really seem to have a great sense of confidence for what was to come.

Pessimism, sometimes, might also be a bit of clairvoyance. I don’t think any of us were really prepared for what 2024 had in store for us.

This was a year where the entire world experienced economic chaos and political instability in many of the world’s largest countries. The wars in Europe and the Middle-East sadly got a lot worse, and the devastating effects of climate change spared few countries with floods, earthquakes, fires, and extreme weather, leaving their mark on an increasingly divided world community.

I could probably talk your ear off about how democracy around the world has been under attack, the political situation here in Taiwan, what’s going on back at home in Canada, or the absolute clown show in the USA, with assassination attempts and the reelection of the former president - but all of this seems like a response to a world that isn’t trending in a positive direction. I don’t want to spend much time talking about any of that, though. One of the things I’ve learned over the years, despite having a keen interest in politics is that it’s sometimes better to just keep these things to myself, rather than engaging in what might end up being a time-consuming social media battle.

And on that note..

With all that’s going on in the world, it’s become an area of concern that a lot of the divisions in society are being driven by the increasingly toxic atmosphere that you’ll encounter on social media. Social media, at its core, is meant to be both educational and entertaining, but with everyone stuck at home during the pandemic, the amount of time people have been spending online has fueled addictions, and with all of the toxicity, it really seems like our collective mental health has been suffering as a result.

With bots, professional state-sponsored trolls, anonymous accounts, or just a parade of maladjusted individuals with megaphones to spew hatred all over the place, its become even more obvious in 2024 that spending too much time in these kinds of environments isn’t a healthy part of a daily routine. The sad thing is that given how addicted people have become, it’s not likely something that will improve as we ring in the new year.

Last year, I mentioned that I joined Bluesky, a new social media platform that was advertised as an alternative, aspiring to be the best of what Twitter once sought to be as a community-centered platform, with a focus on safety and open discourse. Joining in its infancy when it was still an invite-only platform, quite a few people in the Taiwan Twitter-sphere were active there, which made the transition a better one, but with Twitter’s Troll-in-Chief and the reelection of the former American president, Bluesky welcomed a mass exodus of people looking for an alternative. For my part, I’ve curated a list of people that I enjoy following, with zero signs of toxicity, and who are producing content that I enjoy reading.

That being said, I have an increasing malaise for anything social media-related, and even though you can find me there, I don’t really post much, nor do I spend much time looking at it and the same goes for the other sites.

I’ve seen friends argue that in order to improve the way we communicate on social media that it would be better to post more often on Bluesky, which could assist in spreading positivity and making it the place to be, and I can appreciate that sentiment, but I’ve been slow to respond. I’ve also started to question what purpose social media actually has with regard to what I do as a content creator. I mentioned this in my review from last year, but when I look at traffic analytics for this website, well over 95% of those visiting are organic visitors originating from search engines. My activity on social media actually accounts for very few landing here. It’s become somewhat of a hassle to cross-post photos and links to social media sites given that most of them are going out of their way to make it more difficult for content creators to get noticed, so I question whether the effort is actually worth it.

Maybe I’m just getting old, or its a natural progression with maturity, I don’t know, but if you’ve attempted to contact me on social media and I didn’t get back to you, or I was really slow to respond, you now know why.

Personally, in what ended up being the most significant event of the year, and something that absolutely broke my heart in the process was the loss of the best pal a guy could have, and only family member here in Taiwan.

I haven’t said too much about it, but just a few months into the year, my dog, suddenly passed away. He wasn’t sick, and it didn’t seem like he was in pain. He was just old, and it was his time.

We had fourteen years together here in Taiwan, and no matter what was happening in my life, he was always a big part of it. Being responsible for him over the years meant that I had to be home more often, walking him, playing with him, feeding him, etc. Now that he’s gone, I don’t really have that responsibility, but there’s also just this massive void in my life that has been really hard to process given that no matter where I was at home, he was always beside me, and he was always the first and last thing I saw every day.

When he died, his body was sent to a nearby pet funeral center, and I had to go to see him off as he was cremated. I decided to go alone, because, it was always just the both of us, but being there by myself, with so many other people and families who were also going through the same loss of their pets, it was really difficult. The whole thing turned out to be a surreal experience that I never really expected I’d have in Taiwan, nor was it something that I could have emotionally prepared myself for.

Now that he’s gone, I have a lot more time to travel, and have the freedom to just take off whenever I feel like it. So, as part of my recovery process, I’ve spent quite a bit of time this year traveling around Taiwan. Every time I write one of these annual reviews, I always mention that I want to spend more time traveling around the country with my camera, but until this year it wasn’t something that I was every really able to do. Obviously, I enjoy the fact that I have this newfound freedom to go wherever I want, but I’d also much rather still have him around.

I’ve been down to Chiayi several times, and I’m increasingly in love with that town. There’s such a cool vibe going on there, and every time I visit, I’ve had a really great time. I’ve also spent several weekends in Taichung, Tainan and Kaohsiung, and as we transition into the new year, I’ll continue to be spending a lot more time down south.

Coincidentally, I’m actually posting this article from Tainan.

On that note, you’re also likely to notice that the photos I’ve been sharing in this post so far aren’t from Taiwan. One of my only international trips this year was a visit to Osaka, which was mostly just to go to a concert, but I also got to check out some destinations that I’ve had on my list for a while, and I also got to enjoy Japan’s beautiful autumn foliage, which was great.

Traveling more often, though, is something that has really slowed down the speed for which I process photos and publish content here. I actually have quite a few articles ready to be published, but this was a year where my writing has continued to evolve, and the amount of work and research I do on certain subjects means that I spend considerably more time writing than I used to.

Once again, I realize that the topics that I’m most interested in aren’t the ones that attract as much attention, which is apparent given what you’ll see below, but it does a pretty good job of keeping me entertained and engaged.

And that’s what’s most important, right?

In the new year, I’ll have several articles about Japanese-era train stations from southern Taiwan, but I’ll also have a couple of in-depth posts about historic destinations in Tainan that are quite popular with tourists.

Something that I ended up spending a considerable amount of my time working on this year was a massive research project, which ultimately wasn’t photography-related at all. I’ve compiled a comprehensive list of Taiwan’s historic Shinto Shrines, a number that ended up being far more expansive than originally thought. The end-result is a research project that is far more similar to a thesis than a simple blog, but its a subject that is something that isn’t really covered very well in either English or Chinese, and for anyone interested in this period of Taiwan’s history, I hope its something that people appreciate.

Likewise, given that a lot of my work has been inspired by Taiwan’s half-century experience with Japanese occupation, I’ve ended up learning quite a bit about the specific varieties of shrines that were most common here in Taiwan, and during my trips to Japan, I’ve made sure to trace that history with the places I’ve been visiting. So, to expand upon those Taiwan stories, I’ll be introducing several more shrines from Japan, and just a few months into the new year, I’ll be hiking the famed UNESCO World Heritage Kumano Pilgrimage (熊野古道) in Japan’s Wakayama Prefecture.

One of the more positive aspects of my year came just before my most recent trip to Japan where I was accompanied by a companion that I’ve waited several years to appear. In my review from last year, I introduced my new Fuji camera, which I purchased primarily to better prepare myself for a transition from a traditional digital camera to a new ‘mirrorless’ system. That transition came in early November when I finally took my new drwam camera home.

The camera that I have used for professional work over the past decade has been in dire need of retirement, but I was apprehensive upgrading to the first generation Canon R5, due to some of the concerns about its mechanics, but when the second generation camera was officially released, I quickly got myself on a waiting list, and was able to pick up my new Canon R5II just in time for my trip.

I have to say, the camera has been an absolute dream to use, and I’m excited for the improvement in the quality of photos that I take this year.

With all that being said, on a personal level, I’m not particularly feeling as pessimistic about the new year as I have been in years past. Sure, there may be quite a bit of chaos taking place around the world, but I have hope that at time point people will get out of this pandemic-funk and maybe we can start acting rationally and having compassion for others again.

Instead of dwelling too much on any of that, I feel like staying as busy as possible seems like one of the best methods of combating the sort of pessimism that is brought on by spending too much time consuming information from social media, or watching the news.

Anyway, that about sums it all up. This year was a mixture of good and bad, but despite the positives, probably not the best of years given what happened. The new year begins with grand plans and the resolve to focus on what is really important in life, while also continuing to ignore (at least as much as possible) the things I have little to no control over.

This year will have its ups and downs, but so far its looking like it’ll be one where I’ll be considerably more active, traveling, taking photos, and continuing in my effort to stay fit and health.

You can expect quite a bit of content from me, that is, if I ever get around to publishing what I write!

Hopefully this year was an enjoyable for you, despite everything that has been happening.

If you enjoy what I do, keep watching in the new year as I have some interesting articles in the queue that are almost ready to go!

Your Favorite Articles of the Year

Over the past few years, there hasn’t really been much of a change in which content has attracted the most attention. Unfortunately, this year, its safe to say that there has been somewhat of a ‘seismic’ shift in the list you’ll see below.

As I alluded to earlier, 2024 was a year where there have been a significant number of natural disasters around the world. Taiwan was no different in that respect as we’ve had more typhoons make landfall this year than any time in the past decade, and there was a stretch where the earth just calm down. Earthquakes are common in Taiwan, but throughout my time living here, I don’t think there has been a year where they have been so frequent. There was a period in April where the country was constantly shaking, and no where in the country was that more devastating than in Hualien, where there was a considerable amount of damage.

Consistently listed in my ‘Top Five’ list on these annual reviews for the past few years, my travel guide to Taroko National Park (太魯閣國家公園) has been pushed aside given that the damage there has shut it down to tourism for the foreseeable future. However, with international tourism on the rise in Taiwan, I expect that once the park reopens, this won’t be the case when I’m writing my annual review next year.

Suffice to say, my list is a bit different with a few articles replacing the travel guides that have been popular for so many years. Nevertheless, as I usually do, I’ll list the five articles that received the most traffic this year, and even though some of them are the same as last year, it’s nice to see that there are a few new entries to the list.

Taipei’s Top Three Temples (台北三大廟門)

This was an article that has been on my ‘Top Five’ list for a few years now.

I originally wrote it quite a few years ago when I was still new to blogging, and although it remains somewhat of a mystery to me, at some point shortly after Taiwan reopened for tourism after the pandemic, someone must have shared it and it started attracting a tremendous amount of traffic.

I don’t look at my website’s traffic analytics very often, but last year when I noticed this massive increase in traffic on this particular article, I decided to give it a complete rewrite with an entirely new set of photos as I felt like the original wasn’t up to my current standards.

Hopefully the newly updated article helps anyone wanting to visit Taiwan learn a little about some of the attractive tourist temples in Taipei.

Huashan 1914 Creative Park (華山1914文化創意產業園區)

One of my later additions to the blog last year was a comprehensive introduction to the history of the famed Huashan 1914 Creative Park, a Japanese-era distillery in the heart of Taipei. The ‘Creative Park’ has become one of the city’s most popular tourist attractions and its success is something that other major cities around the country have attempted to emulate.

There are a lot of articles out there that introduce Huashan in its current form, but there are very few that do a deep-dive into its history, which is probably one of the reasons why this particular article has been attracting so much attention.

Four Beasts Hiking Trail (四獸山步道)

I don’t have as many hiking guides on here as I should, but my comprehensive guide to hiking Taipei’s ‘Four Beasts Hiking Trail’ remains one of the most popular blogs on here.

The article, which is compilation of a number of individual articles into a single guide offers readers the logistical information necessary to complete the entire hike, rather than doing each of the mountains one by one.

Some of the most iconic photos of the Taipei that you’ll see are taken from the vantage point of one of the mountains on the Four Beasts Trail, and since there are conveniently accessible to anyone visiting Taipei, having a guide like this is probably pretty helpful, and I’m happy that it allows people to appreciate their visit in Taiwan even more!

Qixing Mountain (七星山)

Once again, earning a spot on my Top Five list last year, my hiking guide for Taipei’s popular Qixing Mountain (七星山) has continued to attract quite a bit of interest. In previous years, with so many people forced to travel domestically due to the pandemic, it didn’t surprise me that a blog like this would be so useful, but now that Taiwan has reopened for tourism, it has remained quite popular with people who are visiting the country and looking to climb one of the highest mountains in the north.

Qixing Mountain has always been a pretty popular mountain to climb, but even though it’s located within the capital, the logistics of getting there can often be a little difficult for people who aren’t familiar with Taipei’s public transportation.

With few comprehensive travel guides to the mountain in English available, I’m guessing it continues to be helpful for quite a few people, which is great. Coincidentally now that I’m sporting my shiny new camera, I’ve got this mountain on my list of places to visit this year as I hope to get new photos in order to update the article!

Kamishikimi Kumanoimasu Shrine (上色見熊野座神社)

One of the newest entries to the list is surprisingly not here in Taiwan.

Published earlier this year, it took me a long time to complete this deep-dive on the history of this absolutely beautiful, and increasingly popular, shrine on the lower side of Kyushu’s volcanic Aso Mountain (阿蘇山). The shrine, which has a really long tongue-twister kind of name was so beautiful that when I was in the area, I visited more than once, and the photos I got there were stunning.

Unfortunately, like a lot of Japan’s most popular Shinto Shrines, there’s not very much information available about the shrine and its history. I spent a long time researching and translating what few resources I was able to find about it in order to offer readers a lot more context than you’ll get from other sites on the web, which I guess is why it has attracted so much attention.


My Favorite Articles of the Year

Chiayi Shinto Shrine (嘉義神社)

Having spent quite a few weekends in the beautiful city of Chiayi this year, I was finally able to publish an article about the remains of the historic Kagi Shrine. Even though only a few pieces of the shrine remain, but what remains is absolutely beautiful and has been expertly restored.

In the article, I introduced the history of the shrine, what used to be there, and the architectural design of the buildings that remain on site, making it one of the longest English-language introductions to the shrine.

Taichung Train Station (台中車站)

This is one of the articles that I ended up spending quite a bit of time this year during the research, translation and writing process. Likewise, the photos that I used were part of a collection of several visits to the Taichung area over the years.

Having completed it, I was quite happy to add this one to the list of Japanese-era stations that I covered on the blog, especially since its one of the only major stations that I’ve been able to cover, at least, so far.

Early in the new year, you can expect to see another one added to the list!

Jialishan (加里山)

If I were only going to write one hiking guide this year, I’m happy that it ended up being about the spectacularly beautiful Jialishan hike in Miaoli.

The mountain, which is often referred to as ‘Taiwan’s Mount Fuji’ was an absolute delight to hike, so writing a hiking guide for the mountain ended up being one of the easiest articles I published this year.

Once again, even though it’s a pretty popular hike, there isn’t much available in the English-language to assist people who want to hike the mountain, so I hope the guide has been of use to anyone wanting to go on an adventure.

Taiwanese Hokkien-style Architecture (臺灣閩南建築)

Having spent so much time writing about the buildings from the Japanese-era, I feel like I have a pretty good understanding of the architectural designs that were most common here during that period.

At some point this year, though, while writing about one of Tainan’s historic temples, I discovered that I had forgotten most of what I had learned about Taiwan’s Hokkien style of design. So, I decided to remedy that with an in-depth research project about the architectural design specifics that make this style of architectural design so beautiful.

This one ended up taking quite a while to complete, but as its one of the only English-language articles that covers the topic, I feel like its an important addition to the list of articles I’ve published, and one that I’ll be referencing quite often in the future.

Usa Grand Shrine (宇佐神宮)

Something I had to learn the hard way while writing about Shinto Shrines in Japan is that the amount of resources and information available isn’t even remotely as plentiful as what I’m used to while writing about places in Taiwan. Even with a Grand Shrine (神宮), which claims to be well-over a thousand years old like this one only really has a paragraph or two as an introduction.

Writing this in-depth look at the birthplace of one of Japan’s most important deities was a tall task, but I’m quite happy with the end result.

Given that the shrine is a pretty popular place for tourists to visit while in Kyushu, I hope that all of the information I’ve provided about its history and architectural design is of use to anyone wanting to know more about the shrine.

My Favorite Photos of the Year

This year was a bit different than the last with regard to what I was doing with my photography. For the better part of the year, I was eagerly waiting for the release of the new Canon R5, the camera that I use for both work and pleasure. While I was waiting, I spent most of the time with my Fuji camera in my bag walking around taking street photos, which is something I haven’t been doing as often in recent years.

What I’ve been doing with the Fuji most of the time, though, is making diptychs and triptychs for my Instagram stories. I’m not going to do that here, but in some cases, I’m going to share more than one photo for each of the subjects below.

The Super Moon (超級月亮)

This year turned out to be quite significant in that it featured four super moons.

For any of you who might be thinking to yourself, ‘What’s a Super Moon?’ Basically it’s just your typical full moon, but it takes place during what is known as a ‘perigree’ when the moon is closest to the earth, making it appear larger than normal in the night sky.

It’s also one of the easiest times for photographers to take photos of the moon given that its so large in the night sky.

Generally-speaking, there are usually three of four of these types of moons on an annual basis, but this year there were four, and even more interesting, 2025, will have six!

We were quite fortunate here in Taiwan, at least in the area where I live, to have excellent weather conditions with clear skies during the super moons. So, I took to the roof with my camera, a telephoto lens, and a tripod and took some photos of the moon.

2 The Buddha’s Watching You (人在做,佛在看)

One of the more difficult articles I’ve ever written about a temple in Taiwan was about a Japanese-era Buddhist temple in Taichung.

There was very little information available about the place, which was really strange for a historic place of worship in this country, and it probably wasn’t until my third or fourth research session that I figured out why.

I’m not about to share that secret yet, though. I’ll be publishing the article relatively soon.

What attracts quite a few people to the temple, thanks to Instagram, is the giant Buddha statue that has recently been restored. Giant statues like this are quite common in Taiwan, but you won’t find that many within large metropolitan cities like Taichung, so this one is quite special, and if you can find the right angle, you can take some interesting photos of the statue.

3. Zhengbin Harbour (正濱漁港)

One of the cities in Taiwan that I probably visited the most this year was Keelung, and it seems every time I visited, I made sure to stop by the famed Zhengbin Harbor to check out what was going on.

The harbor is an extremely Instagram-friendly kind of place, and on one of my first excursions with my new camera, this was one of the places I found myself taking photos.

I’m a big fan of the area, and I feel like its one of the cities in Taiwan where you’ll find the most character. It’s also absolutely great for street photography, so I enjoy exploring the streets, and enjoying all of the great food, that in some cases, you’ll only find in Keelung.

4. Lunch on Jialishan (加里山午餐)

I ended up taking a number of photos while on the stunningly beautiful peak of Jialishan, one of the articles referenced earlier, but even though the scenery was beautiful, one of my favorite shots of the excursion was one of a group of Taiwanese retirees nestled into a nice little spot on the peak.

Enjoying a full-course lunch, which is something you’ll notice happens often with Taiwanese hikers, these mountain meals tend to be quite elaborate, and they go out of their way to not only prepare great food for their trips, but also exert a lot of effort to carry heavy cooking equipment with them.

Makes the rest of us eating our convenience store rice balls jealous!

That being said, I also took quite a few other beautiful photos while on that trip. The mist shrouding the tall Japanese cedar trees, and the view of the Snow Mountain range from the peak were all highlights of the trip!

5. Maples in the Rock Garden

Rock Gardens at Buddhist temples in Japan are pretty Zen.

Alternatively, red maple leafs to a Canadian, are also pretty Zen.

My visit to Koyasan (高野山), in the mountains south of Osaka was one of the highlights of my most recent trip to Japan. I’ll eventually have a blog about this location at some point in the new year, but I have to say that I liked this particular photo so much that its currently the wallpaper on my iPhone.

And with that, I’m finished!

That’s all for this year, once again I hope 2024 was a good one for you and yours, and hopefully the coming year will be even better for all of us!

Happy New Year everyone! 新年快樂!


Bao'an Station (保安車站)

I’m a bit of a weirdo when it comes to organization, so when it comes to places that I want to visit, I have a map that I’m constantly updating, and, as I’ve mentioned on numerous occasions, the majority of spots that I have on my list are located somewhere in the south of Taiwan. Over the years, I’ve added so many places to visit on the map that I’d probably need months to visit all of them, but all that means is that whenever I do find the time to make my way down south, I always have a tight schedule of things to see and do with the little time that I have.

That being said, when I do find the time, my plans often end up being far too ambitious, and although I always try my best to get a lot of work done, something I’ve come to realize is that the pace of life down there is a lot more chill than it is up here in the north. Instead of running around trying to visit as many places as possible, a better idea might be to, instead, visit a few destinations while also remembering to spend time relaxing, enjoying the weather, eating great food, and enjoying some really cool coffee shops.

These decisions are, admittedly, made a lot easier when your trip is interrupted by a tropical storm that brings with it days of torrential rain. so, with few other options with such weather, a lot of the time during my most recent trip south was spent hanging out in some of the Tainan’s hip coffeeshops, where I enjoyed the tropical fruit-inspired coffee that the city has become known for. When the weather did clear up, I set off to check out some places on my list, but when the rain came back, I was off again in search of another seat at a coffee shop.

Even though I wasn’t as productive on this trip as I have been on others, I made the most of my time, despite the weather, and got to see a few places that I had on my list. Without a hint of irony, though, on the day that I was scheduled to head home, I woke up for breakfast, packed my bags, checked out of my hotel, and walked out into the kind of beautiful weather that Tainan is known for. With a few hours before my train was scheduled to depart, I decided to make the most of the little time I had and made my way to the historic Bao-An Station (保安車站), one of the locations that was pretty high up on my list.

If you’ve been following my blog for any period of time, you’re probably well-aware that one of my ongoing projects has been documenting Taiwan’s historic railway stations, especially those that date back to the Japanese-era, so this was one of the places on my list that I was really looking forward to visiting, and fortunately, I was able to check it out as it was on my way to the High Speed Rail Station that would eventually take me home.

View of the station from the train

Hopping on the train at Tainan Station and heading south on the commuter train, I couldn’t help but feel like I was back in Japan riding through the countryside. The scenery outside of the train, the bright natural light inside the carriage, and only the sound of the train seemed very Japan-like, but that’s probably because I’m more familiar with the trains up here in north where people are always chatting, playing on their phones and watching noisy videos. When the train stopped at Bao-an Station and I got off, that feeling of being in Japan became even stronger, because just across the platform was the small wooden station, which is architecturally identical to many of the older stations you’ll see in the countryside of Japan.

Amazingly, despite being one of the oldest of Taiwan’s remaining wooden train stations, and the amount of traffic that passes through on a daily basis, Bao-an Station remains in pretty good shape. Over the past century, a lot has changed in Taiwan, and the railway itself has been in a constant flux of modernization, but Bao-an Station has stayed the same, which I suppose you could say is credit to the architectural design that has allowed it to remain standing for so long. However, as an actively used heritage building, at some point it’s probably going to have to get a little love in the form of restoration in order to ensure that we’re able to enjoy it for many years to come.

As I usually do with these articles, I’ll start by introducing the history of the train station, its architectural design, and then give readers information about how to visit if they’re interested in checking out this little piece of Taiwanese history.   

Shiyaroken Station (車路墘驛 / しやろけんえき)

To start, I suppose I should talk about the name of the station, because, you might be a little confused with the discrepancy between with the title of the article and the name of the station provided above. Admittedly, this is something that I was quite confused about myself as well until I dug into my research process for this article.

Suffice to say, the name of the station was changed to ‘Bao-an’ (保安) in the 1960s, nearly two decades after the end of the Japanese-era. For the six decades prior, the station was named ‘Shiyaroken' Station in Japanese, which came from the Taiwanese word “Tshia-loo-kinn” (車路墘). The interesting thing about this specific name, and the reason why I was confused, is that there were several areas in Taiwan in the early years of the Japanese-era with this name, but the Chinese character ‘qian’ (墘) is an older word that is rarely used these days in Mandarin, and pretty much non-existent in Japanese.

In addition to Tainan, you could also find places named ‘Tshia-loo-kinn’ in both Taichung and Pingtung as well, and in each case, the names date back to the Qing Dynasty, and (although I haven’t found any credible source regarding the origin of the name) likely referred to ‘road-side stops’ that were once located along the safe trading routes of the time.

To better understand the name, I’ll break it down for you:

  1. 車 (Tshia) - vehicle; car;

  2. 路 (loo) - road; path;

  3. 墘 (kinn) - Taiwanese word for ‘beside’ (旁邊) or ‘nearby’ (附近)

Take from that what you will - The important thing is that after the arrival of the Japanese, the name stayed the same, but it was pronounced “Shiyaroken” (しやろけんえき / シヤロケンエキ) in Japanese, which is actually quite similar to the Taiwanese pronunciation.

Staying on the subject of the station’s name, when it was changed from ‘Shiyaroken’ (or Tshia-loo-kinn) to ‘Bao’an’ in the 1960s, the reason for doing so, if you’re asking me, was a little strange. The official reason for the name change isn’t well-documented, but they changed it to ‘Bao’an’ in honor of the local Bao’an Temple (車路墘保安宮). The reason why I’d argue that this was a bit odd was because the temple wasn't actually all that close to the station, and was in fact much closer to Rende Station (仁德車站), the next stop south. It’s possible that they just changed the name to something that was easier for the ‘newer’ residents of Taiwan, who had trouble speaking Taiwanese, or possibly because the ticket-making system that was used at the time wasn’t actually compatible with the characters.

If you read my article about Taichung’s Zhuifen Train Station (追分車站), the original name of the station in Japanese was ‘Oiwake Railway Station’ (追分驛 / おいわけえき), but given that the Chinese characters for “Oiwake” (追分) are an abbreviation for a much more auspicious meaning in Mandarin, which translates as “chasing your dreams” or “pursuing your destiny” (追到緣分), they made a similar name change to another station nearby. In that case, the next station over, originally named ‘Oda Station’ (王田驛) was officially renamed ‘Chenggong Station’ (成功車站) in the 1960s. This became a hit with the locals, who collected tickets with the stations ‘Zhuifen - Chenggong’ (追分 - 成功) as together the stations translate almost literally as “make your dreams come true” (zhui fen cheng gong / 追分成功).

Given the time frame of that particular name change, I figured the distance from the temple ultimately didn’t really make much of a difference to the Taiwan Rail Corporation at the time because a ticket from the newly re-named ‘Bao’an Station’ (保安車站) to the nearby ‘Yongkang Station’ (永康車站) became an instant hit with locals. The reason for this was similar to the situation above as the tickets employed a homophonic pun in Mandarin that read in a clockwise manner became ‘Yongbao Ankang’ (永保安康), or literally, ‘Peace and health forever!’

Even though my article about Zhuifen Station predates this one, it was only until I started my research for my article did I realize that the ‘auspicious ticket’ thing was initiated at Bao’an Station. I had always assumed it was a result of the name change between Zhuifen and Chenggong.

This is why I enjoy doing all this research for these articles. I learn a lot in the process!

Link: Auspicious train ticket | 吉祥語車票 (Wiki)

With regard to the history of this station, it actually got its start quite early. As I mentioned before in my article about Taiwan’s Remaining Japanese-era Train Stations (台鐵現存日治時期車站), the Jukan Tetsudo Project (ゅうかんてつどう / 縱貫鐵道), known in English as the ‘Taiwan Trunk Railway Project,’ quickly got underway shortly after the Japanese took control of Taiwan. The project, which sought to have a railway constructed from Keelung in the north and Kaohsiung in the south (and beyond), was constructed in different phases, and the southern phase that connected Tainan to Takao (Kaohsiung) was completed quite early.

Amazingly, it would take just over a decade to have the entire west coast railway completed, but by the time the entire system was connected, Shiyaroken Station had already been in operation for about eight years on the southern stretch of the railway between Tainan and the port station in Kaohsiung.

When most people introduce the history of the station, resources will point to a specific date to when it was established, but I have to note that there is a bit of a caveat to those claims - Originally opening for service on November 29th, 1900 (明治33年) as ‘Shiyaroken Parking Lot’ (車路墘停車場), it would only be upgraded into a ‘station’ (驛) a few years later after the opening of the Shiyaroken Sugar Factory (車路墘製糖所), which was located a short distance away from the station. That being said, when the Sugar Factory opened, the station was moved about 1.5 kilometers north of its original location for the benefit of the staff at the factory, officially opening on November 10th, 1909 (明治42年).

Oh, and remember when I mentioned above that the local Bao’an Temple was much closer to Rende Station? Well, that station, which opened in 2014, sits on the same location as the original Shiyaroken Station.

Note: That ‘Parking Lot’ reference above was a very literal translation - Today, the word most commonly used in Mandarin for ‘parking lot’ is ‘停車場’, which is literally: ’Stop Car Space’, but a long time ago in Japanese, the same characters were used to identify a minor train station. The term, ‘Teishajo’ (停車場 / ていしゃじょう) was a designation that was mostly used for smaller train stations, as opposed to the larger stations, known in Japanese as ‘eki’ ( / えき), which is another word that isn’t used in Mandarin.

Although Bao-an Station opened in its current location in 1909, another aspect of the station’s history that isn’t so well-advertised is that it likely wasn’t upgraded into an ‘eki’ (驛 / えき) type of station until 1928 (昭和3年), when the currently used station house was constructed. So, if we’re being strict with these things, the station might have been established well-over a century ago, but the building that we can pass through today is just a few years short of a century old.

Interestingly, though, the history of this station is one that goes in spurts where there’s a flurry of activity, and then some downtime when not much happens for a few years, which then repeats itself. The little station has pretty much remained the same for over a century, but the world around it has changed considerably, and the number of people passing through its turnstiles have been reflected by these changes. Obviously, the number of people passing though the station was consistent while the nearby Sugar Factory was in operation between 1909 (明治42年) and 2003 (民國92年) as the station was only a stop away from the downtown core of Tainan.

Link: Ten Drum Rende Creative Park (Wiki) | Ten Drum Tainan (Taiwan Everything)

In 2001, though, daily traffic at the station increased by about 500% due to the popularity of the 'Yongkang - Bao-an’ auspicious ticket. By the time that craze settled down, though, the number of passengers started to decrease due to fewer trains stopping at the station. Most recently, thanks to the construction of the High Speed Rail Station and the new Shalun Branch Line (沙崙線), the number of arrivals at the station has once again started to increase, and this was helped out even more by the opening of the beautiful Chimei Museum, which is within walking distance of the station.

During my visit to the station, on a beautiful sunny Monday morning, it was quite busy with a number of passengers coming and going as well as a number of tourists who had come to check out the station prior to walking over to the Chimei Museum (奇美博物館).

Roof damage on the lower right side.

With all of the tourist traffic passing through the station, it remains relatively attractive, and nostalgic for a lot of people, but looking at it through my telephoto lens, its obvious that it is in need of some urgent reparations and restoration. Sections of the roof have begun to sink in, and the city government has cited termite damage on the wooden exterior.

As a Protected Heritage Property, eventually they’ll have to restore the building, but unlike many of Taiwan’s other older railway stations, its highly unlikely that it's in any danger of being torn down or replaced any time soon.

In the drop-down box below, I’ll offer a concise timeline of the stations history and then I’ll introduce its architectural design:

    • 1896 (明治29年) - The Colonial Government puts a team of engineers in place to plan for a railway network on the newly acquired island.

    • 1900 (明治33年) - Shiyaroken Station (車路墘停車場) opens for service on a limited track running between Tainan Station (臺南停車場) and Takao Port Station (打狗停車場).

    • 1902 (明治35年) - After years of planning and surveying, the government formally approves the Jukan Tetsudo Project (縱貫鐵道 / ゅうかんてつどう), a railway plan to be constructed along the western and eastern coasts of the island.

    • 1908 (明治41年) - The 400 kilometer Taiwan Western Line (西部幹線) is completed with a ceremony held within Taichung Park (台中公園) on October 24th. For the first time, the major settlements along the western coast of the island are connected by rail from Kirin (Keelung 基隆) to Takao (Kaohsiung 高雄).

    • 1909 (明治42年) - Shiyaroken Station is relocated 1.5 kilometers north of its original location for the benefit of staff of the newly established Shiyaroken Sugar Factory (車路墘製糖所).

    • 1920 (大正9年) - In a major administrative restructuring policy, Tainan Prefecture (臺南州) is officially established, stretching from Chiayi to just south of Bao-an Station.

    • 1928 (昭和3年) - The current station house, constructed entirely of cypress from Alishan (阿里山) is completed and opens for service.

    • 1945 (昭和20年) - The Second World War comes to an end and the Japanese surrender control of Taiwan to the Chinese Nationalists.

    • 1962 (民國51年) - Shiyaroken Station is officially renamed ‘Bao’an Station’ (保安車站).

    • 2001 (民國90年) - Bao’an Station is recognized as a Tainan City Heritage Building (臺南市市定古蹟)

    • 2001 (民國90年) - Bao’an Station experiences a massive surge in traffic due to the popularity of the Yongkang - Bao’an tickets. Daily ridership increases by at least 500% for the year.

    • 2008 (民國97年) - A second platform is constructed at Bao’an Station, creating the first expansion.

    • 2011 (民國100年) - The Shalun Branch Line (沙崙線) running from Tainan Station to Shalun Station, next to the Tainan High Speed Rail Station opens for service. The number of commuter trains departing Tainan Station is increased, which means that the number of daily departures and arrivals at Bao’an Station increases.

    • 2014 (民國103年) - In order to prepare for the construction of the future Tainan City subway system, the Taiwan Railway Corporation established Rende Station (仁德車站), about 1.5 kilometers south of Bao’an Station on the site of the Shiyaroken Station that was established in 1900.

    • 2015 (民國104年) - The Chimei Museum (奇美博物館) opens in new location within walking distance of the station, which creates an increased amount of daily traffic.

Architectural Design

Whenever it’s time to start detailing the architectural design specifics of the historic Japanese-era buildings that I write about, it’s often where I end up spending the majority of my time researching and writing, but, fortunately, in this case, I won’t need that much time. I’ve already written a number of articles about Taiwan’s historic train stations, each of which was constructed in an almost identical architectural design. If you’ve read any of my articles about the Coastal Five Treasures (海線五寶), Xiangshan Station (香山車站) or  Qidu Station (七堵車站), you’re likely to notice that most of these stations all appear relatively similar,, save for some minor differences.

The reason for this uniform style of design is because during the late Taisho (大正) and early Showa (昭和) eras, prior to the Second World War, many of the (smaller) train stations constructed in not only Taiwan, but Japan as well, were built in what would become a generic style of station design that offered all the functionality that a train station of the era required, were earthquake proofed in design, and most importantly were cost-effective.

Even though the number of stations constructed in this design have deceased in the post-war era, its rarely ever due to the quality of their design, but the changing demographics of the community that they serve. So, even though you can still find quite a few of these stations around Taiwan and Japan, it’s mostly because they have been constructed in areas where the population hasn’t changed much, and a larger station has yet to become necessary.

Considered to be an architectural fusion of a traditional Japanese-style building with western elements, what I personally find surprising about the design of these stations is that there doesn’t seem to be a specific term in the Japanese language used to describe it. Something I’ve had to learn the hard way during my time researching these things, though, is that it is often difficult to come across these specifics from Japanese sources. In the Chinese language, however, the design of these stations is referred to literally as a ‘Hiraya Kirizuma Western Style Wooden Station House” (木造平家切妻洋小屋), which probably doesn’t tell you much, but does offer a pretty good idea of what to expect from the design of the station if you’re familiar with the terms.

To help you better understand, what it basically means is that these buildings are a ‘single-story’ (平家) station ‘constructed of wood’ (木造), which makes use of the traditional Japanese ‘kirizuma’ style (切妻) of architectural design with 'western fusion elements’ (洋小屋) mixed in. That being said, the ‘western’ aspects of the architectural design were, for the most part, inspired by the architectural design of Western Baroque (巴洛克建築), which was quite popular with the Japanese architects of the day. However, for cost-saving measures, the western elements of design were minimal, and Bao’an Station in particular featured far fewer of these western-inspired elements than its contemporaries.

Like the other stations mentioned earlier, Bao’an Station was constructed using the traditional irimoya-zukuri (入母屋造 / いりもやづくり) style, an ubiquitous style of Japanese design that is most often referred to in English as the “East Asian hip-and-gable roof,” which is a term that I don’t really think gives people a good indication about what’s actually going on with this style of design. The key thing to keep in mind about the ‘irimoya’ style is that despite the English translation, it doesn’t necessarily tell you what ‘variation’ of roof is constructed on any given building, but it does indicate that buildings constructed in this style will feature one of traditional Japanese architecture’s various styles of intricate roof design.

I probably couldn’t come up with a more appropriate English term for describe these buildings, but, for me, a name that focuses more on the ‘moya’ (母屋 / もや) aspect of “irimoya”, might offer people a better idea of what’s going on. In layman’s terms, the ‘moya’ is essentially the core, or the ‘base' of the building, and when the irimoya-style is used, the ‘moya’, (literally the “mother-house”) is usually considerably smaller than the roof, which extends well-beyond the base.

This is a style of design that is also used in much more decorative buildings, such as Shinto Shrines, Buddhist Temples, and Martial Arts Halls, but is also commonly used for anything from houses to train stations like this one. The purpose of the building, and the amount of decorative elements aren’t really all that important, what always remains the same is that as the roof eclipses the size of the base and that the building features a genius network of roof trusses and pillars both within the interior and on the exterior of the building that allow the roof to become the defining aspect of the building, as well as ensuring that its weight is evenly distributed to ensure that the whole thing doesn’t collapse.

In this case, the roof of the station was designed using the kirizuma-zukuri (妻造的樣式) style, which is one of the oldest and most commonly used roof designs in Japan. Translated simply as a “cut-out gable” roof, the kirizuma-style is regarded as one of the more ‘basic’ styles of Japan’s ‘hip-and-gable’ roof designs. To explain as briefly as I can, it is a two-sided roof that can appear simple in design from the front of the building, but as you walk around the perimeter, you’ll notice that it becomes much more complex. The roof is layered with the eaves on the lowest layer extending well beyond the base, supported by a network of pillars that surround it on three sides. The top layer is where you’ll find the ”cut-out gable” with the gable-section of the roof covering the eastern side of the building, while the longer ‘hipped' side ‘cuts’ through it. Both of the ends of the ‘hip’ section feature triangular-shaped “tsuma” (妻 / つま) or gable-ends, with rectangular windows placed in the middle that allow natural light into the interior of the building. 

The upper part of the roof is covered with Japanese-style black tiles (日式黑瓦) while the lower eaves are covered with rain-boards (雨淋板) that help to direct the flow of rain water on rainy days. The black tiles that cover the roof appear to be quite old, and some of them are in pretty bad shape.

I haven’t been able to find any information regarding their age, but its possible that they could be the original tiles from the Japanese-era given that they tend to have a pretty long shelf life. They’re likely going to have to be replaced at some point in the near future, though. The original rain-boards, though, have already been replaced, and if their replacements are any indication, it might be better if those black tiles can last a little longer.

Even though the roof is somewhat basic in terms of its decorative elements, especially when compared to the hip-and-gable style roofs you’ll find on other Japanese-era buildings, there are still a number of elements to take note of, I’ll list each of those specific elements below with a diagram that should help you better understand what’s going on.

  1. Hiragawara (平瓦 /ひらがわら) - A type of arc-shaped clay roofing tile.

  2. Munagawara (棟瓦 /むねがわら) - Ridge tiles used to cover the apex of the roof.

  3. Onigawara (鬼瓦/おにがわら) - Decorative roof tiles found at the ends of a main ridge.

  4. Nokigawara (軒瓦/のきがわら) - The roof tiles placed along the eaves lines.

  5. Noshigawara (熨斗瓦/のしがわら) - Thick rectangular tiles located under ridge tiles.

  6. Sodegawara (袖瓦/そでがわら) - Cylindrical sleeve tiles.

  7. Tsuma (妻/つま) - The triangular shaped parts of the gable on the roof under the ridge.

  8. Hafu (破風板/ はふいた) - Bargeboards that lay flat against the ridge ends to finish the gable.

Moving on from the roof, starting from the main entrance to the station, you’ll find a roof-covered ‘kurumayose' (車寄/くるまよせ) porch that protrudes from the flat front of the building with a pair of pillars holding it up. The roof of the porch features a similarly designed kirizuma-style roof facing in the opposite direction of the roof above, adding to the three dimensional design of the building.

The ‘moya’ base of the building is a cube-like structure that is split into two sections, with one side reserved for passengers, and the other for the staff working at the station. One of the major differences between this station and some of the others mentioned earlier is that the passenger side is considerably larger, and features beautiful wooden benches. When you walk into the building from the front entrance, you are met with the ticket booth on the left while the right-hand side is covered on all three sides with beautiful Japanese-style paneled sliding glass windows (日式橫拉窗), which assist in providing a considerable amount of Tainan’s natural light into the interior as well as a bit of breeze on hot days.

One of the most notable aspects of the interior is the wooden gate located near the ticket booth. Gates like this were once very common in train stations during the Japanese-era as a means to help filter people in and out while waiting in line, but few of them remain these days. The gate was originally constructed to look like the Japanese word for ‘money’ (円), but was likely replaced at some point and looks a little different now.

Similarly, the entrance to the train platform features two wooden partitions that connect to a fence at the rear of the station, which date back to the Japanese-era. Now that the station has transitioned to electronic card swiping, the original turnstiles have been removed, so you can simply just walk through to get to your train.

This is the part of the station’s architectural design that I appreciate the most as the open gates transition into a fence-like structure that includes a roof-covered portico that surrounds the building on three sides. Part of an intricate network of carpentry genius, the pillars that connect to the fence assist in distributing the weight of the roof, but they also prevent people from jumping over the fence to take a free train ride. The fence, pillars, and gates combine to make an almost three-dimensional design and add complex geometric shapes to the design of the building, and are part of the western-inspired elements mentioned above.

In the past, in order to get to the train platform, you literally had to cross the train tracks and walk up a set of stairs that brought you to the island platform. Given how dangerous this is, especially since the introduction of Taiwan’s express trains that speed through without stopping at the station, an overpass has been constructed that allows passengers to safely make their way to the platform area. As I mentioned earlier, the platform area is one of the areas that has been expanded several times since the Japanese-era, which has allowed the station to keep up with the modern changes to the railway, while maintaining the same historic station house. When passengers are waiting for the train on the platform, you can enjoy a pretty good view of the rear of the station, the roof of the building, and the trees that were planted next to the building when it was originally constructed.

Finally, while not exactly part of the architectural design, I’ll conclude by mentioning the trees. One of the things that I’ve really started to appreciate about Japanese architecture, especially when it comes to the construction of buildings, is that they always plant trees next to the building as a time capsule of sorts that helps to show how old the building is. In this case, we have what has become known as the ‘Bao’an Three Treasures’ (保安三寶), which are likened to 'The Three Star’ deities (三星 / 福祿壽), Fu (福), Lu (祿), and Shou (壽), who are often found adorning the top of Taiwan’s temples. To the right of the main entrance, you’ll find an Orange Jasmine (七里香) while the much taller Palm tree (棕櫚樹) and Coastal she-oak (木麻黃) are to the left. If the memorial plaque next to trees is any indication, they date back to 1909 (明治42年) and predate the current station house, which is pretty cool.

Getting There

 

Address: #10, Alley 529, Wenxian Road, Rende District, Tainan City

(臺南市仁德區保安里文賢路一段529巷10號)

GPS: 22.932940, 120.231660

How is one to get to Bao’an Train Station?

You take the train, of course.

Given all the modernization that has taken place on Taiwan’s railway, the fact that you can still take a train to one of the nation’s oldest stations is pretty cool.

So you should definitely take the train. You do however have other options for getting there. 

The station is located only one stop south of Tainan Train Station, and the ride take only about seven minutes to get there. So, if you find yourself the proximity of the downtown core of Tainan, you shouldn’t have much of a problem hopping on a train. Likewise, if you’ve travelled into the city by High Speed Rail, you can transfer to a commuter train from the Shalun Train Station (沙崙車站) and take the train to Bao’an Station, which is a seventeen minute ride.

As a smaller station though, Bao’an Station isn’t serviced by every train headed south rom Tainan, so if you want to visit, you’ll need to make sure that you get on one of the silver Local Commuter Trains (區間車). 

Bus

In terms of buses, there are a few options that’ll help you get to the station, or the Chimei Museum (奇美博物館), which is within walking distance of the station. Located a short distance from the main entrance of the station, you’ll find a roof-covered pavilion set up where buses will come in off the main road and pick people up and drop them off. There are options that will take you to downtown Tainan, as well as others that will take you to the High Speed Rail Station, and beyond.

The following bus routes are available at the Bao’an Station stop:

Tainan City Bus (幹支線公車): Red Line #3, Red Line #4

High Speed Rail Shuttle Bus (高鐵快捷公車): #H31

Kaohsiung Bus (高雄客運): #239, #8042, #8046

I’ve linked to each of the bus routes above, but Taiwanese websites like this are notoriously unreliable, so if you click on any of the links and they don’t work, you should be able to just search the bus route on your own, and you’ll be able to find the link that they’re currently using.

Youbike

The bus stop is also home to a large Youbike Station where you can swipe your EasyCard and hop on one of the shared bicycles. If you’ve taken a Youbike on the ride from Tainan, you can easily dock the bicycle at the docking station in front of the train station and check out the train station, or take the train back to the city.

If you haven’t already, I highly recommend downloading the Youbike App to your phone so that you’ll have a better idea of the location where you’ll be able to find the closest docking station.

Link: Youbike - Apple / Android

Whether you’re simply on your way to the much larger, and (probably) much more interesting Chimei Museum nearby, a stop by this historic train station is an added bonus to your excursion out of Tainan. There aren’t too many stations like this left in Taiwan, and the fact that it still looks so great after nearly one hundred years is a testament to the skills of the carpenters and architects of the era. If you're just getting off the train to before heading else, make sure to take a few minutes to enjoy the historic station, and don’t forget to take a few photos at the same time.

References

  1. Bao'an Railway Station | 保安車站 中文 | 保安駅 日文 (Wiki)

  2. 保安車站 (國家文化資產網)

  3. 保安車站 (國家文化記憶庫)

  4. 保安車站 (鐵貓)

  5. 保安車站 (臺灣驛站之旅)

  6. 保安車站 (Blair and Kate's 旅遊與美食)

  7. 臺南市文化資產 (Wiki)

  8. 112 年度臺南市文資防護專業服務中心成果報告書 (臺南市文化資產管理處)

  9. 臺灣鐵道旅行案內 (臺灣總督府交通局鐵道部)

  10. 台南縱貫線木造車站巡禮 - 保安車站、林鳳營車站、後壁車站 (LINE Today)

  11. 仁德糖廠 (Wiki)

  12. 木造車站-海線五寶 (張誌恩 / 許正諱)


Gallery / Flickr (High Res Photos)