Photo Post

TokyoBike Taipei Cafe

If it weren’t obvious enough already, a large portion of the research and writing I do about Taiwan revolves around the island’s five decade-long Japanese Colonial era. Over the past few years, I’ve worked to combine my photography with my writing and research skills to help tell the stories of some of the nation’s historic buildings, which is admittedly a great time to be into this kind of thing with the number of buildings that have been restored in recent years.

Writing about Shinto Shrines, Martial Arts Halls, Civic Buildings, Train Stations, and the dormitories provided to the civil servants of the era, I’ve covered a wide range of topics, but one that I’m especially proud of was a long research project that delved deeply into the Taiwanese government’s attempt to restore these buildings, and then seek private enterprises to assist in their operation. Coming from a university background in International Development, it’s important for me to see that the government isn’t just throwing bags of taxpayers dollars at these historic buildings with no clear, or sustainable vision for the future - Because, let’s face it, the reach of the government can only go so far - and attracting a steady stream of visitors to these historic buildings is one of the best ways to ensure that they continue to be saved, rather than bulldozed.

If you haven’t had the chance to read it, I highly recommend taking a look at the (sorry, very long) article I wrote about how the Taiwanese government is officially enlisting the participation of private enterprises to assist with the operation of some of these buildings, especially since it will offer a lot more context to what I’m going to be introducing below.

Link: The role of Public-Private Partnerships in Conserving Historic Buildings in Taiwan

Since completing the article above, I’ve naturally become interested in how those remaining buildings from that era are put to use - and with restoration projects taking place around the country at an astounding rate, the resurrection of these buildings has brought about a new level of awareness about the nation’s modern history. That history, which spans periods of Dutch, Spanish, Qing and Japanese-eras of colonial control, is something that was largely frowned upon in the nation’s classrooms during the Martial Law Period, but has within the last few decades become an important tool for helping the people of Taiwan become more aware of the history, where they come from, and more important has assisted in forming a Taiwanese identity.

For some people, a visit to these historic buildings can help them learn more about what it means to be Taiwanese. Some of the time though, people just want to sit in a coffee shop and relax - and thanks to places like Tokyo Bike Taipei, people can do just that while enjoying a bit of history at the same time!

Before I start, there are a few housekeeping notes that I’d like to remind readers about: The first is that I’m going to spend a bit of time introducing the historic building and what it was used for prior to it’s recent restoration and the coffee shop taking up residence within. The next thing I’d like everyone to keep in mind is that as always, I’m not getting paid for this post. I’ll briefly introduce the coffee shop, but I’m not going to be sharing photos of the menu or the coffee that I had while visiting - I’m not a food blogger and I’m writing this purely out of interest for the building - although I did enjoy my visit as I feel like the building is being put to pretty good use.

Shintomicho Market Dormitory (新富町食料品小賣市場員工宿舍)

Restored alongside the dormitory, the historic Shintomicho Market building was brought back to life as a cultural and tourist attraction in early 2017. An important part of the Bangkha neighborhood for at least nine decades, the building fell into disuse in the early 1990s and was abandoned for quite a while prior to the city recognizing it as a civic historic monument (市定古蹟).

Walking through the artistically-designed building today, you’d probably find it hard to believe that it was constructed to house a wet market - especially if you’ve had experienced walking through any of Taiwan’s other traditional markets. Constructed in 1935 (昭和10年), which was pretty much the height of the Showa era (昭和) in Taiwan, the building was designed as a fusion of eastern and western architectural styles, but also displayed the modern approach to construction that the era is best known for.

To better explain, Taiwan was taken over during the Meiji era (1868-1912), followed by the Taisho era (1912-1926), and then the Showa era (1926-1989). Each of these so-called ‘eras’ is named after the emperor who ruled over the Japanese empire at the time. When the Japanese first arrived in Taiwan in 1895 (明治28年), the construction and development that took place was rudimentary, and later refined during the Taisho era. Initially, the infrastructure required for major construction projects was constrained, but as time passed by and the island was developed, it became much easier to construct more complex buildings. No where is this more prevalent than in the history of the nation’s historic railway stations, some of which (despite being a century old) are second and third generation structures. So, as the island developed, construction techniques were refined, and the Showa era thus became one of the more artistic with regard to architectural design.

Compared to modern wet markets, which are naturally dark, dank and smelly, the authorities at the time constructed this beautiful building with natural ventilation and natural light, making it the kind of place where vendors would compete ferociously to get a spot.

The newly constructed market brought with it not only prosperity for the local vendors, but a more sanitary experience where people were able to purchase daily necessities in an era where modern supermarkets had yet to appear. Attracting both Taiwanese and Japanese customers, the market would have been a cultural melting pot with freshly grown produce and meat. Suffice to say, like most buildings that were constructed in the late stages of the colonial era, prosperity would have been somewhat fleeting as the outbreak of the Second World War brought with it air raids by the allied forces and the decline of the local economy.

In the post-war era, the influx of refugees fleeing the Chinese Civil War created new opportunity for the market. One of the issues however was in order to actually open up shop within the building, vendors were required to obtain a license, something that would have been rather difficult for the local Taiwanese members of society given the political climate of the Martial Law period. Thus, the market started to expand from the original building to a wet market (which continues to remain in operation today) as it was easier for vendors to set up unlicensed stalls nearby. As Taiwan continued to develop over the next few decades, wholesale markets, supermarkets and hypermarkets started appearing across the country making it difficult for traditional wet markets to compete with lower prices.

As mentioned earlier, the market building was more or less abandoned in the early 1990s, and was left on its own for quite a while prior to being recognized as a protected civic monument. Years of abandonment left the building in pretty terrible shape, but it has been beautifully restored, and even though I’m not particularly a big fan of the way it’s used today, it’s a pretty cool place to visit if you’re in the area, especially for anyone visiting Longshan Temple (龍山寺).

The purpose of this article however isn’t to introduce the market, something that I might go into more detail in the future, but instead the Japanese-style dormitory constructed to the rear, where the TokyoBike Taipei coffee shop is located today.

Unfortunately, very little information has been published about the former dormitory, so I’ll be presenting a few facts based on the little information I could find and mixing it with my personal experience within the building and comparing it to some of the other buildings I’ve introduced in the past in order to offer readers a better idea of what you’d see during a visit to the building today.

Constructed alongside the market, the historic dormitory dates back to 1935, and to the naked eye appears similar to almost all of the other Japanese-era dormitories that I’ve introduced in the past. There is however a major difference about the building’s design that makes is different. Constructed to house the administrator of the market (and his family), the building also provided office space for the daily operation of the market. So, even though it might appear similar to other Japanese-era homes from the outside, the interior has some slight design variations that make it stand apart.

Officially classified as a ‘Single-Family Dwelling’ (獨棟木造日式建築), the size of the building was determined by the standard set in 1922 by the Taiwan Colonial Government’s building standards policy (台灣總督府官舍建築標準). In what would have been considered a low-ranking position in terms of the hierarchy of Japanese-era civic officials, the amount of space allotted for the construction of the building would have been about 83㎡ (25坪). In this case though, given that an office space for the administration of the market would have been included in the architectural design of the house, it would have made the amount of space somewhat cramped for the family living there.

Link: 台灣日式建築:官舍 —— 台灣樣.建築百科

While the building combined both private and public functions, the spatial design of the interior allowed for a comfortable separation between these two spaces, offering privacy to the families who occupied the space over the years. That being said, as (what would have been considered) a low-ranking official, the entrances to the house were notably different in comparison to its contemporaries.

For the family, the main entrance would have passed through the kitchen, where you’d have to pass through to reach the private space. For guests, or business-related visitors, a separate entrance would have offered access from a door to the right of the main entrance, offering direct access to the office space. Today, that ‘office space’ continues to be used as an administrative space for the coffeeshop, so it’s not actually open to the public.

In this particular case, what made the ‘family-side’ entrance different from others was that it was connected directly to the kitchen, which in most cases would have been a rear door to a garden. Passing directly through the ground-level kitchen brings you to a set of stairs where you walk up to the elevated private section of the house. Today, the coffeeshop maintains a similar design in that the barista’s bar as well as the kitchen is located in this ground-level area with the guest seating area in within the private area.

Despite some of the differences in interior design, its important to note that the basic design rule for traditional Japanese homes remains the same in that the building consists of the following three functional spaces: a living space (起居空間), a service space (服務空間) and a passage space (通行空間). Within each of these ‘spaces’ there can be a number of rooms, depending on the size of the building, but this one is somewhat basic, so it’s easier to describe.

Starting with the service space, you’ll find the kitchen (台所 / だいどころ), bathroom (風呂 / ふろ) and washroom (便所 / べんじょ). Interestingly, the bathroom and the washroom were located on opposite ends of the long ‘engawa’ (緣側/えんがわ) veranda between the living space and the office space.

Part of the ‘passage space’, the engawa is a large sliding-door veranda that could be opened up to allow some fresh air into the building as well as a space for the family to relax given that they didn’t have much of a front yard. The rest of the passage space in the building however is not as clearly defined as other Japanese-era residences, which only really consists of the space between the kitchen and the private living area and the kitchen and the office space.

Finally, the ‘living space’ may seem considerably different from what we’re used to by western standards but what the space essentially consists of is a two-room open space separated by something similar to a living room with the other being the bedroom. The first of these two spaces (座敷 / ざしき), and is essentially a living room where the family could spend time together. Within this space you’d find an alcove referred to as tokonoma (床の間/とこのま) and a chigaidana (違棚 / ちがいだな), which are both reserved for placing some decorative elements in the living space. During the Japanese-era, you’d likely find calligraphy, floral arrangements or simple artistic elements. Today, you’ll find one of TokyoBike’s beautiful bicycles on display.

Link: Tokonoma (Wiki) 

The second section of the living space is the area reserved as the family’s sleeping space (居間 / いま). Essentially just an open space, save for the two alcoves against the walls, known as ‘oshiire’ (押入 / おしいれ). Within these two closet-like spaces, the family would store their bedding during the day, in addition to their clothing and other personal items. Today this narrow bedroom space is simply home to a couple of tables for the patrons of the coffeeshop.

TokyoBike Taipei

Originally located in the Minsheng East Community (民生社區), a block of social housing that was recently demolished by the city, Tokyo Bike Taiwan was forced to relocate after seven years of operation in it’s original location due to a long-planned urban renewal plan, which coincidentally also saw the demolition of the former Taiwan Railway Dormitories that I wrote about a few years back.

The dorm, which was initially occupied by Dadaocheng’s famed Hoshing 1947 pastry shop (合興壹玖肆柒) became available in late March of 2021 when the branch, which housed a traditional tea shop paired with the company’s pastries closed its doors after three years of operation. Even though the final Facebook post on Hoshing 88’s (合興八十八亭) page doesn’t offer a reason as to why the teashop went out of business, it’s safe to assume that a lack of business due to the COVID-19 pandemic was one of the deciding factors. Taiwan remained relatively safe for much of the pandemic, due to proactive policy decisions, but businesses around the country, much like the rest of the world, suffered immensely.

The opportunity to migrate from one historic area of the capital to an even more historic building was probably almost too good to be true for the owners of Tokyo Bike Taiwan, but as I described in my article about these Public-Private Partnerships, there is an official application process that has to be undertaken, and a fair advertising period has to be ensured so that the process is undertaken fairly and transparently.

Prospective renters have to come up with a business plan and undergo a long contract process prior to any agreements being signed. While the pandemic might have dealt the final blow to the building’s previous tenants, it could also have proved to be an opportunity for TokyoBike as competition was not likely to have been as fierce for the operational rights of the building. The application was obviously approved, and on December 21st, 2021, TokyoBike Taiwan officially reopened in the Shintomicho Market.

Note: I’m just making some assumptions here. I haven’t actually confirmed any of that.

Suffice to say, that is an oversimplification of the events that led up to the move to Wanhua.

This leads me to an important point - TokyoBike Taiwan is primarily a bike-selling and rental company that also provides general maintenance for the hip Japanese bicycles. You won’t see any of the bike sales taking place within the coffeeshop though, which begs the question: Where are all the bikes?

The bike showroom and the coffeeshop are separated, with the latter located within the beautifully restored Shintomicho Market building, known today as the “Taipei U-Mkt”, which offers a beautiful showroom on the second floor of the building as part of the rental agreement with the city.

The TokyoBike café features a menu of reasonably priced coffees, single-origin drip coffees, tea, sandwiches, hamburgers and appetizers that can be enjoyed within the cafe or for take out. Seating within the café is limited with only about four tables, a sofa, and bar-style seating next to the windows.

While I did enjoy my coffee when I visited the café, I have to say that I really appreciated the minimalist style design, which falls in line with the branding of ‘TokyoBike’, that officially follows a philosophy coined as “TokyoSlow,” combining ‘simplicity’, with ‘local art’ and ‘culture’.

Something that Taiwan’s hipster scene I’m sure really appreciates.

If any of this interests you and you find yourself in the area, then I recommend you stop by to check out the historic building and try some of the coffee or food they have available.

It's also a pretty good opportunity to let you know that if you visit the market or the coffeeshop that a good friend of mine just opened the Wanderland Bar within the Shintomicho Market where you can enjoy some cocktails and craft beer. As I’m posting this, I haven’t had the chance yet to visit, but I look forward to going soon, and I’ll make sure to stop by for a coffee as well!

Link: Wanderland Bar 萬華世界下午酒場 (Facebook)

Getting There

 

Address: #70, Sanshui Street, Wanhua District, Taipei (台北市萬華區三水街70號1樓)

GPS: 25.034700, 121.504860

If you plan on visiting this quaint little coffee shop, the best way to get there is to just hop on the Taipei MRT. I could spend a bunch of time telling you how to get there with a car, scooter, or Youbike, but in each of these cases, it doesn’t really make a lot of sense to take either of these methods of transportation.

The reason for this is actually quite simple - parking in Wanhua, especially near Longshan Temple is a notorious pain in the ass. There are, of course, some parking lots and roadside parking spaces nearby, but it’s likely that you’ll find yourself circling for quite a while before you find a spot. Similarly, the closest Youbike docking station is near the entrance to the temple, but the coffeeshop is at least a five-to-ten minute walk from there, depending on the amount of foot traffic in the area.

If you choose to make use of the fastest and most convenient method of travel, simply hop on the Taipei MRT’s Blue Line (板南線) and make your way to Longshan Temple Station (龍山寺捷運站). From there you’ll want to head in the direction of Exit 3 (3號出口) where you’ll find a small alley on the left. From the exit you just walk to the end of the alley and you’ll find the coffeeshop hidden in a corner by the old Xinfu Market (新富市場) and the Shintomicho Cultural Market (新富町文化市場). If you take the MRT, the walk to the coffeeshop should take less than a minute, and you won’t have to pay for or search for parking!

Website: TokyoBike Taiwan | Facebook

Hours: Tuesday - Sunday (08:30 - 6:00)

While in the Bangkha (艋舺) area, there are a number of things that you can do to pass your time. In addition to the coffeeshop you’ll find what’s known as the Bangka Big Three Temples (艋舺三大廟門) -  Longshan Temple (艋舺龍山寺), Qingshan Temple (艋舺青山宮) and Qingshui Temple (艋舺清水巖) in addition to Bopiliao Historic Block (剝皮寮歷史街區) and several night markets.

As far as I can tell, since the opening of the coffeeshop within the historic dorm, it has become quite a popular spot for local Instagrammers and coffee lovers. Truth be told, I visited the during the week and was fortunately able to avoid the crowds, but a friend visited a few days later and commented that there weren’t any seats available and there were a bunch of people outside taking photos. If you’re planning a weekend visit, it’s probably important that you keep this in mind as the seating within the old dorm is quite limited.

The popularity of the coffeeshop is something that can hopefully last for quite a while, and I hope that its success is one that others might consider when applying to form a partnership with the government in one of these historic buildings. Putting these places to good use is one of the best methods of ensuring that they continue to be saved, allowing people to continue enjoying them for years to come!

References

  1. 台北最美單車咖啡廳「tokyobike」!落腳萬華新富町,獨棟木造日式古蹟建築 (Shopping Design)

  2. Taipei's U-Mkt: A traditional Market Reborn (Taiwan Panorama)

  3. 新富町文化市場 (Travel Taipei)

  4. 新富町文化市場──古老市集的新生 (中央社)

  5. 新富市場 (國家文化資產網)


Nishi Honganji Square (西本願寺廣場)

Walking around Taipei’s Ximending Shopping, have you ever come across the random bell tower on the side of the road? If so, you might have asked yourself: “What’s the deal with that Japanese-looking thing in one of the city’s hippest urban areas?” Today, I’m here to answer that question, and possibly any others you might have about this piece of the city’s history.

Suffice to say, ‘Ximending’ (西門町), might never have become the popular place it is today without these buildings, and the urban development that came with them. So, in this article, I’m going to focus on the modern history of Ximen, introduce the building which was once located next to the bell tower, and the park that exists there today.

As usual, I’m going to provide some pretty in-depth information about some of these things, so if you just want to know about what exists there today, feel free to scroll down below to where I introduce the ‘Nishi Honganji Relics’ section, which focuses on the contemporary usage of the land as a public park and cultural space, a short distance away from the hustle and bustle from what has become known as the ‘Mecca’ of Taiwan’s youth culture.

Ximending (西門町 / せいもんちょう)

It’s unlikely that there are many people who visit Ximen today who stop and think: “I wonder what this place looked like a century ago?” The modern shopping district that we know and love has developed so much over the past few decades that it doesn’t even resemble a shadow of its former self. But this is what I do, I stop and look at things and try to appreciate the long history that helped to transform parts of our communities into what they are today.

Well over a century prior to becoming known as the “Shibuya of Taipei” and the arrival of all of its theaters, night clubs, karaoke bars and shopping, the ‘Ximen’ area was simply just a patch of swampy wilderness outside of the city’s ‘Baocheng Gate’ (寶成門), the Qing-era gate, more commonly known as the ’West Gate’ or ‘Ximen’ (西門), in Mandarin, which is where the area derives its name.

When the Japanese arrived in Taiwan in 1895 (明治28年), the area was completely undeveloped and consisted primarily of dengue-infested swamps, part of the first generation railway, and a road between the walled area of the city (台北城內) and Bangkha (艋舺), or Wanhua (萬華). Showing little interest in the confined nature of Chinese-style walled cities, the Japanese quickly got to work knocking them down in order to carry out their grander plans for massive urban development in what would be the capital of the empire’s new overseas colony.

Note: For a bit of scale, if you walked from the North Gate (北門) to the Ximen MRT Station (where the original west gate once stood), it would likely only take you about ten minutes. That walk would essentially consist of half of the walled area that was the ‘Taipei’ of the Qing-era. That being said, there were other developed areas nearby like Dadaocheng (大稻埕) and Bangkha (艋舺) that were located outside of the walls. Nevertheless, old Taipei was just a very small piece of one of the neighborhoods within the capital today.

Much of the development of the city in the initial years of the Japanese Colonial Era was influenced by the re-construction (re-routing) of the railway, which was essential to the empire’s plans for exerting control over the island as well as extracting its precious natural resources. With the railway from the northern port city of Keelung running through the north-eastern portion of Taipei, it curved in a south-western direction and made its way through Ximen and Bangkha before crossing the river on its way further south.

Having the Qing-era walls in the area complicated the construction of the south-bound railway out of the city, which was re-routed from the original track laid by the Qing a decade or so earlier. Within the first decade of the colonial era, the city developed at an almost inhuman speed with roads, public works and new buildings popping up all over the place. With all of the construction taking place, it might have seemed like the early years were all-work-and-no-play, so the government made the decision to follow the example of East Tokyo’s popular Asakusa District (浅草 / あさくさ), a specialized entertainment and economic area, and came up with plans to develop the land near the old Western Gate.

Taking inspiration from the Qing-era gate, the Japanese named the neighborhood “Seimon-chō” (西門町 / せいもんちょう), which translates directly to ‘Ximending’ in Mandarin. Starting in 1897 (明治30年), the area became home to business and entertainment facilities starting with the Taihokuza Theater (臺北座 / たいほくざ), then the Eiza Theater (榮座 / えいざ) and the still existing Seimon-cho Market and Department Store (西門市場八角樓), known today as the Red House Theater (紅樓劇場). In addition to theaters, markets and department stores, Ximen also became home to a number of restaurants and bars, marking the start of an entertainment, shopping and fine dining paradise, something which hasn’t changed for more than a century.

Link: Kishu An (紀州庵文學森林)

Business and entertainment in the area continued to thrive throughout the Japanese-era as the number of theaters continued to expand. When the Second World War ended and the Japanese were forced to surrender control of Taiwan, they left the citizens of the capital with a well-established appreciation for motion pictures and entertainment, and that is something that carried on in the post-war period as ‘Ximen’ continued its expansion, consuming the Japanese-era neighborhoods known as Wakatake-chō (若竹町 / わかたけちょう), Shinki-chō (新起町 / しんきちょう), Suehiro-chō (末廣町 / すえひろちょう), Kotobuki-chō (壽町 / ことぶきちょう) and Tsukiji-chō (築地町 / つきじちょう).

Today, the shopping district is home to over twenty theaters and thousands of stores and vendors catering to an estimated three million visitors per month. The modern era however hasn’t been all fun and games for Ximen though - In the early 1990s, business in the district declined as there was a shift towards the East District (東區) of the city, where massive department stores were constructed. Lending a hand to the struggling Ximen, the Taipei City Government designated the district as the Ximending Pedestrian Area (西門町商圈行人徒步區), prohibiting vehicles from entering the area on weekends and national holidays. Then, in 1999 (民國88年), the Ximen MRT Station (西門捷運站) opened for service and assisted in bringing the district back to life, offering quick and convenient access.

Unfortunately, the COVID-19 pandemic has proved to be yet another nail to the heart of the shopping district with many vendors forced to shut their doors due to the lack of tourists, shopping and high cost of rent.

Once we put this pandemic behind us, you can be sure that this historic entertainment district will once again make its triumphant return, and all the ‘for rent’ signs we see now will quickly disappear!

Changing so much over the past century, it is surprising, yet heartening that we can still find some historic locations among the constantly changing face of the district’s urban landscape. Given that Ximen was developed during the Japanese-era (1895-1945), it should go without saying that the vast majority of the historic attractions you’ll come across in the area are related to that period of Taiwan’s history.

Some of those historic locations we can enjoy are the Red House Theater (which was recently restored), the Taipei Mazu Temple (台北天后宮), originally a Japanese Buddhist temple (Hong-Fa Temple 弘法寺 / こうぼうでら), Fahua Temple (Hokke-ji / 法華寺 / ほっけじ) and the subject of this article, the Nishi Hongan-ji Park.

Nishi Hongan-ji Temple (西本願寺)

Taking inspiration from Tokyo’s Asakusa District, the Ximending Shopping and Entertainment District was also home to some important places of worship. Just like the ancient Sensō-ji Buddhist Temple (金龍山浅草寺 / せんそうじ) back in Tokyo, Ximen was chosen as the home for the Taiwan Branch of the Nishi Hongan-ji Buddhist Temple (西本願寺台湾別院 / ほんがんじたいわんべついん).

While it certainly wasn’t comparable in size to the ostentatious ‘Buddhist’ temples you’ll find in Taiwan these days, the Nishi Hongan-ji temple was one of Taiwan’s first massive places of worship, when it was completed, it dominated the city’s skyline.

Constructed as the ‘Taiwan Branch’ of Kyoto’s Nishi Hongan-ji temple (西本願寺), the temple was part of the “Pure Land” sect of Buddhist temples, better known as the Jōdo Shinshū (浄土真宗). As one of Japan’s largest Buddhist organizations, the massive Taiwan branch was constructed in an attempt to show the power and prestige of the group and its eagerness to expand its number of followers in the colony.

Links: Nishi Hongan-ji | Jōdo Shinshū (Wiki)

Regarded as a Japanese National Treasure and designated a UNESCO World Heritage Site, the Nishi Hongan-ji Temple in dates back to 1591, and is one of the most widely visited destinations in the historic Japanese capital of Kyoto. Officially known as the “Jodo Shinshu Hongwanji-ha” (淨土真宗本願寺派 / じょうどしんしゅうほんがんじは) sect, there are more than a hundred branches throughout Japan, and the organization has expanded internationally over the years with branches constructed around the world.

As one of the organization’s first overseas branches, the Jodo Shinshu were one of the first Japanese Buddhist organizations to land in Taiwan. Monks were embedded within the ranks of the army and were tasked with comforting soldiers on expedition, taking care of the injured, holding Buddhist funerals for the deceased and escorting their remains back to Japan.

The history of the ‘Taiwan Branch’ got its start in 1897 (明治30年) when the group purchased around 8300㎡ (2500坪) of land in Taipei’s Shinki-chō (新起町 / しんきちょう). A few years later, thanks to a generous grant of 25,000 Yen from the headquarters back in Kyoto, the colonial government approved an application to construct a ‘temporary’ temple complex located near where the park is located today. With plans for a future migration to a permanent home, the temporary location was set up with a Main Hall (本堂), Assembly Hall (集會所) and dormitories for the monks.

The ‘temporary’ situation lasted until the early 1920s, when the colonial government implemented an ambitious urban development plan (市區改正) that re-shaped and modernized the city by improving roads and constructing public works that took care of sanitation and sewage. Given that parts of the temple were located in an area that was slated for the construction of a major road (currently Changsha Street 長沙街), the group purchased an additional plot of land just south of where the new road would be constructed.

Portions of the original temple had to be demolished and reconstructed to comply with the urban development plan, however it was a relatively fortunate situation, as the plot of land originally occupied by the temple connected directly to the new plot.

This meant that they had more space and were were able to move things around, and eventually expand.

In 1922 (大正11年), the Mausoleum (御廟所 /ごびょうしょ), Bell Tower (鐘樓 / しょうろう) and Jushin Assembly Hall (樹心會館 / じゅしんかいかん) were completed. Then, in 1924 (大正13年), the abbot’s official residence (輪番所) was reconstructed. It would take until 1931 (昭和6年) however for the massive Main Hall (本堂 / ほんどう) to officially re-open its doors.

At nearly 1000㎡ (300坪), the Main Hall was constructed on a large reinforced concrete base facing east in the direction of the Governor General’s Office. The upper section of the building, including much of its giant roof was constructed of Taiwanese Red Cypress (紅檜). The interior space of the building featured high-ceiling space and its size was measured in an old style of measurement listed as seven ‘bays’ wide and seven ‘bays’ in length (正面七開間,縱深亦為七開間), which is approximately 31.5 meters in length and width in metric and reached a height of around 76 feet, equal to a seven or eight story building by today’s standards.

In addition to the upper floor space, the concrete base was also functional in that it included space for a library, conference rooms, etc. The interior space on the upper floor was divided into two different sections, the outer section (外陣) and the inner sanctum (內陣) with the outer section occupying the majority of the space featuring large sliding panel doors on the three sides of the front half of the building and a large open space for meditation and worship. The inner sanctum on the other hand would have been home to an area that was cordoned off, accessible only to the monks at the temple with a large shrine against the rear wall.

The architectural design of the Main Hall largely followed that of the Goeidō Hall (御影堂), known in English as the “Founders Hall”, at Kyoto’s Nishi Hongan-ji Temple. Historic photos of the interior of the Taipei temple match up quite well with what we can see today at the historic building in Japan, but more notably, the roof of the building in Taipei was designed to be almost a replica of the original.

One of the saddest things about the loss of this building is that there are few traditional buildings from the Japanese-era that remain in Taiwan which feature a roof as grand as what you would have seen at this temple. The few that come close would be the Tainan Martial Arts Hall, Changhua Martial Arts Hall, or the Taoyuan Shinto Shrine, however none of them were comparable in size, and each of them vary in their architectural design.

Note: It’s important to remember that even though the height of the building was a total of 76 feet, at least three quarters of its total size would have been the roof, which was meant to display the grand nature of the building. The importance of the roof’s architectural design cannot be understated, and it is what made the building so iconic.

Where the building’s roof was similar to many of the other traditional Japanese-style buildings around Taiwan was that it was designed in the ubiquitous irimoya-zukuri (入母造 / いりもやづくり) architectural style. More commonly known as the ‘East Asian hip-and-gable roof’ (歇山), these roofs essentially consist of a ‘hip’ section that slopes down on all four slides and a ‘gable’ section on the opposing sides. Originally taking inspiration from Chinese-style architectural design, the Japanese irimoya style evolved over the centuries and began to take shape as mastery over construction techniques improved.

Links: East Asian hip-and-gable roof (Wiki) | Irimoya-zukuri 入母屋造 (JAANUS)

Post-war photo of the temple dominating the Ximen skyline

The roof at the Taipei temple followed the same irimoya-style hip-and-gable roof as what you’d find at Nishi Hongan-ji back in Kyoto, but as it was a much newer structure, the construction techniques differed slightly. The Taipei temple made use of iron trusses within the interior of the building in addition to the reinforced concrete pillars on the exterior that extended from the base to the roof to help to stabilize it’s massive weight.

Where it remained the same however, and what would make it rare in Taiwan today, was that it featured a very steep slope on the ‘hip’ with ‘hongawarabuki’ (本瓦葺 / ほんかわらぶき) tiles. These tiles, which are a mixture of flat broad concave tiles (平瓦 / hiragawara / ひらがわら) and semi-cylindrical convex tiles (丸瓦 / marugawara / まるがわら) created a visual effect that made the roof look as if it were an incoming tsunami.

I’m sure all these official names don’t make a lot of sense to most people, so to explain it simply, the cylindrical tiles are laid first and looked like giant bamboo trees running down the length of the roof. The flat tiles on the other hand ran horizontally and acted as protective covers for the seams or joints where they met.

At the top of the roof there was a thick ‘oomune’ ridge that ran horizontally along the length of the building decorated with ‘shishiguchi’, or ‘lion-mouth tiles’ on the ends. Running vertically down the roof were similarly decorated ridges known as ‘kudarimune’ and next to them ‘corner’ ridges that are split into two sections referred to as ‘sumimune’ and ‘chigomune’ on the end. Finally, on the ends of each of the triangular gable sections you’d find beautifully decorated gegyo (懸魚 / げぎょ) ‘hanging fish’ wooden boards, used as a charm against fire, similar to porcelain dragons on Taiwanese temples.

Once again, you’re being inundated with a bunch of technical terms, so I’ll provide a diagram blow that points to each of the functional and decorative aspects of the roof just mentioned:

  1. oomune (大棟 / おおむね) - the ridge that runs along the top of the roof.

  2. shishiguchi (獅子口 / ししくち) - decorative ‘lions-mouth’ elements on the edges of the ridge.

  3. kudarimune (降棟 / くだるむね) - a ridge that descends vertically from the top ridge.

  4. sumimune (隅棟 / すみむね) - a corner ridge that connects to the gable.

  5. chigomune (稚児棟 / ちごむね) - the end of the corner ridge, decorated with shishiguchi (2).

  6. marugawara (丸瓦 / まるがわら) - semi-cylindrical convex roof tiles that look like bamboo.

  7. hiragawara (平瓦 / ひらがわら) - flat roof tiles that lie between the marugawara (6).

Sadly, after the war, the temple complex was used for a variety of purposes, which prior to the ‘February 28th Incident’ was occupied by the infamous Garrison Command, which rounded up political prisoners and took them to the temple for interrogation, imprisonment, or worse. Later, it was used as housing for a merry-go-round of refugees who came to Taiwan with the Chinese Nationalists. The number of people coming and going from the temple became a precarious issue and ultimately, the grounds became home to illegal squatters, which left it in pretty terrible shape, before it caught fire and burnt to the ground in 1975 (民國64).

After much of what once existed was destroyed, the grounds became home to even more illegal squatters, who set up their own little village of tin-sheeted houses (鐵皮屋), something that was highly frowned upon by the government, especially in one of the city’s most important districts.

And that ladies and gentlemen is where I’m going to move on to the current situation regarding the Nishi Hongan-ji Relics Park!

Nishi Hongan-ji Relics Park (西本願寺廣場)

The historic and cultural value of the grounds were largely ignored until the city had enough of the eyesore next to one of its most important shopping and business districts. In 2006 (民國95年), an urban renewal initiative that sought to knock down the illegal squatter village simultaneously recognized what little remained of the temple as a Protected City-Level Monument (市定古蹟). By 2011 (民國100年), the remaining residents on the grounds were relocated, and a project to convert the grounds into an urban green park, with restoration on the few remaining temple structures were set to be the main attraction.

Restoration of the buildings and the space were officially completed in 2014 (民國103年), and a breath of life was brought back to the historic grounds, reborn as ‘Nishi Hongan-ji Square’ (西本願寺廣場), a multi-purpose park and cultural space gifted to the residents of Taipei.

Unfortunately, it goes without saying that much of what once existed on the grounds has become a distant memory as the various fires over the decades left the majority of once existed in ruins. Lost from the original temple are the Main Hall (本堂), the Mausoleum (御廟所), the Administration Building (庫裏), the Sanmon Gate (山門 / さんもん), and the monks dormitories. What was able to be saved however are the beautiful Bell Tower (鐘樓), the Jushin Assembly Hall (樹心會館), the Abbot’s Residence (輪番所), and the concrete base of the Main Hall.

Below, I’ll briefly introduce each of the remaining pieces of the temple individually, and the purpose they serve today as park of the urban culture park.

Bell Tower (鐘樓 / しょうろう)

The Bell Tower, an integral part of a Japanese Buddhist temple was located within the interior of the complex, just past where the Main Gate (山門) once stood. Coincidentally, once of the smallest parts of the original temple, the Bell Tower today serves as the park’s main attraction. Despite not burning down with many of the other sections of the original temple, the original Bell Tower met with a similar fate as the village of squatters more or less just built around the original base of the tower, consuming it into their village.

Completely reconstructed based on the design of the original, the Bell Tower today features a massive Bonshō bell (梵鐘 / ぼんしょう) housed within what is known in Japan as the “shōrō” (しょうろう). Japanese-style Bell Towers typically fall into two different styles of architectural design, both of which can still be enjoyed in Taipei today - The first type is the most traditional variety known as “hakamagoshi” (褲腰), typically a walled two-storey hour-glass shaped building with the bell located on the second floor. This type can be viewed at the nearby at the historic Soto Zen Daihonzai Temple (曹洞宗大本山別院) as well as the Chin'nanzan Gokoku-ji Temple (鎮南護山國禪寺), each of which are only a few stops away on the MRT.

The second type is considered a ‘newer’ (13th century “new”) variety known as “fukihanachi“ (吹放ち), which is essentially an open structure with no walls, and a bell hanging in the middle.

Within both of these architectural styles, the common feature is that they are typically adorned with a beautiful Japanese-style gabled (切妻造) or hip-and-gable (入母屋造) rooftop. In the case of this Bell Tower, the roof is absolutely beautiful and has to be enjoyed close up. The restoration team obviously spared no effort in ensuring that the roof of the bell tower remained faithful to the original and took special care to have Japanese experts assist in the construction process.

The four sided hip-and-gable roof of the tower features a sloping roof with triangular ‘tsuma’ (妻 / つま) on each of the gable-ends. Designed and decorated similarly to the roof of the former Main Hall, the roof consists of many of the decorative elements mentioned above - What you’ll want to pay the most attention to however are the amazing carpentry skills that make up the network of support trusses within the roof. Working together with the four pillars that connect to its cement base, the trusses are both functional as well as beautiful in their decorative designs.

Bell Towers serve both practical and symbolic purposes as they are thought to have the power to 'awaken people from the daze of everyday life and the pursuit of worldly things like fame and fortune’ and the daily ringing of the bells is a reminder to people of all walks of life to slow down and enjoy life. Even though the Bell Tower serves as a reminder of the beautiful temple that once occupied this space, the bell is only rung on special occasions.

Jushin Assembly Hall  (樹心會館)

Dating back to 1923 (大正12年), the Jushin Assembly Hall (樹心會館) was an interesting addition to the temple complex. The ’T-shaped’ Japanese-Western fusion building was constructed with a mixture of brick and wood and features a Japanese-style roof and a ‘karamon’ (唐門 / からもん) entrance. The interior of the building however is considered western-style and was meant to show off the ‘modernity of the era’ (表現新時代精神), with it’s open space and western-style roof trusses. The brick building features quite a few large windows, allowing for considerable amount of natural light in the building during the day, which helps the iconic Taiwan Renga (台灣煉瓦株式會社) red bricks to shine.

Originally used as a space to educate visitors in Buddhist doctrine, the building today is operated by the Taipei City Department of Cultural Affairs and is used as an exhibition and event space. Unfortunately, the space isn’t always open to the public, so if you visit, you may not be able to explore the interior of the building.

Abbot’s Residence (輪番所)

The former Abbot’s Residence is a simple Japanese-style wooden residential-style dormitory that was elevated off of the ground on a cement base. Similar to many of the other Japanese-era houses that I’ve written about over the years, the house was beautifully restored by the city government and the exterior features recently planted cherry trees along the walkway to its entrance that bloom in the winter.

While the residence is ‘technically’ open to the public, it is currently occupied by the ‘Eighty-Eightea Rinbansyo’ (八拾捌茶輪番所), a popular tea house that promotes Taiwanese tea. Despite being a popular destination for Instagrammers, the interior of the building has some pretty strict guidelines with regard to photography, and more or less only allows people with smart phones to take photos, unless a permit is applied for beforehand.

The leasing of the building to the tea shop is part of a government effort to make use of these historic buildings for commercial purposes, recouping some of the public funds used for the restoration of the park - something which I’ve written about in the past.

Link: The role of Public-Private Partnerships in Conserving Historic Buildings in Taiwan

In the future, I’ll likely write a dedicated article about the Abbot’s Residence and the Tea House that occupies the space today, but it’s one of those experiences that I’ll have to plan long in advance in order to be able to take proper photos within the historic residence.

Link: Eighty-Eightea (八拾捌茶)

Open Daily from 11:30 - 6:00pm

Base of the Main Hall (本堂臺座)

Taipei 101 might be one of the most iconic structures in the modern capital of Taiwan, but its safe to say that the original Main Hall of this temple (in addition to a few others) were the Japanese-era equivalent. The historic photos of the building that you can see above are an important reminder of the once iconic building that dominated the city’s skyline.

Even though the building was destroyed, the Taipei City Government restored the reinforced concrete base of the building to ensure that its memory can be enjoyed for years to come. The base, which was restored and renovated along with the rest of the park is currently home to the Taipei City Archives (臺北市立文獻館), and features some important historic exhibitions where you learn about the city’s history. The stairs of the base are likewise a pretty popular spot for residents of the city to relax, enjoy their lunch, or chat with friends.

The City Archives are open to the public Monday to Friday from 9:00am - 5:00pm.

Entry is Free of Charge

Getting There

 

Address: #174-176 Zhonghua Road, Section 1, Wanhua District, Taipei City

(臺北市萬華區中華路1段174-176號)

GPS: (25.040200, 121.507290)

Located a short distance from Taipei’s popular Ximending (西門町) shopping district, the Nishi Hongan-ji Square is a beautiful natural space that highlights the history of the Ximen area. Given that it is within walking distance of not only the shopping district, but all of the other historic and cultural attractions in the area, a visit to the park is one that won’t take too much time out of your day.

Conveniently located just south of Ximen’s MRT station, getting there is pretty simple.

Due to its proximity to the MRT Station, I’m not going to provide information for anyone driving a car this time.

If you’ve got a car, simply input the address provided above and you’ll be able to map out your route pretty easily. That being said, the Ximen area is one of the busiest and hippest parts of town, so parking your car nearby can be both frustrating and expensive. I highly recommend you just park it elsewhere and make use of the city’s excellent public transportation, instead.

MRT

The easiest and probably the most convenient way to get to the area is to make use of Taipei’s excellent MRT network. The Nishi Hongan-ji Relic Square is located a three or four minute walk from Ximen Station (西門站) on the network’s Blue Bannan Line (板南線). Once you’ve arrived at the station, you’ll want to take Exit 1 (1號出口) and walk south on either Zhonghua Road (中華路) or Hanzhong Road (漢中路), where you’ll also see the iconic Ximen Red Building (西門紅樓).

Bus

In addition to the MRT, Taipei’s Public Bus network is also pretty useful, especially if you’re coming from an area where you’d have to transfer trains a few times. The most convenient bus stop is located next to Ximen Station, which has almost two dozen different bus routes coming from all over the city. With so many buses, it’s difficult to link to all of them, so below, I’ll provide a list of the routes that are serviced by the Ximen Station Bus Stop. I highly recommend travelers make use of the Taipei eBus website, or download the Bus Tracker Taipei app on your phone (Android | iOS) or use the Real-Time Bus Tracking service offered on the eBus website.

Here are the following routes that service the station: #9, #12, #49, #202, #205, #206, #212, #232, #246, #249, #250, #252, #253, #260, #262, #304, #307, #310, #604, #624, #660, #667, #662, #667

Similar to the MRT above, the park is a short walk from the MRT Station and Bus Stops.

Youbike

If you find yourself riding around town on one of Taipei’s shared bicycles, you’ll be happy to know that there is a Youbike docking station conveniently located next to the park. You can simply dock your bike there when you arrive and get another one when you leave.

Despite what little remains today of one of Taipei’s most elegant Japanese-era temples, the park offers a fitting memorial to what once stood on the grounds, and the usage of space, whether its the museum, tea house, bell tower or the exhibition space, was carefully considered. While it’s highly unlikely that the historic temple will ever be reconstructed, the park remains a pretty cool natural space within one of the hippest parts of the city and offers a nice respite from the hectic shopping areas of Ximen.

There is a long list of public events that take place in the park throughout the year, so if you’re visiting for the first time, you can enjoy the beauty of the bell tower and learn about the city’s history in the museum. For those of us lucky enough to live in Taiwan on a long-term basis, the park is an excellent place to visit throughout the year, depending on what exhibitions or events are taking place.


Shinchiku Police Commissioner's Residence (新竹州警務部部長官舍)

Hsinchu has always been one of my favorite places in Taiwan to hang out whenever I’ve got some free time, but in recent months, it has become an even more exciting destination as the city’s Cultural Affairs Department has been working in overdrive - bringing a number of its historic buildings back to life.

Despite Hsinchu is one of the country’s most historic cities, it is also on the cutting edge of science and technology with its massive Science Park, attracting some of Taiwan’s brightest minds, as well as considerable foreign investment. Fortunately, with the amount of development and investment taking place with the city, the local government has recognized that its cultural heritage is equally as important to its future as the microchip.

These days, any trip to the city is an action-packed adventure as each time I go, I’ll check out a number of newly opened historic buildings, and while it may sound like a complaint, I’m probably going to need a dozen more trips over the next few months just to keep up. Fortunately, Hsinchu is also a foodie’s paradise, so I never leave town with an empty stomach.

As far as I’m concerned, all of the work that the city has invested in its history has been simply amazing, and as Hsinchu continues to transform into a hip technology hub, locals and tourists alike are blessed with a number of attractions to visit, where they can celebrate the city’s cultural heritage and its long history.

It’s rare that I sing the praises of the efforts of any of Taiwan’s local governments, but for those of us interested in the preservation of Taiwan’s history, Hsinchu has become a model for how to successfully accomplish these projects while also ensuring that they are managed and marketed in a sustainable way.

Given that I have such a long list of destinations to visit in the city, I had to switch things up a bit when I was notified that the ‘Shinchiku Prefectural Police Commissioner’s Official Residence’ had completed its restoration project, and was in the process of a soft-opening to the public. The building, which is considered one of the ‘highest-ranking’ of the official Japanese-era residences remaining in the city is a special one, but for the purpose of what I do, it had to be moved to the top of my list so that I could get the shots I wanted.

The reason for this is due to the fact that the building will serve a dual-role as a historic tourist attraction in addition to becoming a fine dining restaurant, operated by one of Taiwan’s Michelin recognized chefs.

Essentially, I wanted to take advantage of the soft-opening period to visit and get photos of the building before the restaurant officially opened and the interior space was filled up. Visiting the same day that the soft-opening period officially started, I was fortunate to have the place to myself, and was able to walk around and get all the photos I wanted without being disturbed, which was a pretty great experience.

Suffice to say, today I’ll be introducing one of Hsinchu’s newest tourist attractions, and what I assume will in the near future also become a pretty popular place to enjoy high quality locally-inspired fine dining. Located within the downtown core of the city, the former residence of Shinchiku Prefecture’s Police Commissioner has been beautifully restored, and unlike many of the other Japanese-era residences around the country, this one is arguably one of the most grandest in its architectural design, and the level of comfort awarded to whomever had the luck of living in it.

Given that it is currently still going through it’s soft-opening as I’m writing this, there are very few available resources that go into much detail about its history and architectural design, so I had to visit the National Archives and had to dig deep on this one in order to provide you with as much info as I can.

As always, I highly recommend a visit, and when the restaurant opens, if you’re able to make a reservation, a dinner service there promises to be a pretty cool experience, especially if you’re interested in high-level Taiwanese cuisine.

Shinchiku Prefectural Police Commissioner’s Official Residence (新竹州警務部部長官舍)

Dating back to 1922 (大正11年), the Shinchiku Prefectural Police Commissioner’s Official Residence was constructed in an area of the developing city where a large community of ‘official dorms’ (旭町官舍區) were constructed for the convenience of the civil servants of the era. The community, which was conveniently a short walk from the Hsinchu Railway Station was home to a range of political figures such as the governor of the prefecture, the police commissioner, the city’s mayor, school principals, teachers, etc.

That being said, it was a neighborhood that was largely populated by Japanese nationals, segregating them from most of the native population.

Known officially as Asahichō (旭町 / あさひちょう), the name of the neighborhood was a common one among many of Taiwan’s larger cities during the colonial era where you’d also find one in Taipei, Keelung, Taichung, Tainan and Pingtung. Located just outside of the city’s East Gate (迎曦門), the neighborhood was adjacent to the Hsinchu Moat (護城河), which itself dates back to the Qing rule, and has a pretty interesting history.

These days the moat serves as a popular spot for locals and tourists to enjoy the beauty of the historic city.

The moat essentially acted as a divider between the Asahi neighborhood and the prefectural government, city council and courthouse on one side and the Hsinchu Branch of the Teikoku Sugar Refinery (帝國製糖株式會社新竹糖廠) on the other - the neighborhood would have been a pretty convenient one for its residents as the commute to work was a short one.

Note: The former Sugar Refinery was located on a large plot of land that is currently home to Hsinchu’s largest mall, Big City (遠東巨城購物中心) and the SOGO Department Store.

Before I start to introduce the building, it’s important to first detail a couple of important events that took place prior to its construction, which were essential in determining it’s ‘size’ and ‘architectural design’.

The first major factor came in 1920 (大正9年), when governance of Shinchiku Prefecture (新竹州 / しんちくしゅう) and Taiwan’s other prefectures were restructured by the Governor General’s office. Most notably with regard to this building was that the hierarchy of law enforcement was organized into an advanced structural system that differentiated the jurisdiction and responsibilities of the Prefectural-Level (州設警務部), County-Level (郡設警察課) and City-Level (市設警察署與分署) branches.

For clarity sake, the ‘Shinchiku Prefecture’ of that era consisted of much of what we know today as much of Taoyuan (桃園), Hsinchu (桃園) and Miaoli (苗栗), and the Prefectural Level branch of the police oversaw branches and precincts within Hsinchu City (新竹警察署), Hsinchu County (新竹郡警察課), Chikutō / Zhudong (竹東郡警察課), Tōen / Taoyuan (桃園郡警察課), Chūreki / Zhongli (中壢郡警察課), Daikei / Daxi (大溪郡警察課), Miaoli (苗栗郡警察課), Chikunan / Zhunan (竹南郡警察課) and Taigo / Dahu (大湖郡警察課).

The second major factor that I’d like to highlight was an official policy change that took place the same year as the residence was constructed. In 1922 (大正11年), the Governor General’s Office enacted a law (台灣總督府官舍建築標準) regarding official building standards in Taiwan. These new standards specified a clear set of regulations regarding the size of buildings provided for civil servants of various ranks, which were divided between Senior Officials (高等官 / こうとうかん) and Junior Officials (判任官 / はんにんかん). The new policy was meant to improve the living standards in the housing provided for civil servants in addition to encouraging staff to work hard and move up the ladder in order to receive more comfortable housing.

Under the new housing system, the Police Commissioner’s Official Residence was classified as a Level Two Senior Official (高等官官舍第二種) house, meaning that it was afforded at least 165㎡ (50坪) in size accompanied by a plot of land that was at least 1003㎡ (303.5坪). This made the residence one of the most spacious and comfortable places to live in the neighborhood, second only to the nearby Governor’s Mansion. If you take a look at the maps above where I’ve marked the plot of land where the residence is located, you’ll clearly see the size of the space in comparison to the other dorms in the neighborhood.

Over the years, a number of additions were added to the residence making it larger than how it originally appeared in 1922, with a current total space of 201㎡ (61坪).

Interestingly, even though the residence was provided to a high-level official within the hierarchy of the colonial-era’s civil servants, something I mentioned earlier is important to keep in mind - It was common for these high-level officials to be promoted (or demoted) based on their job performance, so between 1922 and 1945, the building housed well over a dozen families.

I’m listing the various Police Commissioners below, however even though I did my best to romanize their names, it’s possibly that I made a mistake or two, so if you find an error, feel free to let me know!

Shinchiku Prefectural Police Commissioners (新竹州警務部部長) - 1920 - 1941

  1. Tabata Kozburo 田端幸三郎 (1922 - 1923)

  2. Ota Goichi 太田吾一 (1923-1925)

  3. Tsunoda Hiroshi 角田廣次 (1925 - 1926)

  4. Kusano Yoshikazu 草野義一 (1926 - 1927)

  5. Takahashi Hideto 高橋秀人 (1927 - 1928)

  6. Osatake Ken 尾佐竹堅 (1928 - 1930)

  7. Ishikawa Sadatoshi 石川定俊 (1930 - 1931)

  8. Suzuki Hideo 鈴木秀夫 (1931 - 1932)

  9. Keiya Takao 慶谷隆夫 (1932 - 1934)

  10. Takahara Hayato 高原逸人 (1934 - 1937)

  11. Raku Mitsuru 樂滿金次 (1937 - 1939)

  12. Nei Ko 根井洸 (1939 - 1940)

  13. Shirani Hoichi 白仁寶一 (1940 - 1941)

Shinchiku Prefecture Police Chief (新竹州警察部部長) - 1941 - 1945

  1. Shirani Hoichi 白仁寶一 (1941 - 1942)

  2. Shibayama Minenoburu 柴山峯登 (1942 - 1943)

  3. Ihara Toshiyuku 井原敏之 (1943 - 1945)

When Taiwan’s Colonial Era ended with the surrender of the Japanese Empire at the conclusion of the Second World War, the residence continued to be occupied by Hsinchu Police Chiefs (警察局長) for a number of years, but the household registration records for the first few years after the Chinese Nationalist takeover aren’t recorded (or published) very well, which likely means that it was possibly also occupied by refugees who stayed there until the government was able to provide alternative housing for them.

From what little information is available, in the period between 1945 and 1993, there were at least three different police chiefs housed within the residence. The first was Lee Shu-yu (李樹鈺), second Huang Ding-can (黃丁燦) and third Lin Mao-sheng (林茂生), all three of whom were the Police Commissioner for Hsinchu County (新竹縣警察局局長).

Officially registered as a Hsinchu City Historic Site (市定古蹟) in 2016 (民國105年) and a on March 18th, 2022 (民國111年), restoration on the building was officially completed with the government investing NT$33,800,000 (US$1,500,000).

Architectural Design

There are a few issues that need to be kept in mind before I start describing the building as it appears today - First, and most importantly, the original blueprints have been lost. Given that blueprints are often one of the best tools for those involved in the restoration of these buildings (to remain faithful to the original design), it’s unfortunate that were unavailable. Further complicating the restoration process, the interior space of the residence was considerably altered over the post-war period by its various occupants, who changed the space to better fit their individual needs.

The restoration of the building ultimately required a significant amount of research and comparison with similarly designed senior-level residences from the Taisho era. Suffice to say, the restoration team took a conservative approach to their work, when we look at current blueprints, what would have been the main living space during the Japanese-era had been altered to a point that they could only leave it as it was.

Despite these issues, the basics of the building’s architectural design are pretty clear, it is a spacious 201㎡ (61坪) Japanese-style timber-framed (軸組式) building constructed in the irimoya-zukuri (入母屋造) style.

What this means is that the building was constructed on an elevated base, known as the ‘moya’ (母屋), which is smaller than the four-sided sloped hip roof (四坡頂) above. To support the weight of the larger roof, the building features an ingeniously designed network of timber trusses and pillars within the interior, further stabilized by a network of cement pillars on the base that elevates the building above the ground.

The roof design is known as a ‘yosemune-zukuri’ (寄棟造 / よせむねづくり), which as mentioned above is noted by its four-sided sloping faces and was originally covered with decorative Kyoto-style black roof tiles (黑瓦). As time passed however, the original roof tiles were replaced due to damage caused by age (and a century of typhoons). Prior to restoration the building was covered in red plasticky tiles, but they have been removed and replaced again with Japanese-style stone tiles, which are nice, but are just a little too new-looking to be all that impressive.

Even though the architectural design of the residence can be considered a fusion of traditional Japanese and western architectural design (和洋並置), it keeps with tradition with the interior space divided into three separate spaces, a living space (起居空間), a service space (服務空間) and a passage space (通行空間). 

To explain each of these spaces, the “living space” is considerably different than what we’re accustomed to in western countries as what we might refer to as a “living room” is actually a brilliant multi-functional space where the family spends time together having meals, drinking tea and sleeping. Additionally, these spaces often include tea rooms, dining rooms, guest rooms and so on, depending on the size of the house.

The “service space” on the other hand includes a number of functional spaces including the kitchen (台所 / だいどころ), bathroom (風呂 / ふろ), washroom (便所 / べんじょ), etc. 

Finally, the “passage space” generally refers to the various entrances and the corridors within the house.

Within traditional Japanese-style residences like this, the fusion of all three of these spaces skillfully separates the ‘public’ parts of the home from the ‘private’ through the usage of walls, sliding doors and corridors that reach around the building. When it comes to the separation between the space used for guests and the space used for the family, the Police Commissioner’s residence is quite special in its architectural design, especially when you compare it to the nearby Former Residence of Hsin Chih-Ping (辛志平校長故居), which was the residence provided for the Principal of Shinchiku High School (新竹州立新竹中學校), and a senior-level residence itself.

The Principal’s residence, which is relatively smaller (159.87㎡ vs. 201㎡), features a room for entertaining guests directly to the right of the main entrance of the home, but is a short distance from the private living space. With the additional space provided in the Police Commissioner’s residence, there are some key design differences regarding interior space, especially with regard to the space for entertaining guests.

The building features several entrances, but guests would have been greeted at an alternate entrance to the left of the main doors where there is a special ‘tea-room’ connected to a long and beautiful corridor, which also connects to a spacious western-style dining room. This type of ‘detached’ space is somewhat rare among Taiwan’s remaining Japanese-era residences today, and this one is made even more special by the fact that it also features a bathroom that guests could use while visiting, something that was also quite uncommon for buildings that date back over a century.

Looking at the top-down blueprints of the house below, the guest space on the left makes the shape of the building appear different from many of its contemporaries, but its all about functionality, and providing space for a senior-level official who would have been required to entertain guests from time to time.

Using the floor plan above, I’ll briefly introduce each of the various spaces within the residence to  better explain their function based on the space they belong. I’ve included numbers on the image so that it’ll be easier to understand. Before I start though, it’s important to note once again that there is debate as to the original usage for some of the spaces within the house given that the interior space was altered significantly over the post-war period. I’ll note which of these spaces are questionable, but given my research and experience with these buildings, in some cases it is easy to assume what might have been there.

Passage Space (通行空間)

1. The front entrance, or the foyer to the residence is known as a ‘genkan’ (玄關 / げんかん), and features compartments for shoes, umbrellas, etc. The foyer is almost always the only ‘ground level’ section of the house as the rest is elevated on pedestals. There are two of these foyer’s in this house including a grand entrance used by the family and a smaller one to the left that led directly to the guest space.

2. One of my personal favorite spaces within these historic Japanese-era buildings are the beautiful ‘engawa’ (緣側/えんがわ) sliding door verandas. An essential aspect of traditional Japanese architectural design, most of the historic residences in Taiwan will feature at least one engawa that faces the back yard or garden, but in this residence there are actually three of them - one in the living space, one near the dining space, and another in the connected guest space. The sliding glass panels in the living space are the longest and most impressive of the three as it provides an excellent view of the garden space as well as providing for a significant amount of natural air to enter the building through the sliding doors and windows.

3. Within the building you’ll find a number of corridors that connect each of the spaces to each other. I haven’t listed each of them on the photo above, but the ‘rou’ (廊 / ろう) are essential in these buildings as they play an integral part in separating each of the spaces.

Living Space (起居空間)

4. When you walk up the stairs from the foyer, it was likely that you’d find a ‘waiting room’ or a ‘machiaishitsu’ (待合室 / まちあいしつ), however this is one area of the house where the space has been altered quite a bit, making it questionable as to whether it was a reception room or not. Today it is used for the administration of the building and the restaurant that will operate within.

5. To the right of (what was possibly) the reception room/waiting room, it is likewise thought that there was either a tea room (茶之間 / ちゃのま), a less formal dining space, or a reading room (書齋 / しょさい), which could have also served as a work space. As is the case with the space above, it’s unclear, but the guest space would have served both purposes as well.

Given how close it is to the kitchen, I’d argue that it was likely a dining space.

6. Within the private family area section, you’ll find the most spacious area of the home, which is typically separated into two sections. The living space, known as the ‘zashiki’ (座敷 / ざしき). As I mentioned above, this is where the typical ‘living room’ that westerners are familiar with differs as this space is essentially a mixture of a space where the family could spend time together. Within this space you’d find an alcove referred to as tokonoma (床の間/とこのま) and a chigaidana (違棚 / ちがいだな), which are both spaces reserved for decorative elements of the living space.

7. The second part of the spacious living space is reserved for the family’s sleeping space, known as the ‘ima’ (居間 / いま), which like the space above is essentially just an open space. Within this space you’d find alcoves known as ‘oshiire’ (押入 / おしいれ), which are used for storing bedding during the day.

8. As mentioned earlier, with the exception of the family’s private living space, the ‘ousetsushitsu’ or guest space (應接室 / おうせつしつ) features quite prominently in this residence as it is connected directly to the private area and the alternate entrance to the house. In terms of architectural design, it is one of the most impressive of these specific spaces that I’ve seen in any of the historic Japanese-era houses that remain in Taiwan today. The square room features four walls that consist almost entirely of windows, allowing for a significant amount of natural light and with three doors, and access to a bathroom specifically for guests, it was likely an excellent spot for entertaining friends and colleagues.

9. The last section of the living space is the space that was made available for the housekeeping staff that would have been afforded to the family. The Maid’s Room (女中室 / じょちゅうしつ) is currently one of the spaces where there is some debate as the space was likely knocked down at some point in order to enlarge the kitchen space.

10. Given the irregular shape of the residence, one of the biggest questions with regard to the original usage of certain spaces is when it comes to the space on the western side of the house where you’ll find an engawa sliding veranda, a lavatory, and a tokonoma space, like the one mentioned above in the living room. While it is debatable whether or not this space could have served as a spare bedroom, I’d venture to guess that it was likely a reading room (書齋 / しょさい), which served as an elegant home office space for the commissioner. As a space that was separate from the private area of the house, colleagues could have come and gone quite easily and the space could have also been used for less formal meetings that didn’t require the large space in the guest room. Today the space is a beautiful room with tatami floors where you can sit and learn about the history of the area, offering a beautiful view of the exterior of the building.

Service Space (服務空間)

On the eastern side of the residence you’ll find the three rooms which are considered part of the ‘service space, namely the (11) lavatory (便所 / べんじょ), the (12) kitchen (台所 / だいどころ) and the (12) bathroom (風呂 / ふろ). However, given the changes to the building over the years and the recent restoration of the building, there isn’t much to say about these spaces. The former kitchen for example is currently an open space that is used to display historic information and anything that would have identified it as a kitchen has been removed. Similarly, the former shower room is currently closed off to the public and the space used for the lavatory has been completely removed as the space currently opens to a newly constructed exit to a newly constructed building on the exterior where the restaurant’s kitchen is located.

No. 132 Food Theater Restaurant (132糧倉)

With restoration of the century-old residence completed in early 2022, the historic residence was officially re-opened by the Mayor of Hsinchu on May 24th with plans to have it become another one of the city’s historic tourist destinations as well as a food lovers paradise.

Link: 百年古蹟新竹州警務部部長官舍修復完工 24日起開放 (UDN 聯合)

With operational control of the building split between the Hsinchu Bureau of Cultural Affairs (新竹文化局) and the No.132 Food Theater Restaurant (132糧倉). The historic building will feature rotating exhibits that highlights local history while also becoming home to the newest restaurant from Chef Josh Wang (王正岳), one of the famed chefs from Taipei’s Michelin-starred restaurant RAW, and the owner of the Bib Gourmand-awarded restaurant “No. 1 Food Theater” (一號糧倉).

Link: Behind The Bib: No.1 Food Theater Cuisine In Taipei (Michelin Guide)

As this article is being published prior to the restaurant’s grand-opening, I can only speak to the set menu that was placed on some of the tables in the building during my visit. Chef Wang is known for his fine-dining skills, but his ‘No. 1 Food Theater’ in Taipei offers a very affordable Taiwanese fusion experience mixing local ingredients and recipes with popular western dishes. With this new restaurant, Chef Wang’s menu is inspired by the traditional cuisine of Hsinchu and will featured locally produced farm to table ingredients.

In partnership with the local government, the building will be operated with a mixture of public and private sector cooperation that has become a formula in recent years for ensuring that buildings like this can continue to be restored across the country.

If you’re interested in the topic, I recommend you check out my article where I outline the government’s efforts to preserve historic buildings while taking advantage of private sector partnerships to ensure sustainability.

Link: The role of Public-Private Partnerships in Conserving Historic Buildings in Taiwan

Interestingly, this is Chef Wang’s second restaurant located within a historic Japanese-era building as the ‘No 1 Food Theater’ mentioned above is located within a historic warehouse in Taipei’s Songshan District (松山區) that was restored a few years back. Receiving a Bib Gourmand award, the restaurant offers diners an affordable dining experience with meals under NT$1000. This new restaurant in Hsinchu however will focus on providing more of a fine dining experience with the set menu priced at $NT1980 per diner.

Link: 新竹州警務部部長官舍/132糧倉 (Facebook)

Restaurant’s hours: Tuesday - Sunday from 6:00pm - 9:00pm

Tourist visitation hours: Tuesday - Sunday from 10:00am - 6:00pm.

Getting There

 

Address: #132 Zhongyang Road, Hsinchu City (新竹市中央路132號)

GPS: 24.806960, 120.971200

Located in the downtown core of Hsinchu City, the former Police Commissioner’s residence is within walking distance from the Hsinchu Train Station, so if you’re in the area for a day-trip and you’re walking around, the residence is yet another of the city’s historic attractions that you’ll be able to enjoy. Essentially less than a block away (in any direction) from Hsinchu’s East gate (竹塹城迎曦門), the Hsinchu Principal’s Residence (辛志平校長故居), the City God Temple (新竹城隍廟), Dongmen Market (東門市場) and the Big City Shopping Mall (遠東巨成購物中心), visitors have a number of options within walking distance from the train station.

And that list doesn’t include any of the restaurants and coffee shops that you’ll encounter along the way.

If you’re in Hsinchu and you’re driving a car or scooter, you should be able to find parking near the Hsinchu Moat Park (護城河親水公園), where there is street-side parking available for scooters and a paid parking garage for cars. Each of the destinations mentioned above is a short walk from there. However, if you discover that the parking lot is full, never fear, there are a number of options within the area. I recommend inputting the address provided above into your GPS or Google Maps and you’ll find a number of spaces nearby.

While I can’t recommend enough that you walk around the city, some of you are might be more comfortable making use of public transportation. Fortunately there is a bus stop a short walk away from the residence, so you’re in luck. You’ll be able to hop on the following buses to get to the residence, which is located next to the Qinren Village Bus Stop (親仁里站):

  1. Hsinchu Bus #2 (新竹客運) - Hsinchu Train Station - Chiao Tung University

  2. Hsinchu Bus #31 (新竹客運) - Hsinchu Train Station - Science Park

  3. Hsinchu Bus #5602 (新竹客運) - Hsinchu - Sanfeng

  4. Hsinchu Bus #5603 (新竹客運) - Hsinchu - Xincheng

  5. Hsinchu Bus Blue Line (新竹客運藍線) - Hsinchu Fisher Association - Hsinchu Junior High

  6. Miaoli Bus Green Line (苗栗客運綠線) - Chingkuo Road - Xiangshan)

If you take the bus from the train station to the residence, I still recommend that from there you visit some of the other enjoyable destinations in the area. The city is very walkable and along the way to your next destination, you’re likely to find something else that interests you.

As mentioned above, I’m publishing this article quite early after the restoration of the residence was completed during the period when the restaurant that will occupy the space was still making preparations for its grand opening. Given that operational control of the historic building has been awarded to a Michelin-rated chef, I’m not particularly sure how long the building will remain open for tourists, but it seems like time will be split pretty evenly with it being available for visits during the day and closing in time to prepare for dinner service. If you have a chance to enjoy a meal at the restaurant, be sure to let me know how it went!

I’ve added it to my list of places to eat in the city!

References

  1. Shinchiku Prefecture | 新竹州 (Wiki)

  2. 新竹縣政府警察局 (Wiki)

  3. 新竹州警務部部長官舍 (新竹文化局)

  4. 新竹州警務部部長官舍 (國家文化資產網)

  5. 市定古蹟「新竹州警察局高等官舍」及歷史建築「南大路警察宿舍」研究暨修復再利用計畫 (新竹市政府)

  6. 「新竹州警務部部長官舍」開放!百年日式古蹟重生,米其林必比登推薦「一號糧倉」進駐 (Shopping Design)

  7. 「新竹州警務部部長官舍」開放!132糧倉結合在地食材的美食饗宴 (La Vie)

  8. 複合式古蹟「新竹州警務部部長官舍」今開放 (UDN)

  9. 百歲古蹟重生 新竹州警務部部長官舍重新開館 (台灣生活網)

  10. 「新竹州警務部部長官舍」開幕 來百年官邸吃必比登美食 (中時新聞網)

  11. 台灣日式建築:官舍 —— 台灣樣.建築百科 (財團法人空間母語文化藝術基金會)

  12. 新竹市定古蹟警長高等官舍 獲3200萬元修復活化 (自由時報)