台灣歷史

Chiayi Train Station (嘉義驛)

Chiayi, is one of those special places in Taiwan that everybody just seems to love. Sure, it often gets overshadowed by its neighbor to the south, Tainan, but similar to Tainan, Chiayi is home to a plethora of historic places to visit, and is home to some of Taiwan’s most well-loved dishes. One of the other similarities that the two cities share, however, is that in recent years, the younger generation, most of whom migrated north to Taipei (or elsewhere) for better opportunities have returned, and they’ve brought with them a really cool hipster vibe that both cities have been more than happy to cash in on, bringing about exponential increases in domestic tourists.

Sometimes when these things happen, its just a stroke of luck, but in Chiayi’s case, I’d argue that it was also excellent timing. The young people from the area saw what was taking place in Tainan, with all of the restaurants and coffee shops opening up there, and thought, why can’t the same thing be done at home in Chiayi? Fortunately, when they returned, they also found themselves with a very willing partner in the local city government, which had invested considerably in the city’s historic properties, making them tourist-friendly, as well as improving the city’s public transportation infrastructure, which makes it even easier for people from all over the country to visit.

When Netflix’s “Street Food: Asia” series was released, to the surprise of no one, cities that are traditionally known for their food scenes, such as Bangkok, Osaka, Delhi, Seoul and Singapore were featured. Amazingly, though, both Taipei and Tainan, which usually hog all the limelight, were skipped, and the series featured a heartwarming story about Chiayi, its street food scene, and a special focus on how the younger generation returned and helped to bring the city back to life. For a lot of people, Chiayi was always just the gateway to the spectacularly beautiful Alishan National Forest Recreation Area, but thanks to the Netflix series, and the contributions of the local government and young entrepreneurs, the city currently provides visitors with a lot more incentive to stick around for a while.

Throughout all of the changes that have taken place in Chiayi in recent years, one of the things that has remained constant, at least for the past century or so, is the means by which most visitors arrive in the city. The city just so happens to be home to one of the few of Taiwan’s major Japanese-era railway stations that remains in operation today. The station, which is absolutely beautiful, is one of the city’s most iconic buildings, and whenever you see an image promoting Chiayi, the station is likely to feature prominently as it so well-known and well-loved.

Suffice to say, if you’ve been following the articles published on this blog over the past few years, you’re likely well-aware that the railway is an incredibly important aspect of everyday life in Taiwan, and has been instrumental in fueling the nation’s rapid development. However, as the country around it has developed, the railway has also had to constantly evolve to meet the needs of the ever-changing population. Sadly, the modernization of the railway has meant that most of the other major Japanese-era stations in Keelung, Taipei, Changhua, Kaohsiung and Pingtung have succumbed to the changing environment, while only the stations in Hsinchu, Chiayi and Tainan remain in operation.

But for how much longer is the real question.

Link: Taiwan’s Remaining Japanese-era Train Stations (台鐵現存日治時期車站)

Fortunately, we’ve entered a period in Taiwan’s national development where citizens actively pay a lot more attention to the preservation of the nation’s heritage buildings, so local governments, in partnership with the national government are held accountable in ensuring that public funding is made available for both their protection and preservation. Thus, when it came time for the historic Taichung Railway Station to be phased out of service, the local government preserved the station and created an absolutely beautiful railway culture park next to the new station, which has become an incredibly popular tourist attraction within the heart of the city.

Link: Taichung Train Station (臺中驛)

While Chiayi’s historic station remains in operation today, that situation is ultimately going to change as the railway within the city is going to go through the same type of modernization as has taken place in Taichung, which will help to ensure faster and more efficient travel times for passengers. When that happens, you can be sure that when this station is phased out, plans will be made to mirror the success of Taichung’s Railway Culture Park, with efforts already underway to coordinate the future park to include the Alishan Forest Railway Garage Park (阿里山森林鐵路車庫園區) and Beimen Station (北門車站), which will make for one of Taiwan’s largest railway culture parks.

Today, though, I’m going to introduce Chiayi Station as it is now, introducing you to its history, and its architectural design so that you can better understand this significant piece of Taiwan’s history.

Kagi Station (嘉義驛/かぎえき)

To introduce the history of the railway station, I’ll have to start by offering a bit of a backstory of events leading up to the arrival of the Japanese in Taiwan, and the development of the railway, which ushered in an era of modernity, development, and economic opportunity. The railroad not only offered the people of Taiwan with a means of public transportation, but allowed for the transport of goods and services allowing for a level of connectivity that the residents of Taiwan had yet to experience. While there were obvious benefits for the residents of the island, the railroad also became an instrumental tool that helped to fuel the fledgling empire’s goal of extracting the island’s precious natural resources, and there are few places in Taiwan where that was more evident than in Chiayi.

The history of the railway in Taiwan dates back as early as 1891 (光緒17年), just a few short years prior to the Japanese take over of the island. The railway project turned out to be one of the most ambitious development projects undertaken by the Qing government, under the leadership of then governor, Liu Mingchuan (劉銘傳). The Qing-era railway stretched from the port city of Keelung (基隆) to Hsinchu (新竹), but even though the project was led by foreign engineers, the final result turned out to be rather rudimentary, and ultimately came at far too high of a cost for the Qing to continue financing. Given that the Qing never particularly cared very much about developing the island, the high cost of the construction of the railway, and the fact that they were also preoccupied with war (and revolution), the project wasn’t particularly a serious one.

The Qing Dynasty was established during a period when China’s previous rulers had become far too weak to contend with the constant rebellions and civil disorder that were erupting around the country. Then, a hundred years later, in what may seem like a case of history repeating itself, by the late 1800s, Qing rule had similarly become incompetent, and corruption was rife throughout the country. The corruption that was prevalent throughout China’s bureaucracy not only prevented the Qing from modernizing its military, but also resulted in some diplomatic missteps that ultimately led to war with Japan, which itself was going through its Meiji Revolution (明治維新), and was in the process of transforming itself into a major military power. That war, known today as the first ‘Sino-Japanese War’ (1894-1895), ended about as quickly as it began, resulting in considerable embarrassment for the Qing rulers, who were completely unprepared to wage war against a much better, modern equipped Japanese military.

The war ultimately shifted the balance of power in Asia from China to Japan, and ultimately became the catalyst for revolution in China, which would within a little over a decade bring imperial rule to an end. Unable to compete with might of the Japanese military, the Qing elected to negotiate for peace, just a little more than six months into the war, formally ending with the signing of the Treaty of Shimonoseki (下関条約). Most notably, the key stipulations of the treaty were that China would be forced to recognize the independence of Korea (which until that time had been a tributary state), and that Taiwan and the Penghu Islands would be ceded to Japan, in addition to paying reparations that amounted to 8,000,000 kilograms of silver.

Shortly thereafter, the Japanese set sail for Taiwan, landing in Keelung on May 29th, 1895. Upon arrival, Japanese forces were met with fierce resistance from the remnants of the Qing forces stationed on the island, local Hakka militias, as well as indigenous groups. Over the next five months, the Japanese made their way south fighting a guerrilla war that ‘officially’ came to an end with the fall of Tainan in October. That being said, even though the military had more or less taken control of Taiwan’s major towns, the insurgency against their rule lasted for quite a while longer, resulting in some brutal massacres against the people of Taiwan. Nevertheless, similar to the war with China, the superiority of the modern Japanese military easily dispatched the local armies. The campaign to take control of Taiwan, however, taught the Japanese a hard, yet valuable lesson, as figures show that over ninety-percent of the Japanese military deaths during those first few months were mostly due to complications related to Cholera, Dengue Fever, and Malaria.

Link: Disease and Mortality in the History of Taiwan (Ts'ui-jung Liu and Shi-yung Liu)

History has shown that for the majority of time that the Qing controlled Taiwan, they were mostly uninterested in the island referring to it as a "ball of mud beyond the sea" which added "nothing to the breadth of China" (海外泥丸,不足為中國加廣). The hostile environment on the island was likely one of the reasons why they were so ambivalent about doing much during their time here, but that probably wasn’t something they were actively reminding the Japanese about prior to their arrival. Learning this the hard way, the Japanese were intent on addressing these issues, which had plagued Taiwan for much of its modern history, especially since they were invested in extracting the island’s vast treasure trove of natural resources.

To accomplish that mission, they would first have to put in place the necessary infrastructure for combating these diseases.

In Actuality, it would take several years for the Japanese to fully take control of Taiwan, and their losses were quite heavy, however, it would be the people of Taiwan who suffered the most, especially with the heavy-handed tactics that the Japanese took to suppress dissent to their rule. That being said, when the dust of war settled and the island started to develop, living standards on the island in turn started to improve, and the frequency of rebellions decreased.

For the Chiayi area, one of the major turning points in the city’s history came in 1906 when the Meishan Earthquake (梅山地震), the third deadliest earthquake in Taiwan’s history reduced the town to rubble. In response, the government quickly dispatched military and medical personnel to the area to assist in recovery efforts. As a major economic center for agriculture, timber and sugar, and Taiwan’s fourth-most populated town at the time, the colonial government placed a considerable amount of attention on the urban development of the city, and the response of the Japanese authorities to the earthquake in regard to both their humanitarian efforts and the reconstruction of the town was something that brought people together in a way that after a decade of violence, many people would have imagined unlikely. The earthquake may have devastated the city, but despite all the suffering and destruction it caused, it also brought with it opportunity, as reconstruction allowed the government to alter the town’s urban planning structure and developed it at such a rapid pace, that it started to flourish as it never had before.

An elderly couple enjoying the famed railway bento while waiting for the train!

Note: Let me take a minute to explain the terms I’ll using here for the town, and the station, so that you don’t get too confused. The area we refer to today as “Chiayi” (嘉義) was originally known either as ‘Tsulosan’ or ‘Tirosen' (諸羅山) in the local indigenous language, and slowly started being settled by Hokkien immigrants from Fujian during the Qing Dynasty. As I referred to earlier, the Qing, though, weren’t all that interested in Taiwan, and in addition to the pejorative phrase used to describe Taiwan above, they also had another saying about Taiwan, that translated literally was "every three years an uprising; every five years a rebellion" (三年一反、五年一亂), referring to the constant civil strife in Taiwan with regard to their governance, or lack thereof.

One of the most well-known of those uprisings was the ‘Lin Shuangwen Rebellion’ (林爽文事件) in 1786, which ended up being one of the more successful attempts at ridding Taiwan of Qing influence. It was during this time that the residents of Tsulosan banded together and fought bravely to defend their town from Lin’s militia, and when the rebellion finally came to an end, Emperor Qianlong (乾隆皇帝) rewarded the people of the town by changing its name from the original indigenous name, to “Chiayi” (嘉義), which pronounced in Hokkien as “Kagi”, and is literally translated as “Commended Righteousness.”

When the Japanese arrived in Taiwan, the name of the town was one of the few that didn’t have to be changed, because the Hokkien pronunciation and the Japanese pronunciation were exactly the same. So, the area was more or less referred to as “Kagi” (嘉義 / かぎし) from 1787 to the late 1940s when it was officially changed to its Mandarin pronunciation of “Chiayi,” although most of the area’s residents are likely still to refer to it as Kagi.

One of the colonial government’s first major development projects got its start shortly after the first Japanese boots stepped foot in Keelung in 1895. The military had brought with them a group of western-educated military engineers, who were tasked with bringing the existing Qing-era railway back online, as well as coming up with proposals for the extension of the railway across the island. As the military made its way south, the engineers followed close behind surveying the land for the future railway. By 1902, the team came up with a proposal for the ‘Jukan Tetsudo Project’ (縱貫鐵道 / ゅうかんてつどう), otherwise known as the ‘Taiwan Trunk Railway Project,’ which would have a railway pass through each of Taiwan’s established settlements, including Kirin (基隆), Taihoku (臺北), Shinchiku (新竹), Taichu (臺中), Tainan (臺南) and Takao (高雄).

Link: Taiwan Railway Museum (臺灣總督府鐵道部)

Construction was divided into three phases with teams of engineers spread out between the ‘northern’, ‘central’ and ‘southern' regions of the island. Amazingly, in just four short years, from 1900 and 1904, the northern and southern portions of the railway were completed, but due to unforeseen complications, the central area met with delays and construction issues. Nevertheless, the more than four-hundred kilometer western railway was completed in 1908 (明治41), taking just under a decade to complete, a feat in its own right, given all of the obstacles that had to be overcome. To celebrate this massive accomplishment, the Colonial Government held an inauguration ceremony within the newly established Taichung Park (台中公園) with Prince Kanin Kotohito (閑院宮載仁親王) invited to take part in the ceremony.

The Japanese government at the time touted the completion of the railway as a major accomplishment that would usher in a new era of peace and stability in Taiwan, and one that would help to bring about a period of modernization, and economic stability to the people of the island, and for the most part, they were right about that.

As mentioned earlier, the northern and southern portions of the railway were completed the fastest, with the engineers having the most trouble with the central region, mostly in Taichung, due to the necessity for the construction of several bridges. The southern section, originally between Kaohsiung and Tainan opened for service in 1900, and just two years later, the railway was extended to Kagi, where the First Generation Kagi Station (第一代嘉義驛) officially opened on April 20th, 1902 (明治35年). The opening of the station would be instrumental in connecting one of southern Taiwan’s largest settlements, but also for the colonial government’s future plans to start extracting natural resources from the Alishan Mountain region.

First Generation Kagi Station (第一代嘉義驛)

Prior to the completion of the main line, construction on the Alishan Railway commenced in 1907, with a terminus for the branch line at Kagi Station. That being said, the construction of the railway, which is now considered to be one of the most beautiful rail lines in the world, met with considerable financial difficulties and delays. Nevertheless, the 86km branch railway was completed in 1913, and offered not only passenger service access to the Alishan region, but was instrumental in the extraction of the area’s prized cypress.

It should be noted, however, that what often gets overlooked in discussions about the history of Kagi Station is that the station wasn’t solely home to the Alishan Forest Branch Railway. There were also other branch railways that connected to Kagi Station, most of which traveled west toward the communities closer to the coast, in what we now refer to as Chiayi County. These branch railways offered passenger services, but were for the most part privately run enterprises belonging to the various sugar factories operating in the region, but made use of Kagi Station for purposes of transporting freight.

Photo from the skywalk to the rear of the First Generation Kagi Station.

After a few decades of use, the First Generation Kagi Station had become far too small for the community that had grown around it, as well as for the amount of freight passing through, so the expansion of the station and the railway became necessary. The station we know today, the Second Generation Kagi Station (第二代嘉義驛) was completed in 1933 (昭和8年), and was considerably larger than its single-story wooden predecessor. The new station, designed by architect Ujiki Takeo (宇敷 赳夫/うじき たけお) was constructed in a style that was considered to be quite contemporary for its time, and displayed just how much Taiwan had progressed in the few short decades since the Japanese took control of the island.

Japanese-era photo of the Second Generation Kagi Station

Just to give you a better indication of architect Ujiki Takeo’s contributions to Taiwan, he was also the mastermind responsible for Tainan Station (臺南驛), Taihoku Station (第三代台北驛), Tai’an Station (泰安驛), Kagi City Hall (嘉義郡役所), the Taipei Railway Workshop (臺北機廠), and the Shinchiku Prefectural Library (新竹州圖書館), among others.

When the new, much larger station was completed, it was part of an urban development plan that transformed the face of the downtown area of Kagi, with a number of beautifully designed civic buildings and industrial buildings nearby, making the station the literal beating heart of the ever-growing city. That being said, the importance of the station to the residents of Kagi is something that evokes both positive and negative memories.

To this point, I’ve only focused on the events that took place regarding its construction, but it has to be noted that when the Japanese surrendered control of Taiwan at the end of the Second World War, the regime that took over used the station’s importance to make a bit of a point to the people of the town about how much they were willing to put up with. By now, most people who have studied Taiwanese history have learned about the terrible events that took place during the February 28th Incident (二二八事件), something which is now commemorated as an annual national holiday in Taiwan.

However, some of the things that happened during this infamous moment in Taiwanese history aren’t very well-told, and the ‘Kagi Station Incident’ might only be one that lingers in the memories of the residents of the city. Essentially, what took place was that in 1947, the Chinese Nationalist Military found itself trapped within the Chiayi Airport, due to protests from local residents because of what was taking place in other parts of Taiwan.

One of the Kagi’s most influential citizens, famed painter and politician, Tan Teng-pho (陳澄波), partnered with a group of the city’s other well-known residents and formed the ‘February 28 Incident Committee’ (二二八事件處理委員會), and after much debate came to the conclusion that they would approach the military under the banner of peace in an attempt to mediate a solution to the conflict. Things didn’t go as planned, though, and instead, they were arrested, and once the military was able to make its way out of the airport, members of the committee were forced to march from the local police station to Kagi Station, where they were then executed in front of a crowd of people. The military and the police forbid family members from removing their corpses, and their bodies ended up being left rotting in the square in front of the station for three days as a warning to the residents of the city not to mess around.

Bloodstained Station Square (血染車站廣場) by Ouyang Wen (歐陽文)

In what has become a well-known work of art depicting what happened, artist Ouyang Wen (歐陽文), a resident of Chiayi, and an eventual political prisoner himself, depicted Tan Teng-pho and others being shot from the back of a truck by Nationalist soldiers. Sadly, this was just one example of the atrocities that the people of Taiwan had to endure during the long-period of martial law, known as the White Terror Period (白色恐怖) that followed.

Over the next half century, ‘Chiayi Station’, as its now known, has overseen considerable changes as the city has grown around it. Not only has the city grown and continued developing, but the railway has as well, with efforts constantly being made to modernize the network. That being said, the station has also overseen long periods of economic stagnation as both the timber and sugar industries that once made it an economic powerhouse have declined. The Alishan Forest Railway has been converted into a passenger-only service, and the massive network of sugar railways that once connected to the station have (for the most part) all been torn up.

With the decline of both of these industries, which were the rocket fuel of Chiayi’s urban and economic development through both the Japanese-era, and the early years of the post-war era, the necessity for freight service out of the city had also declined. While the original freight and military rails remained in place for several decades, they were finally officially put out of service in 2023 and in the time since, construction work has started to have those sections of the railway torn up, in order to prepare for the future elevation of the railway.

Link: Chiayi Urban District Elevated Railway Project (嘉義市區鐵路高架化計畫) (Wiki)

With plans to have the railway elevated off of the ground, and the eventual construction of an MRT system within the city, there will be a considerable amount of investment in the city’s public transportation over the next several decades, and in a situation similar to what happened with Taichung’s historic Japanese-era station, Chiayi Station as we know it today will be retired within the next few years. When that happens, the station will likely undergo a period of restoration, and then re-open to the public as a railway culture park of some sort.

However, since construction projects like this in Taiwan are notorious for their delays, it’s difficult to say when the historic station will see its last day of service, but as I mentioned in my introduction earlier, if you want to enjoy the station in its original glory, now is the time to visit. Try your best to get there as soon as you can so you can enjoy both the beautiful city, and its historic station!

Before I move on to detailing the architectural design of the station, I’ve put together a condensed timeline of events in the drop-down box below with regard to the station’s history for anyone who is interested:

    • 1895 (明治28年) - The Japanese take control of Taiwan as per the terms of China’s surrender in the Sino-Japanese War.

    • 1896 (明治29年) - The Colonial Government puts a team of engineers in place to plan for a railway network on the newly acquired territory.

    • 1900 (明治33年) - The first completed section of the Japanese-era railway opens for service in southern Taiwan between the port town of Kaohsiung and Tainan.

    • 1902 (明治35年) - After years of planning and surveying, the government formally approves the Jukan Tetsudo Project (縱貫鐵道 / ゅうかんてつどう), a plan that will connect the western and eastern coasts of the island by rail.

    • 1902 (明治35年4月20日) - The First Generation Kagi Station opens for service along the southern portion of the railway.

    • 1906 (明治39年) - On March 17th, the Great Kagi Earthquake (嘉義大地震), with an epicenter in Meishan (梅山) leveled much of what had been constructed in the area.

    • 1907 (明治40年) - Construction of the Alishan Railway (阿里山林鐵) commences.

    • 1908 (明治41年) - The 400 kilometer Taiwan Western Line (西部幹線) is completed with a ceremony held within Taichung Park (台中公園) on October 24th. For the first time, the major settlements along the western coast of the island are connected by rail from Kirin (Keelung 基隆) to Takao (Kaohsiung 高雄).

    • 1913 (大正2年) - The 86km Alishan Forest Railway (阿里山線) between Kagi Station and Shohei Station (沼平驛 / しょうへいえき) is completed and opens for service.

    • 1933 (昭和8年) - The Second Generation Kagi Station, designed by Ujiki Takeo (宇敷 赳夫/うじき たけお) opens for service.

    • March 2nd 1947 (民國36年3月2日) - Due to a violent conflict between the residents of Chiayi and the Chinese Nationalist military, which found itself trapped within the Chiayi Airport, several local residents, including famed painter and politician Tan Teng-pho (陳澄波) formed the ‘February 28 Incident Committee’ (二二八事件處理委員會) and approached the military in an attempt to mediate a peaceful solution to the conflict, but were instead arrested.

    • March 25th 1947 (民國36年3月25日) - Tied up with wire, the arrested members of the committee were forced to march from the local police station to the train station and were then publicly executed with members of their families forbidden from removing their corpses, which were left in the square in front of the station for three days as a warning to the residents of the city.

    • 1988 (民國77年) - A statue of Wu Feng (吳鳳), a historic figure who had attempted to ‘civilize the natives’, located near the entrance of the station, was beheaded by members of the local indigenous community as he had been propped up by the Chinese Nationalists as a national hero, but was a constant reminder of the historic racism and stereotypes that the indigenous people of Taiwan have been forced to endure.

    • 1998 (民國87年) - Chiayi Station is recognized as a Chiayi City Protected Heritage Property (市定古蹟) on October 15th.

    • 2007 (民國96年) - With the completion of the High Speed Railway, the Chiayi City government also establishes a bus network that connects the two stations.

    • 2017 (民國106年) - The area in front of the station is cleaned up and a station beautification process is undertaken.

    • 2023 (民國112年) - The non-passenger ‘platforms’ that were used for freight trains and military transport are phased out of service in order to make way for the planned elevation of the railway running through Chiayi City.

Architectural Design

As you saw in some of the historic photos provided above, for the first three decades of its existence, Kagi Station, like almost all of the ‘first-generation’ stations constructed across Taiwan, was a simple, traditionally designed wooden building. However, unlike the few Japanese-era stations that you’ll find remaining in operation today, this one was considerably larger.

If you’ve been reading my articles for any period of time, you’re likely to have noticed that I tend to focus on the more traditional-looking Japanese-style buildings, most of which were constructed with timber, and even though the Second Generation Kagi Station we know and love today is quite beautiful, the historic photos of its predecessor are the kind of thing that make you wish time travel were possible.

It would be amazing to be able to take photos of it in its original glory.

That being said, after three decades of earthquakes, typhoons, termites, and ultimately, changes in the demographics of the city, an upgrade became necessary. Coincidentally, by the time that planning started for the second generation Kagi Station, other major stations around the island were also receiving major upgrades, in most cases, due to the reasons mentioned above, but also for more practical reasons as well.

Far away from Taiwan, back on the Japanese mainland, the devastating Great Kanto Earthquake (関東大地震) in 1923, completely changed the Japanese mindset regarding construction. All of the work that had been done throughout the Meiji and Taisho eras, developing Japan into a modern nation had been reduced to rubble in a matter of minutes and due to the frequency of earthquakes, the Japanese government started to take building safety much more seriously. This was a period when ‘earthquake-proofing’ structures became paramount and as it happened, the colonial government had developed Taiwan to the point that the materials required for constructing buildings with reinforced concrete had become readily available, and considerably more affordable. Thus, many of the civic buildings and train stations that were constructed in the aftermath of the Kanto earthquake started to adapt to this method of construction as safety and longevity became paramount.

Note: Although the Second Generation Kagi Station was completed in 1933, earthquake-proofing in Taiwan didn’t actually became the law of the land until the Governor General’s official building-standard codes came into effect after the Shinchiku-Taichu Earthquake (新竹台中地震 / しんちくたいちゅうじしん) of 1935 (昭和10), which caused tremendous damage around the island.

Ujiki Takeo (宇敷 赳夫/うじき たけお), an architect, who, shortly after his graduation from Nagoya Higher Technical School (名古屋高等工業學校), was commissioned by the Taiwan Governor General’s Office to come to Taiwan to work with the colonial government’s design team. Coincidentally, his father, Ujiki Keiichi (宇敷敬一), came to Taiwan almost a decade earlier, working in various departments prior to the arrival of his son in 1916 (大正5年). During his time in Taiwan, Takeo was shifted around a few times between different departments, working closely with Shinchiku Prefecture (新竹州), Tainan Prefecture (臺南州), and then with the Railway Bureau (鐵道部) as an architect. As noted earlier, Ujiki became an incredibly accomplished architect here in Taiwan, designing some of the era’s most beautiful buildings, several of which remain standing today.

Ujiki’s work, especially the buildings he designed for the railway, differed from the original classic architectural designs reserved for train stations, and instead made use of the European Art Deco architectural style. While not entirely European in design, Ujiki often fused with elements of Japanese style of design, creating what the Taiwan Architectural Society (臺灣建築會誌) referred to at the time as “Modern Revival Style” (近世復興式).

What’s common among the major railway stations that were designed by Ujiki, which most notably include the Third Generation Taihoku Station (第三代臺北驛), Second Generation Tainan Station (第二代臺南驛), and Kagi Station (嘉義驛), the latter two of which remain in operation today, follow his ‘Modern Revival Style’ of design. By the 1930s, the Art Deco style of architectural design had become quite popular throughout Europe and North America, and was a style of design that likely showed up at the right time given the national scars that Japan had endured due to massive earthquakes on the mainland as well as in Taiwan. Buildings constructed in this style were constructed with steel-framed reinforced concrete and were characterized by their clean lines, rectangular forms, with little to no decoration on the facades, which was a stark contrast from the Art Nouveau and Baroque styles that were quite popular with Japanese architects in the early years of the Japanese-era.

In what would have been a stark contrast from what people were used to at the time, the Second Generation Kagi Station was constructed quite faithfully to Art Deco architectural design characteristics. It featured a large box-like main hall, with wings on both its eastern and western sides. The building’s walls were smooth, featured very little in terms of decorative design, and had mostly flat roofs, in what was meant to emphasize classical symmetrical design. While not entirely decorative in nature, the main hall of the station is characterized by its five large arched windows on the front as well as on the rear. Although they do add a decorative element to the building’s design, they’re also quite functional in that they allow for a considerable amount of natural light within the interior of the main hall. Directly above the largest window in the center of the building, you’ll find a clock, which has been part of the building’s design for more than ninety years, and unlike the clock tower that was removed from the historic Taichung Station, its not only still there, but it still works as well.

One of the things you’ll notice about both the entrance to the main hall, and the area where you go through the turnstiles to the platform is it's odd-shape, which is unlike any other railway station in Taiwan. The entrance is not only wide, but it’s also geometrically curved at the top. The border of the entrances features specially-molded curved bricks that were fired in Beitou (北投素燒面磚), which are noticeable, because they are also featured on the edges and borders of the building in the areas where the walls aren’t white washed stone. The combination of the two gives the building its iconic white and orange appearance, which is also quite unique among Taiwan’s railway stations. The clever thing about the shape of the door, with the assistance of the windows, is that during the right time of day, the light that comes in through both the entrance and the windows creates a path of light in the direction of the turnstiles, which if you know anything about the meticulous attention to detail of Japanese architecture, was entirely on purpose.

The interior space of the building is something that has changed considerably over the decades, but as I’ll mention a bit later, now that it has been cleaned up, it has more or less returned to its original interior design. The interior walls are painted with white stucco, which assist in making the space quite bright with the natural light coming in through the windows. The space was set up into different sections with only the Ticket Booth (出札室), a luggage room (赤帽室), and a canteen (賣店) located within the main hall. The western-wing was where you’d find a large Waiting Area (參等待合室), and the area where passengers would exit upon arrival.

The eastern wing, on the other hand, was a little more complicated as it also featured a Waiting Area (壹貳等待合室), but a VIP Waiting Room (特別待合室) that had a special side entrance (特別玄關), and its own special platform gate. It also featured a staff room (給仕室), and public restrooms (用便所與化粧室) for men and women.

Even though the interior design has recently been cleaned up, it’s important to note that there are still considerable differences from the original 1933 design, but that’s to be expected after so many years. The luggage room, for example, was at some point transformed into the ticket booth for the Alishan Forest Railway line, but they’ve since moved it elsewhere, and the area is currently unused. Similarly, the waiting rooms on both the eastern and western wings have been filled. Instead of providing an open space with seating for passengers, the western wing has tourist information booths, and the eastern wing currently has a Family Mart convenience store, which I’m assuming also makes use of the former VIP space as a rear entrance for deliveries.

Space within the Main Hall has remained relatively the same, but the canteen space has been removed, and was originally used for purchasing tickets from machines, but now that the railway allows passengers to swipe in and out using EasyCards, they have been removed and the space is completely open, which is quite nice.

Once you’ve passed through the turnstiles, you’ll have reached the space where I feel like the decorative elements of the station stand out the most. The platform area where you wait for the arrival of your train features an absolutely beautiful network of pillars and trusses that provide passengers with a roof-covered platform waiting area (月台構). What most people don’t actually realize is that this is one area of the station that never really changed in its design since the station first opened in 1933, as you can see compared in the photos below.

The network of pillars and trusses that hold up the canopy have been constructed using the very same rails that are used for the trains, and what’s important to note is that the the curved beams and trusses that hold up the roof were imported directly from Kyushu. Given the age of the station, and the amount of typhoons and earthquakes that have occurred in the decades since, it’s amazing that they have been been able to withstand the test of time the way that they have. If you find yourself at the station, take a minute or two to appreciate the design.

Ultimately, when the Japanese-era came to an end, Chiayi Station went through quite a few changes over the next half century, and I have to admit, on my first visit to the city, the station didn’t leave much of an impression on me. In what has become somewhat of an Internet meme in Taiwan, what happened to the station is similar to what happened to a lot of Taiwan’s other historically significant buildings in that it went through a ‘ROC-Beautification’ (華國美學) process. The jist of the joke is that a bunch of hideous things were added to more or less cover up the original design. If you do a Google search for the station and check out some of the images, you’ll likely be quite surprised at just how sad the station appeared for a few decades, mostly during the years when Chiayi’s economy was in decline.

Fortunately, the city government established the ‘Back to the Future’ program in 2021 prior to the city hosting the Taiwan Design Exhibition (台灣設計展).

Link: Back to the Future!嘉義火車站微改造2.0 重現1933全島第一摩登車站 (Taiwan Design Research Institute)

It was during this time that the decades of modifications were removed, and the ticketing hall was reorganized to restore the building to its original glory. The beautification process not only restored the interior of the station, and removed the hideous concrete that covered up the front of the station, but it also transformed the station front, which used to allow vehicles to drive up pretty close to the main entrance. Now, the square in front of the station has been completely cleaned up, and has also become a lot more pedestrian (and photographer)-friendly.

Getting There

 

Address: #528 Zhongshan Road, Chiayi City (嘉義市中山路528號)

GPS: 23.479436, 120.441055

Whenever I write about one of Taiwan’s historic train stations, obviously the best advice for getting there is to simply take the train. That being said, Chiayi is a pretty popular place, and there are a number of ways to reach the city, without taking the train. Obviously, though, if you want to spend some time checking out the interior space of the station, including the beautiful platform space, you’ll probably want to get on or off the train while in town.

Whether you’re traveling southbound, or northbound, as one of Taiwan’s major railway stations, Chiayi Station is accessible via each of the western trunk line’s express train services as well as the local commuter trains, so matter what train you get on, it’ll make a stop at the station.

High Speed Rail / Bus Rapid Transport

If you arrive in Chiayi via Taiwan’s High Speed Rail, you’ll probably notice that the station is located a fair distance away from the downtown core of the city. Taking the HSR to Chiayi saves a lot of travel time, especially if you’re traveling from Taipei, but once you’ve arrived, you’re going to have to either take a taxi or a bus into town. Fortunately, Chiayi Station is connected to the Chiayi High Speed Railway Station (嘉義高鐵站) through the Chiayi Bus Rapid Transit (嘉義公車捷運), an express bus service that connects the High Speed Rail station to the city.

If you arrive in the area via High Speed Rail, you can easily exit the station to the bus parking area and hop on either bus #7211 or #7212 to get yourself to the downtown core of the city.

Link: Bus #7211 and #7212 schedule (Chiayi City Bureau of Transport)

As one of only three remaining major railway stations from the Japanese-era in operation today, Chiayi Station has a long and storied history, with some pretty great things happening there, but also some pretty sad things as well. Even though the station is just a year years short of celebrating its centennial, the station as we know it today is about to undergo changes similar to what took place in Taichung, and eventually it’ll be retired.

The station is part of a dying breed of Taiwan’s historic public transportation hubs and as the city has developed around it over the past century, with its final breaths, it’ll see the downtown core of the city completely transform when the elevated railway officially starts running. Once that happens, Chiayi Station will be phased out of service, and its role will ultimately change from the city’s most important transportation hub to a place where the history of the city is celebrated for years to come, much like what happened with Taichung Station. So, if you’re interested in checking out this historic station while its still in operation, I highly recommend taking a trip to Chiayi as soon as you can. Obviously, you won’t be disappointed as the city is currently one of the hippest places in Taiwan to visit with a number of great restaurants and coffeeshops!

References

  1. Chiayi railway station | 嘉義車站 中文 | 嘉義駅 日文 (Wiki)

  2. Tainan Prefecture | 臺南州 中文台南州 日文 (Wiki)

  3. Chiayi | 嘉義市 (州轄市) (Wiki)

  4. 宇敷赳夫 中文 | 宇敷赳夫 日本 (Wiki)

  5. 嘉義火車站 (國家文化資產網)

  6. 嘉義火車站 (文化部)

  7. 嘉義車站 (臺灣驛站之旅)

  8. 嘉義車站 (鐵貓)

  9. 林業鐵路歷史介紹 (林業鐵道)

  10. 嘉義火車站 (Wilhelm Chang)

  11. 嘉義火車站空間微改造大變化,減法設計回歸歷史建築的原始美 (微笑台灣)

  12. 2021台灣設計展【02嘉義火車站】微改造!打開古蹟建築的原貌歡迎大家回嘉 (LaVie)

  13. Back to the Future!嘉義火車站微改造2.0 重現1933全島第一摩登車站 (臺灣設計研究院)

  14. 嘉義市市定古蹟嘉義火車站調查研究 (嘉義市文化局)

  15. 日治後期火車站、鐵道大多出自他之手──現代Art Deco風格設計者「宇敷赳夫」(Story Studio)


Chiayi Shinto Shrine (嘉義神社)

I’ve been saying for quite a long time now that I need to spend more time in Chiayi. I’ve always had a special place in my heart for the city, which, like Tainan to the south, displays a tremendous amount of history on its streets.

For a long time, Chiayi had become run-down, and its youth were leaving for larger cities and better opportunities elsewhere. In recent years, however, all of that has changed, and Chiayi has become a hipsters paradise, its young people have returned, and they’ve brought with them genius ideas for coffee shops, restaurants, cocktail bars, etc.

The local government, to its credit, has been quick to offer a helping hand in fostering this youth takeover of the city, converting historic buildings into art museums and music venues, and opening a number of culture parks dedicated to both celebrating the history of the city, and its future at the same time. With all of the art exhibits, music festivals, restaurants and cafes, it has become considerably more difficult to make excuses for not visiting the city, especially since there are a large number of destinations that are on my list to take photos of and write about.

So, one weekend, in order to escape the rain in the north of Taiwan, I hopped on a train and made my way down south for a trip that helped reintroduce me to a city that I’ve loved for quite a while. This time, however, instead of spending all of my time taking photos, I kept my list of destinations short, and instead decided to enjoy some of the great coffee shops that have become really popular as of late, in addition to a hip new ramen shop.

Still, I had a couple of places on my list that were must visits, and the first of which was Chiayi Park, where the ruins of the historic Chiayi Shinto Shrine are located. In its heyday, the shrine was regarded as one of the most important in Taiwan, and even though only bits and pieces of it remain, what you can still see there today is arguably more complete then the vast majority of other shrine ruins that you’ll encounter in your travels across Taiwan today.

Sadly, like most of the other Japanese-era sites that I write about, there isn’t much information available in the English language about the shrine that offers visitors much of an idea about its history, or what they’re seeing when they visit. So, as usual, I’m going to be providing readers with an in-depth introduction to the history of the shrine, a timeline of events, and an explanation of each of the pieces that remain on site today.

While I was visiting primarily to check out the ruins of the shrine, for the average visitor, the park where it’s located, shouldn’t be missed as it is not only home to the shrine ruins, but also the popular Sun-Shooting Tower (射日塔), the Chiayi Confucius Temple (嘉義孔廟), the Chiayi Botanical Garden (林業試驗所嘉義樹木園), Kano Baseball Memorial Park (嘉農園區), and is a short walk from other attractions such as the historic Chiayi Prison (嘉義舊監獄), Hinoki Village (檜意森活村), Beimen Station (北門車站) and the Alishan Forest Railway Garage Park (阿里山森林鐵路車庫園區), among a number of other destinations.

There’s a lot to see and do when you’re in Chiayi, and that’s not even including all the amazing restaurants and coffeeshops that you’ll be able to visit when you’re taking a break from sightseeing.

Now that I’ve been reacquainted with the city, I’ll definitely be back soon. I had a lot of fun, and before I knew it, it was time to hop back on a train to head back home. I think if you visit, you’re likely to feel the same. Chiayi’s one of those places in Taiwan that everyone should be making an effort to visit.

Now, let’s talk about the shrine.

Kagi Shrine (嘉義神社 / かぎじんじゃ)

Group photo in front of the First Generation Kagi Shrine

Similar to Tainan to the south, Chiayi is a city that has had a long and storied history. Originally inhabited by the Hoanya (洪雅族) Indigenous People, the arrival of Han Chinese immigrants in southwestern Taiwan in the 16th and 17th centuries was when things in the area really started to change. A port was constructed in (modern-day) Beigang (北港), and even though living conditions in Taiwan at the time would have been tremendously difficult, boats from Fujian frequently made their way over to drop off newcomers, who would help cultivate the untamed land.

Shortly thereafter, the arrival of Dutch traders created another major change for the area, as the the Dutch doing what they were quite well-known for at the time, quickly sought to colonize Taiwan. Trading posts were set up in various settlements around that island, offering them an opportunity to interact with the indigenous people as well as both the Qing and the Japanese at the same time. Dutch control of Taiwan didn’t last very long, but with their capital in Tainan, it marked the first time in Taiwan’s history when the island was governed from the south.

The First Generation Kagi Shrine shortly after it was completed.

Dutch rule may have been short in terms of Taiwan’s overall history, but the legacy they left behind is something that continues to be felt today. I could spend time talking the ports they set up, the international trade that they started, the success of their missionaries in converting Indigenous Taiwanese, but as this article is about Chiayi, one of the most important things the Dutch did was introduce the domestic turkey to Taiwan. If it weren’t for the Dutch, we wouldn’t be able to enjoy Chiayi’s delicious Turkey Rice (嘉義火雞肉飯)!

Expelled by Koxinga (鄭成功) and his pirate army who then set up their own Kingdom of Tungning (東寧王國) in Tainan, the area would yet again undergo yet another new form of foreign governance, but once again, it wouldn’t last very long as the Qing sailed over with their navy and brought the Kingdom of Tungning to its knees after only a few decades. Qing rule over the island began in 1683, and Chiayi, which was known as “Tsulosan” (諸羅山) at the time was one of the few settlements where the Chinese authorities were able to maintain their loose control over the island.

One of Kagi Shrine's original shrine gates.

That being said, between 1683 and 1895, the Qing were relatively uninterested in governing or developing Taiwan, they sought to prohibit immigration, and a number of rebellions against their rule wore down what little interest they already had. History has shown that for the majority of time that the Qing controlled Taiwan they were mostly uninterested in the island referring to it as a "ball of mud beyond the sea" adding "nothing to the breadth of China" (海外泥丸,不足為中國加廣), and were ultimately unable to expand their land control any further than a few western coastal areas.

When not denigrating Taiwan as a place unfit for human civilization, the Qing had an idiom to describe their rule over Taiwan that went like this: “Every three years an uprising, every five years a rebellion” (三年一反、五年一亂).

Link: Taiwan under Qing rule (Wiki)

Japanese-era postcard of the First Generation Kagi Shrine.

The reason I mention this is that in the aftermath of one of the largest uprisings against Qing rule, the Lin Shuangwen Rebellion (林爽文事件), the inhabitants of Tsulosan fought brilliantly, and were successful in preventing Lin’s rebel militia from taking the town. As a reward for their bravery, the Qianlong Emperor (乾隆帝) bestowed the name “Kagi” (嘉義) upon the town, which is loosely translated as “Excellent Righteousness,” and is a name that has stuck since 1788.

Note: Kagi is the Hokkien Taiwanese pronunciation of the Mandarin “Chiayi,” which is more commonly used today.

Nevertheless, Qing rule remained more or less the same for the next century or so, but control of Taiwan was ceded to the Japanese Empire in 1895, after the Chinese were easily defeated in the First Sino-Japanese War (甲午戰爭). When Japanese forces arrived in Taiwan that same year, they sought to take control over the entire island, and planned a three-phase assault, starting in the north taking Keelung, Taipei and Tamsui. In the second phase they took Hsinchu, Miaoli and Changhua, and then moved toward the south capturing Chiayi, Tainan and Kaohsiung. Taking complete control of Taiwan proved to be an incredibly dangerous undertaking for the Japanese, who not only had to deal with armed resistance, but cholera and malaria as well.

It would end up taking several years for the Japanese to take complete control of Taiwan, and their losses were numerous, however, it was the people of Taiwan who suffered the most, especially with the heavy-handed tactics that the Japanese took to suppress dissent to their rule. That being said, when the dust of war settled, and the island started to develop, living standards on the island in turn started to improve, and the frequency of rebellions decreased.

One of the shrine's administration offices.

In 1906, the Meishan Earthquake (梅山地震), the third deadliest earthquake in Taiwan’s recorded history reduced Chiayi to rubble, and in response, the Japanese government mobilized military and medical personnel to the area to assist in recovery efforts. The earthquake may have devastated the city, but despite all the suffering and destruction it caused, it also created opportunity as the Japanese were able to craft the city into their own, and “Kagi” (嘉義 / かぎ), the Japanese pronunciation of the city, developed at such a high pace that it started to flourish as it never had before. Becoming a major economic center for agriculture, timber and sugar, and Taiwan’s fourth-most populated city, the colonial government placed a considerable amount of attention on the urban development of the city.

With the construction of the Alishan Railway (阿里山林鐵) connecting to the main branch line, Kagi City had become equipped with beautiful civic structures, parks, modern roads, and public works. Living and economic conditions in the city had improved at such a fast rate that the city’s growth became a model of how Japanese rule was considered to be of benefit to the people of Taiwan, and the city became attractive to both Formosans, but also Japanese immigrants as well, who were apprehensive at first to come to Taiwan.

The Main Hall and the Worship Hall of the First Generation Kagi Shrine.

With an influx of Japanese immigration, conducted first by private companies, and then later publicly, the necessity for infrastructure to cater to their needs became more important. Certainly, one of the most important areas in this regard was with the construction of Shinto Shrines, which were important not only for the daily lives of the immigrants who came to Taiwan, but also to assist in the colonial regime’s push to fully assimilate the Formosan people into Japanese society.

Discussions regarding the construction of a Shinto Shrine in Kagi started around 1911 (明治44年), when the first organized meeting of the Kagi Shrine Committee (嘉義神社興建評鑑委員會) was held by influential members of society. Planning for the shrine, however, was expedited with the passing of Emperor Meiji (明治天皇) the next year as commemorations for his death, and the inauguration of a new era were held across Taiwan.

Shortly after, an official application was sent to the Governor General of Taiwan, Sakuma Samata (佐久間左馬太 / さくま さまた) for the establishment of a shrine, which was quickly approved. Thanks to the economic development of the city, and the completion of the Alishan Railway, everything that was required for the construction of a shrine was readily available. Thus, in 1915, famed craftsman Mitsuru Ito (伊藤滿), who had just completed construction on the First Generation Taichung Shrine (第一代臺中神社) was contracted to come to Kagi to construct the shrine. With a budget of 36,000 Yen (an equivalent of about $360,000 USD in modern currency), the shrine was constructed entirely of cypress from Alishan, and its official inauguration ceremony was held on October 28th, 1915 (大正4年).

The Visiting Path of the First Generation Kagi Shrine with stone lanterns and shrine gate.

Just two years after its inauguration, the shrine received an ‘upgrade’ in its official status as a County-Level Shrine (縣社 / けんしゃ) in the pre-war shrine ranking system, and while it would have been considered an honor at the time, it was something that would also change relatively quickly.

Note: The organizational structure of Shinto Shrines prior to the war were based on the ‘State Shinto’ system. In this system there were major Imperial-level shrines (官幣社 / かんぺいしゃ), and National-level shrines (国幣社 / こくへいしゃ), but the vast majority of shrines in both Japan and Taiwan ranked lower on the hierarchy, such as the metropolitan and prefectural shrines, like this one.

County-level shrines, known as ‘ken-sha’ (縣社 / けんしゃ), weren’t very high in the hierarchy, but having that upgrade in status ensured that it received a certain amount of funding from the government.

Link: Modern system of ranked Shinto shrines | 近代社格制度 (Wiki)

Administration Hall of the Kagi Shrine

That being said, as I just mentioned, the shrine’s official status would change within a few short years. In 1920 (大正9年), the Governor General’s Office instituted the ‘Doka Policy’ (同化 / どうか), which would become one of the Japanese-era’s most important administrative restructuring initiatives. This new system, meant to standardize the administrative divisions in Taiwan with those in Japan, was part of a wave of major investment in the governance of Taiwan, where the government in Japan considered Taiwan to be ‘separate’ but ‘equal’ at the same time. Of the original twenty administrative districts in Taiwan, the 1920 policy reduced the number to eight prefectures (州廳), and it was during this period that Chiayi was upgraded into Kagi City (嘉義市 / かぎし), with much of the farmland and coastal area that surrounded the city becoming part of Kagi County (嘉義郡 / かぎぐん), a sub-division of the much larger Tainan Prefecture (臺南州 / たいなんしゅう). As there were only two ‘cities’ within Tainan Prefecture, Kagi City became a lot more important, resulting in a number of major major construction projects in the city, something that was taking place across the island, resulting in some of the largest and most iconic Japanese-era buildings that you’ll see in Taiwan today.

Link: Political divisions of Taiwan (1895–1945)

A wedding held at the Kagi Shrine

With the rapid development of the city and the flourishing economy, the population of Kagi grew exponentially, both with local Taiwanese and Japanese immigrants as well. However, due to the growth of the city, the shrine had become far too small to cater to the needs of its citizens, and by the 1930s, the Japanese had learned the hard way that when it comes to the construction of wooden buildings in Taiwan, termites are your worst enemy. The shrine, beautiful as it was, offered a veritable feast for Taiwan’s infamous white termites, and the damage eventually became irreparable.

In 1937, the Governor of Tainan Prefecture created the ‘Kagi Shrine Fundraising Committee’ (嘉義神社奉贊會), and over the next two years a massive 200,000 Yen (an equivalent of about 2 million USD today) was raised for both the reconstruction and expansion of the shrine. With the purchase of an additional plot of land, construction of the Second Generation Kagi Shrine got underway in 1940, and the project took until 1943 to complete. Constructed in two phases, the original shrine was preserved, but the layout of the completely changed from its original east-west direction to a north-south direction, which provided more space, as well as allowing for an entrance that was more convenient for visitors.

The first phase of the construction project was the upper part of the shrine, and was completed in 1942, with a ceremony held for the relocation of the kami from the original shrine to their new home. The second phase was the lower section of the shrine, which included the beautiful Shrine Office and the Priest’s Hall, both of which remain standing today.

The Visiting Path of the First Generation Kagi Shrine

Shortly after the Second Generation Shrine opened, it’s status was once again upgraded, but this time, instead of being classified as a minor shrine, it become one of only three shrines in Taiwan to receive the Minor National Level Shrine (國幣小社 / こくへいしょうしゃ) rank, which goes to show just how important both the shrine and the city had become.

Nevertheless, with the shrine completed in 1943, its time as a Shinto Shrine was short, given that the Second World War came to an end in 1945. The Japanese were forced to surrender control of Taiwan under the terms of their surrender and with the Republic of China taking control of Taiwan, the shrine, like many of Taiwan’s other major Shinto Shrines was converted into a war memorial, known locally as a ‘Martyrs Shrine’ (忠烈祠). Similarly, Kagi Park was renamed Zhongshan Park (中山公園) in honor of the founding father of the ROC, Sun Yat Sen (孫中山).

The Shrine Office and the Priests Hall were later converted into a Military Hospital, and a Confucius Temple (嘉義孔廟) was also constructed nearby. The layout of the shrine, however, more or less remained the same until fire sadly burnt down the Main Hall and the Worship Hall in 1995.

The Sun-Shooting Tower at the end of the Visiting Path where the shrine once stood.

In the aftermath of the fire, the Chiayi City Government constructed a large tower for tourists, and a new Martyrs Shrine was constructed in its basement. The remaining sections of the original Shinto Shrine were later recognized as Chiayi City Municipal Monuments (嘉義市市定古蹟), and were preserved as part of a heritage park that would celebrate the history of the shrine, and the city.

Today, Chiayi Park is a great place to visit as it not only celebrates the history of its former Shinto Shrine, but a visit also provides tourists with the opportunity to enjoy a number of different experiences, making it an important stop if you’re in town.

Below, I’ll introduce the differences between the first and second generation shrines, and then I’ll move onto a detailed timeline to help readers better understand what was once part of the shrine:

First Generation Kagi Shrine (第一代の嘉義神社) 1915-1940

The First Generation Shrine. If you look closely you can see the stone guardians on either side of the shrine gates.

The First Generation Shrine, completed in 1915, with cypress brought directly from Alishan (阿里山) for its construction. While a lot more modest than the Second Generation Shrine, from the historic photos I’m sharing here today, it’s easy to see that it was absolutely beautiful.

The First Generation Shrine consisted of the following sections:

  1. Visiting Path (參道 / さんどう) - including a stone pathway, an information board (揭示場), shrine gates (鳥居 / とりい), stone lanterns (燈籠 / とうろう) lining both sides of the path, and komainu (狛犬 / こまいぬ) lion-dogs next to the entrance to the shrine.

  2. Purification Fountain (手水舍 / ちょうずしゃ) - Likely located just outside of the sacred section of the shrine.

  3. Administration Office (社務所 / しゃむしょ) - Likely located along the Visiting Path, opposite the Purification Fountain.

  4. Offertory Hall (幣殿 / へいでん) - the space where worshipers could approach the shrine to pray or make offerings.

  5. Hall of Worship (拜殿 / はいでん) - the worship space where ceremonies were held.

  6. Main Hall (本殿 / ほんでん) - the home of the shrine’s kami.

  7. Shrine Fence (玉垣 / たまがき) - a tall wooden fence that surrounds the sacred area of the shrine, preventing people from wandering into a space where they shouldn’t be.

Second Generation Kagi Shrine (第二代の嘉義神社) 1942-1995

The far more expansive Second Generation Kagi Shrine.

The Second Generation Kagi Shrine, completed between 1940-1943 was a major upgrade, and completely changed the layout of the shrine space. With the purchase of additional land, the First Generation Shrine, which was measured at 28,460㎡ (8609坪) expanded to 33306㎡ (10,075坪), which allowed for not only a change in layout, but also included a number of additional buildings, and a much larger shrine than the original.

The Second Generation Shrine consisted of the following sections:

  1. Visiting Path (參道 / さんどう) - Including a stone pathway, a stone ‘shimebashira’ (標柱 / しめばしら) pillar at the entrance that indicated the name of the shrine, three shrine gates (鳥居 / とりい), several sets of large stone lanterns (大燈籠) and several sets medium sized lanterns (中燈籠) lining both sides of the path, and komainu (狛犬 / こまいぬ) lion-dogs.

  2. Administration Office (社務所 / しゃむしょ) - located along the right side of the Visiting Path prior to passing through the second shrine gate.

  3. Priest’s Hall (齋館 / さいかん) - located directly next door to the Administration Office.

  4. Purification Fountain (手水舍 / ちょうずしゃ) - located on the opposing side of the Visiting Path from the Administration Office and Priest’s Hall.

  5. Resting Pavilion (參集所) - located next to the Purification Fountain, it was a space for people to relax and get some shade from the sun.

  6. Ritual Storage Building (祭器庫 / さいきくら) - just beyond the second shrine gate on the right of the Visiting Path, a building used to store equipment used for special occasions.

  7. Offertory Hall (幣殿 / へいでん) - the space where worshipers could approach the shrine to pray or make offerings.

  8. Hall of Worship (拜殿 / はいでん) - the worship space where ceremonies were held.

  9. Main Hall (本殿 / ほんでん) - the home of the shrine’s kami.

  10. Shrine Fence (玉垣 / たまがき) - a tall wooden fence that surrounded the sacred area of the shrine, preventing people from wandering into a space where they shouldn’t be.

  11. Priests Residences (神職宿舍) - Residences constructed especially for the shrine staff who lived on-site.

Kami Enshrined at the Kagi Shrine

As mentioned earlier, Kagi City at the time was a bustling economic port for both the sugar and timber industries, so the city developed quite quickly compared to many other areas in central-southern Taiwan. The kami who were chosen to take up residence within the shrine were a reflection of the importance of the city’s industrial output, but also included someone who became regarded as a ‘patron-saint’ in Taiwan, and of course, one of Shintoism’s most important figures, the goddess of the sun, the queen of heaven and creation.

Prince Kitashirakawa Yoshihisa (北白川宮能久親王)

Prince Kitashirakawa Yoshihisa, a western-educated Major-General in the Japanese imperial army was commissioned to participate in the invasion of Taiwan after the island was ceded to the empire. Unfortunately for the Prince, he contracted malaria and died in (either) modern day Hsinchu or Tainan (where he died is disputed). This made him the first member of the Japanese royal family to pass away outside of Japan in more than nine hundred years.

Shortly after his death, he was elevated to the status of a ‘kami’ under State Shinto with the official name “Kitashirakawa no Miya Yoshihisa-shinno no Mikoto.“ Enshrined at the Yasukuni Shrine (靖國神社) in Tokyo, he subsequently became one of the most important patron deities here in Taiwan with his worship somewhat unique to the island. The Prince was enshrined at the Taiwan Grand Shrine (臺灣神社) in Taipei, and almost every other major shrine on the island.

The Three Deities of Cultivation (かいたくさんじん / 開拓三神)

The Three Deities of Cultivation, consist of three figures known for their skills with regard to nation-building, agriculture, business, medicine and weather. Commonly appearing as tutelar deities in many of Japan’s Shinto Shrines, they were especially important here in Taiwan due to what they represented, which included aspects of nation-building, agriculture, medicine and the weather. Sharing characteristics with one of Taiwan’s most important deities, the ‘Earth God’ (福德正神 / 土地公), their worship would have been considered somewhat of a simple introduction to the new state religion, but given Taiwan’s position as a new addition to the Japanese empire, ‘nation-building’ and the association of a Japanese-style way of life was something that was (forcibly) pushed on the local people in more ways than one.

The Three Deities of Cultivation are as follows:

  1. Okunitama no Mikoto (大國魂大神 / おおくにたまのかみ) - the kami of the nation-state and the ‘spirit of the country’

  2. Onamuchi no Mikoto (大名牟遲大神 / おおなむちのかみ) - kami of nation-building, agriculture, medicine, and protective magic

  3. Sukunabikona no Mikoto (少彥名大神 / すくなひこなのかみ) - the kami hot springs, agriculture, healing, magic, brewing sake and knowledge

Amaterasu (天照大神)

One of the children of the god and goddess of creation, Izanami (伊邪那美命) and Izanagi (伊邪那岐神), Amaterasu is one Shintoism’s most important deities. Known formally as Amaterasu-Ōmikami (天照大御神 / あまてらすおおみかみ), she is regarded as the goddess of the sun and the universe, and is considered to be the mythical ancestor of the Imperial House of Japan. Enshrined at the Ise Grand Shrine (伊勢神宮) in Mie Prefecture (三重縣), worship of the goddess is often directly linked to worship of “Japan” itself, known as “Japanese Spirit”, or Yamato-damashii (大和魂).

This is something that became problematic during the period when State Shintoism was one of the tools used to fuel the militarism. Even though worship of Amaterasu far predates the insanity that led Japan on military adventures throughout Asia in the 19th and 20th Centuries, her perceived relationship with Japan’s militarism is just one of the reasons why the Chinese Nationalists were so keen on destroying Taiwan’s shrines when they took control of Taiwan after the Second World War.

Note: When the Second Generation Kagi Shrine was completed, the original space that was used for the Main Hall was converted into an Auxiliary Shrine, known in Japan as a ‘setsumatsusha’ (攝末社 / せつまつしゃ), a conjunction of ‘sessha’ (攝社 / せっしゃ) and ‘massha’ (末社 / まっしゃ), referring to the ‘mini’ shrines you’ll often find within a larger shrine. The addition of an Auxiliary Shrine made space for the worship of some other important deities who took up residence in the building after the kami mentioned above were relocated to their new home in the newly constructed Main Hall.

  • Ukanomitama-no-Kami (倉稻魂命 / うかのみたまのかみ), more commonly known as “Inari” (稲荷大神), one of modern day Japan’s most popular deities. Inari is responsible for performing a number of roles, but is most commonly known as the guardian of foxes, and the kami of fertility, rice, tea, agriculture, industry, and prosperity. Playing a similar role to the Chinese God of Wealth (財神), people most often visit Inari Shrines to pray for success in business

  • Oomiyanome-no-Kami (大宮賣神 / おおみやのめのかみ) - the kami of business prosperity, a female deity that often appears alongside Inari. While known for abilities similar to those of Inari, Oomiyanome is also known for her skills with regard to the protection of shrines, so she is often an important addition to a shrine in the same way that dragons adorn the roofs of temples here in Taiwan.

  • Sarutahiko Okami (猿田彦大神 / さる-たひこ) - regarded as one of the ‘Great Deities’ (大神) of Shintoism, ‘Sarutahiko Okami’, is the leader of the kunitsukami (国つ神), or the ‘gods of the earth’.

Kagi Shrine Timeline

While I’ve covered quite a few of the events that led up to the construction of the original shrine, the second generation shrine, and what happened after the Japanese-era, there are a number of other important events that weren’t mentioned, so I’ve put together a timeline of events below for anyone interested in a more in-depth look at the shrine’s history, click the drop-down box below.

    • (明治28年) - The Japanese take control of Taiwan.

    • 1906 (明治39年) - On March 17th, the Great Kagi Earthquake (嘉義大地震), with an epicenter in Meishan (梅山) leveled much of what had been constructed in the area.

    • 1907 (明治40年) - Construction of the Alishan Railway (阿里山林鐵) commences.

    • 1910 (明治43年) - Kagi Park (嘉義公園 / かぎこうえん) is officially established.

    • 1911 (明治44年) - The first session of the Kagi Shrine Committee (嘉義神社興建評鑑委員會) was held at the Kagi Club (嘉義俱樂部) in order to start planning for the construction of a shrine in the town.

    • 1912 (大正1年) - Emperor Meiji passes away on July 30th, and events are held in Kagi (and across Taiwan) to commemorate his passing. Shortly after in November, an official application is sent to Governor General of Taiwan, Sakuma Samata (佐久間左馬太 / さくま さまた) for the establishment of a shrine, which was quickly approved.

    • 1913 (大正2年) - Fundraising events for the construction of the shrine officially get underway. The completion of the Alishan Railway assisted with both fundraising, and the future construction of the shrine with raw materials from the mountain.

    • 1915 (大正4年) - Construction on the shrine starts on May 1st with the project overseen by famed Nagoya craftsman, Mitsuru Ito (伊藤滿), who had also helped design and construct some of Taiwan’s other major shrines. The shrine was completed on October 20th, and the official opening ceremony was held a week later. In total, 36,000 Yen were spent on its construction, an equivalent of about 54 million yen ($360,000 USD) in modern day currency.

    • 1917 (大正6年) - The Kagi Shrine is officially recognized as a County-Level Shrine (縣社), an upgrade in its status.

    • 1920 (大正9年) - The Japanese government institutes the ‘Doka policy’ (同化 / どーか), which standardizes Taiwan’s political divisions with the system used in the rest of the country. From then on, Kagi City (嘉義街 /かぎかい) is put under the administrative authority of Tainan Prefecture’s (臺南州 /たいなんしゅう) Kagi County (嘉義郡/かぎぐん).

    • 1936 (昭和11年) - The Colonial Government’s “Japanization” or ‘forced assimilation’ Kominka (皇民化運動) policy comes into effect in Taiwan.

    • 1937 (昭和12年) - Due to the growth of Kagi and the increase in the number of visitors to the shrine, as well as the problem of termite infestations wreaking havoc on the shrine, the Governor of Tainan Prefecture creates the ‘Kagi Shrine Fund Raising Committee’ (嘉義神社奉贊會) in order to reconstruct and expand the shrine.

    • 1940 (昭和15年) - Over 200,000 Yen (20萬圓) is raised for the reconstruction of the shrine, and plans are officially approved by the Tainan Prefectural Government with construction immediately started.

    • 1942 (昭和17年) - Construction of the Second Generation Kagi Shrine is undertaken in two phases with the construction of the upper shrine completed first. The inauguration of the shrine was held shortly after on June 13th.

    • 1943 (昭和18年) - In the second stage of construction, the lower section of the shrine, which included the Shrine Office (社務所 / しゃむしょ) and Priest’s Hall (齋館 / さいかん), was completed on August 9th.

    • 1944 (昭和19年) - Kagi Shrine is upgraded into a Minor National Level Shrine (國幣小社 / こくへいしょうしゃ), one of only three shrines in Taiwan to achieve such a rank in the pre-war shrine ranking hierarchy.

    • 1945 (昭和20年) - The Second World War comes to a conclusion and Japan is forced to surrender control of Taiwan. Shortly thereafter, Chiayi Park is renamed “Zhongshan Park” (中山公園).

    • 1949 (民國38年) - Chiang Kai-Shek (蔣介石) and the Republic of China government retreat to Taiwan, bringing with them several million refugees displaced by the Chinese Civil War. Kagi Shrine is converted in the Chiayi Martyrs Shrine (嘉義忠烈祠), and the lower offices are converted into a Military Hospital (八二八醫院).

    • 1987 (民國76年) - The Military Hospital hands over ownership of the Shrine Office and Priest’s Hall Buildings to the Chiayi City Government. However, due to wear and tear, the buildings are in desperate need of restoration. The Department of Architectural Design of the National Cheng-Kung University (成功大學) in Tainan is contracted to come up with plans for the faithful restoration of the buildings.

    • 1992 (民國81年) - The charitable division of the Cathay Life Insurance Company donates NT$5 million for the restoration of the buildings.

    • 1993 (民國82年) - The Chiayi City Historical Relics Museum (嘉義市史蹟資料館) is officially established.

    • 1995 (民國84年) - Fire destroys the Main Hall of the shrine, which had been converted into the Chiayi Martyrs Shrine (嘉義忠烈祠). Later that year, plans are made to construct a tower on the site of the original shrine to help attract tourists to the city.

    • 1996 (民國85年) - With funds contributed from private enterprises, government subsidies and from the Chiayi City Government, restoration of the remnants of Kagi Shrine officially start. Later that year, Zhongshan Park is officially renamed Chiayi Park (嘉義公園), reflecting its history.

    • 1997 (民國87年) - While the tower was still undergoing construction, the Second Generation Chiayi Martyrs Shrine was officially opened in the basement of the tower.

    • 1998 (民國88年) - The Chiayi Tower, otherwise known as the “Sun-Shooting Tower” (射日塔) on the grounds of where the Main Hall of the shrine once stood is completed and opened to the public. The remnants of Kagi Shrine are officially listed as Chiayi City Municipal Monuments (嘉義市市定古蹟) in order to ensure that funding is available for their upkeep and protection.

    • 2001 (民國91年) - Restoration on the Shrine’s Main Office and the Purification Hall is completed and are opened to the public as the Chiayi City Historical Relics Museum (嘉義市史蹟資料館) takes up residence within the two buildings.

Remaining Sections of the Shrine

What remains of the First Generation Shrine's Hall of Worship.

In this section, I’m going to take some time to introduce the sections of the shrine that remain today, and as usual, aspects of their architectural design. Certainly, while what’ll you encounter in Chiayi Park today is not nearly as complete as the Taoyuan Shrine (桃園神社), but the elements that do remain are quite well-preserved, and even though much has changed, the layout of the shrine has essentially remained the same for the past eight decades.

Not every aspect of the shrine requires an in-depth introduction, so I’ll probably spend the most time on the two largest buildings that remain on-site as they’ve been expertly restored, and if you’re in the area, you should definitely take some time to visit. When it comes to the restoration of the shrine, most of the attention has been given to the administrative buildings that were part of the shrine, which today make up the Showa 18 Relic Museum (嘉義市史蹟資料館), which I’ll also introduce below.

If you visit today, you’ll find several smaller aspects of the shrine that have been preserved and are put on display in addition to offering some pretty interesting information about the history of Chiayi.

Visiting Path (參道 / さんどう)

One of the most complete remnants of the historic shrine is its ‘Visiting Path’, which may not seem like a lot, given that most would just consider it a pathway from the entrance that led to where the shrine once stood, but the fact that it hasn’t been altered over the years is relatively amazing.

At a Shinto Shrine, a 'Visiting Path,’ known in Japanese as the “sando” (參道 / さんどう) is an integral part of the layout of any shrine, and, well yeah, is essentially just a pathway that leads visitors to the shrine. While these paths serve a functional purpose, they are also quite symbolic in that the ‘path’ is also the route you take on the road to spiritual purification. If you weren’t already aware, ’Shinto’ is literally translated as the “Pathway to the Gods” (神道), so having a physical pathway leading the worshiper from the realm of the profane to that of the sacred is quite important. 

The average length of a shrine’s Visiting Path’s tends to vary based on the size of the shrine, but what always remains true is that you’ll find stone lanterns (石燈籠 / しゃむしょ), shrine gates (鳥居 / とりい) and stone guardians (狛犬 / こまいぬ) along the path.

As mentioned above, the shrine was originally home to three shrine gates, one cement, and two constructed of wood, each of which constructed in the Myojin-style (明神鳥居), one of the most common styles of shrine gate currently used in Japan today. In this particular style of design, there are double lintels with the top curving upwards. Between each, it’s likely that there would have been a plaque that had the name of the shrine inscribed horizontally. Today, none of the original shrine gates are left standing along the Visiting Path, but a Chinese-style cement ‘Pailou Gate’ (牌樓) has been constructed for the Martyrs Shrine, and even though its completely different, its still quite nice.

The next common feature of a Visiting Path are the stone lanterns that are lined symmetrically along both sides. One again, its quite amazing that there are so many of the original lanterns remain standing in their original location, and what’s even more amazing is that the date of their donation, which is always inscribed horizontally along the base, remains clear.

The reason I find this amazing is that in most cases, the stone lanterns that remain from Taiwan’s Shinto Shrines have all had their dates scratched out or vandalized. In this case, however, it looks like they were never touched, and not only do they feature the dates, but also the individuals or the organizations who originally donated them. One of the interesting things about the lanterns in this case is that most of them date back to the Taisho Era (大正), which means that they were part of the First Generation Shrine.

Finally, one of the other more notable aspects of a Visiting Path are the stone guardians that are placed along the path to symbolically guard the shrine. Known in Japan as ‘komainu’ (狛犬/こまいぬ), these stone guardians are part of a tradition thought to have been passed on to Japan from Korea, which is why they’re also often referred to as “Korean Dogs” (高麗犬), referring to the ancient Korean Kingdom of “Koguryo” (高麗國).

Although there can be exceptions to the rule, the lion-dogs generally appear as a pair and are placed on either side of a Visiting Path or at the entrance to a shrine. Often appearing as a male and female, they are only distinguishable only by their facial expressions, with the male “a-gyo” (阿型) having an open mouth and the female “un-gyo” (吽形) having a closed mouth. The male komainu in the traditional set has its mouth open with a stone ball between its teeth while the other set looks as if he’s smiling awkwardly with its mouth open.

Link: Komainu Lion Dogs (Japan Visitor)

In this case, there are only two remaining of the original three sets of stone guardians at the shrine, one at the entrance, and one at the mid-section of the Visiting Path. The set that disappeared would have been placed at the entrance to the Main Hall, which burnt down several decades ago. The two remaining sets are known simply as the ‘large guardians’ (大狛犬) and the ‘small guardians’ (小狛犬), but what that doesn’t tell you however is that they were designed in completely different styles, and were dedicated at different times. Records indicate that the remaining pairs or guardians date back to the First Generation Shrine, but since the dates have been vandalized. So, based on their size and the information we have about them, its safe to say that the large set at the entrance to the park were donated in 1928 (昭和3年), while the smaller pair were donated in 1922 (大正11年).

The interesting thing is that the smaller set were crafted in the exact same style as the remaining pair of guardians at the ruins of the Keelung Shinto Shrine. The larger pair on the other hand were crafted to look similar to the guardians from the Taiwan Grand Shrine (臺灣神宮) in Taipei.

Another notable fact about the smaller set is that they were crafted in such a manner that they appear similar to the design of Taiwanese-style guardians that you’ll find at temples across the country, which (its assumed) is part of the reason why they have remained so safe from vandalism.

Link: 狛犬――連結臺灣與日本,日常生活裡的藝術雕塑 (Nippon)

Note: Interestingly, during my research about the Kagi Shrine and its komainu, I came across some interesting resources that introduced a theory about the history of the construction of stone-guardians, like these, in Taiwan. The article, linked above, explains that from the Qing Dynasty, blacksmiths were banned in Taiwan due to the amount of rebellions and uprisings that took place. When the Japanese arrived, there weren’t any resources available that could aid in the construction of the ‘guardians' for all the shrines that were being constructed around the island. Thus, it’s theorized that the reason why so many of the older guardians look so similar is due to the fact that they were all imported directly from Yamaguchi Prefecture (山口縣), west of Tokyo, or were sculpted by craftsmen from the area.

The theory is given more credence by the fact that several of Taiwan’s Governor Generals originally hailed from Yamaguchi, as were most of the craftsmen who came to Taiwan to assist in the construction of bridges, such as the famed Meiji Bridge (明治橋) in Taipei, which was constructed with stone imported directly from Yamaguchi.

Purification Fountain (手水舍 / ちょうずしゃ)

Located on the left side of the Visiting Path opposite the Administration Office, you’ll find what is known as the Purification Fountain, an essential addition to any Shinto Shrine. Like the Visiting Path, the fountain is sure to appear at any shrine you visit as it marks another important philosophical aspect to Shintoism, which is referred to as “hare and ke” (ハレとケ), or the "sacred-profane dichotomy."

One of the main methods of marking the visitor’s journey from the sacred to the profane, is that for anyone crossing the barrier into the ‘sacred realm,’ they should do so in the cleanliest possible manner. This is achieved by symbolically performing a purification ritual at the chozuya (ちょうずしゃ) or temizuya (てみずしゃ) provided. The shrine was originally set up in the ‘upper’ and ‘lower’ layer, and you’ll notice that as the Visiting Path continues past the Purification Fountain, there is a set of stairs that that you walk up to reach the ‘upper’ section. The second shrine gate was originally located at the top of the stairs, and would have marked the entrance into the sacred part of the shrine.

The Purification Fountain that remains on-site today is the original, and was completed in 1945 (昭和20年). The fountain itself is a simple octagonal-shaped stone fountain inscribed with the words “Donated by members of the Chiayi Civil Engineering Group in October of 1942” (奉獻 昭和十七年十月 嘉義土木建築請員業組合員一同). The top of the fountain has a stone plate where a long wooden ladle, known as a ‘hishaku’ (柄杓 / ひしゃく) was placed for worshippers to take part in the purification ritual mentioned above. Hanging from the roof above the fountain, you’ll find an instruction board where the purification process is detailed.

In order to protect the sacred water in the fountain, a pavilion was constructed to cover it, and as is the case at most shrines of this size, extra care was taken to construct a beautiful space. The fountain was constructed on a cement base and the four pillars that prop up the massive roof of the pavilion are also cemented into the base to ensure the stabilization of the roof. Both the pillars and the roof were constructed entirely of cypress from nearby Alishan. The roof was constructed with the flowing two-sided symmetrical kirizuma-zukuri-style (切妻造 / きりづまづくり), the weight of which is propped up by both the four pillars and a network of trusses that connect to the pillars.

The roof itself is quite decorative in that both of the gable ends feature what is known as ‘Gegyo' (懸魚 / げぎょ), which are decorative wooden boards shaped to look like a hanging fish, and are used as a charm against fire, similar to porcelain dragons on Taiwanese temples. The top of the roof is covered in a variety of black roof tiles, most of which I’ll explain below, but the mixture of flat tiles, cylindrical tiles and end tiles used to keep everything in place. It’s an extremely complex mixture that will kind of blow your mind if you take some time to look closely and appreciate that there are likely a thousand or more individual pieces locked in together.

Resting Pavilion (參集所)

While visiting the park, I had assumed that this ‘Resting Pavilion’ was something that was constructed well after the Japanese-era had ended, but it was in fact an original part of the shrine that has been changed a few times in the years since. The interesting thing about this so-called ‘Resting Pavilion’ is that it isn’t something common at shrines in Japan, but was likely something that was added due to the tropical climate in Chiayi.

Located on the same side as the Purification Fountain, across from the Administration Office, the pavilion was a space where people could get some shade from the afternoon sun instead of waiting for family and friends in spaces where they’d exposed to the heat.

All that remains of the original pavilion is the cement base and the cement pillars that helped to prop up the original roof. The current roof is something that has been renovated at some point and features steel beams and trusses that help to support a two-sided kirizuma-like roof. It’s safe to assume that the original roof of the building would have appeared similar in its decorative elements to that of the Purification Fountain, but it’s currently covered by iron sheets and on the ends, you’ll find some iconography akin to the decorative elements you’d find at a post-war military village, meant to signify the Republic of China, or its military.

Administration Office (社務所 / しゃむしょ)

The two buildings that have come to personify what remains of Kagi Shrine are the beautiful Administration Office and the Priests Hall, two large, and very traditionally constructed spaces that are directly connected with each other. The buildings have been beautifully restored, and both the exterior and the interior are well-maintained, and are well worth the modest entrance fee for a visit.

Working together in unison, the buildings were originally used for a number of purposes. First and foremost, it was a space where the shrine’s priests, priestesses, and other staff would rest while they weren’t busy performing their duties. They were also a space where the administrative aspects of the shrine were taken care of in addition to offering space where special events or ceremonies could be held. While the interior of the buildings would have been mostly off-limits to the average visitor, they also offered space for people who might have had any special requests for prayers or rites.

In Japan, the ‘Administration Office’ is more commonly known as a ‘shamusho’ (社務所 / しゃむしょ), and are probably best known for featuring what is known as a ‘Public Counter’ (授与所 / じゅよじょ), which is like a gift shop where visitors can ‘receive' (purchase) shrine branded tokens and amulets. However, looking at the floor plan and the design of the buildings, it’s highly unlikely that this was the case at the Kagi Shrine. So, if there were one of these gift shops at the shrine, it would probably have been located in a separate building nearby, or closer to the shrine. Completed in 1943, the buildings were part of the second phase of construction of the Second Generation Shrine, officially opening a year after the rest of the shrine.

Given that the Japanese had learned their lesson with regard to the construction of wooden buildings in Taiwan, both of the buildings were constructed on a cement base with sixty centimeter-long pedestals propping them off of the ground, offering protection from earthquakes as well as all the termites, which happily feasted upon the First Generation Shrine.

This time, in addition to the cement base, both of the buildings were constructed with a mixture of brick and cypress from the nearby mountains, and the walls in the interior feature the genius insulation method of combining bamboo and mud (編竹夾泥牆), something that the Japanese came up with as an answer to Taiwan’s tropical climate.

Officially, the buildings were constructed in the irimoya-zukuri (入母造 / いりもやづくり) style of architectural design, but within that particular style there are several off-shoots, and more specifically, in this case the ‘Shoin-zukuri’ (書院造/しょいんづくり) style of design was used for the layout of the interior of the buildings. Originally a style of design that was used for the construction of mansions, temple halls or the residences for Buddhist priests, the architectural style has become the foundation for the design of most of the traditional residential buildings in Japan today. The term ‘shoin’ (書院), translates literally as a ‘study’ or a place for lectures, and although its origins come from the construction of Buddhist temples, it is essentially a style of building characterized by tatami mats, aisles and sliding doors that open up to partitions.

Given that it’s an off-shoot of the irimoya style, one of the most important things to keep in mind is that the base of the building, known literally as the ‘mother’s house’ (母屋), is considerably smaller than the roof above, which means that the architectural design within the interior of the buildings features a network of pillars and trusses that assist in supporting and stabilizing the weight of the roof, which in both cases is absolutely beautiful.

While not as complex or as intricate in design as the roof of the shrine’s more sacred buildings, the roof that was constructed on both of these buildings was designed in the two-sided kirizuma-zukuri (切妻造 / きりづまづくり) style of design, with beautiful gable-ends, and is covered with black tiles (黑瓦). Adding complexity to the roofs, both buildings feature a ‘covered-front porch’, known in Japan as a ‘karahafu porch’ (唐破風), an addition that draws its inspiration from the architecture of the Tang Dynasty, and is something that remains quite popular in Japan. The ‘'porch’ essentially protrudes from the front of the kirizuma roof, but features a separate four-sided roof of its own, supported by four pillars in front of the main doors, adding a three-dimensional or ‘flowing’ element to the design.

Facing outward from the front of the porch, is a triangular gable known as a chidori-hafu (千鳥破風/ちどりはふ), which has a 'hanging fish’ decoration at the tip, and a decorative onigawara (鬼瓦 / おにがわら) tile at the top. This may not mean very much to the average reader, but it shows that an incredible amount of care, and money, were spent to ensure that these buildings stood out in their decorative design.

Apart from the porch, there are a number of decorative elements on the roof that also play integral functional elements, protecting it from rain, and keeping everything in place. While they are (for the most part) considered common elements found on the roofs of more formal Japanese-style buildings, and would have also been included on the roof of the shrine, these two buildings, the Purification Fountain, as well as the Ritual Storage Building (which I’ll introduce below) are the only sections of the shrine that remain where you’ll find them all in one place.

Those decorative elements are as follows:

  • Hiragawara (平瓦 /ひらがわら) - a type of arc-shaped clay roofing tile.

  • Munagawara (棟瓦 /むながわらあ) - ridge tiles used to cover the apex of the roof.

  • Onigawara (鬼瓦 / おにがわら) - ornamental ridge-end tiles that are used to symbolize protection.

  • Nokigawara (軒瓦/のきがわら) - the roof tiles placed along the eaves lines.

  • Noshigawara (熨斗瓦/のしがわら) - thick rectangular tiles located under ridge tiles.

  • Sodegawara (袖瓦/そでがわら) - cylindrical sleeve tiles

  • Tsuma (妻/つま) - the triangular-shaped parts of the gable on the roof under the ridge.

  • Hafu (破風板/ はふいた) - bargeboards that lay flat against the ridge ends to finish the gable.

Although there have been some modern modifications to the buildings after the restoration work was completed, the interior space has been largely left the same. The original tatami mats have been removed, and replaced with hard-wood flooring. Similarly, modern lighting and air conditioning has been added, which is probably something the priests in 1943 would have loved to have access to given the heat of Chiayi’s summer days.

The space today, though, is divided up into exhibitions about the history of the shrine, so its difficult for the average visitor to fully understand the original layout of the building, but the displays offer some very detailed information about the various elements of the design.

That being said, one of the genius aspects of the design of buildings like this, especially since air conditioning hadn’t been invented yet, was that the windows in the building were specifically constructed to open up and allow fresh air into the building. The air circulation system included sliding windows panels at the rear of the building that could be completely opened as well as ventilation within the sliding panels within the interior.

It would have been hot within the buildings, but the design did its best to mitigate the sweltering tropical heat of Chiayi, something which I personally can’t endure for very long before I start to melt.

Ritual Storage Building (祭器庫 / さいきくら)

Even though this is just a simple storage building, it is still one of the highlights of what remains of the former Shinto Shrine. Among the remnants of Taiwan’s Shinto Shrines, you’ll find that this particular type of building is quite rare, and only here at the Chiayi Shrine will you find one in such great shape. While a ‘storage' building might sound rather unimportant, it is actually an integral part of the shrine, as it is a space where some really important objects, that were used for special occasions, were kept.

The most important of these objects would have been the shrine’s ‘mikoshi’ (神輿 / みこし), a specially-branded palanquin constructed especially for the shrine. The mikoshi would have been used to transport one of the kami whenever they came out during the annual ‘matsuri festival’ (祭 / まつり), which was held on October 28th every year in Chiayi.

In order to keep the mikoshi safe, the rectangular building was constructed with reinforced concrete in the traditional irimoya-zukuri (入母造 / いりもやづくり) architectural style mentioned earlier. Given that it was constructed with concrete, the base was easily able to stabilize the weight of the roof above, and also allowed for windows on three sides of the building.

In most cases, irimoya-style buildings make use of intricate hip-and-gable style roofs, but in this case, the roof was constructed with a simple, yet beautifully decorated two-sided kirizuma-zukuri-style (切妻造 / きりづまづくり) with gable-ends on the front and rear of the building.

First Generation Shrine Ruins (第一代嘉義神社殘跡)

Arguably one of the more important of the remaining sections of the shrine are the ruins of the First Generation Shrine, which was later used to house a separate set of kami. That being said, for most visitors, this is likely to simply appear as an uninteresting cement base, and probably don’t really understand the point or the purpose of what the ruins entail.

Personally, this is one of my favorite parts of the park as it shows the size of the First Generation Shrine.

Featuring the ruins of both the Hall of Worship (拜殿 / はいでん) and the Main Hall (本殿 / ほんでん), the park has constructed a wooden structure around the perimeter of the base where the larger Hall of Worship once stood while the Main Hall to the rear, which was elevated on a cement base remains in place.

The cement base of the Main Hall, which is well over a century old now is cracked, likely due to earthquake damage, but it otherwise remains in excellent condition. It’s a simple square-shaped pedestal that has a set of stairs in the front that would have allowed the shrine’s priests to approach the Main Hall that was placed on top. Currently, there is a barrier around it to keep people from crawling all over it as it is part of the protected heritage site.

Chiayi Park / Showa 18 Relic Museum (嘉義市史蹟資料館)

As mentioned earlier, Chiayi Park, originally known as ‘Kagi Park’, then renamed to Zhongshan Park, and finally changed back to its original name in 1996, is an expansive 268,000 square meter natural space within the confines of Chiayi City. The park features not only the ruins of the Shinto Shrine, but also the Chiayi Confucius Temple (嘉義孔廟), the Chiayi Martyrs Shrine (嘉義忠烈祠), the Sun-Shooting Tower (射日塔), the KANO baseball park, and the Chiayi Botanical Gardens (嘉義植物園). The trees in the park, most of which were planted during the Japanese-era are tall and beautiful, and there is always something taking place as it is popular with both the locals and tourists alike.

Currently located within the Administration Office and Priests Hall is the “Showa 18 Relic Museum,” which is split up into an exhibition space, and a coffee shop where visitors can enjoy some coffee, tea or afternoon snacks. The term “Showa 18” refers to the eighteenth year of Emperor Showa’s (better known in English as Hirohito) reign, coinciding with 1943 on the western calendar. Named for the year of the completion of the Second Generation Kagi Shrine, the museum features exhibitions about the shrine’s history, and features relics from the shrine that have been preserved over the years.

Within the buildings, you’ll also find a small shop that sells locally made products that celebrate the history of Chiayi, created to look like the kind of amulets that you’d purchase at a shrine in Japan, as well as a kimono rental service that is likely popular with instagrammers.

Residents of Chiayi can enter the museum free of charge, but the rest of us have to pay a 50NT admission fee to enter the buildings to check them out. The ticket price however can be used to discount anything that you purchase within the building, so if you want to have a drink, snack, or purchase one of the crafts inside, it’s not that bad. Even if you don’t purchase anything, I highly recommend going into the buildings to check them out. The museum section features some interesting exhibits, and the interior of the buildings are absolutely beautiful, and as mentioned above, have been wonderfully restored to their original condition.

Getting There

 

Address: #42 Gongyuan Street, East District, Chiayi City

嘉義市東區公園街42號

GPS: 23.481070, 120.467690

If you find yourself in Chiayi, one of the best ways to get around is to rent a scooter from one of the rental shops next to the train station. Renting a scooter, though, can sometimes be a hassle for international travelers, especially if you haven’t brought an International Drivers License along with you on your trip. So, if you’d like to make your way to Chiayi Park to check out the shrine, the Confucius Temple, or any of the other historic structures in or around the park, your best bet is to probably hop on a bus just outside of the Chiayi Train Station (嘉義車站).

Bus

In recent years, Chiayi City has upgraded its bus network into a “BRT” (Bus Rapid Transport) system similar to the one in used in Taichung. The new system has replaced all of the old Chiayi Bus (嘉義公車) routes that used to exist. So, if you’ve looked at other resources online that haven’t been updated, you might find yourself a bit confused about how to get around.

From Chiayi Station, you’ll want to hop on either Bus #7211 or Bus #7212, both of which travel a square-like route through the city center.

Link: Chiayi BRT Bus #7211 and 7212 Route Map (嘉義客運) | Map and Schedule

You also have the option of hopping on the Taiwan Tour Bus (台灣好行) #0715 from the station, but it comes much less frequently than the other two.

Youbike

If you can’t get access to a rental scooter, never fear, the weather in Chiayi is great year-round and the city has a large number of Youbike Stations where you can pick up a bicycle and drop it off. If you’re setting off from the train station, there is a Youbike station directly to left of the entrance. From there, you can make your way to Chiayi Park on your bike, riding straight down Chungshan Road (中山路) to the park, or whatever route you prefer. There are at least four Youbike stations surrounding the park, so you’ll be able to easily drop the bike off when you need to.

Apart from that, if you don’t feel like taking a bus, or riding a Youbike across town, you always have the option of grabbing a taxi at the train station. A trip to the park won’t be too expensive, and once you’re there, you’ll be able to walk to a few other destinations that are close by.

If you find yourself in Chiayi, you’ll find that there are a large number of historic destinations to experience, and the ruins of the Kagi Shrine are just one that you’ll find conveniently located within the Chiayi Park. You may not think that visiting a park is worth your precious travel time, you may not also think that the ruins of a Shinto Shrine are all that important, but when it comes to the history and the development of Chiayi City as we know it today, the shrine, played a pretty important role.

If you’re looking for places to visit, the park is close to a number of historic destinations, and you’re also in luck because there are also a number of really great coffee shops surrounding the perimeter, where you’ll be able to take a break from the sun. Obviously this is a destination that is my kind of thing, but since Chiayi really promotes its Japanese-era history for tourism, there’s probably no better place to visit than the shrine!

References

  1. Kagi Shrine | 嘉義神社 中文 | 嘉義神社 日文 (Wiki)

  2. Chiayi | 嘉義市 中文 | 嘉義市 日文 (Wiki)

  3. 嘉義街 | 嘉義郡 | 臺南州 (Wiki)

  4. 台灣神社列表 (Wiki)

  5. 嘉義公園 (Wiki)

  6. Shrine Architecture | 神社建築 中文 | 神社建築 日文 (Wiki)

  7. Modern system of ranked Shinto shrines | 近代社格制度 (Wiki)

  8. 原嘉義神社暨附屬館所 (國家文化資產網)

  9. 嘉義神社與參道外貌 (國家文化記憶庫)

  10. 臺灣日治時期地方政府廳舍建築 (Wiki)

  11. 嘉義市市定古蹟原嘉義神社附屬館所調查研究 (嘉義市文化局)

Historic Photos

  1. 臺灣國定古蹟編纂研究小組 (Facebook)

  2. 臺灣の神社遺跡 (Facebook)

  3. 帝國の臺灣 (Facebook)

  4. Geomosa (Facebook)

  5. 嘉義神社與參道外貌 (國家文化記憶庫)


Taichung Train Station (臺中驛)

At some point during my elementary school years, my grandma arrived at our house to collect my sister and I for a trip to visit the extended family. Every summer we’d have a several day long family reunion in Halifax, but this time was different. Most of the time my grandfather would be in charge of driving us on the two hour journey to this city, but this time, he was busy with work, so he couldn’t join us. Instead, we drove to a local train station, and for the first time in my life, I stepped foot on a train.

For people here in Taiwan, getting on a train for the first time probably isn’t one of those memorable experiences that they remember vividly later in life, it’s just something that is simply part of daily life for a lot of people here that they take it for granted. For Canadians, though, taking a train, sadly, tends to be a very rare occurrence. I remember getting off the train, walking down a large covered platform, and then emerging into a massive open building, probably one of the largest buildings I had been in by that point in my life, and was in awe of the beauty of the European-style building.

Decades later, I found myself on a train bound south to the central Taiwanese city of Taichung for a weekend trip. When we arrived, I remember getting off of the train, walking down the platform to the station hall from which we’d start our weekend of exploration. Putting my ticket into the turnstile, I walked into the massive station, and was almost automatically transported back to that vivid childhood memory of my first experience on a train.

The station was busy, but the interior was massive, with high ceilings, white walls and European-style architecture. It wasn’t an experience that I was expecting, but it was one that I thoroughly enjoyed.

I didn’t particularly know that much about Taiwan at the time, so I never really put much thought into why the building appeared the way it did. but I enjoyed the quick reminder of my childhood experience, and then walked out of the station to check into our hotel for the weekend. Now that I’ve been in Taiwan for quite a while, and I’ve learned a lot about the nation’s history, I’m a little sad that I didn’t spend time taking photos of the station as it was while it was still in action.

Sadly, the historic Taichung Station, which had served the community just short of a century, like many other historic train stations around the country, was replaced with a modern-looking monstrosity, but came with the promise of increased efficiency, and for some people, that’s more important.

Actually, the modern station is quite beautiful in its own right, I shouldn’t be so harsh in my description. It’s a very well-designed open space, but it’ll never be as iconic as its predecessor.

Of the major Japanese-era railway stations, Taichung’s beautiful railway station was part of a short list of buildings that remained in operation almost a century after they were constructed. Today, only Hsinchu Station (新竹車站), Chiayi Station (嘉義車站) and Tainan Station (臺南車站) remain, and unsurprisingly, it seems like they might be running short on time, as well. Fortunately, unlike the disappearance of Japanese-era railway stations in Keelung (基隆車站), and Hualian (花蓮車站), local authorities had the foresight to preserve the historic station, giving the people of Taichung the peace of mind that even though some things might change, others would stay very much the same.

Today, I’m going to introduce the historic Taichung Train Station, it’s history, and its architectural design. Even though the station has recently been decommissioned, it has become part of a large cultural park that focuses on the history of the railway, something for which you’ll discover Taichung owes much of its prosperity to, so if you find yourself visiting the city today, a visit to the Railway Cultural Park that they have set up is a pretty good way to spend some of your time.

Taichung Railway Station (臺中驛 / たいちゆうえき)

To introduce the historic Taichung Railway Station, I’m going to do a bit of a deep dive into the events that led up to the arrival of the Japanese in Taiwan, and the development of the railway, which ushered in an era of modernity and economic opportunity that the people of Taiwan had yet to experience. While explaining how the railway became an instrumental tool for fueling the Japanese empire’s goal of extracting the island’s precious natural resources, I hope to also offer a bit of context as to why this station in particular became so important. Before I start, though, I need to reiterate that the building I’ll be introducing isn’t the current railway station, it’s the historic building that is located directly next door.

For anyone who has grown up in the Taichung, terms like ‘First Generation’, ‘Second Generation’ or ‘Third Generation’ don’t really mean anything - there’s only one Taichung Station, and there’s that newer-looking building next door where the trains currently come and go from. Understandably, when you’ve been the beating heart of a city for well over a century, it takes people a while to adjust to the newer situation.

The history of the railway in Taiwan dates back as early as 1891 (光緒17年), just a few short years prior to the arrival of the Japanese. A first for Taiwan, the railway project is arguably one of the most ambitious development projects undertaken by the Qing government while they still held control of the island. Under the leadership of Liu Mingchuan (劉銘傳), who would end up being the last governor of Taiwan, at its height, the Qing-era railway stretched from the port city of Keelung (基隆) to Hsinchu (新竹). However, even though the project was led by foreign engineers, the end result turned out to be a rudimentary, treacherous route that ultimately came at far too high of a cost to continue financing. Suffice to say, none of this should be particularly surprising, especially when you take into consideration that during the two centuries that the Qing controlled portions of the island, they never particularly cared very much about developing it, and this was especially true during the final few decades of their administration as they were more occupied with war (and revolution) at home.

The Manchu’s came to power in China at a time when the previous rulers had become far too weak to contend with constant rebellions and civil disorder. In what may seem like a case of history repeating itself, by the late 1800s, Qing rule had similarly become incompetent, and corruption was rife throughout the country. Putting it bluntly, the level of corruption and incompetence prevented China from modernizing its military, but it also resulted in them shooting themselves in the proverbial foot with some diplomatic missteps that led to war with Japan.

Known today as the ‘First Sino-Japanese War’ (1894-1895), the whole affair ended about as quickly as it began, resulting in considerable embarrassment for the Qing rulers, who were completely unprepared to wage a modern war against a well-equipped Japanese military. The year-long war ultimately shifted the balance of power in Asia from China to Japan, and would be one of the catalysts for revolution in China that would just a few years later bring thousands of years of imperial rule to an end.

Unable to successfully wage war against the Japanese, the Qing were forced to sue for peace a little more than six months into the war. This resulted in the signing of the Treaty of Shimonoseki (下関条約), which forced China to recognize the independence of Korea, and the Chinese would have to pay Japan reparations amounting to 8,000,000kg of silver. More importantly with regard to this article however, it also meant that Taiwan, and the Penghu Islands would be ceded to Japan in perpetuity.

Shortly thereafter, the Japanese set sail for Taiwan, landing in Keelung on May 29th, 1895. Upon arrival, Japanese forces were met with fierce resistance from the remnants of the Qing forces stationed on the island, local Hakka militias, and the indigenous people. Over the next five months, the Japanese gradually made their way south fighting a nasty guerrilla war that ‘officially’ came to an end with the fall of Tainan in October. That being said, even though the military had more or less taken control of Taiwan’s major towns, the insurgency and resistance to their rule lasted for quite a few more years, resulting in some brutal events taking place during that time.

Nevertheless, similar to the war with China, the superiority of the modern Japanese military easily dispatched the local armies, which vastly outnumbered them. The campaign, however taught the Japanese a hard, yet valuable lesson as figures show that over ninety-percent of the Japanese military deaths were caused by malaria-related complications.

Taiwan’s hostile environment turned out to be one of the main reasons why the Qing were so ambivalent towards the island, but is something that the Japanese were intent on addressing, especially since they were invested in extracting the island’s vast treasure trove of natural resources. To accomplish that mission, they would first have to put in place the necessary infrastructure for combating these diseases.

One of the colonial government’s first major development projects got its start shortly after the first Japanese boots stepped foot in Keelung in 1895. The military had brought with them a group of western-educated military engineers, and they were tasked with getting the existing Qing-era railway back up and running, as well as coming up with proposals for extending the railway around the island. As the military made its way south, the team of engineers followed close behind surveying the land for the future railway. By 1902, the team came up with a proposal for the ‘Jukan Tetsudo Project’ (縱貫鐵道 / ゅうかんてつどう), otherwise known as the ‘Taiwan Trunk Railway Project,’ which would have a railroad pass through each of Taiwan’s established western coast settlements, including Kirin (基隆), Taihoku (臺北), Shinchiku (新竹), Taichu (臺中), Tainan (臺南) and Takao (高雄).

Link: Taiwan Railway Museum (臺灣總督府鐵道部)

Construction of the railway was divided into three phases with teams of engineers spread out between the ‘northern’, ‘central’ and ‘southern' regions of the island. Amazingly, in just four short years, from 1900 and 1904, the northern and southern portions of the railway were completed, but due to some unforeseen complications, the central area met with delays and construction issues due to the necessity for the construction of a number of bridges and tunnels through the mountains.

Nevertheless, the more than four-hundred kilometer western railway was completed in 1908 (明治41), taking just under a decade to complete, a feat in its own right, given all of the obstacles that had to be overcome. To celebrate this massive accomplishment, the Colonial Government held an inauguration ceremony within the newly established Taichung Park (台中公園) with Prince Kanin Kotohito (閑院宮載仁親王) invited to take part in the ceremony.

The Japanese authorities touted the completion of the railway as part of a new era of peace and stability in Taiwan, and one that would help to usher in a new period of modernization, one that would bring economic stability to the people of the island - and for the most part, they were right about that.

The completion of the railway was instrumental in the development of the island and was a stark contrast from what the Qing considered a “ball of mud beyond the pale of civilization” (海外泥丸,不足為中國加廣) to an integral part of the Japanese empire.

Link: Mid-Lake Pavilion (湖心亭)

While the construction of the railroad, for the most part, seems to have gone by quite smoothly, as mentioned earlier, the central region was faced with delays in its completion in part due to poor planning and the necessity for the construction of large bridges and tunnels, which took longer than anticipated. That being said, by 1905, there were trains running a limited service route within Taichu Prefecture (臺中廳 / たいちゅうちょう) prior to their eventual connection with the northern and southern portions of the railway across the Da’an (大安溪) and Dadu (大肚溪) rivers.

One of the stations along the limited service route was the First Generation Taichung Railway Station (台中停車場), a modest single-story wooden station hall, which officially opened on June 10th, 1905 ( (明治38年). For the three years prior to the completion of the railway, the ‘Taichung Line’ connected the downtown of Taichung with Koroton Station (葫產激驛 / ころとんえき), Tanshiken Station (潭仔乾驛 / たんしけん), Ujitsu Station (烏日驛 / うじつえき), and Daito Station (大肚驛 / だいとえき), known today as Fengyuan (豐原), Tanzi (潭子), Wuri (烏日) and Chenggong (成功) Stations, respectively.

First Generation Taichung Railway Station

Link: Railway Station Name Change Chart (臺灣日治時期火車站新舊地名對照表)

With the completion of the Western Trunk Railway in 1908, Taichung, like many other major settlements around Taiwan experienced an economic boom, and as its economy thrived, more and more people made their way to the city to take part in the economic successes, that were in large part thanks to the railway. As the most important passenger and freight station in central Taiwan, Taichung Station quickly became an extremely busy place, and after less than a decade, the city had already outgrown its small wooden station hall. Thus, when the decision was made to replace the original station with a new one. This time, though, Taichung Station would become one of the largest stations on the island and would be one that reflected the prosperous community that it served.

Second Generation Taichung Railway Station

That being said, while construction of the new station was getting underway, some of the issues and delays caused during the construction of central Taiwan’s railway ended up persisting long after its completion. With the constant threat of earthquakes and typhoons creating major service disruptions, and the fact that central Taiwan was an important region for the extraction of sugarcane, fruit, and other commodities, the Railway Department of the Governor General of Taiwan (台灣總督府交通局鐵道部) was forced to come up with a solution to the problem. The answer came in the form of the “Kaigan-sen” (かいがんせん / 海岸線), or the Coastal Railway Branch Line, which started just south of Hsinchu and connected with the Western Trunk railway in the south of Taichung.

Link: The Coastal Railway Five Treasures (海線五寶) | Tai’an Railway Station (泰安舊車站)

The ‘Second Generation Taichung Railway Station’ officially opened on November 6th, 1917 (大正6年) - Much larger than the first generation building, the 436㎡ (132坪) station was constructed with reinforced concrete, red bricks and a beautiful wooden roof using a mixture of European Renaissance Architectural design. The construction of the second generation station was also an important time with regard to the expansion of the platform space, which was expanded to a size of 403㎡ (122坪), offering a covered roof for people waiting for their trains to arrive, and the installation of an underground walkway to replace the overpass that was constructed for the first generation building.

Over the following century, Taichung Station became one of the longest-serving symbols of the city, sharing important cultural and historic links with the people of Taichung. The station has lived through war, the subsequent authoritarian era, and has witnessed first hand a modern city develop around it. Like many of its contemporaries, however, the station fell victim to modernity, and in 2016, ninety-nine years after the first train rolled into the station, the final train departed.

It may have been the end of an era for the storied station hall, but we are fortunate that the local government had the foresight to realize that the historic building holds a special place in the hearts of the citizens of the city, said to ‘served as the iconic beating heart of the city.’ If they tore it down and replaced like so many of the other historic railway stations around the country, there might have been riots in the streets. Today, the historic Taichung Railway Station is part of a large railway cultural park next to the current station, and the people of Taichung, and the rest of us, are able to enjoy its continued existence.

Before I move on to detailing the architectural design of the station, I’ve put together a timeline of events in the dropdown box below with regard to the station’s history for anyone who is interested:

    • 1896 (明治29年) - The Colonial Government puts a team of engineers in place to plan for a railway network on the newly acquired island.

    • 1902 (明治35年) - After years of planning and surveying, the government formally approves the Jukan Tetsudo Project (縱貫鐵道 / ゅうかんてつどう), a railway plan to be constructed along the western and eastern coasts of the island.

    • 1905 (明治38年) - The First Generation Taichung Station (台中停車場) opens for operation.

    • 1908 (明治41年) - The 400 kilometer Taiwan Western Line (西部幹線) is completed with a ceremony held within Taichung Park (台中公園) on October 24th. For the first time, the major settlements along the western coast of the island are connected by rail from Kirin (Keelung 基隆) to Takao (Kaohsiung 高雄).

    • 1909 (明治42年) - A cross-platform sky bridge is constructed alongside the first freight warehouse.

    • 1913 (大正3年) - The Western Trunk Railway is extended further south to Pingtung (屏東), known then as Ako (阿緱/あこう).

    • 1917 (大正6年) - Construction on the Second Generation Taichung Railway Station is completed with an official opening ceremony held on November 6th.

    • 1919 (大正8年) - Construction on the "Kaigan-sen” (かいがんせん / 海岸線), coastal branch railway in the Miaoli-Taichung area gets underway.

    • 1922 (大正11年) - The Coastal Railway is completed and opens for operation.

    • 1923 (大正12年) - Crown Prince Hirohito makes an official visit to the city.

    • 1925 (大正14年) - Prince Chichibu (秩父宮雍仁親王) makes an official visit to the city.

    • 1926 (昭和1年) - Prince Takamatsu (高松宮宣仁親王) makes an official visit to the city.

    • 1935 (昭和35年) - The magnitude 7.1 Shinchiku-Taichū earthquake (新竹‧台中地震 / しんちく‧たいちゅうじしん) with an epicenter in nearby Houli (后里) rocks the island becoming the deadliest quake in Taiwan’s recorded history and causes massive damage around the island.

    • 1945 (昭和45年) - The station is heavily damaged during Allied Bombing raids.

    • 1946 (民國35年) - President Chiang Kai-Shek (蔣介石) marks his first visit to Taichung, traveling by train.

    • 1947 (民國36年) - Residents of Taichung hold a ‘228 Incident’ (二二八事件民眾起意大會) speaking event outside of the railway station, resulting in one of the first government crackdowns in central Taiwan.

    • 1949 (民國38年) - The Rear Station Hall (後站) officially opens.

    • 1964 (民國53年) - The Rear Station Hall is restored and renovated.

    • 1979 (民國68年) - The Taiwan Railway Corporation completes construction on the electrification of the Western Trunk Line.

    • 1995 (民國83年) - The government designates Taichung Station as a Second Grade Protected Historic Building (二級古蹟).

    • 1999 (民國88年) - The devastating 921 Earthquake (921大地震) in central Taiwan causes a tremendous amount of damage to the railway, shutting it down for almost two weeks.

    • 2005 (民國94年) - Taichung Railway Station celebrates its centennial, and the earthquake reparation work on the station is completed after a several year long project.

    • 2012 (民國101年) - Construction on the Third Generation Elevated Taichung Station (臺中車站高架化新站) breaks ground.

    • 2016 (民國105年) - On October 15th, the final express train to pass through the historic ground-level railway station is dispatched from Pingtung on its way to Taipei. The next day, the first northbound train departed from the elevated station at 6:25am, and a few minutes later, the first southbound train departed at 6:33am.

    • 2017 (民國106年) - The Second Generation Taichung Railway Station officially celebrates its centennial anniversary.

    • 2020 (民國109年) - The massive 19,800m2 Taichung Railway Cultural Park (臺中驛鐵道文化園區) is officially inaugurated, and the historic railway station is reopened to the public as part of a park that will continue to expand over the next few years as other historic buildings are restored.

Architectural Design

Looking back, it’s safe to say that the construction of Taiwan’s major railway stations certainly wasn’t an undertaking that the Japanese authorities took lightly. For each of Taiwan’s major population centers, the colonial government constructed a building that was ostentatious not only in its size, but it’s architectural design as well. For those of you who live in or have visited Taiwan, you may find it difficult to believe, but over a century ago, the island was pretty much devoid of development - prior to the arrival of the Japanese in 1895, it would have been extremely rare to see major construction projects like this, so massive buildings like this would have been something completely new to the people living here.

To put it in perspective, the construction of this station is likely to have aroused a similar type of awe and amazement as Taipei 101 did while it was under construction.

Of particular note, the railway stations constructed in Keelung, Taipei, Hsinchu, Taichung, Chiayi, Tainan, and Kaohsiung were highly regarded for their architectural beauty, most of which made use of a fusion of European and Japanese architectural design, with reinforced concrete, something that was quite uncommon, and very expensive, in the early years of the colonial era.

Something I’ve found to be quite a head-scratcher, and what seems to be one of the most common inaccuracies that you’ll find with regard to discussions about the Taichung Railway Station is the ‘person’ credited with its architectural design. So, let me take a minute to explain what’s actually getting lost in translation here. Most of the resources you’ll find regarding the architectural design of the station is that it was designed by an architect named Tatsuno Kingo (辰野 金吾 / たつの きんご), and oddly enough, both the Chinese and English resources that you’ll find misinterpret this fact.

In actuality, Tatsuno is fondly remembered as one of the founding members of the Architectural Institute of Japan, first studying under Josiah Conder, who is considered the “father of Japanese modern architecture,” before traveling to study architecture at the University of London. When he eventually returned to Japan, he took up a position as the Dean of Architecture at the University of Tokyo, and instructed many of the young designers who would follow in his footsteps. Tatsuno’s designs were inspired by the work of Christopher Wren and William Burges, architects whose work he studied during his years at the University of London. As part of the first generation of European-trained Japanese architects, Tatsuno’s architectural styles influenced many of those who followed in his footsteps designing modern buildings in the European Classical and Victorian styles.

In the early days of Taiwan’s colonial era, young Japanese architects likely salivated at the opportunity to come to Taiwan. The island was essentially a blank canvas, and with the government’s support, they hopped on boats and came to a place where they had considerably more freedom to be creative with their urban development projects. That being said, Tatsuno, who is known for his work with the Bank of Japan, Tokyo Station, the National Sumo Arena, etc, never actually made it to Taiwan, passing away in 1919.

Nevertheless, in order to do the building honor, the architects at the Department of Public Works (臺灣總督府交通局鐵道部) took inspiration from Tatsuno’s work, which by that time had become known as the “Tatsuno style” (辰野式), and with so many of his students employed in Taiwan, it shouldn’t surprise anyone that buildings like Presidential Building (總統府), the Monopoly Bureau (專賣局), Taichung City Hall (臺中市役所), and the Ximen Red House (西門紅樓), among others, were all inspired by his work.

Making use of a combination of red bricks and white stone in decorative patterns, with the addition of dormer windows, straight-flowing lines and beautiful stone pillars, Tatsuno’s style imitated the architectural designs he observed while studying in London. Combining elements of Gothic, Baroque, Renaissance and Art-Nouveau in a mixture that architects of the era referred to as “Free Classical,” (自由古典風格) it’s rather obvious that quite a few of these elements are elegantly put on display within the Taichung Railway’s architectural design. So, even though Tatsuno didn’t personally design the station, a quick look at one of his masterpieces, Tokyo Station (東京驛) should give you a pretty good idea as to where the inspiration for this station came from.

Interestingly, Tatsuno Kingo (金吾) was often referred to instead as “Kengo” (堅固), a play on words in Japanese that referred to the firmness and symmetry for which his buildings were designed. With that in mind, following the Tatsuno-style of ‘Free Classical’ design, the Taichung Train Station follows suit with equally-sized eastern and western wings connected to a tower located directly in the center of the building.

While the building looks large enough to have several floors, once you enter, you’ll notice that the interior space features high ceilings, which are naturally lit by the large windows in the center and along the eastern and western wings. The lobby is a bright and spacious room featuring white walls with the wings only separated only by stone columns, which help to stabilize the weight of the roof above.

If you look carefully at the stone columns within the building, you’ll notice a bit of localization going on with the inclusion of decorative elements featuring a variety of local produce, including bananas, pomegranates, pineapples, wax apples with a mixture of flowers and plants.

While the columns within the interior are decorative and celebrate central Taiwan’s agricultural prowess, what you don’t see is their functionality, which is covered by the closed ceiling. Within the attic space, there is an intricate network of wooden roof trusses and beams that have been installed to help stabilize the four-sided sloping gable roof that covers the station. The space above the eastern and western wings does the majority of the work with regard to stabilization as the central section, which features the iconic clock tower.

The central portion of the station tends to be the most architecturally significant section of the building as it protrudes from the roof in both the front and the rear. The space features a large front door as well as an open space at the rear where passengers would make their way through the turnstiles to the platform area. Protruding from the four-sided gable roof in the front, the central portion features its own two-sided roof with stone-carved floral and fruit displays at the apex and on the left and right.

The clock-tower rises up above the mid-section and features a four-sided copper roof of its own, with a spire reaching from the center.

While I’m not particularly sure if there was a clock in this space or not, the circular section in the middle facing outward from the building was replaced with the ‘Taiwan Railway’ logo at some point after the Japanese Colonial Era ended.

Once you’ve gone through the turnstiles to the platform area, one of the things you’ll want to pay attention to are the cast-iron columns along the platform space that maintain a similar approach to the Renaissance-style of architectural design. This is actually one of the only railway stations in Taiwan that maintains its original Japanese-era architectural designs, so when the area was restored, they made sure that extra attention was paid to these columns along the platform, which in some cases look like they’re straight out of Rome.

Speaking to the restoration of the building, it’s important to note some of the changes that took place within the station over the years. Today, if you visit, you’ll find the original wooden ticket booth, which has been well-preserved. That being said, as the city grew, the amount of passengers passing through the station increased. Thus, the eastern wing was renovated to feature a much larger ticket booth with offices for the station master and staff.

You can see the original train schedule displayed above this space, and there are currently informative displays in this space that help visitors understand the history of the building. The chairs within the western waiting space have been removed, and the space is now open with some educational displays added that help visitors understand the architectural design.

Taichung Railway Cultural Park (臺中驛鐵道文化園區)

A few years after operations at the century-old railway station were transferred to the newly constructed elevated station, the ‘Taichung Railway Cultural Park’ was officially inaugurated. Located next to the current railway station, the park not only includes the historic Taichung Station, but several other historic railway-related structures as well. That being said, the roll out of these historic structures, and their restoration continues to be a work in progress.

As I noted in my article regarding the role that Public-Private Partnerships (linked below) have played in the conservation of historic buildings in Taiwan, the Taichung Railway Cultural Park is almost a case study in its own right as the formation of the park has utilized a complex combination of OT (Operate-Transfer), ROT (Rehabilitate-Operate-Transfer) and BOT (Build-Operate-Transfer) agreements with regard to the restoration and operation of the spaces within the park.

As part of the private partnerships operation agreement, the newly constructed elevated railway station also includes an impressive space on the first and second floors where visitors can enjoy local restaurants and purchase souvenirs from the city. As one of the city’s largest transport hubs, the railway station portion of the park can be a pretty busy place, but it has also become a popular spot for weekend pop-up markets, which are held along the historic train platform areas attracting quite a few visitors. It’s also become a great stop for foodies who can either enjoy a meal in one of the fifty-or-so restaurants within the park, or from some of the vendors within the market.

Similarly, if you’re a fan of the railway, it’s a great place to visit to enjoy the history of one of Taiwan’s oldest train stations, with exhibitions about its history, and even some historic trains that you can get on and check out.

Link: The role of Public-Private Partnerships in Conserving Historic Buildings in Taiwan

The culture park (currently) consists of the Second and Third Generation Railway Stations, the historic Taichung Rear Station (臺中後站), the Taichung Railway Freight Warehouses (二十號倉庫建築群), Taichung Station Railway Dormitories (復興路寄宿舍) and the Taiwan Connection 1908 railway path (臺中綠空鐵道). As mentioned above, though, not all of the buildings within the park have been restored and reopened to the public. Thus far, the historic train station, the rail platforms, the freight warehouses, and the green corridor have been opened. The railway dormitories and the rear station on the other hand are still in the process of being restored, and it’s unclear as to when they’ll have their official opening.

One of the best things about the park is that if you’re interested in the city’s history, you’re also a short walk from the historic Teikoku Sugar Factory Headquarters (帝國製糖廠臺中營業所), Taichung Park (台中公園), Taichung City Hall (台中市役所), the Taichung Prefectural Hall (台中州廳), and the Taichung Prison Martial Arts Hall. Similarly, the Taichung Confucius Temple (台中孔廟), Taichung Martyrs Shrine (臺中市忠烈祠) and the Taichung Literary Park (台中文學館) are all close by, and each of them originated during the Japanese-era, albeit with some caveats.

Unfortunately, even though the government has spent a considerable amount of money restoring buildings and making the railway park a really cool place to visit, the amount of information you’ll find available about it online is pretty weak. One of Taiwan’s biggest problems when it comes to tourism is that the government is willing to spend the money to develop these places, but when it comes to marketing them, especially to an international audience, they have absolutely no idea what to do. If you don’t believe me, feel free to click the link below to check out the railway park’s official website. I highly doubt you’ll be blown away by the effort that was put into its creation, or the amount of information that’s available.

Website: Taichung Railway Cultural Park (臺中驛鐵道文化園區) | Facebook Page

Hours: 11:00-21:00 (Monday to Friday), 10:30 - 21:30 (weekends and national holidays).

Getting There

 

Address: No. 1, Sec. 1, Taiwan Boulevard, Taichung (臺中市中區臺灣大道一段1號)

GPS: 24.141480, 120.680400

Whenever I write about one of Taiwan’s train stations, obviously the best advice for getting there is to take the train. Even though the historic Taichung Train Station has been put out of operation, both the station and the Taichung Railway Cultural Park are conveniently accessible via the newly constructed elevated Taichung Railway Station. So, if you’re coming from out of town, no matter if you’re coming from the north or the south, once you arrive at Taichung Station, you’re able to visit the culture park as soon as you exit the gates. That being said, if you’re arriving in town by way of the High Speed Rail, you’re going to have to transfer from the HSR station to the Xinwuri TRA Station (新烏日站), both of which are directly connected to each other. From there, you’ll make your way to Taichung Station, which is only four stops away.

If you’re in the city with a car, simply drive to Taichung Station, with the address provided above input into your GPS. There is a parking lot located within the lower levels of the station, so finding parking near the park is quite easy. Similarly, if you’re driving a scooter, you’ll find quite a bit of parking to the right of the historic station running perpendicular along Jianguo Road (建國路). It shouldn’t be too difficult to find a parking space, unless of course you’re visiting during a national holiday.

Old stamps for printing tickets

If you’re already in the city, but would like to visit, the park unfortunately isn’t accessible via the newly opened Taichung MRT, and it doesn’t look like it will be in the near future. So, if you want to make use of public transportation, the city has a number of buses that stop at both the front and rear sections of the station. The number of buses is quite expansive, so instead of listing them here, click the link to the Taichung Bus (台中客運) website below, where you can find the schedule and prices for each of the buses that service the station.

Link: Taichung Bus - Taichung Railway Station Buses

If you weren’t already aware, due to the lack of a proper subway system in the city for so long, the bus network has become quite expansive, convenient and reliable. If you’re in the city, taking the bus is probably one of your best options for getting around. If like most people, the bus network is a bit intimidating, never fear, simply open up Google Maps and set the Train Station as your destination, and the bus routes that you’ll need to take from wherever you are.

While living in Taiwan, I was fortunate enough to pass through the gates of the historic train station on quite a few occasions while it was still in operation. I’ve always been a big fan of Taichung, and there’s always quite a bit to do when visiting the city. In the near future, the city will be opening several new Japanese-era culture parks, so it’s likely that I’ll be making my way down there more often to check out some of these newly opened tourist attractions. Now that the train station has become part of a much larger culture park, it is a convenient place to check out, especially given that it is located next to the current station. If you’re arriving in town by the train, like so many millions of others have since 1905, you’re automatically treated to a birds-eye view of how Taichung has developed into a major city over the past century.

References

  1. Taichung Railway Station | 臺中車站 中文 | 台中駅 日文 (Wiki)

  2. 臺中火車站 古蹟 (Wiki)

  3. Taichu Prefecture | 臺中州 中文 | 台中州 日文 (Wiki)

  4. Tatsuno Kingo | 辰野金吾 中文 | 辰野金吾 日文 (Wiki)

  5. 第二級古蹟臺中火車站整體修復工程調查研究及修護計畫 (臺灣記憶)

  6. 國定古蹟臺中火車站保存計畫 (文化部)

  7. 台中火車站 (國家文化資料庫)

  8. 臺中火車站 (國家文化資產網)

  9. 台中車站 (舊) (鐵貓)

  10. Taichung Station Railway Cultural Park (臺中驛鐵路文化園區)

  11. 台中車站‧台灣唯一跨時代三代同堂的大車站 (旅行圖中)

  12. 臺中驛 (Wilhelm Cheng)

  13. Departing from where it all started: Taichung Railway Station (Taiwan Fun)