龍潭武德殿

Longtan Teachers Dorms (龍潭國小老師宿舍)

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These days, it seems like there are historic Japanese-era buildings re-opening in every corner of the country. From top to bottom, the Taiwanese government has invested heavily in the restoration of these buildings and there isn’t a week that goes by that I don’t hear about the opening of something new.

The sudden onslaught of so many new places to visit certainly isn’t something that one should lament, it keeps me busy, but its admittedly becoming quite difficult to prioritize where and when to visit these historic buildings, converted into historic culture parks. 

This one though was a no-brainer. I’ve been waiting quite a while for these dorms to reopen.

Not only are they close to home, they’re also across the street from a former Martial Arts Hall

My visit to the former Longtan Elementary Teachers Dorms was a little like killing two birds with one stone as I got to take new photos of the Martial Arts Hall, and explore the interior while also visiting these beautiful, completely restored dormitories, which if you’re asking me, are pretty damn picturesque. 

I’m not going to waste too much time blathering on today, so lets just get into it.

Longtan Teachers Dorms (龍潭國小日式老師宿舍)

Having recently celebrated its 120th anniversary, Longtan Elementary School (龍潭國民小學) is a proud member of a short list of historic Taiwanese educational institutions that date back to the earliest years of Japanese colonial rule that remain open today. 

Constructed in 1899 (明治32年) as a Public School (公校 / こうがっこう) for children between the ages of eight and fourteen, one of the colonial government’s earliest successes was their offer of a formal education, which for the first time in Taiwan’s history was opened up to anyone willing to learn, rather than only those who could afford it.

Classes at Public Schools initially only offered language training in reading (讀書), writing (習字), composition (作文), Math (算術), Music (音樂), and Physical Education (健身), but this is something that changed quickly as the island developed, and larger schools were constructed allowing the education system to become much more refined. 

Before I talk about Longtan Elementary though, I think it’s important that we first talk a bit about the Longtan (龍潭) of the Japanese era, which was considerably different than it is today. 

During the Japanese-era, The “Taoyuan City” (桃園市) that we know today was merely a district (郡) of what was known as Shinchiku Prefecture (新竹州 / しんちくしゅう). 

Located in the area south of Taipei, or “Taihoku” (台北州廳), Shinchiku Prefecture encompassed much of what we refer to now as Taoyuan-Hsinchu-Miaoli (桃竹苗), with the capital of the prefecture located in Shinchiku City (新竹市 / しんちくし). 

As much of Taiwan was yet to have started to develop at the time, the large cities that we know today as Taoyuan (桃園), Zhongli (中壢), Zhudong (竹東) and Miaoli (苗栗), for example were much smaller settlements at the time, so they were merely classified as ‘districts’ (郡) that were subdivisions of the larger prefecture and could have been broken down into towns and villages.

One of Shinchiku’s most important districts was Taikegun (大溪郡 / たいけいぐん), or what we refer to today as “Daxi” (大溪區), where the colonial government was engaged in the extraction of camphor and harvesting Taiwanese tea for export back to Japan. 

With the administrative centre for the district located in “Taikegai” (大溪街 / たいけいがい) or “Daxi Village,” the district was responsible for the administration of 577km² of land and likewise included neighbouring Ryutansho (龍潭庄 / りゅうたんしょう), and the mountain indigenous area (蕃地), known today as Fuxing District (復興區).

More specifically, “Ryutansho” is the area we refer to today as “Longtan District” (龍潭區), one of Taoyuan’s coolest little villages, and home to a large population of Hakka people (客家人). 

Links: Shinchiku Prefecture | 新竹州 | 大溪郡 | 龍潭庄

When we talk about the administrative area known as Ryutansho, it’s important to note that during the fifty years of Japanese rule, the colonial government redrew Taiwan’s administrative maps on several occasions.

Over that period however, not much changed in terms of Ryutansho’s geography, and the smaller villages and settlements that were within it apart from it being upgraded as a town in the late 1930s. 

Coming equipped with an Assembly Hall (龍潭庄役場 / りゅうたんしょうやくば), Post Office (龍潭郵便局 / りゅうたんしょうゆうびんきょく), Ryutansho Police Precinct (大溪郡警察課龍潭分室), Martial Arts Hall (龍潭武德殿), and more importantly, the Ryutansho Public School (新竹州龍潭公學校), the downtown area of Ryutansho developed with these important public buildings in mind, and to this day continues to retain much of the urban design left behind by the Japanese. 

In 1899, when the Public School was first opened, it was simply named Ryumoto Public School (龍元公學校 / りゅうもとこうがっこう), but was later expanded and renamed Longtan Public School (龍潭陂公學校) in 1908, and being one the only educational institutions in the area, it played an important role in the development of the village. 

That being said, even though the school has been around for over 120 years, it has continually expanded over that period of time and even now as part of the anniversary celebrations, an entirely new section is being added to the campus. With that in mind, it’s important to note that it wasn’t actually until 1919 (大正8年) that the teachers dormitories started to appear on campus. 

Initially there was only one, but as time went by (and the school expanded) several more were constructed next to each other, with a total of seven dormitories constructed by 1938 (昭和13年). Taking almost two decades to build all of them, when you visit today you’ll find a bit of difference in their architectural styles with those constructed between 1928 (昭和3年) and 1938 (昭和1年) in particular showing off the architectural styles of the Showa era. 

If you’re reading this and wondering why anyone would take time out of their day to write an article about dormitories, it’s important to note that these ‘dorms’ aren’t the same as what you’re probably thinking. These “dorms” were constructed like traditional Japanese-style homes and unlike your typical university-style dorm, were relatively comfortable.

The earliest dorms constructed at the school were pretty basic in that they weren’t all that large and were constructed solely for single teachers. What came later however was much more refined amd were suitable for teachers and their families, and spoke to the commitment that the colonial government had to constructing quality residences for educators. 

According to records, there were five teachers dorms located along the eastern edge of the campus, but when you visit the culture park today, you’ll notice that there are only three buildings. 

This isn’t because they’ve torn down any of the dorms, they’re all still there. 

It’s simply because the two larger dorms were effectively split into two, while the smaller one was where all the single teachers would have lived. 

Officially #3, 5, 7, 9 and 11 on Nanlong Road (南龍路), there is also a Principal’s Residence (校長宿舍) on the other side of the school’s eastern entrance that has been completely reconstructed, but has yet to re-open to the public. There was likewise another dorm located to the right of the Principals Residence, but it collapsed quite a while ago and the space it occupied is now being used by a newer building as part of the school campus. 

To better explain each of the dorms, I’m going to separate them based on the official map used by the culture park (below) and identify each of the buildings by their address. 

I promise that I’m not going to go into too much detail about the specific architectural style of each of the buildings like I usually do. The reason for this is that the subsequent years after the colonial era (in addition to the restoration of the buildings) altered them significantly from their original architectural designs.

That being said, while the exterior of the buildings doesn’t really do all that much for me, especially with all the ‘cute’ decorations that have been added to the landscaping, the interior of the buildings is absolutely beautiful, and I think the photos should speak for themselves that these dorms would have been really nice to live in.

Before I get into the differences in the dorms, it’s probably easier to talk about their similarities.

Its important to note that these Japanese style dormitories follow a basic design rule in that each of them, no matter if they’re a single or a shared dwelling, must consist of the following three spaces: A living space (起居空間), a service space (服務空間) and a passage space (通行空間). 

The living space is considerably different than what we’re used to in western standards as what we might consider a “living room” is actually a brilliant multi-functional space where the family can receive guests, hang out, have their meals, drink tea and sleep.

This space is usually the largest part of these dorms and features “tokonoma” (床の間/とこのま) or large compartments (like a closet) with sliding doors in the walls where blankets, decorations and other necessities are stored during the day.

 Link: Tokonoma (Wiki) 

The ‘service’ space on the other hand could include a number of rooms, which in the double family dorms might be shared spaces between both sides in order to save space. Service spaces typically include the kitchen (台所 / だいどころ), bathroom (風呂 / ふろ), washroom (便所 / べんじょ), etc. 

Finally, the “passage space” in each of these dorms varies, but generally refers to the front and back entrances to the dorm as well as the corridors within, between the living space and the service space.

Each of the dorms have been constructed using the irimoya-zukuri (入母屋造) style of design, which basically means that the base of the building is smaller than the roof, the weight of which is supported by a network of trusses (屋架) constructed in the ceiling that help to support the weight of the four-sided sloped hip roof (四坡頂). However, even though the roof of these dorms follows a traditional Japanese architectural design, they obviously can’t be compared to what you’d find on a temple or shrine, which are much more elaborate.

When the buildings were restored, the original roof tiles were replaced with plastic-looking black tiles. Similarly, the wooden shitamiita (下見版 / したみいた) siding on the buildings has been completely replaced. The siding is still too new and is quite dark in colour, but as they age the colours will fade and they’ll look more like what you’d expect from a Japanese building of this kind. 

#3 Nanlong Road Single Dormitories (獨棟房舍)

Located on the corner of Nanlong Road (南龍路) and Donglong Road (東龍路), the Number 3 dormitory was the the smallest of all the dorms and was originally used as a shared accommodation for single teachers (獨棟房舍). 

The interior of the building features a couple of rooms, which would have been used as a living space and a service space as mentioned above.

Records don’t really indicate how many teachers lived inside the dorm, but I can’t imagine they would have crammed a bunch of people inside as the building is considerably smaller than the others.

Today the dorm is used as a Tourist Information Centre (遊客服務中心) and is where you’ll find some helpful people that will assist in introducing you to the culture park. 

#5-7 Nanlong Road Family-style Shared Dormitories (雙併二戶建宿舍)

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The Number 5-7 building is a ‘family-style shared dormitory’ that was essentially split into two, which I suppose you could compare to a duplex in the west. This allowed for two families to take up residence within the building, which was split down the middle and featured entrances on both the front and back. 

When the colonial era ended and the Japanese left Taiwan, the house was occupied for quite some time and several modifications were made to the interior and exterior of the building. That being said, the restoration process was quite successful in returning much of the dorm to its original layout, and the interior is quite beautiful, especially on a sunny day when the wood in the building shines in the sun.

Today the building is used to showcase the literary expertise of local authors Chung Chao-Cheng (鍾肇政) and Wu Zhuoliu (吳濁流), and is a perfect setting to sit on one of the cushions on the tatami floor to read the work of one of the two famed Hakka authors.

While it isn’t exactly a library, you’re likely to come across other people reading while inside, so try not to much too much noise if you’re checking it out!   

#9-11 Nanlong Road Family-style Shared Dormitories (雙併二戶建宿舍)

Of the three dorm buildings, the Number 9-11 house is probably the most important with regard to the contemporary use of the dorms - and probably one of the main reasons why they were ultimately protected as heritage sites by the government. 

The dorm was home to author Chung Chao-Cheng and his family both before and after the colonial era in his capacity as an educator at Longtan Elementary School (more on that later).

While the other two buildings have been faithfully restored to their original architectural design and layout, this building wasn’t changed very much during the restoration process due to its significance as the home of the iconic author. With this in mind, you’ll notice that there are a number of modifications to the building, including the addition of a cement kitchen and dining room that extends from the far left of the building. 

The sad thing about the life of this famed author is that for much of it, he lived in relative poverty. So, in addition to his teachers salary, he made a little extra cash to support his large family by raising pigs to be sold at the local market as well as birds to be sold as pets. To that effect, when you visit today you’ll still find a pig pen located in front of the house (there aren’t any pigs in it) in addition to some of his old bird cages within the front porch of the building on the opposite site.

The interior of the building has certainly been fixed up quite a bit, restoring many of the original Japanese elements of the design, but there are quite a few of Chung Chao-Cheng’s personal belongings that have been left in place to help to tell the story of his life. 

There are aspects of the interior of this building that I think are pretty beautiful, but I was much more impressed by the beauty of the middle dorm which was more faithfully restored to its original condition.

I can completely understand however why these decisions were made when the restoration project was taking place, and appreciate that the part is also a celebration of his life. 

Speaking of which, let’s move on and talk about his life and the park a little bit! 

Chung Chao-Cheng Literary Park (鍾肇政文學生活園區)

Chung Chao-Cheng (鍾肇政) lived the better part of his life in the Longtan Elementary School Dorms. During his formative years, his father was a teacher at the school, which allowed for his rather large family to stay in the dorms. He then later following in his father’s footsteps and became a teacher at the school, where he ultimately spent much of his professional career.

That being said, the teaching career of Chung Chao-Cheng is not what he’s best known for.  

Rising to fame with his novel, “The Dull Ice Flower” (魯冰花) in 1960, Chung was an award-winning author who wrote over one hundred and fifty short stories and forty novels. Known for his promotion of Taiwanese nativist literature (鄉土文學), and his lifelong battle to promote Hakka language and culture. 

With his “Taiwanese Trilogy” (台灣人三部曲), Chung authored one of the most authoritative works on the modern history of Taiwan, highlighting the nativist theme that depicted the Taiwanese people’s struggle for existence, identity and self-determination. 

Link: Taiwan Nativist Literature | 台灣鄉土文學論戰 (Wiki)

Part of the ‘translingual generation’, Chung was a speaker of Japanese, Taiwanese, Hakka and Mandarin, but (like everyone else in Taiwan at the time) was forced to speak the latter in his capacity as an educator by the Chinese Nationalist-led government.

The suppression of Taiwan’s native languages by the Chinese Nationalists was an issue that was near and dear to Chung’s heart and he used his notoriety as an author to become one of the key figures in the Hakka Language Restoration Movement (還我客家母語運動) which fought for the basic right to speak Hakka in public.

Chung’s battle resulted in the eventual formation of the Taiwan Hakka Association for Public Affairs (台灣客家公共事務協會) in 1990, the Formosa Hakka Radio Station (寶島客家廣播電台) in 1994, and the Hakka Affairs Council (客家委員會) in 2001.

Today the preservation and promotion of Hakka culture and language is experiencing somewhat of a renaissance all around Taiwan, and Chung Chao-Cheng will forever be recognized as one of the key figures in the struggle to keep Hakka culture alive.  

Having lived in the teachers dorms during the Japanese-era as a child, Chung took a job as a teacher at Longtan Elementary in 1946 (民國39年) and worked there until 1979 (民國68年), during which time he authored many of his most famous literary works. 

When the Taoyuan City Government registered the dormitories as Protected Historic Buildings (歷史建築) in 2012 (民國101年), plans were made to restore the buildings and open them up to the public. In most cases with these historic properties, the government has to think long and hard to come up with ideas for how to properly use the space, especially after investing so much money on their restoration. 

In this case however, it was a no-brainer. 

Link: The Role Of Public-Private Partnerships In Conserving Historic Buildings In Taiwan

However, with NT $30,000,000 provided by the Hakka Affairs Council and $10,000,000 from the local government, investment in the restoration of these dorms went well over $1,000,000 USD, so it was never going to be a space that was wasted. 

So even though I’ve titled this article, “Longtan Teachers Dorms”, they’re officially known today as the Chung Chao-Cheng Literary Park (鍾肇政文學生活園區), and includes all of the dorms in addition to the former Martial Arts Hall (龍潭武德殿) across the street from the school.

And I’m guessing in the future will also include the recently restored Principal’s dorm.

Showcasing the life and the literary works of Mr. Chung, the culture park is a celebration of his life and allows guests to respectfully enjoy the beautiful Japanese architecture of the buildings, while also learning about this important Taiwanese figure. 

Like the Wu Zhuo-Liu Memorial Home (吳濁流故居) in nearby Hsinpu Village (新埔鎮), you’ll find that a visit to these historic dorms will ultimately take up a lot more of your time than you originally expected as there is so much to see, and learn while visiting this beautiful park. 

Getting There

 

Address: #196 Dong-long Road, Longtan District, Taoyuan City (桃園市龍潭區東隆路196號)

GPS: 24.99368 121.29696

The Chung Chao-Cheng Literary Park is located within the downtown core of Longtan District (龍潭區) in the south-east area of Taoyuan City, close to the mountains. The village is located near the Shimen Reservoir (石門水庫), and the popular Daxi Old Street (大溪老街), and is serviced by the Formosa Freeway (國道三號). 

That being said, given Longtan’s geographic location near the mountains, it isn’t serviced by the Taiwan railway. 

This means that if you plan on visiting, you’ll need to have access to your own means of transportation or rely on one of the various buses that runs through the area. 

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Car / Scooter

If you’re driving a car, simply input the address or the GPS coordinates provided above into Google Maps or your preferred GPS system and you shouldn’t have much trouble finding your way. 

Its important to note however that the park is located within the downtown core of Longtan and is near the local wet market, which makes the area quite busy and difficult to find parking. 

If you plan on visiting, you’ll want to take note of the two paid parking lots on Lane #200 of Donglong Road, which is adjacent to the nearby Martial Arts Hall

If you’re riding a scooter out to Longtan, you should be able to easily find a parking spot along the road near the hall, but don’t park directly in front as you may end up getting a ticket. 

Public Transportation

If you’re coming from Taipei, there are a number of options for getting to Longtan. 

  1. Kuo-Kuang Bus #1820 (國光客運) Taipei (台北) - Chu-dong (竹東)

  2. Taiwan United Bus #5350 (台聯客運) Taipei (台北) - Leofoo Village (六福村)

  3. Yalan Bus #1728 (亞聯客運) Taipei (台北) - Longtan (龍潭) - Hsinchu (新竹)

  4. Taoyuan Bus #712 (桃園客運) Yongning MRT Station (捷運永寧站) - Longtan (龍潭)

  5. United Bus #709 (統聯客運) Yongning MRT Station (捷運永寧站) - Ping Chen (平鎮)

If you’re taking the train to Taoyuan, the closest railway stations are the Taoyuan Railway Station and Zhongli Station and from each, you’ll have to transfer to a local bus. 

  • From Taoyuan Railway Station (桃園火車站)

  1. Taoyuan Bus #5053 (桃園客運) Taoyuan (桃園) - Longtan (龍潭)

  2. Taoyuan Bus #712 (桃園客運) Yongning MRT Station (捷運永寧站) - Longtan (龍潭)

  • From Zhongli Railway Station (中壢火車站) 

  1. Zhongli Bus #701 (中壢客運) 804 Hospital (804醫院) - Linkou Hospital (林口長庚醫院)

  2. Hsinchu Bus #5671 (新竹客運) Zhongli (中壢) - 804 Hospital (804醫院)

For these Zhongli Buses, you’ll have to walk from the Railway Station down Chung Cheng Road (中正路) to the Zhongli Police Precinct (中壢分局) to get the bus. The bus stop is located opposite the Japanese-era Police Dorm Culture Park, on Yan-Ping Road (延平路), but is also well worth a visit if you’re there. 

No matter which bus you take to Longtan, once you arrive at the station there, the park is only a short walk away and there are lots of things to see and lots of great food in between. 

Longtan is a really interesting little Hakka village and apart from these beautiful dorms, nearby you’ll also find the Japanese-era Longtan Martial Arts Hall, Longyuan Temple (龍元宮), Nantian Temple (南天宮), Longtan Lake (龍潭大池), the Miracle Terrace (聖蹟亭) and the hip Lingtan Art Street (菱潭街興創基地).

Hours: Tuesday - Friday from 8:30 - 12:00, 13:30 - 17:00 and Weekends - 8:30 - 17:00.

(Closed on Mondays and National Holidays)

Website: Official Page (Chinese only)| Chung Chao-Cheng Literary Park (Facebook) 



The Martial Arts Halls of Taiwan (臺灣の武德殿)

When I first started writing this blog, I didn’t really have much of an idea of the direction it was going to take.

My goal was to use my photography and my travel experience as a method of promoting travel in Taiwan, but that admittedly was just one of the ways that I hoped I’d be able to drive traffic to this site.

From the outset, I never really expected that I’d end up where I am now with a number of personal projects that consume a large portion of my free time researching, translating information and writing these articles.  

Now that I’ve been at this for quite a few years, I’m happy to say that all of the work I’ve done hasn’t been a complete waste as in the process I’ve improved my translation abilities and have learned so much about Taiwan.

That being said, given all that I’ve learned over the years, one of the things that I’ve been busy with lately is going through older articles to update them and more importantly correcting some of the erroneous information. 

If you’ve been following this space for any period of time, it’s probably painfully obvious that one of my major projects has been exploring the history of Taiwan’s Japanese Colonial Era, and the various buildings that remain around the country from that era. 

That all started in 2017 thanks a suggestion from my friend (and fellow blogger) Alexander that I visit the Longtan Martial Arts Hall (龍潭武德殿) near where I lived, and close to somewhere I was headed one day.

That suggestion sparked a fire and has resulted in my visiting almost all of Taiwan’s remaining Martial Arts Halls, making this site one of the most important resources for English-language information about them on the internet.

That being said, every time I write an article about one of the halls, I end up providing an abbreviated history of what they’re about and why they’re important. All of that comes to an end with this article, which will do the job of introducing the history of the halls and where you can find them.

My hope is that this will be better for you the reader, and myself as well as I’ll be streamlining the writing process about these halls so I can keep them more concise while also spending more time on important details.

Below I’ll introduce the purpose of these Martial Arts Halls, their history, organizational structure, architectural design and where you can find them in Taiwan. I’ll also provide links to each of the individual articles that I’ve written about so far, which should make navigating them much easier.

Daxi Martial Arts Hall (大溪武德殿)

Even though my ongoing work on the Japanese Colonial Era has since expanded to include a variety of other historic buildings, it all started with these Martial Arts Halls, which is a project that is near and dear to my heart.

But with only a few more left to write about, will soon be completed.

If you are travelling in Taiwan and have a chance to visit one of these beautiful buildings, I highly recommend stopping by as they have become living museums for Taiwanese history and are part of an era that is much different than the Taiwan we know and love today! 

Budokuden Martial Arts Halls (武德殿) 

Erlin Martial Arts Hall (二林武德殿)

When people think about Japan, one of the things that usually comes to mind are the iconic samurai, who during the feudal period, were part of an aristocratic caste of warriors who helped to rule over the country.

These days, you won’t find any actual samurai walking the streets of Japan, but even though they’ve become a relic of the past, their memory lives on thanks to pop-culture, which has done a pretty great job romanticizing their exploits.

If history has proven anything though, those with power rarely ever want to give it up.

So the obvious question one might ask is what actually happened to them?

The movie, “The Last Samurai” attempted to tell part of that story, but suffice to say, Tom Cruise (or any white dude for that matter) wasn’t the last of the samurai.

Prior to 1868, Japan was a feudal land, split into warring states loosely held together by the Tokugawa Shogunate (徳川幕府), which oversaw a military regime that effectively ruled over Japan but found itself completely at wits with how to deal with the military superiority of the western powers.

Taichung Martial Arts Hall (臺中武德殿)

Rising to power with the shogunate, the samurai (武士) were part of a ruling military class that helped to maintain order. Trained in military tactics and living by the ‘Bushido Code’ of honour, the existence of the samurai gave legitimacy to the shogun, who in turn provided them with hereditary privileges and a more than generous salary.

For more than two centuries, the samurai worked hand-in-hand with the shogunate to provide the people of Japan with a period of relative peace and prosperity. During this period of peace, many of the samurai used their privilege to become some of the most highly-educated members of society.

So, in addition to carrying around their swords, it was only natural that they’d also take on jobs within the bureaucracy to pass their time.

While the shoguns and the samurai worked together to maintain stability, the mikado (emperors) had virtually no say in the affairs of state and merely served a ceremonial purpose. 

This of course was granted in exchange for generous subsidies, allowing the Tokugawa clan to remain in control.

Unfortunately for the shogunate and the samurai, the west came calling and Japan had little power to resist.

Embarrassed with how weak the country had become, an alliance of daimyos (大名), who were essentially powerful landholders, and the emperor took the opportunity to seize control in what has become known as the “Japanese Revolution,” or the Boshin War (戊辰戰爭).

Link: Boshin War (Wiki) 

Tainan Martial Arts Hall (臺南武德殿)

Tainan Martial Arts Hall (臺南武德殿)

The year-long war resulted in the eventual resignation of Shogun Tokugawa Yoshinobu (徳川 慶喜), the restoration of Emperor Meiji (明治天皇), and a pledge to transform the country into a modern society that bowed to no one.

Emperor Meiji and a group of ambitious young men (many of whom were highly educated samurai) then presided over what would become known as the Meiji Restoration (明治維新), a period of massive political, industrial, economic, military and social development.

Amazingly, in a few short decades, the Emperor had transformed Japan from an isolated feudal state forced to capitulate to the whims of western powers, into a modern industrialized military power that was able to flex its muscles on the international stage.

One of the lingering issues that the government had to deal with however was how they’d deal with the warrior class of samurai, who suddenly found themselves losing all of their class privileges - and more importantly, their salaries!

Surprisingly, many of them (possibly realizing that they were completely outclassed by modern weaponry) didn’t put up much of a fuss, and for the most part accepted their gradual transition into the Japanese professional and military classes.

It goes without saying that even though the samurai were probably the most affected by the institutional changes in Japanese society, they were also one of the most highly-educated groups and understood that the military had to be completely reorganized, and that they could and would have to be part of that reform.

Taitung Martial Arts Hall (臺東武德殿)

Taitung Martial Arts Hall (臺東武德殿)

Problems did arise though. 

Starting with the prohibition of their distinctive topknots in 1871, and then later in 1876 when their swords and their stipends were taken away, it became too much for some of the samurai. 

This resulted in the short-lived Satsuma Rebellion (西南戰爭), led by a group of samurai who had taken exception to the push for modernity, and took up arms against the government.

Arguably, this group embodied the feelings of many of those within Japanese society who felt conflicted with the push for modernity, and an affinity for the west in lieu of traditional Japanese values. 

The rebellion however was quickly put down by the Japanese army, equipped with modern weaponry. 

Surprisingly, even though they acted against the government and were defeated, they continue to be honoured today as national heroes for their sacrifice and their loyalty.

Link: How the Samurai Went Extinct (Ranker) | Whatever Happened to the Samurai (JSTOR) 

What does ANY of this have anything to do with Taiwan’s Martial Arts Halls? I’m getting to that!

Even though the samurai were a class of feudal warriors that were “phased out”, their “bushido” (武士道) philosophy, an unwritten code that dictated their behaviour, lifestyle and more importantly their sense of loyalty and sacrifice, was something that could now be practiced by Japanese society as a whole.

Taichung Martial Arts Hall (臺中武德殿)

Taichung Martial Arts Hall (臺中武德殿)

In what become known as “Meiji Bushido” (明治武士道), the philosophy of the samurai warrior was altered into a concept that sought to instill the virtues of ‘self-sacrifice’ and ‘absolute loyalty’ to the state and the Emperor. 

Rather than fighting for personal or clan affairs like the samurai did, these new ‘Bushido Warriors’, namely every citizen of Japan, were expected to focus their efforts on the success and development of the nation.

One of the methods used to assist in the promotion of the new Bushido code was to establish state sanctioned “Martial Arts Halls” around the country, a policy that started in 1895 (明治28年) under the authority of the government and with the endorsement of the Emperor.

Coincidentally the same year that Japan took control of Taiwan.

The Martial Arts Halls were tasked with preserving Japan's martial arts disciplines in addition to cultivating the virtues of the samurai warrior spirit, offering former samurai an opportunity to train the ‘samurai of tomorrow’, and citizens from all facets of society were encouraged to take part.

The Taoyuan Martial Arts Hall in the 1970s

Known in Japan as a “Budokuden” (武德殿), the Martial Arts Halls were significant in that they were part of a state-sponsored attempt to foster fervent nationalism, as well as the idea of Japanese exceptionalism, though the ‘samurai-spirit’. 

The main objectives of the Martial Arts Halls were officially to promote the following:  

  1. Japanese Spirit (大和魂)

  2. Martial Arts Spirit (尚武的精神)

  3. Patriotism (愛國的精神)

All of which were essential tools in helping to stoke the fires of militarism in the early years of the 20th century.

First Generation Hsinhua Martial Arts Hall (第一代新化武德殿)

First Generation Hsinhua Martial Arts Hall (第一代新化武德殿)

The halls were part of the "Dai Nippon Butoku Kai" (大日本武德會) organization, loosely translated as the “Greater Japan Martial Arts Association” (abbreviated as DNBK), which was inaugurated on April 17th, 1895 with its headquarters located in Kyoto (京都).

Link: Dai Nippon Butoku Kai | 大日本武德會 (Wiki) 

Before we move on, let’s stop here for a bit of a language lesson: 

The Martial Arts Halls are known in Japanese as “Butokuden” or “Budokuden” (ぶとくでん) depending on how you romanize the word. Here in Taiwan, they were known simply as “wu dé diàn” (武德殿), or “wu dào guan“ (武道館), both of which which essentially translate into English as “Martial Arts Hall.” 

Its important to note that the character “wu” (武) or “bu” (ぶ) in Japanese means “war” or “martial” while “dào” (道) or “do” (どう) means “path” or “road”, but in this case when they’re put together mean “way of life”.

This means that Budo is essentially, “the Way of the Warrior”, which often gets lost in translation.

So when we say “Martial Arts” in English, we’re referring to the same disciplines practiced by “warriors”, but in a more interchangeable (politically correct) way that makes it an “art form” or “technique” rather than a method of destroying ones enemies.

The “arts” aspect of these Martial Arts Halls ultimately would be something that came much later however as the Pre-WWII era “Budokudens” were all about the militarism. 

Link: Budo | 武道 | ぶどう (Wiki)

Yuanlin Martial Arts Hall (員林武德殿)

Yuanlin Martial Arts Hall (員林武德殿)

When we refer to these disciplines as “Martial Arts”, whether they’re Japanese, Chinese, Thai, etc., the Chinese characters that we use are “wu shù” (武術) or “bujutsu” (じゅつ) in Japanese, both of which refer to the philosophy of developing oneself rather than defeating an enemy.

While there are various Martial Arts Disciplines throughout the world, when we talk about Japanese “budo” styles, we’re referring to Judo (柔道), Jujutsu (柔術), Kendo (劍道), Kyudo (弓道), Aikido (合氣道), and Sumo (相撲), among others. 

One of the key things to takeaway from the official name of the “Dai Nippon Butoku Kai” is the “Dai Nippon” (大日本 / だいにっぽん), which translates as “Greater Japan” and referred to areas of the ever expanding empire, for which Taiwan was merely a stepping-stone.

So, even though the role of the “Butoku Kai” was to train the ‘warriors of tomorrow’ in Japan, the organization likewise attempted to do the same in its newfound territories across Asia, through its military expansion.

Kaohsiung Martial Arts Hall (高雄武德殿)

Kaohsiung Martial Arts Hall (高雄武德殿)

Martial Arts Halls were constructed not only in Japan and Taiwan, but across Asia in places like Okinawa, Korea, Manchuria and China.

No where though have these Martial Arts Halls been as well-preserved as they are here in Taiwan.

I’m jumping ahead in the history here a bit but when the war came to an end, the DNBK organization was forcibly dissolved by the allied powers and many of its leaders were purged, lost their jobs and were forbidden from taking any government jobs in the future.

The dissolution of the DNBK delineated the responsibilities official duties and operations to the All Japan Kendo Federation (全日本剣道連盟) and the All Japan Judo Federation (全日本柔道連盟), both of which were founded after the war and to this day work to preserve and promote their respective disciplines. 

Posing for a photo outside of the Taipei Martial Arts Hall

Posing for a photo outside of the Taipei Martial Arts Hall

In 1953, the DNBK was re-established with a new philosophical vision that stressed the “arts” part of its “Martial Arts” disciplines and promoted international peace and harmony. The organization however remains detached from the government and has a limited scope despite having branches that have spread throughout the world with training centers constructed in the US, Canada, UK, France, Russia, etc.

Nevertheless, the organization which once boasted millions of members, tremendous physical assets and thousands of expert instructors has been reduced to a powerless entity, with worldwide membership in the tens of thousands. 

Link: Dai Nippon Butoku Kai (大日本武德會) (Official Website)

Here in Taiwan, the halls have become increasingly appreciated historical relics of the colonial era, but for the most part have become living museums and exhibition spaces while their original purpose, the promotion of Japanese martial arts has all but disappeared.

The Martial Arts Halls of Taiwan (臺灣の武德殿)

Changhua Martial Arts Hall (彰化武德殿)

In 1900 (明治33年), construction on Martial Arts Halls here in Taiwan started with those in Taipei (臺北州/たいほくしゅう), Taichung (臺中廳/たいちゅうちょう) and Tainan (臺南廳/たいなんちょう) initially meant to assist in the training of the local police in martial arts.

It wasn’t until after the “Taiwan Butokuden Branch of the Dai Nippon Butoku Kai” (大日本武德會臺灣支部) was established in 1906 however that Martial Arts Halls really started popping up all over the island. 

By 1920 (大正9年), the organization was given a directive from the government to start construction on Martial Arts Halls in each of Taiwan’s prefectures culminating in the eventual construction of more than two hundred across the Island. 

In Taiwan, the halls initially served the purpose of training the police, military and prison guards in Japanese martial arts disciplines. Later though, they opened up to the general public in an attempt to train the citizens of Taiwan in Japanese martial arts, as well as instilling "Japanese Spirit" mentioned above, better known as Yamato-damashii (大和魂).

In a situation similar to Shinto Shrines, the construction of Martial Arts Halls was accelerated in the 1930s, which is why you’ll find that the majority of those remaining today were constructed between 1930-1945.

The policy that would require a Shinto Shrine or a Martial Arts Hall to be constructed in every prefecture, town and borough was a precursor to the Kominka policy of 1936 (昭和11年).

Tainan Martial Arts Hall (臺南武德殿)

Tainan Martial Arts Hall (臺南武德殿)

Kominka” (皇民化運動), literally meant to “force people to become subjects of the empire”, more commonly known as “Japanization” or forced assimilation. The policy was ultimately an act of desperation on the part of the militarizing nature of the Japanese empire of the era, which had grander plans for conquest across Asia.

The policy enforced strict language policies, required citizens to take Japanese names and instituted the “volunteers system” (志願兵制度), drafting Taiwanese into the Imperial Army. It likewise required locals to take part in Japanese cultural and religious activities, including visiting Shinto Shrines and of course, learning Martial Arts.

It was during this time that the number of Shinto Shrines and Martial Arts Halls across Taiwan started to skyrocket.

Links: Taoyuan Shinto Shrine | Luye Shinto Shrine | Yuanshan Shinto Shrine | The National Revolutionary Martyrs’ Shrine

Admittedly, as I mentioned above, I made quite a few mistakes when I first started researching this stuff.

One of the numbers that I saw quoted most often was that there were approximately seventy of these halls constructed throughout Taiwan. What that didn’t take into account however was that they often went by different names, some of which included “Budojo” (武道場), “Renbukan” (練武館), “Enbujo” (演武場), etc.

While they all essentially fell under the umbrella of the DNBK organization, the different names were a reflection of what the halls were used for as some were for training, others for practice, and others for competition.

Of the more than two hundred halls that were constructed in Taiwan between 1900 and 1945, the majority of them would have been located near a police precinct (警務段) or a public school (公校), while many others were located in the vicinity of military (軍隊), railway (鐵道部), jails (刑務所), or civil service-related buildings. 

Below I’ve broken down the various Martial Arts Halls based on where they were located.

The Martial Arts Halls were ranked in a system similar to Shinto Shrines which determined their funding, purpose, size and importance.

The designations don’t make much sense in English, so I’ll do my best to explain below:

  1. Prefectural Level (州廳) Branches (支部) - The largest halls, located in the capital of each prefecture.

  2. Town and City Level (郡市) Branches (支所) - Smaller halls, located within larger cities and towns.

  3. Village and Borough Level (街庄) Branches (分會) - Even smaller halls, located within villages.

In terms of ranking, the prefectural level branches acted as the headquarters for each of the prefectures and the smaller branches would report directly to (and receive support and finding from) the prefectural level branches.

Xinhua Martial Arts Hall (新化武德殿)

Xinhua Martial Arts Hall (新化武德殿)

Interestingly, as Japan’s Martial Arts disciplines became increasingly popular in Taiwan, the island produced quite a few of its own star athletes, who ended up attending some of the most prestigious tournaments in Japan and returned home with prizes.

We often reminisce about Taiwan’s baseball prowess, but it’s important to remember that from the colonial era until the present day, Taiwan has produced some exceptionally skilled Martial Artists and Olympic athletes.

Taiwan’s Remaining Martial Arts Halls (臺灣現存の武德殿)

www.goteamjosh.com/blog/wudedian

  1. Xinzhuang Martial Arts Hall (新莊武德殿) 1928 / Restoration in Process

  2. Tamkang Junior High Martial Arts Hall (淡江中學武德館) 1923 / Yet to be Restored

  3. Daxi Martial Arts Hall (大溪武德殿) 1935 / Restored

  4. Longtan Martial Arts Hall (龍潭武德殿) 1930 / Restored

  5. Hsinchu High School Martial Arts Hall (新竹高中劍道館) 1926

  6. Hsinchu Prison Martial Arts Hall (新竹少年刑務所演武場) 1926

  7. Taichung Prison Martial Arts Hall (臺中刑務所演武場) 1937 / Restored

  8. Nantou Martial Arts Hall (南投武德殿) 1929 / Restoration in Process

  9. Changhua Martial Arts Hall (彰化武德殿) 1929 / Restored

  10. Erlin Martial Arts Hall (二林武德殿) 1933 / Restoration in Process

  11. Tainan Martial Arts Hall (臺南武德殿) 1936 / Restored

  12. Tainan Prison Martial Arts Hall (臺南刑務所演武場) 1903 / Restoration in Process

  13. Xinhua Martial Arts Hall (新化武德殿) 1925 / Restored

  14. Kaohsiung Martial Arts Hall (高雄武德殿) 1924 / Restored

  15. Qishan Martial Arts Hall (旗山武德殿) 1934 / Restored

  16. Pingtung Martial Arts Hall (屏東武德殿) 1930 / Restored

  17. Fangliao Martial Arts Hall (枋寮武德殿) 1937 / Yet to be Restored.

Link: 臺灣的武德殿 (Wiki)

Kaohsiung Martial Arts Hall (高雄武德殿)

Given the propaganda value of these halls, the vast majority were done so with traditional Japanese architecture in mind, in order to better promote appreciation for Japanese cultural values. While the architectural design of the two hundred Martial Arts Halls constructed across Taiwan tends to vary, many design aspects remained the same.

So, in order to better understand what you would have found at one of these halls, I’m going to go into a little bit of detail about some of the general design elements that you would have found at each of them.

One of the first things to know is that Martial Arts Halls were almost always constructed within the downtown core or the central business district of any town, village or borough providing that there was land available.

This means that within the traditional downtown core of a Japanese-era community in Taiwan, you’d likely find a police station, school, railway station, post office, Martial Arts Hall, etc.

Generally speaking, Martial Arts Halls followed these four styles of architectural design:

  1. Mixed Japanese and Western Architecture with a combination of brick and wood (承重磚牆和洋混合風格).

  2. Mixed Japanese and Western Architecture with beams and columns (仿柱樑框架牆身之和洋混合風格).

  3. Traditional Japanese Temple-style Architecture constructed entirely of wood (傳統日本寺院建築式樣).

  4. Traditional Japanese house-style architecture for small scale halls (傳統日式家屋建築類型).

Taichung Martial Arts Hall (臺中武德殿)

While the vast majority of the halls were constructed using the second and third styles, the Kaohsiung Martial Arts Hall and the Xinhua Martial Arts Hall remain excellent examples of the first and fourth styles respectively.

Unfortunately there are few remaining examples of the third style of design as they closely resembled the archetype of Japanese cultural design, which was frowned upon when the Chinese Nationalists took control of Taiwan.

That being said, the second style was one of the most predominant and can still be enjoyed today in Daxi, Longtan, Taichung, Changhua, Nantou and Qishan.

Generally speaking, even though some of these buildings featured a fusion of Japanese and Western design, the majority of them made use of Japan’s Irimoya-zukuri (入母屋造) architectural style, which essentially means that the buildings featured one of Japan’s various styles of “hip-and-gable” roofs which extend well beyond the perimeter of the base below.

Links: Irimoya-zukuri (入母屋造) | East Asian hip-and-gable roof (Wiki)

Tainan Martial Arts Hall (臺南武德殿)

Despite being one of the most common styles of architectural design in Japan, ‘Irimoya’ tends to confuse non-native speakers because even though it is a design that features the iconic ‘hip-and-gable roof’, it doesn’t necessarily mean that the roof of each building constructed in the Irimoya style will appear the same.

This is because one of the key things to remember about this style is the ‘moya’ (母屋), which refers to the base of the building below the roof. The reason this is important is because the size of the roof often eclipses the the ‘moya’, so you’ll find a genius network of beams, pillars and trusses within that ensure that the weight of the roof is evenly distributed, ensuring stability.

Introduced to Japan in the 6th Century, the hip-and-gable design is elaborate in that it is basically a fusion of two roofs in one, with a two-sided kirizuma-zukuri (切妻造) on the highest part of the roof, otherwise known as the ridged ‘gable’ and the four-sided yosemune-zukuri (寄棟造), or the ‘hip’ on the lower section.

For centuries, this style of architectural design was reserved for only the most important buildings, most often Buddhist Temples and Shinto Shrines, but as construction methods developed, it became a lot more common and ultimately one of Japanese architecture’s most iconic styles of design.

That being said, the irimoya style is still highly-regarded and any building constructed with a hip-and-gable roof brings with it a certain level of prestige. This is why you’ll find that the vast majority of Martial Arts Halls in Taiwan were constructed featuring a variation on this style.

Chidori-hafu on the Qishan Martial Arts Hall (旗山武德殿)

Given that the irimoya style is commonly used for temples and shrines, it was important to add some variations and decorations to allow these buildings to stand out, because within Japanese architecture, subtle variations in design or decoration often make huge differences.

One of the most common variations that you would have found on the roof of these halls was that they were often fitted with decorative roof tiles featuring the Chinese characters for “bu” (武) on the end-tiles. Unfortunately the restoration projects on a few of the remaining halls has removed these end-tiles, you can still find them on a couple of the halls, such as the Changhua Martial Arts Hall.

Another common variation is the addition of what’s known as a chidori hafu (千鳥破風/ちどりはふ) that protrudes from the front of the ‘hip’ section of the roof.

You’ll find similarly triangular-shaped ‘hafu’ (破風板/はふ) on both ends of the ‘gable’ section of the roof, but this one faces out from the front and is purely decorative.

Another one of the common features used in the design of these halls are the decorative porticos at the main entrance to the buildings - While their design tends to vary, generally what you’ll find is a roof-covered porch that leads to the main entrance of the hall. The portico roof is specifically designed to add further decorative elements that go hand in hand with the design of the main roof, especially when it comes to the ‘chidori hafu’ above.

The porticos always come equipped with beautiful wooden or cement pillars that help to support the roof, but as I mentioned above, the design of the roof above tends to vary. The most common styles that you will find today are the iconic curved ‘karahafu-style’ (唐破風), the four-sided ‘irimoya-yane’ (入母屋根) and the two-sided ‘kirizuma-yane’ (切妻屋根).

Even though the ‘irimoya-yane’ style is the most common among the remaining halls today, the ‘karahafu’ porticos at the Kaohsiung and the Tainan Martial Arts Halls are considered to be the most beautiful.

While the buildings almost always featured elaborate roof designs, what you’d find below was considerable more simplistic in that the majority were constructed with local timber (cypress or cedar) and featured large sliding glass windows on all four sides, making them appear relatively similar to almost all the other Japanese-style homes and dormitories built throughout Taiwan.

That being said, the early 20th century was a time of great prosperity for many areas around Taiwan and the fusion of Japanese and western architectural design that became so prevalent around the island was also reflected in quite a few of these Martial Arts Halls, which featured baroque-style design and modern construction techniques. 

The few Martial Arts Halls that remain in Taiwan today offer a mixture of traditional Japanese design and western-fusion design with the Kaohsiung and the Xinhua Martial Arts Hall in particular being great examples of the fusion design while the Changhua, Tainan and Nantou halls are great examples of traditional design

As for the interior of the halls, they pretty much all remained the same with hard-wood floors equipped with a spring mechanism (彈簧地板), and not much else apart from a small shrine against the wall. The floor space was almost always split in half with one side covered in thick tatami mats for Judo while the other side was used for Kendo.

Xinhua Martial Arts Hall (新化武德殿)

There was almost always a shrine space located against the back wall of the hall in the middle, and would have been home to a couple of sacred objects and any awards won by the members of the hall.

The sad thing about the spring floors is that the only hall remaining today that still features this really cool design is the Xinhua Martial Arts Hall in Tainan. The vast majority of the others either had their springs removed or ended up not being very well maintained over the past seven decades.

Given that almost all of the halls were elevated off of the ground on a cement base, this allowed for a network of springs to be constructed under the floor boards. The Spring Floor was an important design function for anyone practicing Kendo, given that you need a bit of bounce in your step. It was also important for many of these buildings as they were (for the most part) constructed of wood and the carpenters of the era quickly discovered that Taiwan had a pretty bad termite problem.

Former Administration building at the Taichung Martial Arts Hall

One thing that is often forgotten about these halls is that they didn’t always just consist of a single building.

As mentioned above, the halls were ranked as branches, with some of them being quite large while others were relatively small. The larger halls would have featured auxiliary buildings that would include offices, recreation space and dormitories for the instructors who resided in the halls.

Likewise some of them also included large spaces behind the hall where people could practice Kyudo (弓道), traditional Japanese archery.

When the colonial era ended, many of these buildings were used for different purposes and as time passed, most of them were torn down. These days, only the Daxi, Taichung, Changhua and Qishan halls feature separate buildings, however most of them have been entirely rebuilt during the restoration process and aren’t originals.

When the Second World War ended (and subsequently the Japanese occupation of Taiwan), many of the Martial Arts Halls were repurposed for use by the police, converted into public halls and even used as residences for many of the Chinese refugees, who fled to Taiwan in 1949.

Archery range behind the Taichung Martial Arts Hall

Ultimately, the fate of the vast majority of Taiwan’s Martial Arts Halls ended up being similar to what happened to many of the other traditional Japanese structures constructed during the colonial era after the arrival of the Chinese Nationalists.

If they weren’t repurposed, they were eventually torn down.

Today, just over a dozen of these halls continue to exist in Taiwan, some of which have been restored and recognized as National Historic Buildings.

There are others that still remain in a sad state of disrepair, and are in desperate need of attention.

The government has fortunately started to take the existence of these historic buildings more seriously and many of them have been restored in recent years.

There are also a few of the smaller branches that are still being used as homes, but have been altered so much that they’re hardly recognizable.

Yet to be restored Erlin Martial Arts Hall

Currently there are several restoration projects taking place around the country that will see a few more of these historic Martial Arts Halls re-opening to the public.

To that effect, I plan to update each of the articles that I have already published about the halls, while also continuing to visit the ones I haven’t had the chance to write about yet. 

As these restoration projects are completed, I’ll make sure to update this space so that its easier to keep track of the current status of these important historic buildings.

If you ever have a chance to visit any of these historic buildings, I highly recommend checking it out.

They’re a small piece of a lesser known part of Taiwanese history and (for better or worse) have played important roles over the past century of Taiwan’s modern development.


Before I provide my list of references, I’d like to first offer my gratitude to the amazing people behind the National Historic Monuments of Taiwan page on Facebook as they’ve curated a space that offers the public a glimpse into Taiwan’s often forgotten history.

The historic photos I’ve used here are all credited to that page and I highly recommend you give them a follow, if you haven’t already.

Last but not least, I’d like to show my immense appreciation to Professor Hsin-An Chen (陳信安) of Chaoyang University (朝陽科技大學), the foremost expert on all things Martial Arts Halls in Taiwan. Without his in-depth research on the history and architecture of the Martial Arts Halls, much of what we know about them today might have been lost to history.

Likewise, it is thanks to his architectural expertise that many of the halls have been able to be brought back to life for the rest of us to enjoy.

References

  1. 臺灣的武德殿武德殿 (Wiki)

  2. 大日本武德會大日本武徳会 (Wiki)

  3. Dai Nippon Butoku Kai (Wiki)

  4. Dai Nippon Butoku Kai (Official Site)

  5. 武德會與武德殿 (陳信安)

  6. 台灣日治時期武德殿建築之研究 (陳信安)

  7. 武德殿 (臺灣百科全書)

  8. 台灣武德殿發展之研究 (黃馨慧)

  9. 失而復得的大唐東洋建築 台灣武德殿 (Willie Chen)

  10. 日治時期臺灣各地建造武德殿的歷史沿革 (eTaiwan)

  11. (走訪日式老建築) 武德殿的舊事與進行式 (自由時報)

  12. 武德殿研究成果報告 (高雄市政府文化局)

  13. Japanese Architecture and Art Net Users System (JAANUS)

  14. The Japanese House: The Basic Elements of Traditional Japanese Residential Architecture (Manabi Japan)

  15. 臺灣國定古蹟編纂研究小組 (National Historic Monuments of Taiwan)


Longtan Martial Arts Hall (龍潭武德殿)

When I wrote this article several years ago, I was still quite new to this whole blogging thing and was likewise just starting out exploring historic buildings from the Japanese era.

Keeping in mind that the Longtan Martial Arts Hall was the first of Taiwan’s Martial Arts Halls that I visited (and wrote about), when I look back on the original article, it’s easy to see how little I knew back then and how much I’ve learned over the past few years.

Given that my visit to the Martial Arts Hall was done prior to its restoration, I had always planned to make a return visit to update this article, and now that its re-opened to the public, it’s my turn to give this space a fresh look!

So I’m back with an entirely new article that includes new photos mixed in with the older ones, and more importantly several years of experience researching and learning about these historic buildings.

This update includes considerably more information than the original one did, but to keep it shorter, I’ve removed some of the original elements that didn’t focus specifically on the building. A lot of that information focused on providing an explanation of what the Japanese-era was, and the purpose of these Martial Arts Halls.

While it should be fairly straight forward that this historic building was once a space for practicing Martial Arts, the original intent and the significance of these buildings requires a bit more reading to understand their purpose.

Thus, if you haven’t already, I recommend stopping here and reading my general introduction to Taiwan’s Martial Arts Halls, which details the purpose of the buildings, their history and where else you’re able to find them around the country!

Link: Martial Arts Halls of Taiwan (臺灣的武德殿)

If you’re up to date with all of that, let’s just get into it!

I first visited the Longtan Martial Arts Hall years ago prior to its restoration, which was a time when the historic Hakka village of Longtan (龍潭) was undergoing a bit of a transformation in the way it presents itself to the rest of the world.

Once a quiet little town nestled in the mountains of south-eastern Taoyuan, Longtan was a gem for those of us who knew about it, but has traditionally been overshadowed by Daxi Old Street (大溪老街), the Shimen Reservoir (石門水庫), and areas further up in the mountains.

In the years since then, the Taoyuan City Government has invested heavily in the historic village with several projects that have caught the attention of domestic tourists.

Even though Longtan isn’t considered a tourist “Old Street” (老街) in the way that Daxi or Sanxia is, visitors these days are easily able to park their car, grab a Youbike or walk around the downtown core of the village, which features quite a few destinations, with the Martial Arts Hall being just one on a long list! 

Having undergone a several year restoration project, the long-awaited reopening of the Longtan Martial Arts hall took place with lots of local fanfare and was expected to become one of the villages most popular tourist attractions.

The photos above were taken prior to the restoration of the hall

Then COVID-19 reared its ugly head and wreaked havoc across the world, putting a halt on international tourism and for a period, domestic tourism as well. All of the tourists that the Taoyuan City Government had hoped to attract to the area weren’t showing up, so it was decided that the Martial Arts Hall would remain closed, except for special occasions, until people started traveling again. 

This caused a bit of a headache for me personally as I visited the area on several occasions hoping to be able to finally get inside the building to see the interior but ended up being denied each time!

Fortunately things are starting to settle down and the Martial Arts Hall (and nearby tourist attractions) is slowly opening up on a full-time basis to an ever-expanding rotation of art and cultural exhibits, making it an important stop when visiting Longtan! 

Longtan Martial Arts Hall (龍潭武德殿)

Let me start out this much more in-depth history of the Martial Arts Hall with an apology. 

When I first wrote about the Longtan Martial Arts Hall, I reported that it dates back to 1930 (昭和5年), but didn’t really include much else about its long history - and for the past few years that is what I’ve had published on my blog for all to see. When I first starting writing about this stuff, I admit that I relied a little too much on information provided by Chinese language Wikipedia, which I’ve discovered doesn’t necessarily always provide factual information. 

The Longtan Martial Arts Hall actually dates back to 1937 (昭和12年) and is a borough-level branch (分會) of the only other Martial Arts Hall that remains in Taoyuan today, the Daxi Martial Arts Hall (大溪武德殿).

This was because at the time, Longtan was administered as a borough of Daxi, which was a much larger and more economically significant town at the time (although I think one could argue that this remains the same today).  

Taiwan’s political and geographic administration was much different than it is today, and the Taoyuan City (桃園市) that we know currently was simply just a part of greater Shinchiku Prefecture (新竹州 / しんちくしゅう) with Taikegun (大溪郡 / たいけいぐん) acting as the local administrative centre for Taikegai (大溪街 / たいけいがい), Ryutansho (龍潭庄 / りゅうたんしょう) and the mountain Indigenous area (蕃地), known today as Fuxing District (復興區).

Thus according to the hierarchical branch ranking system, the Longtan Martial Arts Hall (分會) was overseen by the Daxi Martial Arts Hall (支所) and the Shinchiku Prefectural Martial Arts Hall (支部), all of which ultimately received orders from the “Taiwan Martial Arts Hall Branch of the Dai Nippon Butoku Kai” (大日本武德會臺灣支部). 

If anything, modern Japanese governance is known for being exceptionally skilled at instituting confusing forms of hierarchical bureaucracy, and all of this bureaucratic red-tape is just part of the democratic experience and ensures that if the shit hits the fan that there is someone available to take the blame.

Constructed next to the Ryutansho Police Precinct (大溪郡警察課龍潭分室) and directly across from the Ryutansho Public School (新竹州龍潭公學校), the Martial Arts Hall functioned primarily as a space for the local police to train in Martial Arts, and in conjunction with local Shinto Shrines and Buddhist temples sought to propagate ”Japanese spirit” (大和魂) amongst the local people. 

One of the things that I failed to mention in my brief introduction to the history of the Martial Arts Hall in my first attempt at introducing the building was what happened after the Japanese Colonial Era ended.

In terms of the history of the building, that information is probably a lot more important as it explains why it has been able to survive for so long, unlike so many of its contemporaries.

Suffice to say, it was constantly occupied and that ensured that it was never demolished.

  • 1945 (民國34年) - 1946 (民國35年) - Household Registration Branch (戶政所)

Shortly after the Japanese surrendered control of Taiwan to the Republic of China, the hall was converted into a temporary Household Registration Branch (戶政所) to start recording the personal information of the residents of Longtan for governmental purposes. 

  • 1950 (民國39年) - 1957 (民國46年) - Air Force Barracks (空軍宿舍)

Due to the housing crisis brought on by millions of refugees coming to Taiwan in 1949, the Air Force rented the hall from the local police as a place to house members of the Air Force who were stationed at the base in Longtan. 

  • 1957 (民國46年) - 1974 (民國63年) - Longtan Township Assembly Offices (龍潭鄉民代會辦公室)

During this period of time, the hall was rented by the Longtan Township Administration (龍潭鄉民代會), which used it as an office for some of their employees as space at the administration building at the time was limited.

  • 1974 (民國63年) - 1989 (民國778年) Longtan Police Station Standby Room (龍潭分駐所備勤室)

When the Township Assembly moved out (after having a new building constructed), the Longtan Police Station took control of the building again and used it as a Standby Room (備勤室) for its officers. 

  • 1993 (民國82年) - 2010 (民國99年) - Police Barracks / Health Centre (龍潭衛生所汪射室 / 龍潭分駐所警員宿舍)

During this period, the Longtan Police Station renovated the interior of the building and used it as a barracks for the police who were stationed in the area. A space was also made available to the Longtan Health Centre which utilized it as a space for providing necessary vaccinations and injections for the local people. 

  • 2013 (民國102年) - 2019 (民國108年) Protected Historic Building (歷史建築) / Restoration

In 2013, the Taoyuan City Cultural Affairs Bureau (桃園市文化局) registered the Longtan Martial Arts Hall as a Protected Historic Building (歷史建築) explaining that it was one of the ‘most complete’ buildings from the Japanese Colonial Era left standing in Longtan, and because it was one of the only two remaining Martial Arts Halls in Taoyuan. (Official explanation and translation below)

『龍潭武德殿乃是目前龍潭鄉所遺留下來日治時期的建築中最完整的一棟建築物。其建築物的建築形式乃是「和洋風」的建築形式。也是目前桃園縣僅存的二所武德殿的其中之一所。』

Registered under Article 1 and Article 3 of the Cultural Assets Law (依據文資法), which are meant to preserve and utilize cultural assets to enrich the lives of local citizens, the hall was recognized as a historic building with cultural significance with enough of its original architectural design still intact. 

Link: 歷史建築 - 龍潭武德殿 (桃園市政府文化局)

Once the building received official protection as a historic structure, the government was tasked with coming up with plans to restore it and reopening it for the enjoyment of the public.

This period of time saw the Martial Arts Hall closed while a restoration project was planned and carried out.

This several year project reinforced the structure and made repairs to the building on both the interior and exterior.

Now that the restoration process has been completed, the Taoyuan Cultural Affairs Bureau plans to use the space for culturally significant events such as art exhibitions and other exhibitions focused on the history of the area and more importantly as an extension of the newly opened Japanese-era Longtan Elementary School Teachers Dormitories across the street. 

Architectural Design (龍潭武德殿設計)

Even though a restoration project was ultimately necessary to ensure its continued survival, the Longtan Martial Arts Hall had long been considered the most well-preserved of all the Martial Arts Hall in Taiwan.

If we take into consideration that it was more than eighty-years old before being restored, in addition to the number of tenants that moved in and out over the years, its kind of amazing that the building remained in such good shape.

Maybe we shouldn’t actually be all that surprised though. 

One of the major differences between the Japanese and the Chinese Nationalists who came after them, was in the way they looked at Taiwan - The Chinese Nationalists were of the attitude that the island was simply a ‘temporary’ stop on the road to retaking their homeland, while the Japanese never really had any intention to leave. 

The evidence of those polar-opposite approaches is easily seen through the buildings that were constructed during both eras - If we take this Martial Arts Hall as an example, it remained in excellent shape after eight decades while buildings that had been constructed several in the decades after the Japanese left are on the verge of collapse.

The Longtan Martial Arts Hall was built with a fusion of Japanese and Western construction techniques that mixed concrete, brick and beautiful Taiwanese cypress. This so-called east-west fusion (和洋混和風建築) style of architectural design was popular with the Japanese architects of the day, who expertly blended traditional architectural design with modern western construction techniques that were common in Europe, namely the baroque and gothic styles. 

Interestingly, when we talk about east-west fusion, it’s important to note that even within the “east”, lots of cultural fusion was also taking place. Even though the building appears to be what most would consider common for traditional ‘Japanese-style’ architecture, that in itself was heavily influenced by the architectural style of the Tang Dynasty (唐式宮殿建築) in China.

That being said, the Longtan Martial Arts Hall was designed with the Irimoya-zukuri (入母屋造 / いりもやづくり) layout, which includes a variation of the ‘hip-and-gable roof’ (歇山頂) rising up to resemble a mountain-like structure. 

The roof of this Martial Arts Hall certainly isn’t as elaborate in design as some of the other Martial Arts Halls remaining in Taiwan, but that certainly doesn’t mean it isn’t an intricately designed masterpiece. 

As is the case with this style of architectural design, the roof is considerably larger than the base, known as the ‘moya’ (母屋) and is held up by a network of pillars and trusses that distribute the weight evenly.

When it comes to the design of roofs like this, it’s easier to think about them as two separate entities that join together. In this way we can see that the ‘hip’ or ‘yosemune’ (寄棟) is the lower four-sided section of the roof, while the ‘gable’, known as the ‘tsuma’ (妻) is located near the top and faces in the opposing direction. 

There is somewhat of an optical illusion taking place with these roofs as the ‘gable’ appears as if its a narrowest section, but it essentially covers the ‘moya’ allowing the ‘hip’ section below to extend beyond the base of the building. 

In typical Irimoya-designed buildings, the ‘hip’ part of the roof extends beyond the ‘moya’ so that it can cover the ‘hisashi’ (廂), a style of veranda that encircles the building. The absence of a hisashi on this building however means that the roof doesn’t really need to extend so far, which is part of the reason why this roof looks somewhat less elaborate in comparison to other Martial Arts Halls. 

While appearing simple in terms of design, the roof does contain the following decorative elements: 

  1. Hiragawara (平瓦 /ひらがわら) - A type of arc-shaped clay roofing tile.

  2. Munegawara (棟瓦 /むねがわら) - Ridge tiles used to cover the apex of the roof.

  3. Onigawara (鬼瓦/おにがわら) - Decorative roof tiles found at the ends of a main ridge.

  4. Nokigawara (軒瓦/のきがわら) - The roof tiles placed along the eaves lines.

  5. Noshigawara (熨斗瓦/のしがわら) - Thick rectangular tiles located under ridge tiles.

  6. Sodegawara (袖瓦/そでがわら) - Cylindrical sleeve tiles

  7. Tsuma (妻/つま) - The triangular shaped parts of the gable on the roof under the ridge.

  8. Hafu (破風板/ はふいた) - Bargeboards that lay flat against the ridge ends to finish the gable.

Working in tandem with the roof and giving it more shape, the building is equipped with a traditional ‘hafu door’ (破風門), which is essentially a covered porch that opens up to the main doors of the hall. This style of porch is a popular design indicative of Japanese architecture dating back to the Heian Period (平安時代) from 794-1185, but is also heavily influenced by the architecture of the Tang Dynasty in China, as mentioned earlier. 

Porches like this extend from the front of the building and require pillars to hold up the roof that covers it.

In this case, the roof mimics that of the rest of the building in that it is also hip-and-gable in design, albeit facing in the opposite direction. The four-sided roof on the porch rises up, but its triangular-shaped ‘tsuma’ faces to the front rather than to the side.

In most cases these porches are held up by thick timber polls, but here they’ve used reinforced concrete to maintain a fluid design with the rest of the building.

The recent restoration of the building included the addition of traditional ‘rain chains’ or ‘kusari-doi’ (鎖樋 / くさりとい), which are both decorative and functional at the same time!

Prior to the restoration of the building, the windows that surround it were modified and weren’t of the traditional Japanese sliding-glass variety. They were truthfully really unattractive and in traditional Taiwanese fashion featured rusted and deformed security gates that were meant to prevent anyone from gaining access to the building through the windows.

The Martial Arts Hall prior to restoration

This is one area where the restoration of the building really stands out as the windows have been restored to what you’d expect from a building like this, and add to the beauty of the building rather than taking away from it. 

In a design feature that differentiates this hall from the others around Taiwan, the windows aren’t as large, so in what seems like an attempt to allow even more natural light and fresh air into the building, you’ll find that the front facade has three entrances - one on both sides of the main doors while the rear of the building consists entirely of windows.

Restored Windows

As for the interior, let me preface this by saying that I had to wait more than five years to actually enter the building, so the anticipation built for quite a long time. In the meantime, I visited other Martial Arts Halls in Daxi, Taichung, Changhua, Xinhua, Tainan, Kaohsiung and Qishan, so I pretty much knew what to expect when I got inside.

With that in mind, let me just say that the interior of the building was rather underwhelming. 

Considering that the space is currently used by the Taoyuan City Government to hold art exhibitions and cultural events, the walls are full of a bunch of needless decorations, the ceiling has been filled in with modern panels and lighting, and a large portion of the wall is taken up with projector screens and other electronic equipment. 

Likewise, the hardwood floor has been replaced with cement tiles, which is unfortunate.

It’s possible that I waited so long to see the interior of the building that I was easily let down, but I’m not particularly a big fan of these buildings being filled with a bunch of unrelated paraphernalia after they’re restored.

They’re supposed to be simple in their design, so it would be nice if the government could find a balance between providing an exhibition space, and keeping with tradition.

Even though the Martial Arts Hall has served a number of different roles over its almost a century-long history, one thing that never changed are the two beautiful Taiwanese Arhat Pine Trees (臺灣羅漢松) that were planted in front of the building.

Both of the trees measure over 30 centimetres in diameter, and if sold would go for around $30,000 USD each.

Don’t get any ideas.

Getting There

 

Address: #198 Donglong Road, Longtan District. Taoyuan City (桃園市龍潭區東龍路198號)

GPS: 24.863580 121.214680

The Longtan Martial Arts Hall is located within the downtown core of Longtan District (龍潭區) in the south-east area of Taoyuan City, close to the mountains. The former village is located near the Shimen Reservoir (石門水庫) and the popular Daxi Old Street (大溪老街) and is serviced by the Formosa Freeway (國道三號). 

That being said, given Longtan’s geographic location near the mountains, it isn’t serviced by the Taiwan Railway.

This means that if you plan on visiting, you’ll need to have access to your own means of transportation or rely on one of the various buses that runs through the area. 

Car / Scooter

If you’re driving a car or scooter, simply input the address or the GPS coordinates provided above into Google Maps or your preferred GPS system and you shouldn’t have much trouble finding your way to the hall. 

Its important to note however that the Martial Arts Hall is located within the downtown core of Longtan and is near the local wet market, which can make the area quite busy and difficult to find parking.

If you plan on visiting, you should take note of the two paid parking lots on Lane #200 of Donglong Road, which is adjacent to the hall. 

If you’re riding a scooter, you should be easily able to find a parking spot along the road near the hall, but don’t park directly in front as you may end up getting a ticket. 

Public Transportation

If you’re coming from Taipei, there are a number of options for getting to Longtan. 

  1. Kuo-Kuang Bus #1820 (國光客運) Taipei (台北) - Chu-dong (竹東)

  2. Taiwan United Bus #5350 (台聯客運) Taipei (台北) - Leofoo Village (六福村)

  3. Yalan Bus #1728 (亞聯客運) Taipei (台北) - Longtan (龍潭) - Hsinchu (新竹)

  4. Taoyuan Bus #712 (桃園客運) Yongning MRT Station (捷運永寧站) - Longtan (龍潭)

  5. United Bus #709 (統聯客運) Yongning MRT Station (捷運永寧站) - Ping Chen (平鎮)

If you’re taking the train to Taoyuan, the closest railway stations are the Taoyuan Railway Station (桃園火車站) and Zhongli Station (中壢火車站) and from each, you’ll have to transfer to a local bus. 

From Taoyuan Railway Station (桃園火車站)

  1. Taoyuan Bus #5053 (桃園客運) Taoyuan (桃園) - Longtan (龍潭)

  2. Taoyuan Bus #712 (桃園客運) Yongning MRT Station (捷運永寧站) - Longtan (龍潭)

From Zhongli Railway Station (中壢火車站)

  1. Zhongli Bus #701 (中壢客運) 804 Hospital (804醫院) - Linkou Hospital (林口長庚醫院)

  2. Hsinchu Bus #5671 (新竹客運) Zhongli (中壢) - 804 Hospital (804醫院)

Rear of the building

For these Zhongli Buses, you’ll have to walk from the Railway Station down Chung Cheng Road (中正路) to the Zhongli Police Precinct (中壢分局) to get the bus. The bus stop is located opposite the Japanese-era Police Dorm Culture Park, on Yan-Ping Road (延平路), which is also well worth a visit if you’re there. 

No matter which bus you take to Longtan, once you arrive at the station, the Martial Arts Hall is only a short walk away and there are lots of things to see and lots of great food in between. 

Longtan is a really interesting little Hakka village and apart from the Martial Arts Hall, nearby you’ll also find the Japanese-era Longtan Elementary Teachers Dormitories, Longyuan Temple (龍元宮), Nantian Temple (南天宮), Longtan Lake (龍潭大池), the Miracle Terrace (聖蹟亭) and the hip Lingtan Art Street (菱潭街興創基地). 

The Martial Arts Hall is currently part of the Chung-Chao-Cheng Literary Park (鍾肇政文學生活園區), which also includes the former Longtan Elementary School Teachers Dormitories across the street.

The culture park is dedicated to a local Hakka author who achieved quite a bit of notoriety while teaching at the school and living in the former Japanese-era dormitories with his family.

Hours: Tuesday - Sunday 08:30 - 5:00 (Closed on Mondays and National Holidays)