Hsinchu

Wu Zhuo-Liu Memorial Home (吳濁流故居)

The historic residence of one of Taiwan’s leading modern literary figures, Wu Zhuo-Liu (吳濁流) recently opened to the public after the Hsinchu government both restored and renovated the traditional Hakka-style home into a memorial museum for the iconic author.

The house which is located in Hsinchu’s Hsinpu township (新埔鎮) offers visitors a glimpse into the life of the man who authored several influential novels and helped to shape the notion of a distinct identity for the people of Formosa that wasn’t “Chinese” or “Japanese” but solely Taiwanese.

Before we start, I'm going to be honest - I had no idea that this house was the home of someone as historically significant as Wu Zhuo-Liu nor did I even know who he was - I just passed by and saw the words "Memorial Hall" (紀念堂) next to a beautiful old home and decided to check it out. 

Later, when I started to do research for this blog however I quickly found out that I was walking around the home of a giant of modern Taiwanese history and a person who I was absolutely sure that I would like.

Mr. Wu was not only an advocate of a separate Taiwanese identity but described for the world the history and harsh reality that the people of Taiwan have had to face for the past several centuries. 

After learning a bit about the man and his life, I knew that his books had to be added to my collection and I went out right away and bought an English version of his "Orphan of Asia" (currently reading) and a Chinese version of "Fig Tree" (無花果).  

I'm only halfway through the first book, but I can tell you that I'm extremely happy that in my ignorance I happened upon this Memorial Home as it helped me learn more about the struggle the Taiwanese people have endured for hundreds of years up until today.  

Wu Zhuo-Liu (吳濁流)

Wu Zhuo-Liu (吳濁流) was born as Wu Jintian (吳建田) in 1900 just a few short years after the Japanese Colonial Era began. Mr. Wu, a Hakka from Hsinchu’s Hsinpu Village grew up in Japanese occupied Taiwan and despite hailing from a family of farmers, received a formal education in the Japanese Education system. 

As an educated man Wu spent much of the first part of his life teaching in the Primary School system. At the age of 41 he quit his highly respected job as a teacher and took a job as a reporter in China where he spent fifteen months in Nanjing (At that time the capital of China) writing about the war that had enveloped the nation.

When Wu returned to Taiwan in 1943 he continued working as a journalist and also started to write novels and short stories based on his, and the experiences of his fellow Taiwanese people. In 1945 he penned what would become his most famous work titled the “Orphan of Asia” (亞細亞的孤兒) which highlighted the ambiguity felt in the hearts of Taiwanese as to their conflicting sense of identity and is a book that even today people can still relate to.

In 1968, Wu published his memoirs, an autobiographical look at life during the Japanese Colonial Era and then the Republic of China era. The book continued with the themes of his growing political conscious and search for identity. Both realistic and politically charged, its description of the events of the 228 Massacre and the repressive nature of the Chinese Nationalists who controlled Taiwan with an iron fist were enough to earn it a swift ban by the authorities due to the fact that discussing such things was taboo at the time.

Unfortunately Wu died in 1976 and at the age of 76 and was ultimately unable to see the lifting of Martial Law or the end of the repressive White Terror period which he had endured for much of his life. His contribution and his courage however are widely respected today in Taiwan and his books are a constant reminder of the tension the Taiwanese people have had to endure over the last century with regard to who they really are. 

History and Design

Thanks to the efforts of the Hsinchu City Bureau of Cultural Affairs (新竹市文化局), the Wu Zhuo-Liu Memorial House (吳濁流故居) recently re-opened to the public after several years of renovation and restoration. 

This memorial house is but one of the historic homes of Hsinpu village that has been restored (or is in the process of being restored) and opened to the public over recent years. Hsinpu Village has become an extremely important place for the Hakka people of Taiwan thanks to its wealth of cultural history and more importantly due to the fact that Yimin Temple (義民廟), the Mecca for the Hakka people is situated within the village.

In conjunction with the Hsinchu City Bureau of Cultural Affairs and the Hakka Affairs Council (客家委員會) the village has been revitalized in recent years and the promotion of Hakka culture, cuisine and history has made it as important location for the people of Taiwan to travel to learn about the nations history.

Hsinpu has several historic ancestral homes that are quite similar to the Wu Zhuo-Liu Memorial House and if you’re interested in Taiwanese history, Hakka history or viewing the beautiful Hakka architecture of the past, a day-trip to Hsinpu will not only allow you to view some of these historic homes but also allow you to enjoy some amazing Hakka culture and cuisine at the same time.

Some of the other historic houses in the village include:

  1. Chen Family Ancestral Home (新埔陳氏宗祠)
  2. Chang Family Ancestral Home (新埔張氏宗祠)
  3. Liu Family Ancestral Home (新埔劉祠)
  4. Pan Family Ancestral Home (新埔潘屋)
  5. Chu Family Ancestral Home (新埔朱氏家廟)
  6. Lin Family Ancestral Home (新埔林氏家廟)
  7. Fan Family Ancestral Home (新埔范氏家廟)

*There isn't a lot of information available in English about these beautiful ancestral homes, but I'll be making a post about them in the coming weeks to explain them in a little more detail. 

The Wu Zhuo-Liu Memorial House (like most of the houses listed above) is a traditional style Hakka “sanheyuan” (三合院) courtyard style home that is most identifiable by it’s “U” shaped design. The house was constructed sometime around 1840 and was the home where Wu Zhuo-Liu grew up and also where the rest of his family has lived and farmed up until recently.  

Sanheyuan-style homes were very common in Taiwan before the Japanese Colonial Era and are often still quite prevalent throughout the countrysides of Taiwan. The problem for these older buildings is that the majority of them have become dilapidated over the years and in most cases have been abandoned or are being demolished in favour of a more modern style home. Preserving them can often be a bit difficult due to the humidity of Taiwan and the amount of earthquakes that rock the island. 

Link: Hsinpu Ancestral Shrine (Already demolished)

The Wu Family Ancestral Shrine

The two longer wings of a sanheyuan are known as the “Hu-Long” or the “protecting dragons” (護龍) and is where you would find the bedrooms, living rooms, kitchens, dining rooms, etc. The main section of the building that connects to the two wings is sometimes translated into English as the “Inner Protector” (內籠) but is also what I usually refer to as the “Ancestral Hall” (室德堂) in these Hakka-style homes. In truth it is a bit difficult to literally translate what “室德堂” means into English but in simple terms it is the central part of the home where you’d find not only the main entrance to the house but also the ancestral shrine which meets you at the front door.

Ceramic Tile on the roof. 

While these courtyard-style homes are prevalent throughout Taiwan and not unique to Hakka culture, one of the things that differentiates a Hakka home from some of the others is the ornate decorations on the roof and exterior walls. If you visit this home (or any of the others in Hsinpu), be sure to pay attention to the beautiful ceramic designs on the roof and the awnings which have been beautifully re-coloured and restored during the restoration process.

Now that the home is open to the public, the rooms have been emptied and displays have been set up which not only introduce the life of Wu Zhuo-Liu and his family but also the function of each room. There are displays in the kitchens that help teach the people of today as to how people in 1840s Taiwan lived. The displays and exhibits set up within the house are non-intrusive and allow people to learn about the home in a way that doesn’t involve too much modern technology.

If you visit you should also make sure to tour the surrounding grounds of the building and check out the historic trail nearby where you’ll find a nice little lake as well as beautiful Taiwanese cypress trees and also a bit of nostalgia for an old Canadian like myself - Maple trees!

Getting there

Getting to the Wu Zhuo-Liu Memorial Home can be a bit difficult if you don’t have your own means of transportation. Unlike some of the other homes I mentioned above, this one is not situated within the downtown area of Hsinpu village. The home is on the road that connects Hsinpu Village (新埔) in Hsinchu County with Longtan Village (龍潭) in Taoyuan.

There is a bus that connects both villages but it only runs three times each day and you’re likely to get stuck waiting by a rice paddy for a few hours if you choose this option.

If you absolutely have to rely on public transportation I would recommend taking a train or bus to Jhudong (竹東) and from there transferring to a bus that takes you into the downtown area of Hsinpu village and then hiring a taxi.

There are quite a few cool things that you can see while walking around the downtown core of Hsinpu, so I recommend a stop by the historic town to check out some of the historic mansions, temples and of course to eat some Hakka flat noodles (客家粄條).

 

 Address: #10, Jupu Village. Hsinpu Township, Hsinchu (新竹縣新埔鎮巨埔里五鄰大茅埔10號)

The recent renovation and restoration of the iconic author’s family home is not only an attractive destination for lovers of Taiwanese literature, but also those who respect the contribution Mr. Wu made to help promote the idea of Taiwanese identity to the world.

The subjects of his books dealt with topics that were quite sensitive when they came out but stand up to the test of time and still help the Taiwanese of today understand their history and why they should be proud to be Taiwanese.

The house is beautiful and walking around a traditional home like this can also teach people what life was like in Taiwan before all these modern high rise buildings were constructed. If you are in the area, I recommend a visit and think that a walk around the property can be a great learning experience.


Gallery / Flickr (High Res Shots)

Yishan Hall (一善堂)

I've been on a bit of a kick lately searching high and low around Taiwan for remnants of the Japanese Colonial Era. I've discovered that there is still a lot to be found but it just so happens that not everything I end up finding is in very good shape, photogenic or has a story to tell. Nevertheless I have spent a considerable amount of time searching the Internet up and down for clues as to something interesting and have been setting off to find it whenever I have the chance.

The Lunar New Year holiday this year was a short one so instead of planning a trip outside of the country, I decided that I would make several day trips around the northern part of the country to find a few things that I had on my list. My first trip ended up being a bit of a screw up as I drove all the way from home to Jhudong (竹東) in Hsinchu to get some more shots of the half-abandoned Timber Industry dorms.

Unfortunately upon arrival I took my camera out of the bag and upon taking the first shot I realized I didn't have either of my usual memory cards in my bag and my spares were also sitting on top of my memory card reader at home. I had to walk around an empty city looking for an open electronics store on the first day of the new year which was quite difficult.

Having learned my lesson I packed several cards in my bag and prepared for my next trip, a quick one to to southern most train station in Hsinchu - Xiangshan Station (香山車站). Xiangshan is known for its Wetlands (香山溼地), its "several hundred" year old Mazu Temple (香山天后宮) and its cute little wooden Japanese train station. A short walk from the station however is a huge (and somewhat out of control) God of Wealth (財神) temple which sits up on a hill above the main road that goes through the village.

I've never really been a huge fan of temples dedicated to the God of Wealth but I was only going to be passing by - I was actually looking for (what I thought was) a Japanese temple that Google Maps showed me was on the mountain somewhere behind the temple. The problem was that there was no road to the building on Google Maps, so I had to do a bit of exploring to find my own way.

With my cellphone in hand I walked around looking for a path that would lead me to the temple and after no more than five minutes I found a rugged-looking stone pathway that led up a hill and figured I hit the jackpot. When I reached the top of the hill I saw the temple sitting there and it looked like it was in great shape so I was really pleased with my find.

I had noticed an older lady off to the side doing some gardening work but was able to walk in unnoticed and did my thing getting shots of the exterior. Eventually I walked up to the door and pulled back some plastic sheets and walked into the shrine room. The little temple was just a one room shrine full of Buddhist statues, spirit plates and pictures of people who I figured were local people or patrons of the temple back in the day.

I got all the shots I needed and then walked outside and got more shots of the exterior before being noticed by the old lady who came over and looked at me quote oddly. She asked me in a somewhat unintelligible dialect of Mandarin: "Why are you here?" I replied that I was researching the Japanese Colonial Era and was interested in this building.

She replied back: "This is Taiwan, not Japan. There's nothing Japanese here."

The building seemed to have been built with Japanese design and from what I saw online was built in the later parts of the 1800's meaning it was constructed during the colonial era. The wooden construction and the roof seemed to point in that direction and the wood inside the building was made entirely of Hinoki Cypress (檜木) which is very popular with Japanese construction of that era.

I figured there must have been a communication error so I replied to her: "I know this is Taiwan, but this temple looks like it was Japanese design and origin." which brought on the same look of confusion on her face that I had on mine. I'm not going to lie, the lady seemed a bit off and I have had bad luck running into crazy religious people in the past so I wasn't going to keep pressing the issue. I thanked her for the quick chat and then walked off to take a few more pictures before leaving.

Internet research however makes the story of this interesting little temple a little clearer. 

The history of this temple dates back to 1884 (明治17年) where it was originally constructed near the coast just behind Xiangshan's modest but historic Mazu Temple (香山天后宮). The original name was Yishan Temple (一善寺) and was a monastery style building constructed with a main hall and two halls to the sides. The temple worshipped Guanyin, the Buddha of Compassion and sought to promote Buddhist philosophy to the people of the area - more importantly the women who it offered specialized six-month "bhikkhuni" (nun) classes where women could take short-term monastic vows.

In 1935 however the devastating Shinchiku-Taichu Earthquake (新竹台中地震), one of the deadliest earthquakes in modern Taiwan history destroyed the temple. The following year it was decided that the temple would be relocated to a spot on the mountain nearby.

When the temple's reconstruction was completed it was renamed "Yishan Hall" (一善堂). The new version however was completely different than the original - It was a simple one room building with a main shrine dedicated to Buddhism and ancestral shrines on either side dedicated to the Zheng family (鄭家). Today there are several generations of spirit tablets (神位) and photos of the Zheng family.

While the main shrine of the temple is dedicated primarily to important figures within Buddhism, there are also elements of Taoism and Taiwanese folk-religion grouped together with the Buddha's which is typical of Taiwanese religious traditions.

The design of the temple is the part which was the most confusing. The temple was constructed during the Japanese Colonial Era (1895-1945) and to the naked eye seems distinctly "Japanese" in design, but as I recently learned with my blog posts about Taiwan's Butokuden Halls (Longtan, Daxi, Tainan), what we in the west consider to be "traditional" Japanese design is actually heavily influenced by the architecture of the Tang Dynasty (唐朝).

The confusion I experienced while speaking with the lady at the temple was based on this fact.

The temple seems to be of Japanese origin and its inarguable that Japanese architecture and construction methods were used in its construction but they claim that it was designed to imitate a Tang Dynasty building.

There is an argument to be had here - My point of contention on the issue stems from the fact that it would serve a political narrative now that the hall has transitioned from its original purpose as a monastery to that of an ancestral hall to claim that it was of 'Tang' design rather than 'Japanese' - especially if the caretaker who is there most of the time hails from China herself.

I'd like to hear from any of you though - If you know something about Tang Dynasty design and what we consider traditional Japanese architecture, I'd appreciate it if you took a close look at the photos and weighed in with your opinion!

No matter what the design origin of this small hall is, it is quite peaceful and while it hasn't received much care with regards to its preservation, it is one of a few buildings of its kind that remains in Taiwan today making it important historically.

I'm not sure I should recommend people visit this shrine. I'm going to leave a map location to it and if you would like to see it, by all means go check it out - but it's hard to say whether you'll be welcomed or not. It's an interesting place but I think not much is known about it for a reason.

Historically speaking it is a great example of Japanese Colonial Era architecture and construction techniques and I appreciate the fact that there are privately owned shrines like this that are still in existence today.

If you do visit, let me know how your interaction goes with the lady who runs the place!


Location

 

Hsinpu Ancestral Shrine

Today's post is going to be a short one and without the typical amount of context that I'm able to give with these things - I thought it important however to document this historic building due to the fact that on the day I took these photos I learned that it would soon be demolished. 

Since then the building has been torn down and all thats left are photos to remember it.  

For a bit of a backstory - During the Lunar New Year holiday I had taken an excursion to Jhudong to take photos of the semi-abandoned (and soon to be restored) Timber Industry Dormitories from the Japanese Colonial Era. On my way back I decided to take a different route and drove through the quaint and peaceful Hsinpu village to follow up on a lead I had on an abandoned church.

While driving down the road with rice paddies on either side between Hsinpu and Longtan I noticed a beautiful 'Sanheyuan' (三合院) - a traditional Taiwanese farmhouse.

These houses are actually quite common in that area of Hsinpu and in many parts of the Taiwanese countryside but are largely unkept and are more often than not in a sad state of disrepair. 

What stopped me at this particular building though was that the door was wide open and it looked pretty much abandoned. The building was in rough shape which meant that no one was living in it anymore so I decided to get off my scooter and take a look to see what I could find.

As I approached the open gate however someone nearby called out to me and started walking over.

At this point I figured I was about to get yelled at for trespassing but instead he let me in and explained that the central portion of the building was an ancestral shrine for the Wu family (吳家) and that because it was the first day of the Lunar New Year, family members had been returning to pay their respects.

The interior of the building had some really cool hand-drawn portraits from the Qing dynasty on either side of the main shrine as well as some portraits of the family from a time when photography was just becoming a 'thing' in Taiwan. The main shrine in the front was very simple with some spirit tablets and empty space to give offerings. 

The room also had several antique wooden tables in front of the main shrine which would have been used for family dinners in the main courtyard when the family was celebrating a special occasion.  

The sad thing is that the person who allowed me to go in (who I assume was a member of the Wu family) and check it out told me that the old building had structural issues and was prone to leaking. The leaking was causing a lot of water damage in the old wooden building which meant that the main frame was likely to collapse and the inside was also unfortunately rotting and the smell was evidence of that. 

To the right of the main entrance were several red pieces of paper stuck to the wall. Each piece of paper was recognition of a member of the family who donated to tear down the existing building and replace it with a new one.

Unfortunately these beautiful buildings are starting to disappear at an alarming rate and I'm afraid that in the future all we'll have to remember them by is photos like these.

So, if you see one in your travels, stop by and take a minute to appreciate it.

Respect your local Sanheyuan, they won't be around forever. 


Gallery / Flickr (High Res Shots)