Temples

Xingtian Temple (行天宮)

One of the things that I tell people who have just arrived in Taiwan is that the temples here are pretty much like living museums for the culture, art and history of this country. You can learn so much more about Taiwan by visiting temples than you ever could from a museum.

I've written a lot about temples over the past few years on my blog and even though it might seem like overkill at times, I really do love taking photos of these wonderful buildings while at the same time telling a bit of their story so that people around the world can understand them better.

This time I'm not going to be introducing a three hundred year old temple nor one that really comes across as the 'living museum' type. The temple I'm introducing today is a relatively new one yet despite its lack of history it has become a very important one for the people of Taipei and also attracts its fair share of tourists.

Xingtian Temple (行天宮), constructed in 1967 is a relatively young temple by Taiwan's standards - Yet if you compare its popularity to other temples around the country it would seem that age isn't always the deciding factor in whether a temple is considered important or not. It is estimated that over 10,000 people visit the temple each day and while it has become a major tourist destination for the city, it is also an extremely important place of worship for the Taoists of Taipei.

While most of the older temples in Taiwan are steeped in hundreds of years of tradition, it often seems that those traditions have a habit of preventing them from adapting to modern times and attitudes towards certain practices and beliefs. A young temple like Xingtian Temple on the other hand is a bit freer to be more progressive with its policies and is one of the reasons why this temple has received so much positive publicity over the past few years and why it has become so loved.

In 2014 the temple made headlines across Taiwan when it announced that it would institute measures to protect the environment which included removing offering tables and no longer offering incense to visitors - a very bold move on part of the temple! (and ultimately followed by a few others since then).

Temples in Taiwan are constantly filled with clouds of incense as sticks of incense are thought to portray a certain level of respect when Taoists are conversing the the spiritual world. I really do like the smell of incense, but when you visit temples it can sometimes be a little too much and your eyes and throat start to hurt if you stick around for too long.

The progressive policies that the temple instituted were not only great for the environment but also for people's health and also the cleanliness of the temple, which is at all times insanely clean.

Xingtian Temple also sets itself apart from others due to the fact that it does not have a large furnace for burning ghost money nor does it put on performances or have any donation boxes for accepting money from visitors. A visit to this temple is a no-frills experience which means you're free to look around and enjoy the experience without being pestered for donations like you would in so many other countries. 

The temple is dedicated primarily to Lord Guan (關聖帝君) who is also known as Guan Yu (關羽) or Guan Gong (關公) and is one of the most recognized figures within Chinese culture. Guan was a leading general who served under Liu Bei (劉備) during China's Three Kingdoms period (220-280) and is now immortalized as a deity within Taoism and has also become a celebrated figure within Confucianism and Buddhism as well.

Guan who lived from 160-221AD was deified by Taoists sometime during the Sui dynasty (隋朝) between 581 and 618 and is worshipped in Taiwan, China, Hong Kong and pretty much any place where people of Chinese descent have migrated.

Stories about Lord Guan have been passed down through the generations and he has become somewhat of a legend thanks to the "Romance of the Three Kingdoms" (三國演義) a masterpiece of ancient Chinese literature.

The important thing to remember about Guan Yu however is that while there are a lot of superlative stories that deal with his exploits, he is widely respected within Chinese culture as the epitome of loyalty and righteousness. Today he is not only worshipped as an all-knowing and all-powerful deity but also as the god of war and a patron saint of business people and scholars. This is why statues of Lord Guan have become almost synonymous with Chinese businesses around the world as his presence is thought to help bring success.

As the god of war, he has also become a patron figure for the many different organized criminal groups within Chinese society and paying respect to Lord Guan is important for keeping discipline within the ranks. Don't expect to be brushing noses with scary-looking gangsters at Xingtian Temple though - the temple is a very zen-like and peaceful place of worship!

Accompanying Lord Guan in the temple are Lu Dongbin (呂洞賓), Zhang Dan (張單), Wang Shan (王善) and Yue Fei (岳飛) who together make up a group of important deities known to Taoists as the "Five Saviours" (五聖恩主) and are thought to help bring enlightenment and bestow benevolence to society.

Each of the gods accompanying Lord Guan in the temple has a specific role: Lu Dongbin has a sword which is supposed to destroy greed, anger and ignorance in people's hearts. Zhang Dan, who is also known as the 'Kitchen God' keeps records of things people say and do and presents the records to the Jade Emperor (玉皇大帝). Wang Shan who is also known as the 'Thunder God' patrols the heavens and the earth rewarding people for doing good deeds and punishing those who do wrong. Yue Fei is a lot like Lord Guan and was a general in life - Today he is respected for his loyalty and righteousness.

One of the main draws to the temple (prior to 2014) were the temple attendants who are known as Xiaolaosheng (效勞生) or “helpers” wearing blue robes. The helpers walked around with large bouquets of incense to hand out to people who came to the temple to pray. For photographers, the sight of these ladies was actually really cool. Today the ladies in blue don't carry incense but continue to carry out other important duties around the temple.

The blue-robed "helpers" are a constant fixture of the temple and no matter when you go or what time of the day you are there they will always be there providing services to the people who visit. While most temples in Taiwan have volunteers of this sort, Xingtian Temple is a bit different in that the "helpers" are a much more organized group who perform quite a few duties throughout the temple - Its common to find them reciting sutras, chanting verses, assisting visitors, answering questions and performing Taoist rituals.

The helpers purpose is to work for the 'benefit of others as well as cultivate their hearts and minds'. While "helper" is a simple translation, you might want to just refer to them as 'Temple Disciples' to make things a little more easy to understand. The helpers comes from all walks of life and speak many languages, so if you have a question they will be happy to answer but before they do so they'll say "ping'an" (平安) which means "safety" as a way to give a blessing to anyone who they come in contact with.

One of more interesting duties for the helpers is for a ritual called "recalling frightening souls" (收驚) which is an age-old Taoist ritual meant to help purify oneself and bring calm to your soul. The thought process behind it is that from time to time, something might happen which frightens you so much that your soul (one of them) attempts to 'escape' from your body. It could be anything from a good scare during a horror movie to a close call on the road. If you feel yourself suffering from this sort of shock, it is quite normal for people to visit a temple to have this ritual performed on them and Xingtian temple is the primary destination for the people of Taipei to have this sort of spiritual therapy done. 

The ritual which is a 'cleansing' or even an 'exorcism' of sorts is meant to calm your soul and bring it back into your body so that you are more at ease. The women who perform the ritual at this specific temple will wave a stick of incense around all of your chakra points and whisper a prayer signifying that it is safe for your soul to return to your body.

The most interesting thing for me is that there are always long lines at Xingtian Temple for this ritual which is performed free of charge but probably also a good indication that close calls when it comes to driving in Taiwan are more common than you'd expect. Taiwanese people live a stressful fast-paced life and having this spiritual service available to them is likely very beneficial if you're prone to believe in this kind of thing.

The other interesting point is that you don't actually even have to be there in person to have the ritual performed on you. One one of my visits I noticed an older lady holding up a shirt from an American university and having one of the attendants performing the ritual. My guess was that her son was studying overseas and had something happen to him, so she was helping him out with a spiritual 'dry-cleaning' of sorts.

Design  

The temple takes up almost an entire city block in Taipei and is celebrated for its traditional Chinese-style architecture. If you walk into this temple having visited other Taoist temples before, the simplicity will be a stark contrast to the amazing detail of some of Taiwan's other places of worship. While it is a young temple and a simple one at that, it doesn't mean that there aren't minor details in the design that you shouldn't pay attention to and appreciate.

When you walk into the temple the first thing you'll notice is one of the two gates. The gates are known as the "Xun Gate" (巽門) and "Kun Gate" (坤門) or the Wind and Earth gates. The gates each have inscriptions on the inside which read "Hehe" (赫赫) and “Yanyan” (巖巖) which are reminders to the faithful to practice virtue and and act accordingly and respectfully after leaving the temple.

The temple itself is designed in a traditional way with a front hall (前殿) and a main hall (正殿) which are joined by two long corridors which are known as the "guardian dragons" (護龍) which house a sermon hall on the left side and an information centre on the right side.

The middle of the temple which serves as the courtyard is where people will go to pray.

The main hall of the temple is off-limits to guests, so if you want to see the main shrine you are going to have to peer in from the courtyard. This is why I actually have very few photos of the shrine room. I had to use a telephoto lens to get shots of it. 

While the temple is quite plain, the things to notice within would be the dragons and phoenixes on the roof which act as guardians which ward off evil. Dragons specifically help to prevent fires and pray for rain while phoenixes appear when the earth is at peace and have long been considered auspicious symbols within traditional Chinese culture.

When it comes to stone work, Taiwanese temples spare no expense and Xingtian Temple is no different. The temple boasts twenty-seven beautiful stone columns in the front hall which have beautiful calligraphy poems carved into them by various Taiwanese artists. The poems on the pillars are meant to glorify Lord Guan and are an important addition to the design of the temple.

Apart from the columns, you'll find two stone Qilin (麒麟) at the main entrance to the front hall. Taiwanese temples are typically protected by stone lions but this one is a bit different - Qilin which are also known as 'Chinese unicorns' are mythical Chinese creatures that have the head of a dragon and the body of either an ox, deer, or horse with scales and hooves. While extremely cool-looking, Qilin symbolize prosperity, serenity and that the nation is at peace which I think fit in well with this temple.

As I mentioned above with the temple disciples, this temple is a bit more organized that your average Taiwanese temple and is part of a much larger Taoist organization. The Xingtian Temple organization which formed in 1956 under the leadership of Master Hsuan Kung (玄空師父) has since expanded to three temples, one in New Taipei City's Beitou district (北投分宮) and another in Sanxia district (三峽行修宮) and includes four libraries and a fully functional hospital. The group is dedicated not only to the promotion of Taoism but also to education, culture, medical care and charity and is quick to mobilize in the event of disaster.

Despite having three temples, this specific one which sits in the heart of Taipei is one of the city's largest tourist attractions with thousands of people visiting each day and a new subway stop which makes visiting the temple much easier.

Tourists who visit are likely to include a trip to the nearby Taipei Fish Market (上引水產) for fresh sushi with quality that rivals that of the Tsukiji market (築地市場) in Tokyo.

Xingtian Temple may not have the historical importance of Longshan Temple (龍山寺) or Bao-An Temple (保安宮) but it has molded itself into one of the most important places of worship in the city and rivals the others in the hearts of Taiwanese people.

If you are in Taipei for a short time, a visit to this peaceful temple should definitely be on your itinerary.


Yimin Temple (褒忠義民廟)

If you've been following my blog for a while now, you'll know that I'm a big fan of Taiwan's temples - I love the history, the art and the culture that goes into making them some of the most interesting places to visit in Taiwan. Of all the temples that I've introduced however, none of them have been as difficult to write about than Hsinpu's Yimin temple.

I have lived in an area of Taiwan for the last decade and that ispredominately populated by Hakka people and most of my friends, coworkers and food I eat are all Hakka. I have a great respect for the culture and feel like if I'm going to write about this temple that I'm going to have to do it justice.

This temple is most responsible for the preservation of Hakka culture in Taiwan and no matter how many hardships the Hakka's have experienced throughout their history - this temple has played an instrumental role in reminding them that it is okay to stand up proudly and tell the world "I am a Hakka".

The Baozhong Yimin Temple (褒忠義民廟) in the tiny village of Hsinpu (新埔鎮) has thus become a Mecca-like place of worship and celebration for the Hakka people of Taiwan where their culture, history, and cuisine have been carefully preserved over the last few centuries of Taiwan's development despite discrimination and persecution from other ethnic groups. 

The Hakka (客家人) are an ethnic group which originated somewhere near the Yellow River (黃河) in what is now China's northern Shanxi (山西), Henan (河南) and Hubei (湖北) provinces. The early history of the group is shrouded in mystery and historical records aren't really clear as to their origin given that the earliest recorded history referring to the group was during the Song Dynasty (宋朝) between 960 and 1279.

They are part of the 55 different ethnic groups that makes up the Han people (漢族) and are genetically similar to the northern Chinese with the only distinguishable different being their language, culture and cuisine.

The Hakka are pejoratively known within China as the "Jews of Asia" due to the fact that throughout their recorded history they were forced to migrate en-masse on five different occasions mirroring that of the experience of the Jewish people in the Middle East and Europe. The problem with this comparison however is that the Jewish people often migrated due to the sheer hatred and racism directed towards them whereas the Hakka people migrated in order to escape the turbulence of China's warring states period and the political and social upheavals that occurred when there was a regime change in the Middle Kingdom. 

Each migration found the Hakka people moving further and further south ultimately settling in areas such as Guangdong (廣東), Jiangxi (江西), and Fujian (福建) provinces and once again becoming some of the earliest Han people to migrate to Taiwan (as well as other parts of South East Asia) where they would find a permanent home. Today they are considered the most diasporic among all of the Chinese ethnic groups with a total population of around 80 million living in countries all over the world.

The Hakka people started immigrating to Taiwan in the 16th century and even though life on the island was tremendously difficult in the early years, they persisted due to their wealth of experience and their ability to adapt to new environments. Today the Hakka population in Taiwan is around five million which is about twenty percent of the entire population of the country. They live all over the country but have concentrated populations in Taoyuan, Hsinchu and Miaoli as well as in the south of Taiwan in Kaohsiung and Pingtung counties.

Today the Taiwanese government has set up a division known as the Hakka Affairs Council (客家委員會) to assist in preserving and promoting Hakka culture in Taiwan as well as around the world. Hakka culture and traditions however have been passed down generationally and the group has become well-known in Taiwan for the importance they place on hard work, family and relationships. The Hakka people might have been guests (客人) in the places they migrated to in China hundreds of years ago, but today they treat guests like family making them one of the friendliest and most hospitable groups in Taiwan.

The Baozhong Yimin Temple was the original centre for the preservation and consolidation of Hakka culture in Taiwan and the role it has played over the last 200 years has been integral in keeping Hakka language and traditions alive.

Yimin Temple isn't a typical Taiwanese temple and while the exterior may look similar, there are quite a few differences that separate it from the rest. What makes it stand apart is actually quite simple - Most temples in Taiwan are dedicated to a specific deity (or even several) whereas the purpose of this one isn't for the worship a higher power but instead the proud history of the Hakka people.

To understand all of this, we have to go back to the reason why the temple was built in the first place - "Yimin" (義民) which translates into English as "righteous people" refers to a group of Hakka men who banded together to form a militia in order to protect their homes from invasion. Today they are memorialized as righteous, brave and loyal defenders of their homeland showing what is considered some of the best aspects of Hakka culture. The story is not unlike a feel-good Hollywood movie where a group of underdogs band together against all odds to achieve something incredibly unlikely.

In 1786, a Hoklo (閩南人) uprising against the Qing dynasty formed in Changhua (彰化) which later became known as the "Lin Shuang-Wen Insurrection" (林爽文件事). The Qing dynasty at the time had little resources in Taiwan (due to disinterest in the island) and was unable to quell the insurrection on its own which meant that they required assistance from groups loyal to the empire.

The Hakka people who had developed a prosperous economy in the Taoyuan, Hsinchu, and Miaoli areas of western Taiwan got together to discuss the insurrection and decided to form a volunteer militia in order to protect their lands from an army which conspired to oust the Qing and conquer lands to the north which threatened to once again send the Hakka packing.

This time, rather than migrating of their own free will, the Hakka amassed a force of 1,300 men and marched its way into Hsinchu to battle the rebels. When the dust settled and the battle was over the Hakka militia had lost around 200 soldiers yet were victorious in battle.

When it came time to return home, the militia piled up the bodies of the deceased and placed them on ox-carts to be taken back home so that their families could honour them properly. Upon reaching Hsinpu, it was decided that the bodies would be buried in a common tomb in the Fangliao area (枋寮) of the village.

Local people pooled together money and built a large tomb for the fallen heroes who were later awarded with a hand-written plaque of appreciation from the emperor which read "Baozhong" (褒忠) or "in praise of loyalty" which was regarded as a great honour for the people in the area and was the reason why the temple was given the name: "Baozhong Yimin Temple" (褒忠義民廟).

The Hakka people share a common history with many other ethnic-Chinese groups and ancestral worship has traditionally been an important part of their culture and religious beliefs. When the initial planning started for the temple it was decided that a building would be constructed in front of where the tomb was built and inside the temple would be a spirit tablet (神位) which would be dedicated to the deceased members of the Hakka community who died during the insurrection.

This would become the foundation for "Yimin" worship in Taiwan and is a tradition that has spread throughout Taiwan over the past two centuries having expanded to over thirty temples throughout the country known as either Baozhong Pavilion (褒忠亭) or Yimin Temple (義民廟).

Yimin Spirit Tablet (義民神位)

A spirit tablet is a plaque is meant to take the place of someone of importance or even a god. It is common to find spirit tablets within temples dedicated to Confucius (Taipei, Taoyuan Hsinchu) as well as in some Taoist temples. The purpose of a tablet like this is to designate the seat of a deity or an ancestor. Tablets like this are common throughout East Asia in places where ancestral worship is common. The tablet placed within Yimin temple reads "敕封褒忠粵東義民位" which basically refers to the fact that the Hakka warriors represented within the tablet were venerated by royal decree.  

The spirit tablet which became known as "Yimin Ye" (義民爺) isn't supposed to be a 'deity' in the traditional Taoist or folk religion sense but over time it started to serve a lot of the same function making Yimin worship a bit confusing in the context of traditional religion in Taiwan.

The original purpose of the Yimin spirit tablet was to allow the Hakka people to have a place to honour their ancestors as well as to keep the Hakka spirit alive. Local belief has it though that a few (so-called) miraculous events surrounding the tablets took place which led to people starting to pay their respect to the spirit tablet in the temple as well as using it to receive spiritual guidance and some much needed good luck. The superstitions that ultimately evolved from early Yimin worship helped to foster the importance of the Yimin Cultural Festival (義民文化節) which has become the largest event of the year on the Hakka calendar.

The Yimin festival had modest beginnings and started as a way for the Hakka community to come together once a year to celebrate the harvest and give thanks to the ancestors who helped save their land. There are many activities held around the temple and in other Hakka communities around Taiwan with a feast being one of the most important events. The festival has continued to this day and has unfortunately become most known for the 'Pigs of God' tradition which has become somewhat notorious in recent years. I explained the Pigs of God aspect of the festival in an earlier blog, so I won't go into much detail about that here. The important thing to remember is that the Pigs of God is actually just a small part of a very important festival which celebrates Hakka culture, history, cuisine and their way of life.

Design

Unfortunately the original temple succumbed to a fate much like that of Taipei's Longshan Temple and Confucius temple and only lasted until 1895 when it was either burnt down or bombed by the Japanese during the first Sino-Japanese War (第一日中戰爭).

The temple was rebuilt shortly after and completed in 1904 and is the structure that we see standing in Hsinpu today. It is a very simple temple that doesn't have all the glitter of a typical Taiwanese temple but at the same time is one of the most important temples in Taiwan. It was constructed in a way that it has an exterior that is quite similar in design to the Hakka-style homes of that era (of which there are quite a few well-preserved specimens in nearby Jhubei) and while it is much larger than any home of that era would have been, its interior is very much like other temples that you'd see around Taiwan only a bit simpler.

To give a little more detail the temple is constructed in a specific style consisting of two main halls, two corridors and two side halls. (二殿二廊二橫屋). The hall at the entrance has help desks on the sides with a large courtyard and a large incense pot in the middle where there are often large groups of people paying their respects. The rear hall is elevated and by a few steps and is where the shrines are located. In the main shrine there is the Yimin spirit tablet with two shrines on the sides dedicated to the Three Mountain Kings (三山國王), Guanyin (觀音菩薩) and another dedicated to Lord Shennong (神農大帝) who acts as a patron to farmers.

The corridors to the side of the main halls lead to separate rooms filled with beautiful art and the cool-looking lamps that you see in almost every temple (光明燈) which are used as a way of collecting donations from patrons of the temple who get to have their name on a lamp for good luck and spiritual wellbeing.

Behind the temple is a small mountain where a beautiful park has been constructed. The walk up the hill during the winter months is especially nice because you get to see beautiful cherry blossoms. The important thing to notice behind the temple though is the tomb that is set up for the Hakka warriors who protected their lands and are the reason why the temple exists in the first place.

To the left of the temple there is a man-made lake with a bridge and a lot of cool things to see and the forest area behind it. Truthfully though the lake area seems a bit kitschy to me so I rarely spend a lot of time around there checking it out.

If you visit the temple during the week it can be surprisingly quiet and peaceful while on the other hand if you visit on the weekend it is usually quite busy with people doing their thing. The last time I visited when I went specifically to ask a few questions about the history of the Pigs of God festival I thought it was really cool to see a group of old men sitting at a table while a younger guy was sitting down recording the way they spoke which seemed like an attempt on his part to not only learn the Hakka language but also record the way that the older generation of people speak the language. If you visit the temple during Lunar New Year or during the Yimin Festival you're going to have a very different experience as the temple will be so busy and there will be so many things going on that it seems a little like sensory overload.

For me, I love visiting this temple, especially during the busy times because it is not your typical religious place of worship. There is so much more going on there than that and that's what makes it special - its a temple dedicated to the preservation of culture and as someone who is interested in the cultural anthropology of Taiwan, it is a great place to visit to not only learn about Taiwan's history but also experience it at the same time. If you find yourself in the Jhubei area or in Hsinchu, make sure to visit this temple.


Gyeongbokgung Palace (景福宮)

I took a week-long trip to South Korea earlier this summer, but unlike most of the trips I take this one wasn't going supposed to be an action-packed fully planned-out occasion where I would see as much as possible while trying to learn as much as I could about the place I was visiting.

I've been to Korea before and truthfully I'm a big fan of the country (especially its food) but I've resisted revisiting again in recent years as the country has become a hot spot in Asia for people wanting to experience the culture and fashion which has been popularized by the tremendously successful Korean music and entertainment industry.

This time my trip was a whole lot more simple - I'd carry a lot less around in my camera bag and I'd spend most of my free time searching out some of the best restaurants in Seoul while hanging out with some people from home that I haven't seen in almost twenty years!

I was in town to attend the wedding of a very special friend of mine from when I was growing up and having met her fiancé when they visited Taiwan a few months earlier, I was really happy to be able to attend the wedding of two very cool people! 

My friend Marie is a very vocal supporter of Korea and has combined her love of the country with her entrepreneurial skills to help promote Korean designers and products outside of Korea by founding the subscription box service Korea Curated which ships boxes of cool Korean products created by young Korean designers and entrepreneurs to people all over the world each and every month.

Marie's husband Cory is an expat Youtuber who promotes Korean culture, food and travel through his popular Youtube channel and together they've combined to form a formidable team that does excellent work promoting Korea to audiences both in and outside of the country.

As you might imagine the two of them and I get along quite well because we are very vocal lovers of our adopted country's and while they promote Korea through their videography and entrepreneurial skills, I try to do with same for Taiwan with my photography.

While I didn't have a lot of time to do a whole lot of 'touristy' stuff during my short visit to the country, I did what almost every other tourist who visits Korea does and ate a lot of amazing BBQ and drank a lot of soju - Way too much soju actually - and visited one of Seoul's most prized attractions.  

Gyeongbokgung Palace (경복궁/景福宮) also known as the Northern Palace was the primary home of the Joseon Dynasty (대조선국/大朝鮮國) which ruled Korea for five centuries between 1392 and 1897. The palace originally built by King Taejo (태조/太祖) in 1395 was the seat of the central government in Seoul where the rulers of the Joseon dynasty would sit on the Phoenix Throne (어좌/王座).

I had visited the palace on my previous trip to Korea, but I wanted to visit again because like the phoenix which symbolized the Joseon dynasty, the palace itself has risen up from the ashes of destruction several times in its history and what I saw this summer was much different than what I was able to see during my last visit as the palace is in a constant state of reconstruction that is set to be completed within the next fifteen years.

The palace's first bout of bad luck was a fire which severely damaged the grounds in 1553. It was then destroyed by the Japanese invasion of 1592 during the Imjin War (임진조국전쟁/萬曆朝鮮之役) and was left in ruin for 250 years with the monarchy and government formally moving to nearby Changdeokgung Palace (창덕궁/昌德宮), another one of the dynasty's Five Grand Palace's, which just like Gyeongbokgung has also had an unfortunate history.

Work started in 1865 to repair the palace to its original condition by Heungseon Daewongun (이하응/李昰應), regent and father of King Gojong (고종/高宗) who assumed the throne and moved back into the palace in 1868. The renovation almost bankrupted the government and contributed to the decline of the economy and of the dynasty itself. By the time Gojong assumed the throne, the monarchy was viewed as a corrupt vassal state of the Qing Dynasty (清朝) in China and had to resist a push for modernization from within as well as constant threats of Japanese invasion.

The dynasty was renamed to the "Korean Empire" (대한제국/大韓帝國) in 1867 in an attempt to appease domestic concerns but did not last very long as Japan annexed the Korean Peninsula and forced Emperor Gojong to abdicate the throne, put an end to the Korean monarchy as well as putting the governance of Korea under the control of the Japanese for the next 35 years.

After the annexation of Korea, Gyeongbokgung Palace was viewed by the Japanese as symbolic of Korean culture and heritage so in an attempt to subdue Korean nationalism and dissent, the palace was almost completely destroyed with the majority of the buildings within the complex torn down leaving only a few dozen structures left standing.

The structures which escaped destruction notably include Geunjeongjeon, the Imperial Throne Hall (근정전/勤政殿), the beautiful Geunjeongjeon (경회루/慶會樓) and a few other buildings which today which are listed as National Treasures (국보/國寶) by the Korean government.

Notably missing however is a building called the Hall of Worthies (집현전/集賢殿) which was where the Korean writing system Hangul (한글/韓文) was created under direction from the king. The hall is thought to have been somewhere within the palace grounds but it seems that archaeological research has yet to turn up evidence of where it was located despite popular belief that it was likely somewhere near the Sajeongjeon Hall (사정전/思政殿) which was used as the main executive building of the king.

During its heyday the 419,000 square meter palace consisted of 500 buildings with over 7,700 rooms, a staff of 3000 people and housed the offices of the central government which conducted all of its business from within the walls of the compound. 

Today the palace has traded in the monarchy, scholars, concubines, government officials and military for hoards of tourists who visit the spectacularly rebuilt compound which includes museums, gardens and some of the best examples of traditional Korean architecture in the country.

The Gyeongbokgung Palace that we see today is the result of a lot of hard work undertaken by the South Korean government to restore the compound to its former glory. The government benchmarked the project to be completed within 40 years and has partially funded the rebuild with the price of admission for tourists who have been visiting since it was reopened to the public.

In 2009 (two years after my first visit to the palace) it was estimated that 40% of the palace had been reconstructed and it would take yet another twenty years to fully restore the palace.

Still, despite only being half completed, the palace is one of Seoul's largest attractions for both foreign and domestic tourists and the changing of the guard ceremony which happens once every hour is one of the highlights of the visit to the palace.

When you visit you are also likely to see tourists, especially those from China walking around in traditional Korean clothing which is great for a photo op if you are visiting and aren't really concerned with seeing much of the compound.

If you're like me however you'll probably ignore all of that and try to see and learn as much as you can. Unfortunately after dedicating around 5 hours to the palace, I probably only got to see about a fifth of the 50% that has been completed meaning that I unfortunately missed quite a bit.

If I ever find myself back in Seoul again, I will no doubt end up back at the palace to see the progress that has been made but also some of the beautiful places that I've missed. The reason I'm so willing to visit this palace again and again is actually quite simple - I'm a big fan of cultural anthropology and the care that has been taken to rebuild this palace and all of the buildings within almost brick for brick is extremely commendable and is a testament to the strength of the Korean people and the dedication to the preservation of their culture and their history.

There is so much more detail that can be said about this palace which has been said many times before by people who know much more than I - If you want to learn more about the palace and the history of the Joseon Dynasty please check out some of the links below for reference: 

Official SiteThe Seoul Guide | Life in Korea | Koreana |  Synapticism | Wikipedia 

If you ever find yourself in Seoul, make sure to visit this palace, which has a subway station that drops you off right outside!

Also, if you are interested in learning a little more about Korea, make sure to follow my friends Cory & Marie on Youtube as they continue to explore and promote the country that they love.