Shrine

Futenma Shinto Shrine (普天滿宮)

Given the amount of time I’ve spent researching the history of Taiwan’s Japanese Colonial Era, most readers are likely to assume that my interest is based on a mutual love for both Taiwan and Japan. Admittedly though, after all these years living in Asia, I’ve been almost everywhere else but Japan.

Like most young people, I was always interested in Japanese stuff, so when I got to university and needed to take a foreign language credit, it was a no-brainer: I signed up for Japanese class. 

The thing is though, the class was over-booked and when I arrived on the first day, the classroom had a foul sour-like stench. 

The first thought that came to mind was: Oh no! I’m in a class full of Otaku!

When the professor walked into the classroom he said: This class is overbooked and there are more people here than there are seats. Would anyone like to transfer to Mandarin? There were few takers. Why study Chinese? Anime wasn’t made in China. 

I on the other hand, having a low tolerance for stink, raised my hand. The professor came over, presented me with a transfer sheet and I was on my way. 

The funny thing is that after studying Mandarin for a couple of years at school in Canada, I then took an opportunity to continue my studies at Peking University. After that I spent some time on exchange at Xiamen University before arriving here in Taiwan, where I’ve been for the last decade. 

Who knows where I’d be right now if I didn’t have such a low tolerance for stinky people. 

I haven’t been avoiding Japan all this time - I’ve always wanted to go, but I’ve also happy when presented with opportunities to backpack through South East Asia, India, Nepal and go island hopping in the Pacific. 

I figured that if I visited Japan that I’d fall in love with the place and every vacation after that would see me headed in the same direction. Coincidentally I think that already happened to my girlfriend, who has travelled to Japan a dozen times and speaks the language.  

So when she informed me that as part of my birthday present that we’d be heading to Okinawa for a week, I instantly got excited.

It would be my first taste of Japan and I couldn’t wait to check out all the cool Shinto shrines and Buddhist temples while stuffing my face with ramen and sushi. 

I was in for a bit of a rude awakening though.

Okinawa was actually nothing like I expected. Even though the islands are a part of Japan, they are in many ways quite ‘different’ from the rest of the country in terms of culture, language and religious practices - and for a lot of the people living there, being referred to as ‘Japanese’ is a contentious issue. 

When you do a bit of reading about the history of the Ryukyu islands, you’ll find that there are valid reasons for this. When the islands were annexed by the Empire of Japan, the Meiji government at the time did its best to suppress the ethnic identity, culture and language of the local people in an attempt to assimilate them into Japanese society.

These attempts were obviously not looked upon favourably by the locals and while these policies did a tremendous amount of damage to the local culture, the arrival of the Americans and the decimation of pretty much everything on the island put that to a stop.

In the ensuing decades under American occupation, the people of Okinawa were given the opportunity to revive their language and cultural identity while also working to completely rebuild and redevelop their home.

Unfortunately even though the Okinawa of today has been completely redeveloped and shows surprisingly little evidence of the war, the work to revive Ryukyuan language and culture remains a work in progress.

Interestingly, as Okinawa redeveloped, most of the buildings lost during the war that were considered ‘culturally’ or ‘religiously’ significant, especially those of Japanese origin, were never rebuilt. So, if you’re travelling to the islands hoping to find a bunch of temples or shrines, you’re likely to be disappointed.

It shouldn’t really be all that surprising though, Shintoism, the Japanese state religion was never really that popular with the Ryukyuan people, who preferred their native folk religion and ancestral worship.

Never fear though, you’ll still be able to find a couple of Shinto Shrines and Buddhist Temples to visit if you have your heart set on a cultural experience. 

There are a few things that you’ll have to keep in mind when it comes to Okinawa’s shrines and temples, which are essentially a lot like Okinawa itself - much different than the rest of Japan. 

The first thing you’ll need to keep in mind is that on the mainland there are more than 80,000 Shinto Shrines, with the majority of them being associated with a religious network of shrines.

In Okinawa however there are only eight shrines in total, referred to as the Ryukyu Eight Shrines (琉球八社) and the only thing they are associated with is a neighboring Buddhist temple.

Link: Ryukyu Eight Shrines 琉球八社 (Samurai Archives)  

Link: 琉球八社 (Wiki)

The lack of association with a network of shrines on the mainland essentially means that Okinawan shrines don’t receive much in terms of financial support and instead need to rely on the kindness of locals.

This isn’t entirely a terrible thing though as it has allowed the local people to take a bit of liberty with the architectural design of their shrines mixing in local Okinawan elements with traditional designs as well as allowing for the inclusion of more localized “kami” from Ryukyuan folk religion. 

Additionally, of the eight shrines that exist today, almost all of them are located in the greater Naha area - This means that the further you travel outside of the capital, the less likely you are to find a shrine or a temple, even in the few other larger populated areas. 

Today we’re going to be taking a look at the Futenma Shrine, one of the oldest and most important shrines in Okinawa, which just so happens to also be the largest and the prettiest of the bunch.

However, due to the length of this post (and the lack of in-depth English-language information available about the shrine), I’m going to be splitting it into two with this one focusing on the Shinto Shrine while the second post will focus on the Buddhist Temple located next door and information about how to get there.

Futenma Shinto Shrine (普天滿宮)

Dating back to the 14th Century, the Futenma Shinto Shrine has been a constant fixture of life in Okinawa for over six centuries. The shrine is considered to be the most important of the Eight Ryukyuan Shrines and over its long history, it has become a favorite among the locals and the (former) royal family.

Considering that it is one of the most important shrines in the whole of Okinawa, it shouldn’t be a surprise that every year on the first day of the Lunar New Year over 100,000 people walk through the main gate of the shrine to look for new year blessings. On every other day of the year though, you’ll find that the shrine is busy with locals visiting to pray for help finding love and having children. Likewise businesses will often make ‘official’ visits to make offerings looking to receive a divine blessing for prosperity and success. 

If you’re visiting the shrine hoping to see a six hundred year old place of worship, you’re going to be a bit disappointed - The shrine that we see today was rebuilt in 2005 and looks pristine. If you’ve visited Japan though, what you should be able to respect about this shrine is its subtle differences from what has become the norm on the mainland. Futenma, and the others found in Okinawa follow tradition but they also make sure to add a bit of Okinawan charm to their design making the shrines stand out from what you may be used to.

Before we get into any of that though, let’s start by explaining the legends that were responsible for the construction of a shrine on this site in the first place:

The first legend tells of a young woman named “Megami,” (普天満女神) who despite being one of the most beautiful women in the area was pious and devout and instead of spending time with men, she spent her time locked in her room dedicating herself to spiritual pursuits. When her younger sister married, her husband’s curiosity one day got the best of him and he wanted to find out if Megami was really as beautiful as people said she was. When he took a sneak peak, she caught him, turned hysterical, left home and disappeared into the cave never to be seen again.

The next legend tells of a local couple who in order to survive worked several jobs - In particular the wife would walk every day from the Ginowan area to Shuri Castle where she worked as a royal maid. Every day after work on her long walk home she would stop in the area to pray. A popular Shinto deity named Kumano (熊野権現) took note of this and one day appeared to the woman as an old hermit and requested that she take care of a wrapped package for him. After several years the man hadn’t returned to take the package, but each day the wife would return to the same place hoping to find him. One day on her way home she stopped to pray and the god appeared to her and told her to open the package which was filled with gold making them wealthy and prosperous. 

Even though the legends are a bit strange, through them we can better understand why Futenma Shrine has become such a popular place for local people who visit wishing to find love by the grace of Megami, now known as the “Futenma Goddess”, or good fortune thanks to Kumano.

Futenma Cave(普天滿宮洞穴)

The Futenma Cave, where it all started, is a 280 meter long limestone cave filled with stalagmite. Even though the cave is quite large, visitors are only able to access a front section that is about 50 meters in length while the rest of the cave is off limits to guests.

If you want to check out the cave, it is free of charge, but you’ll have to wait for one of the guided tours to take place. To sign up, simply walk in the door to the left of the main shrine, sign your name on the book and then patiently wait in the nicely air-conditioned room for someone from the temple to open the door to bring you in. 

When you enter the cave, you will be led by one of the Miko’s (巫女) who will request that you follow the rules and refrain from taking photos inside the sacred area. While doing research for this post, I discovered that quite a few people didn’t bother to pay attention to that request and took photos anyway.

Admittedly, it would have been quite easy to take photos while inside as they’re not exactly chasing you around or keeping much of an eye on you, but I followed the rules and didn’t take any photos.

It may not be your religion or your culture, but it is still important to remain respectful of the local customs when you’re traveling. 

The interior of the cave is quite impressive with large stalagmites and stalactites protruding from the roof of the cave and a small shrine nestled in among the rocks. The shrine, dedicated to one of the two gods found on the grounds is housed within a hokora (神庫), which you are only able to view from a distance. 

The area is well-lit but you’ll also find quite a bit of natural sunlight entering the cave from some holes in the ceiling. While inside you’re free to walk around a bit, but there isn’t really that much to see, so your visit probably won’t take any longer than ten minutes.

The significant thing about the cave is that archaeologists have found quite a few interesting artifacts inside that tell of the history of the area - Some of those finds are put on display in a glass case near at the entrance of the cave.  

History

Starting from humble origins, the Futenma Shrine that we see today was initially just a simple cave shrine where locals would come and pay homage to the cave lady.

A royal visit in the mid-15th Century by King Sho Taikyu (尚泰久王), who was well known for his patronage of Buddhism, cemented that from that time on, a much larger shrine would exist on the site. 

Even though the temple is almost six hundred years old, its history hasn’t been well documented and if you’ve done any research about it you’ll find that certain dates and events aren’t really that well recorded. It also goes without saying that the shrine has had to be rebuilt on several different occasions, with two of those rebuilds happening within the last century. So even though the shrine is steeped in tradition and history, the actual structures that you see both above and below ground are all relatively new.

I’m not going to spend a lot of time going over every fine detail of the shrine’s long history, but below I’m going to provide a list of important dates that I think better explain some of the important events that happened over the past few hundred years. 

  • 1450 (15世紀中半) - King Sho Taikyu (尚泰久王) orders the construction of a shrine at the site of the Futenma Cave as it has become a popular place of worship among locals.

  • 1868 (明治元年) - The Japanese government institutes a policy known as “Shinbutsu Bunri” (神仏分離) which orders the complete separation of Shinto from Buddhism, which were previously amalgamated and often inseparable. The policy also promoted Shintoism as the state religion and is remembered as a failed attempt to destroy the ‘foreign’ influence of Buddhism in Japan and its colonies. 

  • 1871 (明治4年) - The Meiji Government institutes a shrine ranking system and Futenma is classified as a “Mukakusha Shrine” (無格社) meaning that it is legally recognized but unassociated with the network of shrines on the mainland. 

  • 1945 (昭和20年) - The Shrine is destroyed during the Battle of Okinawa. 

  • 1953 (昭和28年) - Reconstruction of the Cave Shrine (奧宮) is completed.

  • 1963 (昭和38年) - Reconstruction of the Haiden (拝殿) is completed.

  • 1968 (昭和43年) - Reconstruction of the Honden (本殿) is completed.  

  • 1969 - 1970 (昭和43年-44年) - As is tradition with Kumano (熊野権現) worship, in order to receive the kami into your shrine, it first has to be ‘divided’ through a process known as ‘bunrei’ (分霊) or ‘kanjo’ (勧請) from a shrine at another location. A year of celebrations take place in order for Futenma Shrine to receive a new Kumano from the sacred Kumano Sanzan (熊野三山) mountains just south of Nara (奈良).  

  • 1973 (昭和48年) - The Shrine officially registers as a Religious Organization after Okinawa’s return to Japanese Control.  

  • 2004 (平成16年) - At the turn of the century, the shrine is in a bit of a state of disrepair due to years of typhoon and earthquake damage so a complete reconstruction of the shrine becomes necessary and is completed in 2005. 


The Shrine Gate (鳥居)

The gate to the shrine is known in Japan as a "Torii" gate, which simply translated into English as a ‘bird perch’. These gates are typically found at the entrance of a shrine and their purpose is to demarcate the transition from the outside profane realm to that of a sacred one. This means that once you pass through the gate, it is time to stop joking around and to be respectful. 

The Torii at Futenma is known as a Myojin torii (明神鳥居) which is one of the most common styles of Torii design and simply means that its upper beam is curved while the lower beam is straight.

Between the two beams you may notice a faded plaque that indicates the name of the shrine and reads “Futenma Shrine” (普天間宮). 

Hung from the lower beam of the gate you’ll notice something known as the “sacred rope” or the “shimenawa” (標縄). The rope is thick and expertly braided and is decorated with “shide” (紙垂), which are beautifully cut paper streamers that are used in Shinto rituals. These sacred ropes are found all over Japan and have many different uses but here at the Shinto shrine it is used to help ward away evil spirits 

Visiting Path (參道)

The “Sando” (參道) or “Visiting Path” is a common feature with Japanese Shinto and Buddhist places of worship and act as a path that leads to the Hall of Worship. The length of the path tends to vary between shrine with some being quite short while others can be several kilometers long. 

The path at the Futenma Shrine is quite short and is simply a set of cement stairs with stone lanterns on either side that opens up to the Purification Fountain on the left and the Hall of Worship just ahead. 

 Purification Fountain (手水舍)

An important aspect of Shintoism is something known as the "sacred-profane dichotomy". In terms of this temple, the Torii gate at the entrance of a temple separates the world of the 'sin' from that of the 'sacred'. When you walk through the gate you are leaving the world of the profane which means that you should do so in the cleanest possible manner. So in order to ready yourself for entrance into the sacred realm you would have to do so with a purified body and mind. 

As you approach the “chozuya” you’ll notice a handy sign next to it indicating the proper method of purifying yourself with a ceremony known as “temizu” (手水). The simple ceremony includes a few gestures that you’ll probably want to take part in if not just as a sign of respect, but because its hot in Okinawa and washing yourself with cold water is quite refreshing. 

  1. Pick up a ladle with your right hand, fill it with water and clean your left hand. 

  2. Swap the ladle to your left hand and then wash your right hand. 

  3. Swap hands again and pour some water into your left hand and take a drink. 

  4. Wash your left hand again and then tilt the ladle vertically so that the remaining water runs down the handle. 

Administration Office (社務所)

The “Shamusho” (社務所) is directly behind the Purification Fountain and reaches almost as far as the Hall of Worship. The building is traditionally used to conduct the business of running the shrine and also acts as a place to allow the shrine personnel to rest. The building is also where you’ll go if the shrine is holding a lecture or if the priests are holding special events or prayer ceremonies that aren’t held in the Hall of Worship. 

Traditionally the Shamusho is also where you’d go to purchase good luck charms, amulets, ema, etc. from the shrine, but at this particular shrine, they have that area directly connected to the Hall of Worship where you’ll find the young Miko priestesses working at a public counter where they not only sell the charms but also coordinate the cave tours with tourists. 

I suppose the main reason for the separation of the Administration Office and the Public Counter in this case is largely due to the noise created by tourists waiting around for cave tours. The separation allows the priests to hang out in the administration office or give lectures without constantly being disturbed. 

Stone Guardians (狛犬) 

Shinto Shrines and temples in Japan are traditionally guarded by stone lion-dogs known as “Komainu” (狛犬). Thought to have originated in Korea, usage of these stone lion-dogs has become ubiquitous with places of worship throughout almost every country in Asia where they typically appear in front of a temple and are meant to help ward off evil spirits.

Okinawa being Okinawa though, the traditional stone lion-dogs that guard the shrine have been replaced with the Shisa (シーサー), or “shi-shi” (獅子) in the local language. The Shisa lions, I guess you could say are a distant cousin of the Komainu and are prevalent throughout the Ryukyuan islands acting as not only the guardians of temples and shrines, but also homes and businesses as well. 

The Shisa first appeared in Okinawa in the 15th Century and in the years since the lion has transformed into an image that symbolises the cultural identity of the people of the Ryukyuan islands and there are many legends in the area that tell of how they arrived.   

Link: Shisa: The Guardian Lions of Okinawa (Kampai) 

Hall of Worship (拜殿)

For most visitors, the Hall of Worship or the “Haiden” is the main attraction of a visit to the shrine and is the place where most of the local people will head once they’ve finished at the purification fountain.

From a distance, the Hall of Worship is extremely picturesque and the closer you get the more you’re able to fully enjoy the finer details of its design. Specifically, there are quite a few elements of the halls design where you’re going to notice strikingly distinct differences from what is the norm on the mainland. 

The first major difference is that that the shrine was constructed using a combination of cement and wood. My original impression was that they took some shortcuts with the construction of the shrine, but would later find out that I was mistaken. The reason for this combination is quite simple - Okinawa is constantly under the threat of typhoons making landfall during the summer. In fact, the shrine was was reconstructed in the late 1960s had to be completely replaced less than four decades later due to damage caused by extreme weather. So when they rebuilt the shrine again in 2004, they made sure to construct it in a way that kept with tradition, but also hoping that it could last a bit longer this time.

Another local contribution to the shrine is the Okinawan limestone that was used to construct steps and the elevated walkway that leads up to the front door of the hall and around the sides.  

The biggest difference however is the beautiful red tiled roof that has become quite synonymous with the architecture found on the islands. The red tiles, known as “Aka-Gawara” (沖繩赤瓦) are created using a black soil found in the south of Okinawa which in addition to the elaborate firing process produces the distinct colors.

The combination of the red tiles and the beautiful blue Okinawan sky makes the shrine shine in the sunlight and at the same time makes some of the shrines on the mainland look a bit dull. 

Link: Ryukyuan Architecture in Zamami: Red Tile Roofs (The Zamami Times)

Most of what you’re going to want to see from the Hall of Worship is on the exterior, but if you’d really like to walk up to the doors to take a peak inside, you’re going to want to follow tradition and first follow a few steps which will impress the locals. 

First you’ll want to walk up the steps to the wooden box in front of the main doors. You can drop in a small donation (there’s no set amount), then clap your hands twice to alert the Kami of your presence, then with your hands clasped together, bow your head and make a wish. When you’re done, its tradition to bow. From there you can approach the glass windows at the main door and take a peak inside of the shrine room to see whats happening. 

The interior is rather simple with a shrine in the middle and a mirror placed on top of it. There are meditation cushions lined up in front of the shrine and there is a drum to the right. The interior doesn’t really have much going on, so if you peak inside try not to take too long because others might be there wanting to pray and you may be blocking their line of sight with the kami enshrined inside. 

Main Hall (本殿) 

The Main Hall or the “Honden” (本殿) is the literal beating heart of any Shinto Shrine and is where the kami is enshrined. It is a space that is considered so sacred that it is off-limits to anyone other than the priests who reside at the shrine. Contrast to what you’ll find at a Buddhist temple, where the statues of Buddha’s are situated within a shrine and are easily approached, in a shrine like this, a “kami” is only ever placed within a Honden and is physically represented in the Hall of Worship by a mirror. 

The Honden is located directly behind the Hall of Worship and can be reached only by walking through one of the two sliding doors in the hall and then up a set of stairs to the small shrine.

Even though the area is off limits, when you take a tour of the cave, you’ll be able to check it out from the entrance to the cave. It is located on a small hill on top of the cave at the rear of the Hall of Worship. 

In the second part part of this post I will introduce the beautiful Futenma Buddhist Temple which sits directly next to tis shrine as well as pertinent travel information that you’ll need to make your way to the shrine. When I’ve posted the second part, I’ll update here with a link. I hope this post helps travelers understand this beautiful shrine a bit more than the scattered bits of information you’re able to find elsewhere on the net.

If you’re visiting Okinawa, I highly recommend stopping by this beautiful shrine.

Futenma Temple (普天間山神宮寺)


Taichung Confucius Temple (臺中孔廟)

A few months ago I took a solo day-trip to Taichung on a beautiful sunny day to check out the Taichung Prison Martial Arts Hall as well as to check out the grounds of the former Taichung Shinto Shrine, which was converted into the Taichung Martyrs Shrine after the end of the Japanese Colonial Era.

Next to the Martyrs Shrine is the Taichung Confucius Temple, one of the Confucius Temples in Taiwan that I hadn’t had a chance to visit or write about yet, so I decided to stop in to take some photos.

The interesting thing about Confucius Temples is that even though they vary in age and size, they are pretty much all designed in the exact same way, which means that when I take photos in one of these temples, I end up taking the same photos from the same angles because I know they are what works best.

Confucius Temples in Taiwan are a stark contrast to the beautifully designed Taoist and Folk Religion temples that you’ll come across as they place more importance on simplicity rather than overloading your senses with design. This in itself is a good reason to visit them, but in some cases there is a bit of a precarious nature to these shines which shouldn’t be overlooked when it comes to the politics and culture in Taiwan, which is something I’ll touch on a bit later.

Although this temple isn’t as widely visited as the temples in Taipei and Tainan, it is still worth a visit if you are in the area and I think that the lack of tourists might actually be a great thing if you are into taking photos like myself.

History

Taiwan is home to well over twenty Confucius Temples - The temples, which are dedicated to Confucius, one of history’s most revered educators and philosophers can be found throughout various country’s in East and South East Asia and are a testament to the historic and cultural importance that Confucius and his philosophies have had on Asia.

Here in Taiwan it is common to find a Confucius Temple within each country or major city with some of them being quite large while others can be quite small. Don’t be fooled though, not all of the temple’s are as historic as Tainan’s beautiful Confucius Temple which dates back to 1665. The majority of the temples that you’ll find today in Taiwan were constructed within the past fifty or so years.

The reasons for this are quite simple - Faced with a large population of people who identified more with Japanese culture, the Chinese Nationalists constructed Confucius Temple’s around the nation in an attempt to force Chinese culture on the people of Taiwan while at the same time the Chinese Nationalists considered themselves the protectors of traditional Chinese culture and felt that it was important for them to preserve the practice of Confucius worship. The temple’s therefore can be thought of as propaganda tools and is probably why most of the newer ones, like the one I’m writing about today aren’t as widely visited as the shrines in Taipei or Tainan.

The history of the Taichung Confucius Temple dates back to 1899 when a small temple was constructed in the downtown governing area of the city. The small temple which was next to the historic Taichung City Hall (台中州廳). When the Japanese Colonial Era started though, Taichung became an important place for development and the Japanese tore down quite a few buildings in that area to widen the roads and construct modern buildings for governmental use.

The current Taichung Confucius Temple is a beautiful one, but as mentioned above, it is one of those that was constructed well after Japanese Colonial Era on reclaimed land and no where near where the original was once located. Building a Confucius Temple in Taichung was important for the government at the time due to the fact that Taichung was the seat of the so-called “Provincial Capital” (台灣省政府) of Taiwan and because it was useful for the propaganda campaign mentioned above.

Construction on the current temple started in 1972 and was completed in 1976, a year after President Chiang Kai-Shek passed away. The temple, which is situated on 23,000 square meters of land directly next to the Taichung Martyr’s Shrine which was constructed on lands that were once home to the beautiful Taichung Shinto Shrine (台中神社) which paid honour to the fallen members of the Japanese imperial forces.

After almost forty years, the Taichung Confucius Temple has a quiet park-like atmosphere where you won’t see a lot of tourists or many events taking place. It has become a place for local residents to come and enjoy a bit of nature and to do a bit of exercise. Like most Confucius Temple’s however, the place comes alive each year on September 28th, otherwise known as “Teachers Day” (教師節) when the temple holds traditional ceremonies to honour Confucius and is quite a sight if you are a tourist.

Design

Confucius temples tend to be uniform in their simplicity - Unlike the overwhelming beauty of Taiwanese folk temples and Taoist temples - Confucius temples stand alone in their almost "zen-like" nature in that they don't have shiny gold or bronze decorations and murals all over the walls with hundreds of sticks of incense creating a haze throughout the temple.

The simplicity exhibited in Confucius temples throughout Taiwan and the rest of Asia is meant to be a show of respect to Confucius as well as the importance of his philosophical views of education and his influence on Chinese culture and history.

One of the common features of all Confucius temples is that there is no imagery or statues of Confucius. This is a rule that goes back almost 500 years to the Ming Dynasty (明朝) when the emperor decreed that all Confucius temples should be uniform and only have "spirit tablets" (神位) rather than images of the sage.

The layout of the temple follows the design of the original Qufu Confucius Temple in China’s Shandong Province (山東省) where Confucius lived and follows the temple-style architecture of the Song Dynasty (宋朝) - although some of the designs and murals on the walls are a bit different with this one having murals of flowers and grass painted in beautiful colors on the walls and roof trusses.

Dacheng Hall (大成殿)

Dacheng Hall is the main shrine area of any Confucius temple. The hall sits in the middle of a large granite courtyard with a large elevated platform in front of it as well as on the sides. Inside the hall is a very simple set up with the Confucius spirit tablet propped up on a nice red table-like shrine.

The simplicity of the main shrine room in a Confucius temple is a stark contrast to what you'd see at a Taoist temple but there is beauty in simplicity and if you have the chance to walk inside the shrine room (it's not always open to the public) I recommend stepping in and checking it out.

As with all Confucius Temples, there are an additional two shrines in the room which sit upon the west and east side walls and are dedicated to the four sages (四配) Yan Hui (顏子), Zengzi (曾子), Zisi (子思) and Mencius (孟子) who were Confucius’ most well-recognized disciples and who authored books which improved upon the philosophy of their master.

Dacheng Gate (大成門)

The Dacheng Gate acts as the entrance to any Confucius Temple and although it is a gate, it forms a perimeter around the courtyard and the Dacheng Hall. In most cases the gate is likely to be the most ornate part of the entire temple with murals to the sides of the main entrance as well as intricate designs on the roof.

In the case of the Taichung Confucius Temple I think that the gate is probably one of the most aesthetically pleasing parts of the temple. The colours on the gate mix in beautifully with the surrounding nature and allow tourists to feel like when they walk through the doors that they’ll be transported to a different time and place.

Chongsheng Shrine (崇聖祠)

The Chongsheng Shrine is situated behind the main Dacheng Hall and is used as a shrine room to venerate several generations of the ancestors of Confucius as well as the various Confucian sages and philosophers. This shrine room is not unlike a shrine room that you'd find in any large Taiwanese home and is an important place for ancestral worship.

As the descendants of Confucius have spread out throughout China, Taiwan and Korea, it's important for them to have a place to worship. The shrine room isn't often open to visitors but you can look through the front door which usually has a waist-high gate in front of it to see the inside. The Chongsheng Shrine isn’t usually the most widely visited part of a Confucius Shrine but it has historical significance and is an integral part of the temple, so its always a good idea to check it out.

Getting there

If you are visiting Taichung and don’t have access to your own method of transportation, I’d say the best way to get to the Taichung Confucius Temple is either by YouBike or bus. The temple is a short ride away from the Taichung Train Station and is also close to the beautiful Taichung Park where you’ll find the Mid-Lake Pavilion. If you decide to take the YouBike route you can easily stop by both the park and the temple as well as the Taichung Martyrs Shrine.

If you decide to go by bus, you can get there by taking Bus #1, #21, #31, #41 or #67 from Taichung Train Station.

 

Address: No.30, Sec. 2, Shuangshi Rd., North Dist., Taichung.

台中市北區雙十路二段30號

If you are visiting Taichung, the Taichung Confucius Temple in conjunction with the Taichung Martyrs Shrine are probably nice destinations to stop off. They are conveniently located a short distance away from the Train Station between the beautiful Taichung Park and the popular Yizhong Street (一中街) making them an easy stop along the way between a few of Taichung’s top tourist attractions. You don’t really need a whole lot of time to see either and if you’ve seen a Confucius Temple in Taiwan before, you’ll likely notice that what you’re seeing here is a lot similar to what you’ve seen before. I guess that’s what makes Confucius Temples interesting - they are historically significant but stay relatively uniform in their design. If you have time, stop by and check it out.

For more information about Taiwan’s Confucius Temple’s please check out my Confucius Temple Guide.


Hsinpu Ancestral Shrines (新埔宗祠)

I’ve probably mentioned this about a hundred times already but for the last decade I’ve been a resident of a small city in Taoyuan named Zhongli (中壢). The city is one of those special places in Taiwan that is well-known for its preservation of Hakka culture and the availability of amazing Hakka cuisine. 

Recently the local city government decided to start putting up signage around the town with the nickname the “Hakka Capital of Taiwan” which was an obvious shout-out to the people who have developed the city into the place it is today.

Like a lot of other towns and villages in the Taoyuan-Hsinchu-Miaoli area (桃竹苗), the population of Zhongli is made up predominantly of Hakka ethnic group and walking around these places you’ll likely hear a mixture of Mandarin, Hakka and Taiwanese from the locals.

While the population of the city is now a bit more diverse, the culture and history of the Hakka people remains prevalent on almost every street corner and that history is celebrated and promoted by all the people who live here.

Even though Zhongli refers to itself as the Hakka “capital” of the nation, Hsinpu village (新埔鎮) in Hsinchu would probably best be referred to as the “Hakka Mecca of Taiwan” thanks to the all-important Yimin Temple. The small village is one of the most important places in the country in terms of Hakka history, culture, cuisine and religion and has been instrumental in helping the Hakka people form their own identity over the last few centuries.

Hsinpu has experienced a revitalization over the past few years thanks to the cultural preservation efforts of the government and everywhere you go you can see the past coming back to life again - Whether you are visiting for some great food or to learn about the history of this amazing culture, Hsinpu is one of the best places to visit and has quite a few attractions for the savvy traveller.

Hsinpu LinksYimin Temple  (褒忠義民廟) | Wu Zhuo-Liu Memorial House (吳濁流故居) | Hsinpu Dried Persimmons | Hsin-Hsing Theater

Today’s post is going to focus on some of the historic Ancestral Halls that you’ll find in the downtown core of the village. These halls, which are also known as shrines (祠堂) or temples (宗祠) are closely linked to Confucian ideology and place an emphasis on filial piety. Although their main purpose is for ancestral worship, they also provide a place for family get togethers and various events throughout the year.

The most common feature of Ancestral Shrines that transcend all of the Chinese ethnic-groups are the ancestral tablets (神位) in the main shrine room. Family members will visit several times a year to honour their ancestors, take part in rituals as well as whenever a wedding or a funeral takes place.

You’ll find Ancestral Halls like this dedicated to a specifically family all over Taiwan but the reason why the halls in Hsinpu are of particular interest is because of the history of the town and that they represent most of the families who first settled the area several centuries ago.

This post will unfortunately have to be one that will be updated gradually over time because the halls are in varying states of disrepair and are currently being restored. There is also the issue that while these ancestral halls are national historic monuments, they are not always open to the public which makes them a bit difficult to take photos of.

As there are seven of these shrines in the village, I’ll provide photos for most of them but I won’t be going into too much detail about their history apart from when they were constructed and how accessible they are to the public. Most of this information isn’t available online in English so I’ll do my best to help make this stuff a bit clearer to travellers.

Chen Family Ancestral Shrine (新埔陳氏宗祠)

The Chen Family Shrine is situated directly on the Main Street of Hsinpu Village and dates back to 1868. The shrine is currently in the process of being restored but is one of the few that is accessible to the public. The shrine is looks as if it is in good shape from the outside but the wooden planks in the interior of the shrine had started to rot and were causing structural problems which forced the shrine to close for a period of time.

The building is quite beautiful with artwork on the walls, doors and the roof and a tree-covered courtyard between the shrine and the main gate.

When the restoration project is completed it will reopen and you’ll be able to stop in for a visit between Tuesday and Saturday. (Closed for family gatherings on Sundays and Mondays).

The shrine is considered a county-level historic site (縣定古蹟).

Address: 新竹縣新埔鎮中正路510號 (中文介紹)

Zhang Family Ancestral Shrine (新埔張氏家廟)

The Zhang Family Ancestral Shrine is probably in the worst shape of all of the ancestral shrines in Hsinpu today. The shrine which dates back to 1868 is currently undergoing a process of large scale restoration and is inaccessible to the public.

This kind of thing however rarely stops me and I wandered on site to check out the shrine. After a few minutes of walking around the construction site the foreman called out to me and I figured I was going to get kicked out but instead got a free tour of grounds. Despite the fact that the shrine is in terrible shape, he said that it would likely reopen to the public sometime in 2018. Currently the shrine is empty and the spirit tablets have been moved elsewhere for safe-keeping.

The shrine is considered a country-level historic site (縣定古蹟)

Address: 新竹縣新埔鎮和平街347巷22號 (中文介紹)

Liu Family Ancestral Shrine (新埔劉家祠)

The Liu Family Ancestral Shrine is currently the only shrine in town that has been fully restored and is accessible to the public. The shrine is open between Tuesdays and Saturdays and has both information available in English and Chinese to visitors.

The Liu Family Ancestral Shrine dates back to 1867 and as it is the one that is most accessible to the public and in the best shape you’ll be able to enter the grounds and walk around. The things to notice with this shrine is the incredibly preserved artwork on the walls as well as the wooden craftsmanship on the roof and the trusses that hold it up.

The shrine is considered a county-level historic site (縣定古蹟)

Address: 新竹縣新埔鎮和平街230號 (中文介紹)

Pan Family Ancestral Shrine (新埔潘屋)

The Pan Family Ancestral Shrine dates back to 1861 and from the outside looks to be in relatively good shape. The shrine is not accessible to the public however and the best you can do is look at it from a distance.

The shrine is next door to the Liu Family Shrine but instead of being next to the road, it has a large front lawn between the main gate and the shrine which is actually quite rare in Taiwan.

The shrine is considered a county-level historic site (縣定古蹟)

Address: 新竹縣新埔鎮和平街170號 (中文介紹)

Chu Family Ancestral Shrine (新埔朱氏家廟)

The Chu Family Ancestral Shrine was constructed in 1846 and is currently being restored. The shrine is the smallest of the seven and looks as if there is a family living on-site. The shrine isn’t open to the public and the best you can do is check it out from the gate outside.

I’m not sure how long the restoration process will take but the metal canopy that was constructed over the shrine to protect it from the elements likely means that there is an issue with the roof and the structure itself.

Address: 新竹縣新埔鎮和平街158號 (中文介紹)

Lin Family Ancestral Shrine (新埔林氏家廟)

The Lin Family Ancestral Shrine is the newest of all of the shrines in town and also in the best shape. Dating back to 1917 the shrine is the most colourful and most beautifully decorated of the shrines.

The shrine is somewhat open to the public, but to gain entry you have to first make an appointment to be let in meaning that unless you plan ahead you won’t be able to gain access. If you visit however you can see enough of the shrine to appreciate it from the front gate.

The shrine is considered a county-level historic site (縣定古蹟)

Address: 新竹縣新埔鎮成功街136巷16號 (中文介紹)

Fan Family Ancestral Shrine (新埔范氏家廟)

The Fan Family Ancestral Shrine dates back to 1860 and is currently undergoing a process of restoration. The shrine is currently inaccessible to the public and when the restoration process is complete, it will only be accessible by family members. This shrine is the most difficult of all the shrines to get photos of which is why I don’t have anything to show at this point. I hope that I’ll be able to get something in the future though.

The shrine is considered a county-level historic site (縣定古蹟)

Address: 新竹縣新埔鎮成功街116-7號 (中文介紹)

As mentioned above, this post is just meant to be a general introduction to some of these historic buildings. I plan to update periodically with both new photos and information as the restoration processes of the various shrines are completed over the next year or two. The history of these buildings as I’ve also discovered deserve a bit more attention to detail than what I’ve been able to write in this post, so I will probably write individual articles for some of the shrines in the future.