Travel

Hsinchu Lakeside Ryotei (湖畔料亭)

For the past year I’ve made it a bit of a personal project to search out, photograph and document the history of some of the remnants of Taiwan’s Japanese Colonial Era. In that time I’ve visited most of the remaining Martial Arts Halls, Shinto Shrines, some old dormitories and former communities.

One of the things that I’ve learned through all of this is that in the seventy years since the end of the occupation period (and even throughout Taiwan’s massive development), you’re still able to find evidence of the Japanese Colonial Era in almost every city and small village throughout this country - So its best to always keep your eyes open when you’re travelling around because you’re bound to find something interesting!

Although I’ve visited quite a few of the various buildings of cultural and religious influence left over from the Japanese Colonial Era, the place I’m posting about today is something completely new to me and is something I’ve yet to come across in my search for Colonial Era relics.

Of all the different types of buildings I’ve found so far I find it hard to believe that I’ve never actually ever wondered why I hadn’t yet found a restaurant. I guess the reason for this is because every where you go in Taiwan you're likely to find a multitude of Japanese restaurants that faithfully cover and pay respect to every region and style of Japanese cuisine. It never occurred to me that there might actually still be some traditional restaurants still in existence.

Ryōtei (料亭) 

Despite having so many great options for Japanese food in Taiwan, one type of restaurant that you’re not likely to find these days is a traditional Ryōtei (料亭), one of Japan's most traditional and luxurious dining experiences.

In Japanese, the word Ryōtei comes from the shortened word “ryōri” (りょうり/料理) which refers to cuisine and the word “tei” (亭) refers to a “pavilion” or an elegant residence. Basically a Ryōtei is a luxurious restaurant where guests dine in private rooms and are served by waitresses wearing kimono. Patrons in a Ryōtei are served a traditional set multi-course menu known as “kaiseki-ryōri” (懐石料理) that is known not only for its great taste but the great artistic care that is taken to prepare it.

In some cases a visit to a Ryōtei also includes the company of geisha who act as hostesses and provide live entertainment to the guests.

Traditionally, Ryōtei’s only accept new customers by referral and have the reputation as being exclusive “members-only” type places. This practice has changed in modern times but the restaurants are still a favourite among high-level businessmen and politicians who visit to have discreet meetings where they are able to woo prospective clients or to seal an important deal.

While preparing to write this blog I did a bit of research about Ryōtei in Taiwan during the Japanese Colonial Era but there wasn’t much information about their history available online. What I did find however is that there is one in Tainan City that has been restored and opened to the public as a museum of sorts and then another in Hsinchu City which has also been restored but thus far is not yet open to the public.

Hsinchu Park (新竹公園) is home to not only the historic Hsinchu Zoo, the Hsinchu Confucius Temple and the Hsinchu Glass Museum but also the beautiful Lakeside Ryotei (湖畔料亭) which I'll be introducing today.

The Lakeside Ryōtei, built on the banks of Li Lake (麗池) originally consisted of five separate buildings that varied in size. Visiting the restaurant would have been a complete experience that included the tranquility of the lake but also a beautifully designed park-like atmosphere with small foot bridges, lanterns and ponds with wildlife roaming the grounds.

Today you may not be able to enter the buildings (there are plans to open them in the future) or have one of the traditional meals inside but you can certainly enjoy the scenery as well as the various species of birds, turtles and fish which live in the lake area.

History / Design

Constructed in 1931 (昭和6年) and then expanded upon in 1935 (昭和10年) the restaurants were considered a 'garden-style recreation area' for the employees of Shinchiku Prefecture (新竹州) which consisted of modern-day Hsinchu, Taoyuan and Miaoli.

Each of the five buildings were constructed with traditional Japanese architecture using Taiwanese cypress (檜木) and have beautiful black tiled roofs. The buildings were elevated off of the ground using cement planks (in case of flooding) with traditional Japanese tatami floorboards. All of the buildings have a different design but the buildings that you will probably spend the most time looking at are the two that have windows on all four sides.

Taking into consideration that Hsinchu is well known historically for its glasswork (and the fact that Glass Museum is pretty much next door to these buildings) you shouldn’t be surprised that the glass displayed in these buildings is so spectacular. The craft work that went into their original construction as well as their restoration is quite amazing.

When the Colonial Era ended the buildings were left abandoned for a short time before being absorbed as part of the Air Force 8th Battalion’s nearby military village. The village known as the Air Force 11th Village (空中十一村) used the buildings as an elementary school as well as converting others into dormitories which were dubbed “Arhat Halls” (羅漢堂) in reference to the monk-like nature of the dorms which were set up to house single pilots who had no dependents.

Unfortunately as is the fate of almost all of Taiwan’s military villages, most of the people who lived in the Air Force 11th Village ultimately relocated and the buildings were left abandoned. In the late 1990’s one of the original buildings burnt down leaving only four remaining albeit in rough shape.

When the Hsinchu City Government made plans to convert a nearby Japanese-era building into the Hsinchu Glass Museum (新竹市立玻璃工藝博物館) local civic groups pushed for the Ryōtei buildings to also be restored and put to good use rather than allowing them to continue to rot.

The plans to restore these buildings and put them to good use is an ongoing one and while the public cannot currently enter the buildings yet, the city government has plans to complete their restoration and allow for them to once again be enjoyed by the people of Taiwan.

So far it seems like each of the buildings will have a different theme for exhibitions which will be organized under the auspices of the Glass Museum which will bring these beautiful buildings back to life.

Getting There

If you are relying on public transportation to get to the Hsinchu Park, you are in luck as it is quite close to the Hsinchu Train Station as well as the Bus Station.

If you are travelling by train just exit Hsinchu Station from the rear exit (後站) and from there either walk to the park or take a Youbike. The walk should be no more than five minutes but each time I’ve visited I’ve taken a bike as there is a bike station directly across from the park’s entrance. The directions to the park are clearly marked on the road in both Chinese and English so its not likely that you’ll get lost. 

While you’re visiting be sure to check out the various species of local birds as well as the turtles and fish which make their home in the beautiful lake. Make sure to walk around the historic park and check out some of the other interesting sights which include the Hsinchu Confucius Temple, the Glass Museum, the Hsinchu Zoo and the weekend flower market.

 

The Lakeside Ryōtei have a storied history dating back well over eight decades and during that time have served many different purposes. The future looks quite bright for these beautiful Japanese-style buildings. If you are a fan of Japanese architecture be sure to check out this peaceful park - especially during the early months of the year when the sakura blossoms are in full bloom which transports you from a small park in Hsinchu to something you’d expect to see in Japan!


Wu Zhuo-Liu Memorial Home (吳濁流故居)

The historic residence of one of Taiwan’s leading modern literary figures, Wu Zhuo-Liu (吳濁流) recently opened to the public after the Hsinchu government both restored and renovated the traditional Hakka-style home into a memorial museum for the iconic author.

The house which is located in Hsinchu’s Hsinpu township (新埔鎮) offers visitors a glimpse into the life of the man who authored several influential novels and helped to shape the notion of a distinct identity for the people of Formosa that wasn’t “Chinese” or “Japanese” but solely Taiwanese.

Before we start, I'm going to be honest - I had no idea that this house was the home of someone as historically significant as Wu Zhuo-Liu nor did I even know who he was - I just passed by and saw the words "Memorial Hall" (紀念堂) next to a beautiful old home and decided to check it out. 

Later, when I started to do research for this blog however I quickly found out that I was walking around the home of a giant of modern Taiwanese history and a person who I was absolutely sure that I would like.

Mr. Wu was not only an advocate of a separate Taiwanese identity but described for the world the history and harsh reality that the people of Taiwan have had to face for the past several centuries. 

After learning a bit about the man and his life, I knew that his books had to be added to my collection and I went out right away and bought an English version of his "Orphan of Asia" (currently reading) and a Chinese version of "Fig Tree" (無花果).  

I'm only halfway through the first book, but I can tell you that I'm extremely happy that in my ignorance I happened upon this Memorial Home as it helped me learn more about the struggle the Taiwanese people have endured for hundreds of years up until today.  

Wu Zhuo-Liu (吳濁流)

Wu Zhuo-Liu (吳濁流) was born as Wu Jintian (吳建田) in 1900 just a few short years after the Japanese Colonial Era began. Mr. Wu, a Hakka from Hsinchu’s Hsinpu Village grew up in Japanese occupied Taiwan and despite hailing from a family of farmers, received a formal education in the Japanese Education system. 

As an educated man Wu spent much of the first part of his life teaching in the Primary School system. At the age of 41 he quit his highly respected job as a teacher and took a job as a reporter in China where he spent fifteen months in Nanjing (At that time the capital of China) writing about the war that had enveloped the nation.

When Wu returned to Taiwan in 1943 he continued working as a journalist and also started to write novels and short stories based on his, and the experiences of his fellow Taiwanese people. In 1945 he penned what would become his most famous work titled the “Orphan of Asia” (亞細亞的孤兒) which highlighted the ambiguity felt in the hearts of Taiwanese as to their conflicting sense of identity and is a book that even today people can still relate to.

In 1968, Wu published his memoirs, an autobiographical look at life during the Japanese Colonial Era and then the Republic of China era. The book continued with the themes of his growing political conscious and search for identity. Both realistic and politically charged, its description of the events of the 228 Massacre and the repressive nature of the Chinese Nationalists who controlled Taiwan with an iron fist were enough to earn it a swift ban by the authorities due to the fact that discussing such things was taboo at the time.

Unfortunately Wu died in 1976 and at the age of 76 and was ultimately unable to see the lifting of Martial Law or the end of the repressive White Terror period which he had endured for much of his life. His contribution and his courage however are widely respected today in Taiwan and his books are a constant reminder of the tension the Taiwanese people have had to endure over the last century with regard to who they really are. 

History and Design

Thanks to the efforts of the Hsinchu City Bureau of Cultural Affairs (新竹市文化局), the Wu Zhuo-Liu Memorial House (吳濁流故居) recently re-opened to the public after several years of renovation and restoration. 

This memorial house is but one of the historic homes of Hsinpu village that has been restored (or is in the process of being restored) and opened to the public over recent years. Hsinpu Village has become an extremely important place for the Hakka people of Taiwan thanks to its wealth of cultural history and more importantly due to the fact that Yimin Temple (義民廟), the Mecca for the Hakka people is situated within the village.

In conjunction with the Hsinchu City Bureau of Cultural Affairs and the Hakka Affairs Council (客家委員會) the village has been revitalized in recent years and the promotion of Hakka culture, cuisine and history has made it as important location for the people of Taiwan to travel to learn about the nations history.

Hsinpu has several historic ancestral homes that are quite similar to the Wu Zhuo-Liu Memorial House and if you’re interested in Taiwanese history, Hakka history or viewing the beautiful Hakka architecture of the past, a day-trip to Hsinpu will not only allow you to view some of these historic homes but also allow you to enjoy some amazing Hakka culture and cuisine at the same time.

Some of the other historic houses in the village include:

  1. Chen Family Ancestral Home (新埔陳氏宗祠)
  2. Chang Family Ancestral Home (新埔張氏宗祠)
  3. Liu Family Ancestral Home (新埔劉祠)
  4. Pan Family Ancestral Home (新埔潘屋)
  5. Chu Family Ancestral Home (新埔朱氏家廟)
  6. Lin Family Ancestral Home (新埔林氏家廟)
  7. Fan Family Ancestral Home (新埔范氏家廟)

*There isn't a lot of information available in English about these beautiful ancestral homes, but I'll be making a post about them in the coming weeks to explain them in a little more detail. 

The Wu Zhuo-Liu Memorial House (like most of the houses listed above) is a traditional style Hakka “sanheyuan” (三合院) courtyard style home that is most identifiable by it’s “U” shaped design. The house was constructed sometime around 1840 and was the home where Wu Zhuo-Liu grew up and also where the rest of his family has lived and farmed up until recently.  

Sanheyuan-style homes were very common in Taiwan before the Japanese Colonial Era and are often still quite prevalent throughout the countrysides of Taiwan. The problem for these older buildings is that the majority of them have become dilapidated over the years and in most cases have been abandoned or are being demolished in favour of a more modern style home. Preserving them can often be a bit difficult due to the humidity of Taiwan and the amount of earthquakes that rock the island. 

Link: Hsinpu Ancestral Shrine (Already demolished)

The Wu Family Ancestral Shrine

The two longer wings of a sanheyuan are known as the “Hu-Long” or the “protecting dragons” (護龍) and is where you would find the bedrooms, living rooms, kitchens, dining rooms, etc. The main section of the building that connects to the two wings is sometimes translated into English as the “Inner Protector” (內籠) but is also what I usually refer to as the “Ancestral Hall” (室德堂) in these Hakka-style homes. In truth it is a bit difficult to literally translate what “室德堂” means into English but in simple terms it is the central part of the home where you’d find not only the main entrance to the house but also the ancestral shrine which meets you at the front door.

Ceramic Tile on the roof. 

While these courtyard-style homes are prevalent throughout Taiwan and not unique to Hakka culture, one of the things that differentiates a Hakka home from some of the others is the ornate decorations on the roof and exterior walls. If you visit this home (or any of the others in Hsinpu), be sure to pay attention to the beautiful ceramic designs on the roof and the awnings which have been beautifully re-coloured and restored during the restoration process.

Now that the home is open to the public, the rooms have been emptied and displays have been set up which not only introduce the life of Wu Zhuo-Liu and his family but also the function of each room. There are displays in the kitchens that help teach the people of today as to how people in 1840s Taiwan lived. The displays and exhibits set up within the house are non-intrusive and allow people to learn about the home in a way that doesn’t involve too much modern technology.

If you visit you should also make sure to tour the surrounding grounds of the building and check out the historic trail nearby where you’ll find a nice little lake as well as beautiful Taiwanese cypress trees and also a bit of nostalgia for an old Canadian like myself - Maple trees!

Getting there

Getting to the Wu Zhuo-Liu Memorial Home can be a bit difficult if you don’t have your own means of transportation. Unlike some of the other homes I mentioned above, this one is not situated within the downtown area of Hsinpu village. The home is on the road that connects Hsinpu Village (新埔) in Hsinchu County with Longtan Village (龍潭) in Taoyuan.

There is a bus that connects both villages but it only runs three times each day and you’re likely to get stuck waiting by a rice paddy for a few hours if you choose this option.

If you absolutely have to rely on public transportation I would recommend taking a train or bus to Jhudong (竹東) and from there transferring to a bus that takes you into the downtown area of Hsinpu village and then hiring a taxi.

There are quite a few cool things that you can see while walking around the downtown core of Hsinpu, so I recommend a stop by the historic town to check out some of the historic mansions, temples and of course to eat some Hakka flat noodles (客家粄條).

 

 Address: #10, Jupu Village. Hsinpu Township, Hsinchu (新竹縣新埔鎮巨埔里五鄰大茅埔10號)

The recent renovation and restoration of the iconic author’s family home is not only an attractive destination for lovers of Taiwanese literature, but also those who respect the contribution Mr. Wu made to help promote the idea of Taiwanese identity to the world.

The subjects of his books dealt with topics that were quite sensitive when they came out but stand up to the test of time and still help the Taiwanese of today understand their history and why they should be proud to be Taiwanese.

The house is beautiful and walking around a traditional home like this can also teach people what life was like in Taiwan before all these modern high rise buildings were constructed. If you are in the area, I recommend a visit and think that a walk around the property can be a great learning experience.


Gallery / Flickr (High Res Shots)

The Tuba Church at Night

Note: As of September 2019, the Tuba Church is closed and a gate has been constructed to block access to the church for both the local indigenous community and tourists alike.

The period of closure is currently unknown due to a land dispute with the land owner holding the local community hostage for the price of $10,000,00NT.

Until the church reopens to the public, I’ll leave this notice here. If you are planning on visiting the area, make sure to check local news to see if it’s reopened or now.

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A year or so ago I wrote about the historic stone TUBA Church in the mountains of Taoyuan. The church which was constructed by the Atayal People (泰雅族), one of the largest Indigenous groups in the country, is a semi-popular stop off for weekend day trippers visiting Taoyuan and one of the many interesting tourist spots in the area.  

Over the past few months the church has become quite popular with the photographers of Taiwan who visit at night to try to get some shots of the church with the stars in the background. I've seen some really nice shots of the church on Instagram over the past few months but the success of the photos are extremely dependent on the weather and Taiwan's mountains aren't always the most reliable places when it comes to that. 

Admittely, the shots I'm sharing today of the church are all from my second visit to the church. The first time I visited was supposed to be a clear night but just after I arrived clouds rolled in and getting the shots that I wanted wasn't really an option. 

This kind of thing is common in Taiwan though, so undeterred from my first failure I planned to take another trip out there on a night when the weather was looking good enough to try again.  

When I arrived on my second attempt there were quite a few photographers hanging out trying to all get the same shot. Clouds rolled in quickly after I arrived though and almost all of them took off. Since I had just arrived I decided to be patient, watch a video on Youtube and wait to see if the clouds would pass. 

Luckily they did and the photos I'm sharing here today are the result. I hope you like them.  

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If you haven't read my original post about the church, here is a bit of history that I pulled from the article to explain it: 

The church was constructed by the Atayal people (泰雅族) in 1963 as a place for the people of the remote Tuba tribe (基國派) to worship. The tribe built the church with their own hands using stones that were carried one-by-one from the nearby Sanmin Batcave (三民蝙蝠洞).

The small place of worship was used between 1963 and 1992, but ultimately became too small for the growing population of the tribe which took a much more modern approach to the construction of their new church which was constructed nearby. 

After the congregation moved to the newer church, the original fell into a state of disrepair due to a lack of usage and maitenance. The community realized however that the church was not only an important part of the tribes history but also had cultural value that could help the people of Taiwan learn more about the tribe.  

Today the church stands in its original spot and is celebrated as a monument to the preservation and cultivation of Atayal culture and history and is now recognized by the government as a national historical monument.

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How did you get these shots?

Some people have asked how I was able to take these shots and what equipment was neccessary.

All you need is a camera, a wide-angle lens, a tripod, a remote control (would be great) and patience. 

Truthfully it doesn't matter what camera you are using as long as you have the ability to control its functions. You'll need to learn how to take Long-Exposure shots and that is quite a bit easier if you know how to use your camera's Bulb Mode with a tethered remote control to control your timer.  

If you don't have a remote control with your camera, it's fine, just set your camera to Manual or Shutter-Priority Mode and turn the dial on your camera to your desired exposure time. Once you press your shutter button make sure that your camera is stabilized by the tripod and you don't move it. Any movement between the time the shutter opens and closes is going to mess up your shot.   

A friend suggested that I spent quite a bit of time in Photoshop doing post-processing work on these photos to achieve these results. 

I'm going to let you in on a little secret - The shots I'm sharing today were taken while my camera was tethered to my iPhone 7. Each shot was directly fed onto my phone and I used Google's Snapseed Photo Editor to post-process these photos - each photo taking no more than one minute of work.  

You don't need the biggest and best camera with the most expensive lenses to take shots like these. You also don't need to spend a lot of time working on them in Photoshop. Anyone can take these kinds of shots, so don't be afraid to learn about your camera and its functions!  

If you have a chance to visit the church at night I hope the weather cooperates and you get some great photos!