Guanyin

Kin-Kannonji (金武觀音寺)

Okinawa is known for its beautiful beaches, amazing food and slow pace of life. This just might be why the local people have one of the longest life expectancies in the world. Nicknamed the “Land of the Immortals”, the islands have the highest rate of centenarians in the world.

Even though diet is probably the largest factor, it is also said that the slower pace of life and carefree attitude of the locals, despite all of the adversity that they’ve faced over the past few centuries has certainly contributed. 

Suffice to say, the past couple of centuries have been rather disastrous for the Ryukyan people. Once a powerful kingdom that made its riches from international trade, Okinawa fell under the subjugation of the Satsuma Clan, the Tokugawa Shogunate, the Meiji Empire only later to become one of the most important focal points of the Second World War.

Despite all of this, the people of Okinawa are resilient and are proud to display their culture and all that they’ve been able to accomplish in the decades since the war ended.

Sadly much of what Okinawa lost over the past few centuries has been difficult to completely restore and many of the places that tourists flock to today, including Shuri Castle, Naminoue Shrine, Futenma Shrine, etc. are all recent reconstructions that have allowed the local people to bring back some semblance of normalcy to their lives. 

Even though the Okinawa of today has been completely rebuilt and redeveloped, the fact remains that finding anything that pre-dates 1945 is extremely rare.

The Kin Kannonji Buddhist temple, located in the central area of the island was one of the few buildings lucky enough to survive the war and even though it is a bit of a distance away from the capital, should be one of those destinations on every tourists itinerary.

The temple is located within the small coastal town of Kin (金武町), which is home to Camp Hansen, one of Okinawa’s largest military bases. The town is a bit of weird one that seems almost completely devoid of life during the day, but apparently comes alive at night in order to cater to the American service men and women who live in the area. 

Known as the birthplace of Okinawan “Taco Rice” and for its production of the local Okinawan rice wine “Awamori”, there’s not much else in the area apart from its beautiful Buddhist Temple, which has been designated as a protected cultural relic.

Still though, a trip to Kin is well worth the short drive out of Naha, if only for checking out this historic place of worship which not only includes a Buddhist temple, but also a Shinto Shrine and a beautiful limestone cave. 

Kin-Kannonji (金武觀音寺)

Starting out with its name, “Kin Kannonji” (きんかんのんじ) literally means the ‘Kin Kannon Temple (金武觀音寺), which simply tells us the location of the temple and who is worshipped inside.

In this case, it is the Buddha of Compassion, known in Japan as “Kannon” (觀音). 

If you’re unaware, the ‘Buddha of Compassion’ is referred to by several different names in the many countries of Asia, but is one of the most commonly worshipped Buddhist figures.

Interestingly, even though most people in Asia regard ‘Kannon’ as a goddess-like figure, in Tibet,  the Buddha of Compassion manifests as the “Dalai Lama” who has traditionally been reincarnated as a male and historically has acted as a god king of sorts.

While Kannon most often appears in a female form in Eastern Asia, it is quite common to find statues that appear to be androgynous, leaving the gender of this all-important Buddhist figure somewhat unimportant.

Link: Guanyin (Wiki)

Kannon

The temple was established in the early 16th Century by a famous Japanese monk Shonin Nisshu (日秀上人) whose arrival in Okinawa is the stuff of legends. The most likely explanation is that he set off from Japan to search for the so-called “Pure Land”, a mountain island paradise, which is thought to be where Kannon lives. Unfortunately while on route he was shipwrecked by a typhoon and washed ashore in the Kin area, saved by the local villagers.

Upon his arrival, legends insist that he used his strength with the dharma to perform some miracles that greatly improved the lives of the local citizens (more on that later) which elevated his status in the community and allowed for him to start his missionary work and the construction of the temple. 

Although the actual date of the temple’s initial construction isn’t documented very well, most agree that its history dates back to 1522, which is relatively the same period as when Nisshu arrived in the area.

I suppose you could say that the exact date of the temple’s construction isn’t really all that important though. The original burnt to the ground in the 1930s and the building we see today was a pre-war re-construction.

When you walk down the visiting path, you are met with some standing statues of Amida Buddha, which are likely going to be wearing the popular floral pattern t-shirts that you’ll see everywhere in Okinawa. Once you’ve made it past them, the path opens up to a large tree-covered courtyard with a garden to your left, the cave entrance to your right and the temple directly in front of you. 

Keeping with tradition, the design of the temple is simplistic in nature and is constructed entirely of wooden columns that support a visually impressive curved roof. When it comes to Japanese temple architecture, there really is a tremendous amount of beauty in its simplicity and this temple is a stunning example of that. 

The foundation is elevated above the ground using stone and wooden planks that help to protect the structure from earthquakes. The interior is constructed entirely of local wood and is a large open space with only a few wooden pillars helping to support the roof. There are also sliding doors on all sides that (when moved) change the dynamic of the room and allow for fresh air and light to enter.

In terms of decoration they keep with tradition and take a very minimalistic approach to the design of the room - At the main door you will be met with an incense urn where you can purchase some incense or some lucky charms (based on the honor system) and say a little prayer.

You can’t actually enter the room on your own, but the doors are quite large, so you can get a pretty good view of the interior from the outside.  

You’ll find another altar sitting between two pillars which that opens up to the main shrine where the resident monks do their daily prayers.

The main shrine is a simple set up consisting of a statue of Kannon (觀音) with wood-carved statues of Amida (阿彌陀佛) and Yakushi (藥師佛) on either side.

In front of the shrine you’ll find two stone lanterns which help provide a bit of light in the room, but not really enough to take nice photos of the statues from a distance. 

The most notable aspect of the temple (design-wise) is the ‘Irimoya-zukuri’-style roof (入母屋造) which is the Asian version of a ‘hip-and-gable’ roof - but a hell of a lot cooler.

In this specific style of roof, there is a main section known as the “moya” (母屋) covering the central core of the building, while the hipped portion known as “hisashi” (廂) extends well beyond the interior portion and the outside veranda. 

The amazing thing about this design is that the size of the roof (in comparison to the lower part of the building) means that its weight has to be supported by a complex system of brackets and supporting blocks which expertly distribute weight and ensures that the building is structurally intact. 

While the design of the roof is quite typical for Japanese temple architecture, what sets this temple apart is the usage of native Okinawan red tiles known as “Aka-Gawara” (沖繩赤瓦), which is quite common for construction throughout the Ryukyu islands, but almost non-existent in Japan. The red tiles, which have faded somewhat over the years blend in quite beautifully with the wood that was used to construct the temple and makes the building shine in the sun. 

Next to the temple you’ll find the administration office where you can go to purchase some good luck charms, seek some spiritual advice or just have a friendly chat. The staff that work at the temple are often quite busy maintaining the grounds, but they are really friendly and appreciate visitors, especially tourists who want to learn about the area. 

While touring the grounds it‘s likely that you’re going to notice that the area is covered by a couple of really large trees. These trees are also considered sacred as they date back to the construction of the original temple and are anywhere between 350 - 400 years old. You’ll notice that the trunks have decorations on them and that the area around the tree is well taken care of. It is also quite common to see local visitors taking family photos in front of the trees.

Nisshu Cave (日秀洞) / Kin Shrine (金武宮)

A 270 meters in length and a depth of about 30 meters, the famous cave that sits directly beside the temple is named, “Nisshu Cave” after the monk who founded the temple. Considered to be hallowed space in Okinawa, the cave is highly regarded not only because it is the home of a small Shinto Shrine, but also because it is partly used as a storage area for locally produced Awamori rice wine (泡盛).

One of the main reasons why the cave is considered sacred to the local people however isn’t because of the shrine or the rice wine stored inside - It is thanks to a local legend that serves as the basis for the creation of the shrine and the temple. 

The legend tends to vary a bit but the more realistic story goes a little like this: In 1552, when Buddhist Monk Nisshu (日秀) was attempting to return to Japan after spending years in China on pilgrimage, he was washed ashore in Kin when a typhoon hit. Rescued by the villager, he wanted to show his appreciation, so he set out to vanquish a disorderly bunch of (extremely venomous) Habu snakes that had infested the cave and were blamed for wreaking havoc on the locals. It would take some time, but when he was finally successful in ridding the area of the snakes, he placed some hand-carved images of the Buddha, Yakushi (彌勒佛) and Kannon (觀音) in front of the cave to act as a protective seal.

The more imaginative version of the story on the other hand tells of a single giant Habu snake, which lived in the cave and would slither into town, drink all the water in the well and on its way back home would have its way with local farm animals. When Nisshu appeared he used his supernatural powers and chanted Buddhist sutras at the entrance of the cave which eventually drove the snake away permanently. 

Whichever story you prefer, the origin of the temple is a direct result of whatever happened at the cave back in the 1500s and the safety that the townspeople could finally enjoy was repaid through their gratitude and the construction of the temple.

The cave has a set of stairs that allow you to descend to the cave floor and explore the interior - The further you go down however the darker and damper it gets, so you’re going to want to watch your step. If you have a light on your cellphone, you might want to turn it on so that you can see where you’re going. Once you’ve made it to the bottom of the staircase, the view looking back at the surface is quite beautiful with all the limestone stalactites hanging from the roof of the cave. 

Once you get to the bottom you’ll notice there is a gated cave door that blocks you from walking any further. This dark cavern leads to the Awamori storage area and (unfortunately) isn’t part of the free tour. 

Since 1949, the Kin Tatsu-no-Kura (龍の蔵) company has stored bottles of their locally produced rice wine in the cave for anywhere between five and twelve years. The company offers three daily tours of their section of the cave, which is filled with thousands of bottles of expensive wine.

The rice wine is as a popular local gift with many people electing to buy a bottle of the wine and having it stored at their own cost for well over a decade for special occasions. If you’d like to visit this section of the cave, you’ll have to pay an entrance fee of ¥400 for one of the tours (11am, 2pm, 3:30pm). 

Link: Tatsu-no-Kura (Okinawa Travel Info) 

The Kin Shinto Shrine (きんぐう) is a quaint little shrine located within the Nisshu Cave next to the temple. Despite the fact that it is not a full fledged shrine like Futenma Shrine or Naminoue Shrine, it is considered to be one of the ‘Eight Shrines of Okinawa’ (沖繩八社) meaning that it is still quite important. Enshrined within the hokora (祠) are the three popular deities worshipped as the “Kumano Sanzan” (熊野神) and are also worshipped at most of Okinawa’s other shrines. 

The history of this little shrine doesn’t seem to have been very well recorded, but what I’ve been able to find is that the legend of the monk Nisshu’s arrival in the area dates back to 1552 and the Buddhist Temple outside was established shortly after. It is also thought that this shrine was the first in Okinawa to worship the Kumano deities, so if that were true, it would have to pre-date the Futenma Shrine, which was constructed shortly after the Kin Buddhist temple under the patronage of the same king.

It is important to note that when the temple was constructed in the 16th Century, the relationship between Buddhism and Shintoism was considered to be symbiotic in nature, so when Nisshu arrived in Okinawa, he brought with him his knowledge of Buddhist philosophy, but he is also credited as the person who started ‘Kumano Sanzan’ worship in the Ryukyus. 

Unfortunately during the Meiji Era (明治), the government made Shintoism the state religion and instituted a policy known as “Shinbutsu Bunri” (神仏分離) which forced the separation of Shinto and Buddhism (which was regarded as a foreign influence). This meant that shared spaces within shrines were no longer permitted. 

This policy however had little effect on this temple and the two continued their symbiotic relationship allowing worshippers to visit to pay their respect to Kannon and the Kumano Sanzan as well.

Unfortunately when most tourists descend into the cave, they tend to pay more attention to their beautiful surroundings and easily pass by the small shrine without paying much attention to it. It might be small, but it is one of Okinawa’s most historically significant shrines, so stopping for a minute to check it out and pay your respects is always a good idea. 

Getting There

 

Address: 222 Kin, Kin Township District, Okinawa (沖縄県金武町金武222)

MAPCODE: 206 140 144

If you’re driving a car to the temple, simply input the Map Code provided above and your GPS will navigate the best route to the temple. The drive is quite simple as you’ll just need to get yourself on the Okinawa Expressway heading north eventually exiting at the Kin IC

From there you’ll follow Route 329 into the downtown area of Kin and will make a left turn when you see signage for the temple. You can park your car in the free parking lot directly opposite the entrance to the temple. 

You’ll want to keep in mind that the expressway in Okinawa requires a toll, so when you get on the highway you’ll have to grab a ticket and you’ll pay when you exit. If you are driving directly from Naha to the Kin Exit, you can expect to pay about ¥600-700 each way. 

Link: Okinawa Expressway Tolls

If you plan on visiting the temple and want to use Okinawa’s public transportation network, getting there is actually quite straight forward. From the Naha Bus Terminal you’ll want to board  Bus #77, which should take about 110 minutes to arrive at the Kin (金武) stop. From there you’ll almost instantly notice a large white road sign that reads: “Kin-Kannonji” which is about a 230 meter walk away from the main road. 

Link: Okinawa Bus Route List

Before heading back, you might want to take some time to walk around the streets and explore the alleys of Kin, which seem to cater exclusively to the US Army stationed at nearby Camp Hansen. The area is full of seedy bars and pubs and during the day most of the town is boarded up with little to no activity which is a bit odd compared to the rest of Okinawa. 

Coincidentally one of the only places in town that is open during the day is Okinawa’s famous “King Tacos” which serves up extremely filling Taco Rice dishes. If you’re hungry and want to get something to eat before heading to your next destination, you may want to consider stopping by and trying out this tasty yet weird Okinawan specialty.  

If you’re heading to Okinawa to spend most of your time on the beach, you’re sure to be delighted as there are over a hundred world class beaches to choose from. If you’re like me however and enjoy taking in a bit of history during your travels, you might end up feeling a bit disappointed.

The sad reality is that there are currently few buildings that pre-date the war, but this little temple was one of the lucky ones that was spared and has been able to withstand the test of time. It is easy to visit Naminoue Shrine or Shuri Castle, but if you want to see something truly historic, you’ll definitely want to make your way out to the small coastal town of Kin to check out its beautiful Buddhist temple


Futenma Temple (普天間山神宮寺)

In the first post in this series I introduced the Futenma Shinto Shrine, one of Okinawa’s most historic and prolific places of worship. In this post I’m going to introduce its next door neighbor, the Futenma Buddhist Temple as well as provide travelers with the information they’ll need to get themselves to both shrines. 

If you haven’t already read about the shrine however, I recommend first checking that out and then coming back here after - I realize that these posts are quite long, but there isn’t much information available in the English-language about them, so I hope that my hours of translation and research about the history of the shrines helps you better understand their long history and what you’ll be seeing when you visit. 

Futenma Buddhist Temple (普天間山神宮寺)

The Futenmanzan Buddhist Temple (ふてんまざん じんぐうじ) is located directly next to the Shinto Shrine and has been an important place of worship for the last five centuries. Unfortunately as I mentioned above, there isn’t a whole lot of English-language information readily available about the temple or its history, so what I’m providing you with today has all been translated from Chinese and Japanese-language resources. 

Like most of the buildings in Okinawa, the original temple, which was constructed around 1459 was completely destroyed during the Battle of Okinawa in 1945.

So what we can see today is a much newer structure that was completed in the late 1990s. 

The short reign of Ryukyuan King Sho Taikyu (尚泰久) between 1454 and 1460 is often referred to by historians as a period where the economy was considered to be quite prosperous. Interestingly though, the royal coffers were almost completely depleted by a devout Buddhist king who (in his short time on the throne) almost bankrupted the royal family constructing far more temples than were actually necessary. 

As the story goes, merchants traveling between the northern and central areas of the main island of Okinawa often stopped in the small village of Ginowan (宜野湾市) before finishing the last leg of their trip to the capital.

This practice became even more common after King Sho Kinpuku (尚金福) paid for and constructed the Futenma Shinto Shrine, which became well-known throughout the kingdom as a place with extraordinary supernatural powers. So, when King Sho Taikyu took the throne, it was only natural for him to construct a Buddhist temple next door. 

Later in 1644, King Sho Ken (尚賢) would make a personal visit to the temple and specified that it be renovated and expanded in order to accommodate the amount of people visiting. The temple would ultimately stay that way for the next several centuries until it unfortunately fell victim to American bombing during the Battle of Okinawa.

It wouldn’t be until the late 1990s that it would be completely rebuilt and reopened to the public.

Today the temple is open year-round and holds several festivals each year including the Summer Matsuri (夏祭り) and the popular Hiwatari Shinji fire-walking ritual (火渡り神事). 

The temple is a “Kannon-ji” (觀音寺) meaning that it is dedicated to the Buddha of Compassion, who in Japan (and many other parts of East Asia) appears as a female. Known in Japan as “Kannon-sama” or “Kanzeon Bosatsu” and in Chinese speaking countries as “Guanyin” (觀音), she is an extremely popular Buddha who is highly regarded for working miracles.

Even though the so-called ‘Buddha of Compassion’ often appears as a slender female, she is often regarded as androgynous and can appear as both a female or a male, but in Japan almost always as a female figure.  

The most widely known example of this in the west would be the Dalai Lama of Tibet, who is regarded by many Buddhists as the reincarnation of the Buddha of Compassion.

The main shrine

One thing you’ll want to note is my usage of “so-called” above when referring to the “Buddha” of Compassion. Kannon is actually a “Bodhisattva” and not a “Buddha”, which simply means that she/he is a person capable of achieving enlightenment, but chooses to delay it in order to stick around to help others end their suffering. 

Unlike the Shinto Shrine next door, (which doesn’t hold association with a network of shrines), this temple is closely associated with the Toji branch (東寺真言宗) of the Esoteric Shingon Buddhist sect (真言宗).

The current abbot of the temple is Mr. Kaneshiro Reikai (金城良啓) who is often on hand to perform a number of daily religious services and study sessions as well as acting as the groundskeeper.

He also keeps an active Twitter account- He’s a busy monk to say the least. 

Link: Kaneshiro Reikei Twitter

Given the fact that the temple abbot keeps such a busy schedule, you’ll find that he is often stuck in his small office and that it would seem like the temple is completely unmanned. This means that you’re able to freely walk inside the main shrine and enjoy its beauty or walk around the well-maintained yard in the front of the temple. 

The temple offers an assortment of Omamori (御守) or lucky charms that visitors can purchase.

This is completely based on the honor system as no one is going to be around to check whether or not you gave the correct amount of cash. I’m not sure that I’d want to be stealing a lucky charm from a Buddhist temple - I can’t imagine the bad karma that’d cause. 

Before entering the temple, you’ll have to walk up a short set of stairs and through a gate - The wooden gate is beautifully designed and the open door looks directly at the main hall.

Just above the door there is a plaque that reads “Futenmanzan” (普天滿山) in Chinese characters. 

Once you pass through the gate, directly to your left you’ll notice a wooden pavilion with a large Bonsho (梵鐘), which is a hanging bronze bell and is significant in Buddhism for festivals and holidays as well as for signaling the passage of time. 

Link: Bonsho (Wiki

By Okinawan standards the temple is quite large and its roof is probably one of the most interesting you’re going to see while traveling around the islands. Constructed in what is known as the “nagare-zukuri” (流造) style (which is best described in English as a streamlined gabled roof), it is an asymmetrical gabled roof with a front section that projects outwards at a steep angle making the building seem to appear much larger than it actually is. 

Link: Nagare-zukuri (Wiki) 

The interior of the main hall is a large open space with very little in terms of decoration - At the front door you’re met with a table full of ‘Omamori’ that is on sale to visitors and once you pass that there isn’t much other than the main shrine, which is absolutely beautiful.

Directly in front of the main shrine there is an altar where you can purchase some sticks of incense with some cushions in front for meditation or prayers. On either side of the main shrine there are two separate shrines, which are used for private religious services and have doors that slide open and shut. 

The main shrine is the main attraction as it is beautifully designed with a golden statue of a standing Kannon with an intricately throne-like decoration surrounding the statue.

Not only does the shrine consist of a throne-like altar for the statue, but hanging from the ceiling are golden shaped bells and flowers that look like they’re descending upon the shrine.

The unfortunate part of the shrine (for most people) is that it is a bit far away from the incense burner, so if you want to take photos, you’d need a pretty good camera to catch all of the finer details.  

Visiting the temple shouldn’t take too much of your time and it should be considered an added bonus to your stop at the Futenma Shrine where you’ll be able to check out the shrine as well as the beautiful cave, so don’t forgot to stop by when you’re in the area.

Getting There

 

Address: 普天間1丁目27−10 Ginowan, Okinawa Prefecture, Japan, 〒901-2202

GPS Coordinates: 26.2928667, 127.7770667

Mapcode: 33 438 615

Phone: 0988-92-3344

Futenma Shrine is located within Ginowan City (宜野灣市), one of Naha’s larger suburbs, about a 40 minute drive outside of the capital and is close to the US Marine Corps Futenma Base.  

If you’ve rented a car for the duration of your stay, getting to the shrine is rather simple and a trip there is likely also going to include a trip to the ruins of Nakagusuku Castle (中城城跡) and the popular American Village shopping area. The shrine provides an ample amount of parking space, which is completely free of charge, so if you visit, you won’t have to spend much time searching for a place to park. 

When you get in the car, simply input the phone number or MAPCODE listed above into your GPS and it will map your route to the shrine. If you’re unsure about how to use the GPS system in your rental car, check the link below as there is a bit of a learning curve. 

Link: Driving in Japan: Where to Find All Your Mapcodes and How to Use Them 

If you are making use of Okinawa’s public transportation services while on your trip, getting to the shrine is going to be a little more difficult. The easiest method would be to take a taxi, but if you do that it is likely that you’re going to have to spend about 6000 yen each way.

A bus on the other hand will only cost about 660 yen. 

From the Naha Bus Terminal, located near the Asahibashi (旭橋站) monorail station, travelers can hop on either bus 21, 25, 27 or 77 to Ginowan. After about 40-60 minutes (depending on traffic) you’ll get off at the Futenma (普天間) bus stop, cross the street and walk toward the shrine, which should take less than five minutes.

If you plan to use the bus or the monorail often during your stay, you may want to consider purchasing a holiday pass which offers unlimited usage for a specific time period. The passes, which can be purchased at the airport are sold in either one day or three day increments and go for 3,000 or 5,500 respectively with discounts for children. 

Link: Okinawa Bus and Monorail Passes

Visiting the shrine and temple is free of charge, but if you want to buy any of the lucky charms or write on an ema, there are some costs. Buying them however is completely up to you.

You should also note that if you approach the main shrine at the Shinto Shrine that its customary to clap your hands twice and say a quiet prayer. You should then throw a small donation into the box.

It’s not a good idea to just walk up to the main entrance of the shrine, peer in through the windows and not say a prayer. Even if you’re not into Shintoism, it is still important to pay respect while traveling.

  • Ema (繪馬匾): 300 yen. 

  • Red Ink Stamp (朱印): 300 yen. 

  • Lucky charm (護身符): 300-500 yen.

  • Amulet (小牌子): 500-1000 yen. 

  • Shrine Stamp Book (朱印簿): 1500 yen.  

Hours: 10am – 8pm Daily (Including Holidays)

Cave hours:  10:00 - 5:00 Daily (Including Holidays) 

I realize that these posts turned out to be quite long, but due to the lack of in-depth information about them, I thought it would be a good idea to try provide a bit more info to prospective visitors.

If you find yourself visiting Okinawa and you’re looking for a cultural experience, there are few better places to visit than the Futenma Shrine. Not only do you get to check out the beautiful shrine, but also the cave and the Buddhist temple next door in a small enclosed area. 

Even though the shrine and temple are located a short distance from the capital, they don’t really attract as many tourists as they should - I highly recommend a visit though, so if you’re visiting Okinawa, you would do well to take some time out of our busy schedule to plan a trip to this area to check it out.

And hey, if you’re hungry, there’s a King Taco’s location across the street where you can sample Okinawa’s famous Taco Rice. It’s actually pretty good.


Lukang Longshan Temple (鹿港龍山寺)

GTJ-2019-0408-26.jpg

When planning a trip to Taiwan, one of the stops that is always high on the list of places to visit is Taipei’s historic Longshan Temple - and for good reason - the bustling temple in the city’s historic Wanhua District (萬華區) offers tourists a first-hand experience with the vibrancy of Taiwanese religion, culture and the traditional architecture that is considered ‘exotic’ by a lot of foreign visitors.

What though do those tourists who are able to invest a bit more time exploring Taiwan do?

Well, they get out of Taipei and head south - Then they visit the ‘other’ Longshan Temple.

Yes, there is more than one Longshan Temple. (There are a handful of them actually)

Taipei’s Longshan Temple tends to be the busiest of the lot, but that is really only because it is conveniently located within the capital and is easily accessible thanks to the amazing MRT system. Don’t get me wrong, it is an amazing place to visit - I’ve been there a hundred times and I’ll probably go a hundred more times.

But, (yes, there is a but) Taiwan’s first “Longshan Temple”, the most historic of the group, not only stands out as one of the most attractive of the bunch - it is also regarded as one of the most beautiful temples in the whole of Taiwan as well as one of the best remaining examples of a building constructed during the Qing dynasty with traditional Fujian-style architecture.

Located in the historic village of Lukang (鹿港), the temple is just one of the many amazing destinations the small coastal village has to offer. Needless to say, if you haven’t heard of Lukang, you really should take some time to check it out. What might seem a small village in the middle of no where is actually an action packed day trip with some of the coolest historic sites you’re going to see in Taiwan. This is why it has become such a popular destination for both domestic and foreign tourists alike. Lukang is a village that has been frozen in time and provides visitors with an amazing snapshot of what the Taiwan of olde was like.

Longshan Temples of Taiwan

The Longshan Temples of Taiwan have a history that is directly related to the early migration of Hokkien Chinese settlers from China’s Fujian Province (福建省). Starting in the early 1600’s, due to the political instability of the Ming Dynasty (明朝), many people hailing from the Fujian and Guangdong (廣東省) areas made the decision to emigrate across the Taiwan strait and throughout various parts of South East Asia.

In Taiwan’s case, the Hokkien people sought to make a go of it in what was a very under-developed land bringing with them only their language, culture, cuisine and folk religion as well as what little possessions they could fit on the boat.

The original Longshan Temple, constructed during the Tang Dynasty (唐朝) somewhere between 618-619, received its name thanks to its location on “Longshan” (龍山) or Dragon Mountain in Anhai, Fujian.

The original, like every other ‘Longshan Temple’ that followed is dedicated to the Buddha of Compassion, whom in the Chinese Buddhist tradition takes the form of Guanyin (觀音菩薩), a female Buddha.

  • Non-Chinese Buddhists are likely more familiar with Tibet’s Buddha of Compassion who appears in human form as the Dalai Lama.

Here in Taiwan, the tradition that these temples would be dedicated to Guanyin has continued, but as the centuries have passed they started to accommodate Taoist and local folk-religion deities as well - many of whom also happen to hail from the Fujian region.

Even though you can now find several deities housed within Taiwan’s various Longshan Temples, the fact remains that essence of religious worship that takes place within is rooted in Chinese Zen Buddhist tradition.

Something that I can’t underscore enough about the religious experience in Taiwan compared to the west is that temples here have the ability to house gods from what are considered to be ‘different’ religions yet there are never any problems that arise from this. The religious experience here is one of tolerance and should certainly act as a model for those around the world who would use their beliefs to cause harm to others.

Today there are five temples in Taiwan with histories that date between 160 - 370 years which were all constructed during the Qing dynasty.

Lugang Longshan Temple (鹿港龍山寺) - 1647

Tainan Longshan Temple (台南龍山寺) - 1715

Monga Longshan Temple (艋舺龍山寺) - 1738

Fengshan Longshan Temple (鳳山龍山寺) - 1765

Tamsui Longshan Temple (淡水龍山寺) - 1858

Daxi Longshan Temple (大溪龍山寺) - 1868

Each of the temples differs in its design, but they all share a similar history and purpose making the Longshan Temple’s of Taiwan an important place of worship and of course, historical value.

Lukang Longshan Temple (鹿港龍山寺)

The oldest of all of the Longshan Temple’s in Taiwan is located in Changhua County’s Lukang Village - With a history that is said to date back to 1647. and is considered to be one of the most historic in all of Taiwan.

Something I’ve learned over the past few years though is to take some of these historical “facts” with a grain of salt.

Does the Lukang Longshan Temple in fact date back to 1647? Technically yes and technically no.

The history of a ‘Longshan Temple’ in the area most certainly dates back to the mid-1600s. However that history doesn’t necessarily relate to building that we see today. The original was actually a much smaller shrine, in another part of the village and was constructed solely to house a statue of Guanyin that was brought to Taiwan from the original Longshan Temple.

The temple we see today moved to its current location in 1786 and since then has been expanded upon, renovated and restored on several different occasions with reconstructions in the 1800s forming the basis of the structure that we continue to enjoy today.

So, while it may not be as old as advertised, Its still quite old.

History

To make things a bit clearer, I’ve gone ahead and translated some of the more important historical events over the temple’s long history:

  • 1647 - Immigrants from Quanzhou (泉州) bring a statue of Guanyin from the original Longshan Temple in Fujian on the voyage across the Taiwan strait and set up a small shrine on what is now a small alley near Dayou Street (大有街).

  • 1786 - The original shrine moves to its current location across town on a larger plot of land.

  • 1798 - After only a decade the newly constructed temple turns out to be far too popular and needs to be expanded to accommodate the amount of people who visit. The expansion sets in stone (literally) the layout for the temple which confines the complex to the 5,300 square meter plot of land that we still see today.

  • 1897 - Two years after the Japanese Colonial Era began, the Japanese authorities rented out the rear hall of the temple to create a Pure Land Buddhist (浄土仏教) shrine to accommodate Japanese Buddhists who lived in the area. Part of the temple is also used as a school for teaching the Japanese language to the local people.

  • 1904 - The temple joins a network of Pure Land Temples (淨土真宗本願寺派 / じょうどしんしゅうほんがんじは) and the Guanyin statue is relocated to the Rear Hall and replaced with a statue of Amida (阿彌陀佛) in the Main Hall.

  • 1921 - In what would become one of the worst tragedies in Lukang history, a fire completely destroys the Rear Hall of the temple taking with it the historic statue of Guanyin.

  • 1938 - Reconstruction of the Rear Hall is completed.

  • 1961 - Sixteen years after the Japanese Colonial Era ended, it is decided that the Main Shrine of the temple would revert back to Guanyin and the statue of Amida would be moved to the Rear Hall.

  • 1983 - The temple is awarded the designation as a ‘First Class National Historic Site’ (國家第一級古蹟) making it a protected historic building.

  • 1999 - On September 21st the powerful Jiji Earthquake (集集大地震) rocked Taiwan and created mass destruction all over the country. The temple was badly damaged as a result of the quake, so another massive reconstruction project is started to repair the damage.

  • 2002 - Reconstruction project is completed.

  • 2005 - Josh visits for the first time and falls in love (with the temple).

Design

When most people talk about the Lukang Longshan Temple, they only briefly mention the temple’s long history - Numbers are thrown out and people nod their heads and think “cool”, because when it comes to this temple, its not its age that really matters.

This temple is often described as one of the best remaining examples of Southern Fujian Qing-style architecture remaining in Taiwan. Does the average tourist really understand what any of that means though?

When you walk around the temple you don’t really have to really understand the complexities of historic architecture to realize that this temple is a masterpiece of design.

Interestingly though, whenever you search for “Southern Fujian Architecture” or “Hokkien Architecture” (閩南風格) most of the search results will feature a photo of the temple as the prime example of the characteristics of this style of architecture.

Hokkien-style architecture shares many similarities with other styles of Chinese architecture but there are of course several different ways that make buildings constructed in this style distinctive from others. First, the material used to construct this style of building is usually a mixture of red brick and wood. For most commoners in China, the usage of the colour red was frowned upon because “red” was typically reserved for imperial buildings. The Hokkien people it seems didn’t really care much about that though.

Swallowtail Roof

Another important characteristic is the “Swallowtail Roof” (燕尾脊) which refers to having a roof with an ‘upward-curving ridge’ shaped like the tail of a swallow. This design tends to vary in terms of the degree of the curve as well the number of layers on the roof but is something quite common throughout Taiwan.

Finally, to compliment the swallowtail roof designs, the Hokkien style often includes colourful porcelain carvings (剪瓷雕) which became common not only on the roofs of temples but also homes and ancestral shrines as well. The porcelain designs range from plants and animals to mystical creatures from Chinese mythology including dragons and phoenixes.

As one of the most well-preserved temples of its kind, the Lukang Longshan Temple combines all three of these architectural designs with beautiful red brick, swallowtail designed roofs on the main halls and gates and expertly crafted porcelain figures decorating the buildings.

The temple also follows the traditional ‘Three-Hall-Two-Courtyard’ design (三進二院) which refers to the three halls - The Front Hall (五門殿), Main Hall (正殿) and the Rear Hall (後殿) which are separated by the front courtyard and the rear courtyard and surrounded by passage ways on the perimeter of the building.

If you take a look at the diagram above, you may discover that the temple is constructed to resemble the Chinese Character “日“ which translates into English as either “sun” or “day”.

You could easily spend hours of your day enjoying the minutia and intricate designs of this temple, so I hope the following descriptions of each section helps to point out some of the things that you should pay close attention to when you visit.

Even if you can’t read Mandarin, I recommend checking out this site to see some historic photos of the temple as well as some sketches that beautifully illustrate the layout of the temple.

The Main Gate (山門)

The Main Gate of the temple, often referred to as the “Mountain Gate” (山門) is one of the most impressive you’ll see in Taiwan. The courtyard in front of the gate is decorated with red lanterns that lead up to the beautifully constructed wooden gate. Between the layers on the roof is a plaque that reads “Longshan Temple” (龍山寺). There are also red lanterns hanging off of the layer below that read “Lukang Longshan Temple” (鹿港龍山寺).

Not only is the gate held up on the front end by wooden pillars, it is also connected to a brick base that forms the entrance and also part of the wall that surrounds the entire perimeter of the temple.

The Main Gate is not only impressive from a distance but when you get close enough you can easily see the mastery it took to design such an intricate roof with the pillars holding the gate up.

Before entering the temple make sure to take some time to stand under the gate looking up at the beautiful work and all of its intricate pieces.

Paper Incinerator (惜字塔)

In the front square before you enter the temple quietly sits a relic of the past that isn’t widely talked about in English-language articles. What looks like a simple brick tower is actually a paper-burning incinerator that is of cultural and historic significance.

To describe it simply, Taiwan is a very humid place which makes it easy for things (like paper) to rot or become moldy. Before we had dehumidifiers and air conditioners people had little recourse to preserve the books they had, so as a show of respect for the written word, when people finished reading something they wouldn’t just leave it around. Likewise, throwing books in the garbage was simply not an option, so they took the book to an incinerator like this one and burnt it so that the words would live on in eternity.

I know, it sounds weird, right?

This practice was especially common with the Hakka people of Taiwan who constructed these special furnaces in the areas where they lived. As time went on, these towers became more and more unnecessary, so in many places around the country they’ve unfortunately been torn down.

In recent years however there has been a push to preserve them as they are of cultural and historical significance. In Taoyuan for example two of these incinerators, which are known as “Miracle Terraces” (聖蹟亭) have been restored and are open to the public as cultural shrines.

The paper incinerator at the temple looks like it hasn’t been in use for decades and sits quietly in a corner, still though, most people, including locals walk by it and don’t pay it any attention despite its historic significance.

Front Hall (五門殿)

The “Front Hall” is a actually a very simplistic term for what the main entrance of the temple actually is; In Chinese, the name translates directly as the “Five Door Hall” and is sometimes referred to as the “Five Door Portal”. No matter how you like to translate the name of the Front Hall, it consists of five doors with the three in the middle separated by four stone pillars.

Directly in front of the centre-most door is an incense cauldron with beautifully carved calligraphy on it.

On either side of the cauldron are stone pillars that have a dragon encircling the column.

On the walls you’ll find traditionally carved windows that are made out of wood and allow for the natural flow of air through the gate. On the windows you’ll find various designs including dragons, tigers, phoenixes which together symbolize prosperity and longevity.

On the interior it is important to pay attention to the ‘Door Gods’ (門神) that are painted on the doors.

When the doors are open they will face the inside of the temple and when the temple closes at night they’ll face the exterior. The ‘Door Gods’ have somewhat faded over the years but this style of artwork has started to become something of a lost art in Taiwan, so its great that we can still enjoy these.

The Door Gods on the main door in the centre represent Skanda (韋馱), the guardian of Buddhist Monasteries as well as Sangharama (伽藍), the Buddhist name for popular historical figure known as Guan Yu who is highly regarded for his ability to offer spiritual protection and grant blessings. The remaining four doors each have one of the Four Heavenly Kings (四大天王) who bestow wealth, success, peace and protection.

Theatre Pavilion (戲殿)

The ‘Theatre Pavilion’ is traditionally an area where temple performances would take place.

Temples constructed in Taiwan within the last century have (for the most part) constructed their performance stages in a separate area from the rest of the temple, usually outside of the main gates. This has allowed for larger, more mobile stages and more space for the audience, while reducing the amount of noise within the temple.

Truthfully, in all my years of temple hopping I can only count a handful of times where the Theatre Pavilion was actually constructed in such a central location in the temple.

Once you enter the Front Hall, the Theatre Pavilion is a large flat space with a spider-web caisson decorating the ceiling above it.

Few performances are held in this area anymore but the open space it provides in addition to the caisson above make it an especially grand spot that you won’t find at many other temples in Taiwan.

The Caisson (八卦藻井)

While doing research for this post I learned a new word - I’ve never actually known the English word for these so-called ‘spider web ceilings’ but whenever I see them I’m absolutely amazed by them.

In the case of this temple, the “caisson” is jaw-droppingly beautiful. There are so many adjectives that could be used to describe how beautiful the craftsmanship on this ceiling is but I’m at a loss for words - and if you have the chance to see it, I’m sure you will be too.

Known as the most beautiful “caisson” (藻井) in all of Taiwan, the “Ba-Gua ceiling” as I’d prefer to call it is an architectural masterpiece found in many East Asian temples and palaces. The reason I call it a “Ba-Gua” ceiling is because it is octagonal, a shape that has particular significance in local folk religion and culture.

Note: Bagua (八卦) refers to eight symbols in Taoism that represent the fundamental principles of reality and are interrelated with each other. At the centre of the Bagua is the Yin-Yang symbol. (Wikipedia link)

This particular caisson was constricted during the temple’s 1831 reconstruction and there are claims that it is one of the oldest of its kind in Taiwan.

A caisson is basically a sunken layered panel in a ceiling that raises above the rest of the ceiling almost as if there were a dome above it. The layers of the caisson are often beautifully decorated and with a design at the centre - in this case a beautifully painted dragon.

The most amazing thing about these caisson’s is that they are designed using expertly measured interlocking pieces that go together in a way that mean that neither beams nor nails are used to keep them together.

They just lock together to form a six-layer deep spider-web of beauty.

The Ba-Gua ceiling here commands respect and has become one of the most defining features of the temple. If you are visiting, I can’t stress it enough that you need to spend a few minutes with your head in the air appreciating the beauty and genius of this architectural masterpiece.

Worship Hall (拜殿)

To make a bit of a comparison, the Worship Hall at the temple is similar to something like the front patio of a house - It is more or less just a large covered platform that allows people to perform religious rituals without actually entering the Main Hall.

On the left and right side of the Worship hall sit a couple of century-year old trees that offer a bit of shade in front of the hall. Likewise each side of the hall has a station that allows people to light candles and incense for their prayers. In the centre there is another large incense cauldron with beautiful calligraphy carved on it. Behind the cauldron sits a large table where people can place offerings and is where you’ll often find beautiful floral decorations donated by visitors to the temple.

Of note when it comes to the design are the two stone dragon columns on either side of the incense cauldron - The columns which date back to 1852 are each carved with a dragon encircling the pillar. The dragons each have a pearl in their mouth and one in their foot while showing their fangs. The way the dragons encircle the columns make them is said to make them almost lifelike as they seem like they’re constantly in motion.

On the back of each column you’ll find the same four creatures featured in the windows of the Front Hall - A Phoenix (鳳), Qilin (麟), Crane (鶴) and Turtle (龜) - known as the ‘four spirit animals’ and together represent an idiom in Chinese (鳳毛麟趾、鶴算龜齡) that is really hard to translate to English but more or less refers to the rarity of the animals, how precious they are and the longevity of their lifespans (稀奇珍貴、祥瑞長壽) - certainly a metaphor for the temple.

Also of note are the two octagonal passageways on either side of the Worship Hall that lead to the the rear area of the temple. The passageways have become quite popular with photographers, especially wedding photographers who you might run into while touring the temple.

If you visit the temple make sure to take a few photos from the two doors as they’ve become quite iconic.

Main Hall (正殿)

To start, the roof of the Main Hall is actually quite simple; Following the same design as the other sections, the roof is a double-layered swallowtail design. On each of the tips you’ll find a dragon that is facing a pagoda in the middle.

Interestingly the Door Gods at the Main Hall mirror those of the Front Hall and consisting of the Four Heavenly Kings (四天大王), Skanda (韋馱), and Sangharama (伽藍). This time however they are painted a bit differently representing different aspects of their character. In this case they appear more ‘compassionate’ and ‘scholarly’ while they appear a bit more threatening on the outside.

Note: The scary, threatening Door Gods are considered to be “martial” (武) representations while the compassionate representations are considered ‘scholarly’ (文).

The interior of the hall is really where the design of the temple really shines - It is dark, not very well-lit and constructed with a network of stained wooden beams that hold everything up.

In the centre of the building, the ceiling rises almost a level higher than at the entrance - On the sides there are windows on both the east and west ends that allow for natural light to flow into the building offering a bit more light on the inside.

On the far right of the shrine room you’ll find statues dedicated to the Eighteen Arhats (十八羅漢), the original disciples of the Buddha. Next to them you’ll see desks nearby where there are attendants watching over the building and are there to answer any questions you may have.

The main shrine consists of several different statues of Guanyin, the Buddha of Compassion.

The largest statue is a replacement for the original that was brought to Taiwan in the 1600s. Accompanying the large image of Guanyin are several others which were carved out of wood or molded out of bronze.

Once again, to the direct left of the main shrine you’ll find martial representations of Sangharama (伽藍) and to the right Skanda (韋馱) whose purpose is to act as spiritual bodyguards for Guanyin.

You’ll also find a shrine dedicated to the Goddess of Childbirth (註生娘娘), The Monkey King (齊天大聖) and the Dragon King (龍王).

Rear Hall (後殿)

The Rear Hall of the temple is considered the youngest part of the entire complex due to the fact that it had to be rebuilt after a fire destroyed the original hall.

The new version of the hall dates back to 1938, during the Japanese Colonial Era and its design us a reflection of the era with a mixture of both Japanese and Chinese styles.

The exterior of the hall is a simple one that follows the Hokkien style of design making using of the swallowtail roof. The doors and the interior however are constructed completely of Taiwanese Cyprus and the Stone Dragon Columns are more ‘Japanese’ in design than the columns in the previous two halls.

To the sides of the Rear Hall you’ll find two round doors which used to be the dorm rooms for the temple abbot. Today the room to the right has been converted into a kitchen and the room on the left is partly used for storage and also allows guests to go to visit the back garden or the public restrooms.

On the doors of the Rear Hall you will find General’s Heng and Ha (哼哈二軍) who are mythical generals that date back to the Shang Dynasty (商朝). They’re mostly known today in their capacity as ‘Door Gods’ at Buddhist Temples.

Like the exterior, the interior of the hall is very simple in design with shrines dedicated to various Buddhist figures. In front of the shrines there is ample floor space that allows for the nuns who hold daily prayer services to take a seat on the floor.

In fact, the main reason why I don’t have many photos of the interior of the Rear Hall is due to one of the daily prayer services taking place at the same time of my visit. Even though I missed out on getting better photos of shrines inside, I did enjoy taking photos of the ladies who were busy chanting.

As mentioned above, the Rear Hall is home to several Buddhist figures which include Amida (阿彌陀佛), Sakyamuni Buddha (释迦牟尼) and the Medicine Buddha (藥師佛) - known as the ‘Three Treasures’ (三寶佛).

You’ll also find statues of Manjusri (文殊菩薩), Puxian (普賢菩薩), Jizo (地藏王菩薩), the Wind God (風神), Rain God (雨神), the God of Literature (文昌帝君) and the Zhenwu Emperor (玄天上帝).

Last but not least in the courtyard in front of the Rear Hall you’ll find an old well known as the “Dragon Stream Well” (龍泉井) which used to be where the people who lived and worked at the temple got their water. Today the well is closed up but you can still see that there is water inside.

Getting There

 

Lukang isn’t particularly a large town and is easily walkable - If you arrive in a car or on a scooter the best thing you can do is just find a parking space walk around to better explore the magic of the historic village.

Home to several historic temples, buildings, businesses as well as an old street were you can sample local delicacies, there is certainly more than enough to do while you’re in Lukang and if you plan your day well enough you should be able to explore for an entire day (or more if you have the time).

If you get tired of walking there are bicycle rental vendors all over the city - I’d recommend saving yourself some money and getting a Youbike instead. 

Lukang doesn’t have its own railway station, so if you want to visit using public transportation you have a few different options:

  1. Take a Ubus direct to the village from Taipei Bus Station ($350NT).

  2. Take a bus from Taichung - You can choose either Bus #6936 from Taichung HSR Station or Bus #6933 from Taichung Railway Station.

  3. Take a bus from Changhua - From the Changhua Railway Station you’ll find buses that frequently travel back and forth. (Buses: 6900, 6901, 6902, 6909, 6933, 6934, 6936 - Website)

  4. Take a scenic ride with a YouBike from Changhua Train Station on the six kilometre ride to Lukang - There are stations all over Changhua City as well as in Lukang to get a bike. Make sure to download the YouBike App so you’ll know where to get a bike.

Whatever method you choose to get to the village, I can’t stress it enough that once you’re there you should walk around and enjoy the quiet ambience of one of Taiwan’s most historic villages. You’ll easily be able to walk through the village and see all of the most important sites without needing a car or a scooter.

The Lukang Longshan Temple is located at “No. 81, Jinmen Street” (彰化縣鹿港鎮金門街81號) and is open to the public and to tourists everyday from 6:00am - 9:00pm.

Okay, so this post turned out much longer than I actually expected - And I really only scratched the surface when it comes to the history and design - You could write a thesis about this place and you still wouldn’t come close to describing all of the fine details. 

I suppose it is arguable whether or not Lukang‘s Longshan Temple is factually one of the “oldest” temples in Taiwan, it is however the oldest “Longshan Temple” in the country and when it comes to its beauty, it really does stand out as one of the most stunning places of worship in Taiwan. Its age and adherence to traditional architectural styles place it very high on the list of the most important historic temples to visit and I can assure you that if you do have the chance to go, you’ll certainly be glad you did.

Visiting Taipei’s Longshan Temple is obviously much more convenient for the majority of people who travel to Taiwan, but if you’re one of those people who takes a little bit of extra time to explore the country, a visit to Lukang and the many historic temples within the small village should be high on your list of things to do.