Temples

Guishan Lingyun Temple (靈雲寺哲學廟)

While on assignment at a media event late last year, I was introduced to a journalist who works for one of the worlds largest news organizations. My friend said: “This is Josh, he’s the guy that you mentioned you’ve been wanting to meet for so long” to which she replied: “So you’re the photographer who writes about temples and all that strange stuff?

Yeah, I guess that’s me. Guilty as charged. 

Over the years, I’ve tried to ensure that my website would include information about some of Taiwan’s most important tourist destinations, but I’ve also focused quite a bit on some of the quirkier sides of the country that most travel writers don’t bother with. 

With so many articles about Taiwan’s temples already published on this site, this modest little space has become one of the largest English-language resources on the subject and people seem to think I’m somewhat of a temple expert.

I apologize if I’ve fooled any of you into thinking that.  

Even though I’ve spent a considerable amount of my travels in Taiwan exploring temples, I don’t really consider myself an expert on the subject and if I were to be one, I’d probably need another twenty years of extensive travel and study to come even close to that. 

Admittedly though, I’m a bit worn out.

I don’t really get the same enjoyment from visiting and writing about temples that I used to.

This might not be something that lasts forever, but at this point, I feel like I’m only going to write about a temple if it is special or in some way peculiar.

Part of the reason for this is because writing about temples takes a considerable amount of time, thanks to all the research and translation I have to do. 

Another more nefarious reason is that places of worship in Taiwan have become a prime target for Chinese interference in Taiwan’s politics - There have been quite a few temples identified in recent years as having links to the “United Front” (統一戰線), a Chinese political warfare department that seeks to destabilize Taiwan. 

I’ve already written about one of the temples identified and have since taken that blog down. 

I refuse to help promote these temples, no matter how historic, or significant they are, if they’re going to take part in such traitorous activities.

Recently, Russel Hsiao, the Executive Director of the Global Taiwan Institute (GTI) wrote a brief about the subject in English, which has already been widely reported in the local Taiwanese media. 

Link: Political Warfare Alert: Is China Using Religious Organizations as Proxies to Funnel Political Donations and Influence in Taiwan (Global Taiwan Brief Vol 4, Issue 21)

The article sheds light on specific temples that have been identified as collaborators as well as some of the people and religious organizations that have willingly taken part in China’s interference. 

One important thing to remember is that the temples that have been identified thus far are likely only a fraction of those that are actually collaborating and that this isn’t just some minor operation to infiltrate the nation - This is something that is quite serious, and its sad to see.  

So, even though people might refer to me as the ‘Temple Guy’, I’d much prefer to be known as someone who loves Taiwan and does his best to promote this beautiful, free and democratic nation to the world.

So, unless it’s some grandiose or peculiar temple, I’m probably not going to be writing about it for the little while.   

With that in mind, the temple I’m introducing today is ironically very much a political one. 

But it’s also one of the most unique places of worship I’ve visited in Taiwan.  

Why is it so unique?

You’re just going to have to read on and find out for yourself!

Lingyun Temple (靈雲寺) 

What makes a temple strange or unique? 

For the uninitiated, Taiwan’s temples tend to be quite exotic and feature quite a few oddities.

For me though, it takes something truly out there to phase me. 

I’ve seen people in drunken trances beating themselves bloody with weapons of torture. 

I’ve seen giant “God Pigs” butchered with their carcasses spread out, painted and put on display for thousands of spectators.

These kind of things don’t really surprise me anymore. 

Walking around this temple though, amongst the collection of life-sized statues of deities from the Taoist underworld and all of the rather strange decorations on the walls and the in-your-face politics.

I was feeling a little out of place.

What if I told you that this temple is one of the few places of worship in Taiwan that is home to a statue crafted of the flesh of a deceased religious figure?

A real-life Taiwanese mummy.

To be honest, I didn’t even know about this important fact until I got back home and started doing some research about the temple.

It’s possible that part of my uneasiness about the temple while walking around was caused by this, but in fact, it was probably an accumulation of several elements that makes this temple quite unique, and also very strange. 

Lingyun Temple certainly isn’t for the faint of heart. 

It is however quite a photogenic temple.

Lord Guan guarding the window.

Constructed in 1992, Lingyun Temple is located within an industrial area of Taoyuan’s Guishan District (龜山區) on a mountain that divides Taoyuan (桃園) and New Taipei City (新北市). 

The temple is primarily dedicated to the high-ranking Taoist deity “Xuantian” (玄天上帝), who also goes by the names “Xuanwu” (玄武), “Xuandi” (玄蒂), “Zhenwu” (真武) or the “Zhenwu Emperor” (真武大帝).

Highly regarded as one of the Taoist pantheon’s most powerful deities, he is known as the “perfect warrior” and is known for his ability to control the elements as well as his magical ability. 

Worship of Xuantian is quite popular in China, Taiwan and most of South East Asia and is also ubiquitous with the Chinese diaspora.

Its safe to say that anywhere you find a large population of people of Chinese ethnic descent, you’re also going to find shrines dedicated to the all-important deity. 

Link: Xuanwu (Wiki) | Origin of the Great Perfect Warrior Emperor - Xuantian (Taoist Sorcery)

Xuanwu

At this temple, they’re not really messing around with their Xuantian worship as they have a 18 meter tall wood statue of the deity surrounded by a large group of friends to keep him company. 

As is tradition with Xuantian Worship, you’ll always find his two guardians, General Wan Gong (萬公) and Wan Ma (萬馬) protecting him. Typically in a large shrine room, you’ll find both of them on either side, but in this temple you’ll find them on either side of the middle shrine instead.

One of the areas where this temple is unique is in its eccentric display of life-sized figures from Taoism and local Taiwanese Folk Religion. As you enter the shrine you are automatically met with them standing in front of you and have to navigate your way through their presence to get into to the shrine. 

Even though I know my fair share about this stuff, there were quite a few images of deities that I couldn’t recognize as the way they appear here is unlike other temples in Taiwan. 

The temple is home to large statues of the Demon King (鬼王) and his two guardians “Ox-head and Horse-face” (牛頭馬臉), Emperor Bao-Gong (包公), the Three Princes (三太子), the Four Guardian Warriors (四大金剛), the Goddess Nuwa (女媧), Lord Guan (關聖大帝), the God of Thunder (雷神) and a plethora of others. 

Likewise the exterior of the temple is home to giant bats, tigers, snakes, dragons, stone lions, and Qilin (麒麟).

There are also two odd-looking golden dudes in modern suits at the entrance and exit, which is something I don’t think I’ve ever really seen at a Taiwanese temple before. 

In most temples, there is always a reason why you’ll find certain deities or images placed in a particular locations - which is based on thousands of years of tradition.

With this temple, it kind of feels like they threw most of that tradition out the window and just randomly added a bunch of images based on how they felt rather than adhering to any sort of tradition. This might be another reason why this temple comes across as so unique - Its a wonderful hodgepodge of randomness under one roof. 

Master Kaishan (開山宗師)

While it might seem strange that you can find a “mummy” in a temple like this, its not entirely an uncommon practice in countries throughout Asia to find “Sokushinbutsu” (即身仏) or “Flesh Body Bodhisattvas” (肉身菩薩).

The practice is an ancient one that obviously isn’t as common as it used to be, but is a method of venerating a religious leader who was considered to have exceptional “power” in the dharma. 

In Thailand, these so-called mummies are put on display within temples for everyone to see.

Depending on how old they are, they tend to look exactly like they did in life.

In other countries, the mummies are regarded as relics and are often placed within a statue of their likeness to help preserve the ‘power’ in the body.

There are of course variations on how the mummification process takes place - In some cases the bodies are covered with clay or salt to help preserve them after death. In more extreme cases though, the monks take part in a method of self-mummification that involves prolonged starvation and slow self-suffocation. 

In Japan, monks would even go as far as burying themselves alive in a pine box full of salt connected to a tube of air that would allow them to breathe until they died.

This practice has since been outlawed, but mummification of Buddhist monks is a practice that continues today in certain Buddhist traditions across Asia.  

Link: Buddhist Mummies (Wiki)

In this specific case, ‘Master Kaishan’, who passed away on February 28th, 1998, spent a few months prior to his death taking part in a process similar to the one mentioned above where he only ate porridge water (粥水) and drank a local type of salty root beer (沙士) to help preserve his body.

If you live in Taiwan and haven’t tried HeySong Sarsaparilla (黑松沙士), you’re missing out.

Born in Nantou (南投) in 1920, not much is known about Hsieh Shi-de (謝石德), who would later become known as ‘Master Kaishan’. 

As is the case with cult-like religious leaders, there is conflicting information available about his life, and it’s difficult to report much in terms of facts. It appears though that the consensus was that despite a modest upbringing and a lack of a formal education, he was considered to have ‘exceptional spiritual ability’ and had full command over the tenets of Buddhism, Taoism, Confucianism and local Folk Religion. 

Considering the cult of personality surrounding Master Kaishan, I’m not really going to go into much detail about his life, because truthfully, its all quite sensational and I doubt even a fraction of it is true.

Long story short, he was able to attract a significant amount of followers and that translated into a comfortable lifestyle and the ability to construct Lingyun Temple, which doubles as his final resting place.

From the literature about his life, what I will say is that two years before his death, he suddenly announced to his followers that the end of his life would be coming soon. So, in order to preserve his ‘spiritual power’ for later generations of his followers, he started preparing for the process of preserving him body. 

Likewise he issued an order to his followers to construct a “Shou Grave” (壽墳), a funeral pyre of sorts, which he would use to convert into a throne for his body after it became a ‘Golden Bodhisattva’ (金剛舍利).

Today, Master Kaishan sits directly in the middle of the shrine room of Lingyun Temple on that grave and is encased in glass to protect the body from the elements. 

Chiang Kai-Shek Statue (蔣中正銅像) 

One of the reasons that I was originally drawn to this temple was because I had learned that it was home to a statue of Taiwan’s former President Chiang Kai-Shek, which is used for worship. 

Even though the notorious mass-murderer is reviled among a large percentage of Taiwanese society, there are temples throughout the country where you’re able to worship him as a deity.

In most cases these temples are motivated more by political affiliation to the Chinese Nationalist Party (中國國民黨) than they are to religion, and while it may be hard for most to understand, there are still quite a few who are ideologically dedicated to the man and religion is a means of honouring him. 

Link: Abandoned Chiang Kai Shek Temple 

Amongst the crowd of other Taoist deities, you’ll find a wooden statue of a standing Chiang Kai-Shek with the phrase “總統是天庭虎頭星 你不可假瘋” oddly painted on his chest. 

The phrase, which loosely translates as: ”The President is member of the Heavenly Court, act accordingly” is a response to the anti-Chiang attitude among a portion of the population, which openly seeks out images of the former president to vandalize them.

As the people who run the temple believe that the statue has spiritual power, they had the phrase painted on his chest in the hope that they could save it from vandalism. 

I highly doubt that those destroying statues of the prolific mass-murderer really care.   

Getting There

 

Address: #16, Lane 201, Alley 3. Chazhuan Road. Guishan District. Taoyuan (桃園市龜山區茶專路201巷3弄16號)

Lingyun Temple is located within an industrial area in Taoyuan’s Guishan District (龜山區).

If you have your own means of transportation, getting to the temple is relatively simple but if you’re relying on public transportation, its a little more difficult. 

If you have a car or a scooter, you can easily get to the temple by inputting the address above into your GPS or on Google Maps. 

The temple has a large parking lot in front, so unless they’re having an event, you shouldn’t have to worry too much about finding a parking spot.

If on the other hand you’re relying on public transportation to get there, your options are a little more limited.

There is one bus that will get you close to the temple, but will require a bit of a walk.

There are likewise two free buses that will stop at the entrance, but the service is quite limited, so if you take this option, you should pay attention to the schedules so that you don’t get stuck. 

  1. Taoyuan Bus #5068 (Taoyuan Train Station to Fushan Temple) 

  2. Taoyuan Lohas Bus L322 (Guishan District Office to Taipei Xiaocheng)

  3. Taoyuan Lohas Bus L323 (Guishan District Office to Taipei Xiaocheng) 

In terms of the first bus, you’ll be able to conveniently take it from the Taoyuan Bus Station to its terminal station at Fushan Temple (福山宮). From there you’ll get off and then walk up the hill to the temple.

For the two free “Lohas Buses”, you’ll have to be extra careful as there are only a few shuttles every day.

There also aren’t any Youbike Stations nearby, but you could easily grab one somewhere in Guishan, ride over and then ride back when you’re done checking out the temple. 

As I mentioned above, I’m not going to spend much time over the next few months writing about any of the ‘historic’ or well-known temples that tourists like to visit.

If I find one that is strange or unique in some way though, I’ll consider it.

This one certainly falls under both of those categories. 

I don’t think I’ve ever been in a strange or more unique temple in Taiwan.

From the life-sized statues to the fringe political views expressed on the walls, it was an odd place to visit. 

If you’re looking for a Taiwanese temple experience like no other, this one might be an interesting one to add to your list of places to check out.

Although you may just want to enjoy the photos, because if I get weirded out by a temple, I can’t imagine how other less experienced temple lovers would feel.

I leave you with these last two photos, which were taken at both the entrance and the exit and appear to be the temple’s way of giving the middle finger to Christianity.

「玄天上帝中國主神」

「玄天上帝代理十字天關」

Odd, but hey, go big or go home!


New Taipei City Martyrs Shrine (新北市忠烈祠)

A few months ago, when I wrote my annual ‘Year in Review’ post for 2019, I mentioned that I was still unsure as to what my personal project for the new year would be - At the time there was a lot going on in the world and I felt a bit odd because I’m usually on the ball with these things.

I also always have a long list of places that I plan to visit, take photos of and write about. 

Looking back at that post now, I think I was probably a little naive.

Who knew that 2020 was going to turn out to be such a dumpster fire?

As I’m posting this, we’re eight months into the year and almost every country in the world has been turned upside down thanks to the Coronavirus.

As a side note, I’ve kept busy over the past couple months writing about all the wonderful places I visited in Vietnam and Thailand during my trip in January (just before things got out of hand), but I’ve also been putting a lot of consideration into what I’d focus on once it became safe to freely travel again.

I think I’ve finally figured that out. 

After receiving numerous emails and requests, I visited the National Revolutionary Martyrs Shrine in Taipei to get some photos and then wrote a blog about it.

If you’ve read the post, you’re probably aware that I’m not particularly a fan of these places (for various reasons), but while doing research for the post, I was reminded that the majority of the “Martyrs Shrines” that exist in Taiwan today sit on the site of a former Shinto Shrine from the Japanese Colonial Era

Considering that I’ve already written about the Taoyuan Shinto Shrine, Yilan Shinto Shrine, and the Tungxiao Shinto Shrine, all of which have been converted into Martyrs Shrines, I figured that I’d make one of my personal projects for the year link together with the other (ongoing) work I’ve been doing related to historic buildings from the Japanese Colonial Era.

It’s important to note that only in special cases do the Martyrs Shrines of today have much left with regard to the original design and layout of their Shinto Shrine days.

In most cases almost everything was torn down and new buildings were constructed in their place.

Fortunately though, we can still find evidence of the history of these locations through the layout of the grounds, the trees planted on the site and with the presence of objects like the the stone lion guardians, lanterns, etc.

By my count, there are currently fifteen Martyrs Shrines in Taiwan that were once Shinto Shrines and I’ve only covered four of them, which means I have another eleven to visit!

Over the next few months, I plan to travel around the country to check them out while also visiting some of the other spots on my long list of places to visit.

To start, I’m going to introduce the site of the former Tamsui Shinto Shrine (淡水神社), which has since been converted into the New Taipei Martyrs Shrine (新北市忠烈祠).

I’ll briefly talk about the history of the Shinto Shrine (with some historic photos) and then introduce the Martyrs’ Shrine that exists on the site today. 

The Martyrs’ Shrine isn’t exactly what most would consider a major tourist attraction (by itself), but it conveniently sits on a picturesque mountainside overlooking the Tamsui River (淡水河) and is fortunate to be neighbors with a handful of other historic tourist destinations that are within walking distance.

The shrine is known for its natural beauty and while it may not be busy with tourists, it has become a preferred setting for local photographers, who use the beautiful Japanese-era stonework and the pine trees as a backdrop for wedding photos. 

Tamsui Shinto Shrine (淡水神社)

Constructed on the Tamsui Shinto Shrine (たんすいじんじゃ) started in 1936 (昭和10年) and was officially opened three years later in 1939 (昭和14年).

Often considered one of the prettiest of all the Shinto Shrines in the greater Taipei area, the shrine overlooked the beautiful Tamsui River with Guanyin Mountain (觀音山) in the distance.

Highly regarded for the way it harmoniously blended with the natural environment, the shrine earned the title as one of the ‘eight scenic spots’ in Tamsui (淡水八景) in part thanks to the sando (參道), or the “walking path” which was lined with pine trees (something that thankfully still exists today). 

Not only was the walking path lined with trees on either side, but also a collection of stone lanterns (石燈籠) that lit the way at night. The walking path also had a Torii gate (鳥居) at both ends with two larger stone lanterns (大石燈籠) at the top of the hill.

The torii, which you can see from the historic photos below were both quite large and beautiful.

Once you reached the top of the hill you’d find a Purification Fountain (手水舍), where you’d be required to perform a cleansing ritual before entering the shrine.

On the opposite side of the fountain was the Shamusho (社務所), which acted as the Administration Office and living quarters for the priests who lived at the shrine.

As you continued along the path up the hill, you’d be met with a stone wall and a set of stairs guarded by two ‘Komainu’ stone lions (狛犬) with another Torii gate at the top.

Interestingly, although the lions and gate have since been replaced, the layout remains the same today. 

Once you passed through the Torii gate at the top of the stairs you’d find yourself in a courtyard full of trees with another gate known as the Middle Gate (神門) acting as the entrance to the shrine.

The Middle Gate was constructed of wood and was known for its traditional Kirizuma-zukuri gabled roof (切妻造) design that surrounded the innermost part of the shrine.

Once you passed through the Middle Gate you’d find the “Haiden” or “Worship Hall” (拜殿) in the middle of another courtyard.

Even though there are few pictures of the shrine available, what we do have shows us that the architectural design of the building was similar to that of what we can see today at the Taoyuan Shinto Shrine (桃園神社) with its impressive ‘Irimoya’-style hip-and-gable roof (入母屋造).

Unlike Chinese-style places of worship, you wouldn’t have found statues of the gods inside the worship hall, instead you would find a simple shrine with a mirror and behind that a door that led to the Honden (本殿) or “Main Hall”, which is traditionally off-limits to anyone except for the priest who resided at the shrine. 

The deities that were enshrined in the Honden were Prince Yoshihisa (能久親王), Emperor Meiji (明治天皇), Ōmononushi (大物主命) and Emperor Sutoku (崇德天皇).

In fact, most of the over two hundred Shinto Shrines constructed during the colonial era were home to shrines dedicated to Prince Kitashirakawa Yoshihisa, who was the first member of the Japanese royal family to pass away (outside of Japan) in more than nine hundred years. He died from what is believed to be malaria in Tainan in 1895, the same year that Japan took control of Taiwan. 

Link: Prince Kitashirakawa Yoshihisa (Wiki) 

I suppose you could say, the unfortunate thing about this beautiful shrine was that it was officially opened only a few short years before the Japanese Colonial Era came to an end.

When the Second World War ended in 1945, Japan was forced to give up its control of Taiwan, which was then ambiguously awarded to the Republic of China.

In 1953, the shrine officially became the Taipei County Martyrs Shrine (台北縣忠烈祠). which retained the original buildings until 1975 when it was bulldozed and converted into a Chinese-style shrine.

Today all that remains of the original shrine (in this location) are the beautiful pine trees that once lined both sides of the walking path, the stone wall, guardian lions (although they were replaced at some point) and the overall schematic design of the landscape. 

Hsing-Chong Temple (淡水行忠堂)

The good news is that not everything from the former Shinto Shrine has been destroyed. 

When the last remnants of the Tamsui Shinto Shrine were torn down in 1975, several of its pieces were transferred to nearby Hsing-Chong Temple (行忠堂) in the mountains of Tamsui.

The people at the temple were able to preserve sixteen of the original stone lanterns from the walking path, the two larger stone lanterns, the purification fountain and the original information board (揭示場) which you’ll often find at the entrance of shrines.

The amazing thing is that during the 1970s, the government was pushing an extreme anti-Japan policy that sought to demolish anything from the colonial era that was deemed unnecessary.

The fact that this small temple was able to preserve as much of the original Shinto shrine as they were was no small feat. The other amazing thing is that in order to preserve all of these pieces of the shrine, they had to find a way to transport them to their temple in the mountains. 

You might be thinking that’s not really that big of a deal, but the thing you need to realize is that getting around back then wasn’t as easy as it is today.

This problem was exacerbated by the fact that the lanterns would have weighed thousands of kilograms.

With a seven kilometer distance between the Shinto Shrine and Hsing-Chong Temple, a mixture of ox-pulled carts, rudimentary cranes and trolleys were used in addition to the the help of dozens of people to bring the pieces of the shrine to their new home where they can still be enjoyed today.

Why would this temple in the mountains of Tamsui, which is dedicated to Guan Gong (關聖帝君), want to preserve these pieces of the Shinto Shrine you ask? Well, thats not really very clear.

Your guess might be as good as mine.

When I enquired with the caretakers of the temple as to why they’d preserve these pieces of the Shinto Shrine, they replied: “I’m not really sure, but probably because they were pretty and free.”

Taiwanese temples can sometimes be a bit eccentric and if you visit this specific temple, you’ll see that it’s a bit odd compared to others in terms of its design and decoration. 

Address: #18 Chung-shan village Danshui District, New Taipei City

(新北市淡水區忠山里18號)

New Taipei Martyrs Shrine (新北市忠烈祠)

You’ve read this far and might still be asking yourself: “What exactly is a Martyrs Shrine?” 

That’s okay - I’ve visited quite a few of these shrines and I still find myself asking this question. 

To put it in simple terms, Martyrs Shrines in Taiwan are more or less war memorials for the fallen members of the Republic of China Armed Forces.

There are over twenty of these shrines throughout Taiwan (and the outlying islands), each of which with an interesting history - which doesn’t necessarily relate to anything to do with the Martyrs Shrine itself. 

Its also important to note that these shrines actually have very little to do with “Taiwan” as the majority of the ‘martyrs’ worshipped in the shrines were soldiers who died during the various conflicts in China from the founding of the Republic of China in 1912 until the 1950s.

That being said, even though the Republic of China has been at peace for several decades, if a member of the Armed Forces passes away in the line of duty, they are also afforded the respect of becoming a martyr.

If you’d like more detail about these shrines, I recommend taking a few minutes to check out my post about the National Revolutionary Martyrs Shrine, which explains the purpose of these shrines.

As I mentioned above, of the twenty or so Martyrs Shrines in Taiwan, the vast majority of them are located on the former site of (or are repurposed) Shinto Shrines that dates back to the Japanese Colonial Era.

Ironically, in a few cases, some of those Shinto Shrines were Japanese-style Martyrs Shrines dedicated to Taiwanese people who passed away in the line of duty.

Which if you think about it certainly has a lot more to do with “Taiwan” than the Martyrs Shrines of today do. 

The New Taipei City Martyrs Shrine, as I’ve likewise already mentioned, sits on the site of the former Tamsui Shinto Shrine (1939 - 1953), which was abandoned shortly after the Japanese relinquished control of Taiwan.

In 1953, the shrine was incorporated into the network of Shinto Shrines that were being preserved and converted into war memorials for the Republic of China.  

It goes without saying that when the Chinese Nationalists took control of Taiwan that they wanted to rid the island of the memory of its colonial past. When they arrived, Taiwan was home to over two-hundred Shinto Shrines, but only a few of them were saved from demolition and vandalism by being “preserved” and converted into Martyrs Shrines.

In 1953, when the Taipei County Martyrs Shrine (台北縣忠烈祠) was established, they initially left the buildings as they were, but removed any reference to the original shrine as well as the deities inside.

For the next two decades, not much changed at the shrine which kept its original Japanese-style design.  

In 1975, however it was decided that the original shrine would be demolished and a Chinese palace-style building would be constructed in its place.

It’s important to note that even though the original Shinto shrine was demolished, the grounds maintain much of the original landscape design and the Japanese adherence to harmony with the natural environment.

So today, when you approach the shrine you’ll still find the same set of stairs and the stone wall that date back to the days of the Shinto Shrine. The arched gate at the top of the stairs however has been converted into a white Chinese-style ‘pailou’ gate (牌樓) that has a plaque in the middle that reads “New Taipei City Martyrs Shrine” (新北市忠烈祠). 

Note: The “Taipei County Martyrs Shrine” was renamed the “New Taipei City Martyrs Shrine” in 2011 when the county was converted into an amalgamated super city. 

Once you’ve passed through the gate there is still the same path that leads you to the Middle Gate (中門). which is constructed using the same Chinese-palace style as the rest of the complex and has a wall that wraps around the rest of the shrine area. 

When you pass through that gate, you’ll see the Main Hall (主殿) directly in front of you, but you’ll also automatically be met with a giant tree on your left that is yet another leftover from the days of the Shinto Shrine. Likewise, with the exception of the pathway, the rest of the area is covered with well-maintained grass, which isn’t all that common in Taiwan. 

During my visit, the grassy courtyard area on the inside of the gates were the resting area for a couple of local egrets which were enjoying the sun at the quiet shrine. I’m guessing that their presence probably means that they feel comfortable in the area due to a lack of visitors to bother them. 

The Main Hall of the Martyrs Shrine is a simple building with a shrine room and two rooms to the side.

The room to the right has some benches and a television which plays an information video about the shrine and its history, while the room to the left is more or less used for storage.

One of the main differences between this Martyrs Shrine and the National Revolutionary Martyrs Shrine in Taipei is that you are able to simply walk into the main hall and check out the shrine.

The room is white and has Republic of China iconography on the walls and the ceiling, in addition to two sets of flags on the left and right side of the main shrine. 

The altar consists of a large collection of spirit tablets (牌位) dedicated to the ‘martyrs’ from the various conflicts that the Republic of China’s Armed Forces have taken part in over the past century. 

Link: Spirit Tablets (Wiki)

The set up of the shrine is simple and clean, without all of the pizazz that you’ll find at typical places of worship in Taiwan. In this way, it makes the place a lot more peaceful, but it is a war memorial, after all.

While there isn’t really all that much to see in the shrine room, I recommend walking around the to the back of the hall where you’ll find a grassy tree-covered rear courtyard.

This is the area that used to be home to the Shinto Shrine’s “Honden” (拜殿) and was once off-limits.

Today it’s probably a perfect place for a picnic.

Getting There

 

Address: No. 31, Lane 6, Section 1, Zhongzheng Road, Tamsui District, New Taipei City

(新北市淡水區中正路一段6巷31號)

The New Taipei City Martyrs Shrine is close to one of northern Taiwan’s most popular tourist destinations, the Tamsui Old Street (淡水老街).

I’m not exaggerating when I say that tourists who take a day-trip to the area are extremely spoiled for options.

In Tamsui, not only will you be able to enjoy the historic riverside and the ‘Old Street’, you’ll also be able to feast on lots of local snacks and have the opportunity to visit a number of historic and cultural destinations in close proximity to the MRT Station.

That being said, the Martyrs Shrine isn’t really all that close to the MRT Station.  

Sure you can walk from the station to the shrine, but with so much to do in the area, you’re much better off saving time by hopping on a bus, checking out the shrine, and then moving on to check out some of the other amazing places of interest in the area.

With so much to see, you’re also going to have to do a bit of research beforehand to decide where to spend your precious time! 

If you have a car or scooter, getting to the shrine is easy. 

Simply input the address provided above into your GPS or Google Maps or use the map provided here. 

If you’re driving a car or a scooter, you won’t have to worry, there is an ample amount of parking near the shrine, so you should be able to easily find a spot.

If you’re like most tourists though, you’ll probably make use of public transportation. 

To take the bus to the shrine, simply exit Tamsui MRT Station (淡水捷運站), the terminal station of the Taipei MRT’s Red Line (紅線) and walk to the large bus stop across the street. 

To do this, you’ll have to walk to the first walk to the large crosswalk and then backtrack a bit once you’ve crossed the street. The bus stops are directly in front of a gas station and are pretty hard to miss. 

From there you can take the five minute bus ride to the shrine on bus #757, #857, #880 or Red 26 where you’ll get off at the “Huwei Fort (Martyrs' Shrine Court)” (滬尾砲台(忠烈祠球場)) bus stop. 

Once you’ve gotten off the bus you’ll see a sign for the Martyrs Shrine and all you’ll have to do is walk up the historic and beautiful tree-covered hill to the entrance.

In terms of the other things in the area that you can see, you’ll find the Hobe Fort (滬尾礮臺) and the Drop of Water Memorial Hall (一滴水紀念館) next door to the shrine. Nearby you’ll also find the beautiful Fort San Domingo (淡水紅毛城), the Tamsui Customs Wharf (淡水海關碼頭), the Taipei Customs Officers’ Residence (小白宮) and a beautifully restored Japanese home overlooking the river known officially as “Former Residence of Tada Eikichi” (多田榮吉故居). 

In addition to these spots, there are a number of places to check out along Tamsui Old Street including the historic Tamsui Presbyterian Church, Huwei MacKay Hospital, Fuyou Temple (福佑宮), Qingshui Temple (淡水清水祖師廟), Tamsui Longshan Temple (淡水龍山寺), Lovers Bridge (情人橋), etc. There’s also the boat ride across the Tamsui River to Bali Old Street (八里老街).   

Its safe to say that the New Taipei City Martyrs Shrine probably isn’t high on the list of destinations for your average tourist. If you’re visiting the Hobe Fort or any of the spots nearby though, I’d say that a visit to the shrine is well worth an extra few minutes of your time.

That being said, I’ve been living in Taiwan for a long time and the only reason I wanted to visit was because it was the site of a former Shinto Shrine. Its definitely a nice option if you’re looking for a tranquil spot to take some photos of a pretty shrine without a million other people getting in the way! 


Hoi an’s Japanese Covered Bridge (會安日本橋)

If my blog up until now has led you to believe that all there is to see in Hoi An are old Chinese Assembly Halls, I’ll have done you (and the historic World Heritage village) a bit of a disservice. There’s so much to see, do and (more importantly) eat in Hoi An that even if you devoted several weeks to exploring, you wouldn’t even begin to touch all the amazing things the area has to offer. 

Sure, there are currently only around ‘twenty-two’ historic properties within the village that are open for tourism, but that is a number that will continue to grow over the next few years. Thanks to the efforts of the local authorities, many places of historical significance throughout the town are either in the process of or are slated to be restored and opened to the public in the near future.  

Sure, you can use your admission tickets to check out the the historic buildings that have already opened to the public, but there’s a certain romantic feeling while walking around the historic streets and alleys of Hoi An where you’re able to appreciate the hundreds, if not thousands of historic properties that the village has to offer.

In fact, I think if you’ve spent a day or two exploring the historic tourist sites, you could easily spend the rest of your time in town doing a simple walking-tour to check out quiet alleys that are far away from the hustle and bustle of the tourist crowds. 

I hope to highlight some of these other areas over the next few blog posts.

Today though, I’m going to start by introducing one of the most popular tourist attractions in Hoi An (and what has coincidentally also become the symbol of the world heritage town itself), the famed Japanese Covered Bridge.

Which, if you weren’t already aware, no trip to Hoi An could be considered complete without a visit. 

Unlike the Chinese Assembly Halls that I’ve already posted extensively about, you can easily find a multitude of information about the bridge online. Unfortunately, not too many of those resources agree on the facts - So there’s quite a bit of contradictory information about the bridge online.

With this blog, I’ll be doing what I usually do to help tell the story of the bridge, its design and its long history so that you can get a feel for what you’re actually going to be looking at when you visit! 

The “Japanese-Covered Bridge” (日本橋)

When your entire town is a UNESCO World Heritage Site, you can be sure that there is a plethora of cool stuff to see and do - More specifically though, when you’re the iconic symbol of that town and are also prominently featured on the back of one of the country’s national bills, its safe to say that you’re probably the stand out of what is already an amazing place to visit.

The so-called “Japanese Bridge” is Hoi An’s most recognizable landmark and not only serves as the symbol of the town but is also a nationally recognized landmark and is said to be the most beautiful bridge in South East Asia.

Yes, this bridge is beautiful, its also historic, but what most might not realize is that its also a pagoda, which means that it serves a practical purposes as well as religious purpose making it an important place for tourists and locals alike. 

One of the things that confuses a lot of tourists about the bridge is its name - which is why I referred to it above as the “so-called” Japanese Bridge above. So, before I get into the history and the design of the bridge, I think we should clear up some of the confusion about its name. 

Most tourists and travel sites are going to refer to the bridge simply as the “Japanese Bridge” or the “Japanese-Covered Bridge” in English, and there’s absolutely nothing wrong with that. 

What probably confuses people most is the lack of uniformity from the various travel resources on the internet which use a mixture of formal and informal names.

This leads people to think that there are actually a bunch of tourist bridges in Hoi An. 

Oh wait, there are actually a couple tourist pedestrian bridges in town.

There’s only one that you should really care about though. 

Below is a list of the most common names for the bridge:  

  1. Lai Viễn Kiều (來遠橋) ‘Bridge that Receives Guests from Afar

  2. Cầu Nhật Bản (日本橋) ‘Japanese Bridge’  

  3. Chùa Cầu (廊橋) ‘Pagoda Bridge’ 

The official name of the bridge is “Lai Viễn Kiều” (來遠橋), which was presented as a gift by Lord Nguyễn Phúc Chu, who carved the name in Chinese characters on a plaque which he placed on the entrance.

Later, locals started to refer to the bridge colloquially as “Chùa Cầu” (廊橋), the “Pagoda Bridge” and its more widely used name today “Cầu Nhật Bản” (日本橋), the “Japanese Bridge.”

How you personally refer to the bridge is up to you, none of the names are wrong, but what you should keep in mind is that there is only one iconic bridge in town, so don’t get confused by all the names you’ll see on the web.

History

Although the exact date of its construction is unclear, the Japanese Bridge in Hoi An has been an important part of the booming international port town for (at least) the past four centuries.

Due to the lack of documented history there is an open debate as to when the bridge officially opened to the public, which if you know anything about bridges in Asia, is a bit strange.

The thing about bridges in this part of the world is that they’re almost always engraved with a plaque that includes the name and the date of its construction. This one could have included a similar engraved plaque at some point in its history, but the bridge underwent renovation and restoration projects in 1763, 1815, 1875, 1917, 1962, 1986 and 1992 and it could have disappeared during any of those periods.

It stands to reason though that if a plaque existed before the 1800s, someone would have wrote down the exact date of construction. The first recorded mention we have of the bridge dates back to 1617, so most scholars think that the best we can do is estimate that it originated sometime in the 1590s. 

The bridge was originally constructed by the Japanese Chamber of Commerce for the purpose of connecting the Japanese Quarter with the Chinese Quarter, which was at the time separated by a canal in the Thu Bon River (秋盆河). 

Once completed, the bridge became an important tool for business as it allowed for a flow of traffic across the canal and more importantly, networking between the two sides.

Unfortunately the Japanese were only able to make use of the bridge for a couple of decades before they were forced to return home. The reason for this was because the Tokugawa Shogunate (德川幕府) back home in Japan instituted an isolationist “Sakoku” (鎖國) policy in 1633, which ultimately closed the country (and all aspects of foreign trade) for almost two centuries and required all Japanese citizens doing business outside of the country to return home.

Link: Closed Country “Sakoku” (Wiki)

Although there is also debate about whether or not this is the case, it seems that our best indication as to the exact age of the bridge are the animal statues that guard the entrances of either end of the bridge.

Despite their sacred nature in Japanese culture, the ‘monkey’ (symbolizing safety) and the ‘dog’ (protection) are also part of the Chinese Zodiac so it is thought that they represent the years of the zodiac when construction on the bridge was started and completed. 

What confuses me about this is that almost all of the information you’ll find about the bridge claims that this means that construction started in 1593 and ended in 1595. These years however were actually the ‘snake’ and ‘sheep’ years and thus don’t correspond to the year of the monkey or the year of the dog. 

Unless there’s something I’m missing, if we’re using the Chinese Zodiac as evidence of the age of the bridge, construction likely started in 1596 and was completed two years later in 1598.

I’d be happy to be proven wrong here though.

Link: Chinese Lunar Years: Animal Zodiac (Wisdom Portal)

The bridge after dark

In 1763, after the Japanese left town, the bridge was renovated and the pagoda was added with a shrine to “The God of Weather” (more on that later).  

Then during the French Colonial Period (1887-1945), the French, who made Hoi An an important part of their base of operations flattened out the bridge converting it from a pedestrian-only bridge to one that motorcycles could also cross.

In 1990, the bridge was recognized as a National Level Historic Site. 

Finally in 1986 the bridge was restored to its original ‘arched’-design with only pedestrians allowed to cross.

Unfortunately by that time enough structural damage had been done that another major restoration project would become necessary to ensure the continued existence of the bridge - which continues to be an issue to this day. 

The Legend of Namazu and the Pagoda

Hoi An may have been spared most of the devastation that the rest of the country had to endure during Vietnam’s various modern conflicts, but that doesn’t mean that the historic town has been able to avoid disaster throughout its long history.

The area is prone to not only typhoons and random flooding, but also earthquakes, which together have wreaked havoc upon the town on various occasions. 

Something you’ll notice when you visit in Hoi An is that there are visual reminders of each of these natural disasters marked on the walls of the historic tourist buildings throughout the town.

Which is also a reminder that it is inevitable that yet another disaster will strike. 

While we can’t predict earthquakes, we know when a typhoon will strike and are much better at preventing damage from flooding.

Back in the 16th Century though, these things were a bit more difficult to explain - The Japanese residents of Hoi An though thought they had it all figured out, and legend has it that the construction of the bridge was one of the ways to prevent such disasters from happening again. 

The Japanese, who likewise came from an area of the world that is prone to similar natural disasters, explained that this was all the work of Namazu (鯰), a giant catfish which lives under the earth and whose body spans from India to Japan.

The explanation was that when Namazu was swimming in the waters deep beneath the ground, it would cause the earth to shake.

According to the myth, the reason why earthquakes don’t happen more often is because another powerful god, Takemikazuchi-no-mikoto (建御雷) restrains the catfish and only when he lets his guard down is Namazu able to swim around and cause earthquakes.

Links: Namazu (Wiki) | Namazu: The Earthshaker (History of Geology)  

As it was widely believed that Namazu’s giant body stretched from India to Japan, someone came up with the idea that constructing a bridge in this location would essentially assist in the effort by placing a pin in its back to keep it in place.

To be safe, in 1763, an added layer of protection was added in the form of a pagoda (within the bridge) with a shrine to the “God of Weather.” 

This is where the information you’ll find about the bridge once again becomes a bit confusing.

Most articles will claim that the so-called “God of Weather” is the local “northern” god “Tran Vo Bac De”, which would lead you to believe that this is a northern Vietnamese god.

The entrance to the Pagoda on the bridge.

This isn’t actually the case and is probably the result of some bad translation. 

Tran Vo Bac De” is actually one of the highest ranking deities within Taoism (道教) and does hail from the “north”, but it’s the north of China and not Vietnam.

In China, he is often referred to as the “Zhenwu Emperor” (真武大帝), “Xuanwu” (玄武) or the “Black Emperor” (黑蒂) and is thought to be extremely powerful and able to control the elements, which (most importantly in the case of the bridge) includes water and the weather. 

This is important because not only was Hoi An a seafaring port of trade, but also an area that was prone to natural disaster, so it was considered auspicious to have a deity enshrined in the pagoda that people could pray to for better weather and safer travel conditions. 

Link: Xuanwu (Wiki)

Design  

The bridge after dark

Even though its commonly referred to as the “Japanese Bridge”, the architectural design is a harmonious blend of the various styles of Japanese, Chinese and Vietnamese design.

Sure, there are elements that are purely Japanese in nature but everything from the material used to the patterns and decorations are a fusion of the various cultures that have made their home in Hoi An over the past few centuries.  

The arched bridge is 60 feet in length (18 meters) connecting Tran Phu Road on the eastern side with Nguyen Thi Minh Khai Road on the western side.

Otherwise known as the Chinese Quarter and the Japanese Quarter, respectively.  

The base layers of the bridge are constructed with stone while the top is constructed primarily with red lacquered wood. The interior likewise features beautiful wood-carvings and motifs between each of the pillars and along the walls of the pagoda. 

Understandably, after several centuries, the original colors of the decorations both inside as well as those on the roof have faded and are in need of a bit of a refresh. The plain-looking wood that you’ll find today though is still quite good looking thanks to the craftsmanship of those who helped in the construction.  

Constructed as a physical and metaphorical ‘bridge’ between the two cultures, the roof was designed using a traditional Chinese style featuring three different layers with decorations on the top of each layer. Additionally, there is a special layer on both of the entrances on either side that faces the opposite direction as the three layers above, which is somewhat uncommon for this type of roof and makes its complex design quite unique. 

To the average tourist, the bridge may seem somewhat plain - I’ve even seen some travel reviews from people saying that you ‘shouldn’t bother wasting a ticket’ to walk on the bridge, but if you don’t take a few minutes to check out the interior, you’ll be missing out.

Sure, some of the decorations have faded over time, but I’m sure you wouldn’t be very good looking after four hundred years either, so make sure to take some time to enjoy the bridge. You most certainly won’t be wasting anything if you do.  

2020 Renovation Project

One thing that you’ll learn quickly when you visit Hoi An is that the city is prone to flooding.

As I mentioned above, in many of the historic buildings in the village, you’ll find markers on the walls that represent the various floods that have caused a considerable amount of damage over the years. 

The area is likewise prone to typhoons and earthquakes. 

With the constant thread of flood, earthquake or typhoon, the local government has to be constantly on the ball when it comes to the preservation and maintenance of the historic properties within Hoi An - which is part of the reason why they’ve instituted the admission ticket system. 

Unfortunately, the condition of the 400 year old bridge has become a major area of concern with fears that the bridge could collapse sometime in the near future as many of the poles and beams that support it have cracked and rotted.

To address this issue, the People’s Committee of Quang Nam Province approved an almost one million dollar project to restore the bridge to ensure its continued existence. 

It is unclear how long it will take to complete the restoration project, which is slated to start sometime within the first quarter of 2020, but you should be aware that if you visit sometime this year, that you may not be able to experience one of South East Asia’s most beautiful bridges as it will be covered up for restoration. 

Korean tourists at the bridge.

Link: Hoi An to spend $860,000 strengthening vulnerable Pagoda Bridge (VN Express) 

If you ask me, it would also be a bit helpful if the local government made an effort to also clean up the stinky, stagnant water in the canal that flows under the bridge. That being said, COVID-19 is probably preventing anything from happening on schedule as well as your visit to the area, so I’m sure we can expect the project to be delayed.

Getting There 

 

Hoi An is a coastal town in Vietnam’s central Quang Nam province that is a 30km drive southeast of neighbouring Da Nang City (峴港市). Since Hoi An has become such a popular destination for travellers, getting to the historic town from Da Nang is quite convenient.

Whether you arrive by air through Da Nang International Airport, by train through Da Nang Station or by coach, you’ll be able to easily get yourself to Hoi An through public or private transport, all of which are quite affordable.

While staying in Vietnam, you should also download the “Grab” app for your phone so that you can easily grab a taxi during your travels without having to worry about a language barrier or getting cheated.

Link: Transportation Guide: How to Get from Da Nang to Hoi An

Once you’ve arrived in Hoi An, getting around is really easy - just walk everywhere!

The ‘Old Town’ area of Hoi An that has become a UNESCO World Heritage Site isn’t all that big, and due to so much pedestrian traffic, they’ve blocked the area off from cars, so unless you’re riding a bicycle or a scooter, the best way to get around is on foot.

When you’re ready to start exploring you’ll find that the majority of historic properties, temples, museums and restaurants are located on or between the riverside and Tran Phu Street. What you’ll want to keep in mind though is that exploring the historic properties of Old Town isn’t free, so you’re going to have to purchase an entrance ticket.

The entrance tickets are 120,000 VND (5 USD) per person and gives you access to five sightseeing places. The tickets are valid for the duration of your stay, so if you don’t use all of the tickets on your first day, you’ll still be able to use what you have remaining on the next day.

With so many places to visit within the Old Town though, five tickets might not be enough, so you might have to purchase a second set of tickets if you want to fully experience the town. 

Link: Hoi An Old Town Ticket, Entrance Fees & Sites (Hidden Hoi An)

While some of the other attractions in town might be a little more liberal with their ticket-taking policies, you can rest assured that when you arrive at the bridge that the gatekeepers will be there to take your ticket. This not only helps with crowd control but also ensuing that the bridge gets enough funding for its preservation and allowing it to continue serving as the symbol of Hoi An. 

Like many of Hoi An’s tourist destinations, the Japanese Bridge is located on Tran Phu street. 

It is conveniently located at the western end of the street and connects to the laid back Nguyen Thi Minh Khai street across the canal. If you arrive at a time of the day when there is a long line of people wanting to get on the bridge, never fear, the area near both sides of the canal is well-known for its cafes and restaurants. You should be able to stop for a quick break before making your way onto the bridge.

Congrats to the lovely couple having wedding photos taken!

You’ll also want to remember that a ticket is only required for those who actually want to walk on the bridge. If you haven’t purchased your admission tickets yet, never fear, one of the eleven ticket stalls within town is situated across from the bridge where you can walk in, get your tickets and a map of the popular tourist destinations in the old town.

If you just want to take photos of the exterior, you can easily walk around and take photos. Likewise, if you want to cross the canal, there is another nearby footbridge to get across without having to use one of your tickets.

But you should definitely not miss the chance to walk across the bridge if you’re in Hoi An.

Address: Nguyễn Thị Minh Khai, Phường Minh An, Hội An, Quảng Nam 564010, Vietnam