Japanese Colonial Era

New Taipei City Martyrs Shrine (新北市忠烈祠)

A few months ago, when I wrote my annual ‘Year in Review’ post for 2019, I mentioned that I was still unsure as to what my personal project for the new year would be - At the time there was a lot going on in the world and I felt a bit odd because I’m usually on the ball with these things.

I also always have a long list of places that I plan to visit, take photos of and write about. 

Looking back at that post now, I think I was probably a little naive.

Who knew that 2020 was going to turn out to be such a dumpster fire?

As I’m posting this, we’re eight months into the year and almost every country in the world has been turned upside down thanks to the Coronavirus.

As a side note, I’ve kept busy over the past couple months writing about all the wonderful places I visited in Vietnam and Thailand during my trip in January (just before things got out of hand), but I’ve also been putting a lot of consideration into what I’d focus on once it became safe to freely travel again.

I think I’ve finally figured that out. 

After receiving numerous emails and requests, I visited the National Revolutionary Martyrs Shrine in Taipei to get some photos and then wrote a blog about it.

If you’ve read the post, you’re probably aware that I’m not particularly a fan of these places (for various reasons), but while doing research for the post, I was reminded that the majority of the “Martyrs Shrines” that exist in Taiwan today sit on the site of a former Shinto Shrine from the Japanese Colonial Era

Considering that I’ve already written about the Taoyuan Shinto Shrine, Yilan Shinto Shrine, and the Tungxiao Shinto Shrine, all of which have been converted into Martyrs Shrines, I figured that I’d make one of my personal projects for the year link together with the other (ongoing) work I’ve been doing related to historic buildings from the Japanese Colonial Era.

It’s important to note that only in special cases do the Martyrs Shrines of today have much left with regard to the original design and layout of their Shinto Shrine days.

In most cases almost everything was torn down and new buildings were constructed in their place.

Fortunately though, we can still find evidence of the history of these locations through the layout of the grounds, the trees planted on the site and with the presence of objects like the the stone lion guardians, lanterns, etc.

By my count, there are currently fifteen Martyrs Shrines in Taiwan that were once Shinto Shrines and I’ve only covered four of them, which means I have another eleven to visit!

Over the next few months, I plan to travel around the country to check them out while also visiting some of the other spots on my long list of places to visit.

To start, I’m going to introduce the site of the former Tamsui Shinto Shrine (淡水神社), which has since been converted into the New Taipei Martyrs Shrine (新北市忠烈祠).

I’ll briefly talk about the history of the Shinto Shrine (with some historic photos) and then introduce the Martyrs’ Shrine that exists on the site today. 

The Martyrs’ Shrine isn’t exactly what most would consider a major tourist attraction (by itself), but it conveniently sits on a picturesque mountainside overlooking the Tamsui River (淡水河) and is fortunate to be neighbors with a handful of other historic tourist destinations that are within walking distance.

The shrine is known for its natural beauty and while it may not be busy with tourists, it has become a preferred setting for local photographers, who use the beautiful Japanese-era stonework and the pine trees as a backdrop for wedding photos. 

Tamsui Shinto Shrine (淡水神社)

Constructed on the Tamsui Shinto Shrine (たんすいじんじゃ) started in 1936 (昭和10年) and was officially opened three years later in 1939 (昭和14年).

Often considered one of the prettiest of all the Shinto Shrines in the greater Taipei area, the shrine overlooked the beautiful Tamsui River with Guanyin Mountain (觀音山) in the distance.

Highly regarded for the way it harmoniously blended with the natural environment, the shrine earned the title as one of the ‘eight scenic spots’ in Tamsui (淡水八景) in part thanks to the sando (參道), or the “walking path” which was lined with pine trees (something that thankfully still exists today). 

Not only was the walking path lined with trees on either side, but also a collection of stone lanterns (石燈籠) that lit the way at night. The walking path also had a Torii gate (鳥居) at both ends with two larger stone lanterns (大石燈籠) at the top of the hill.

The torii, which you can see from the historic photos below were both quite large and beautiful.

Once you reached the top of the hill you’d find a Purification Fountain (手水舍), where you’d be required to perform a cleansing ritual before entering the shrine.

On the opposite side of the fountain was the Shamusho (社務所), which acted as the Administration Office and living quarters for the priests who lived at the shrine.

As you continued along the path up the hill, you’d be met with a stone wall and a set of stairs guarded by two ‘Komainu’ stone lions (狛犬) with another Torii gate at the top.

Interestingly, although the lions and gate have since been replaced, the layout remains the same today. 

Once you passed through the Torii gate at the top of the stairs you’d find yourself in a courtyard full of trees with another gate known as the Middle Gate (神門) acting as the entrance to the shrine.

The Middle Gate was constructed of wood and was known for its traditional Kirizuma-zukuri gabled roof (切妻造) design that surrounded the innermost part of the shrine.

Once you passed through the Middle Gate you’d find the “Haiden” or “Worship Hall” (拜殿) in the middle of another courtyard.

Even though there are few pictures of the shrine available, what we do have shows us that the architectural design of the building was similar to that of what we can see today at the Taoyuan Shinto Shrine (桃園神社) with its impressive ‘Irimoya’-style hip-and-gable roof (入母屋造).

Unlike Chinese-style places of worship, you wouldn’t have found statues of the gods inside the worship hall, instead you would find a simple shrine with a mirror and behind that a door that led to the Honden (本殿) or “Main Hall”, which is traditionally off-limits to anyone except for the priest who resided at the shrine. 

The deities that were enshrined in the Honden were Prince Yoshihisa (能久親王), Emperor Meiji (明治天皇), Ōmononushi (大物主命) and Emperor Sutoku (崇德天皇).

In fact, most of the over two hundred Shinto Shrines constructed during the colonial era were home to shrines dedicated to Prince Kitashirakawa Yoshihisa, who was the first member of the Japanese royal family to pass away (outside of Japan) in more than nine hundred years. He died from what is believed to be malaria in Tainan in 1895, the same year that Japan took control of Taiwan. 

Link: Prince Kitashirakawa Yoshihisa (Wiki) 

I suppose you could say, the unfortunate thing about this beautiful shrine was that it was officially opened only a few short years before the Japanese Colonial Era came to an end.

When the Second World War ended in 1945, Japan was forced to give up its control of Taiwan, which was then ambiguously awarded to the Republic of China.

In 1953, the shrine officially became the Taipei County Martyrs Shrine (台北縣忠烈祠). which retained the original buildings until 1975 when it was bulldozed and converted into a Chinese-style shrine.

Today all that remains of the original shrine (in this location) are the beautiful pine trees that once lined both sides of the walking path, the stone wall, guardian lions (although they were replaced at some point) and the overall schematic design of the landscape. 

Hsing-Chong Temple (淡水行忠堂)

The good news is that not everything from the former Shinto Shrine has been destroyed. 

When the last remnants of the Tamsui Shinto Shrine were torn down in 1975, several of its pieces were transferred to nearby Hsing-Chong Temple (行忠堂) in the mountains of Tamsui.

The people at the temple were able to preserve sixteen of the original stone lanterns from the walking path, the two larger stone lanterns, the purification fountain and the original information board (揭示場) which you’ll often find at the entrance of shrines.

The amazing thing is that during the 1970s, the government was pushing an extreme anti-Japan policy that sought to demolish anything from the colonial era that was deemed unnecessary.

The fact that this small temple was able to preserve as much of the original Shinto shrine as they were was no small feat. The other amazing thing is that in order to preserve all of these pieces of the shrine, they had to find a way to transport them to their temple in the mountains. 

You might be thinking that’s not really that big of a deal, but the thing you need to realize is that getting around back then wasn’t as easy as it is today.

This problem was exacerbated by the fact that the lanterns would have weighed thousands of kilograms.

With a seven kilometer distance between the Shinto Shrine and Hsing-Chong Temple, a mixture of ox-pulled carts, rudimentary cranes and trolleys were used in addition to the the help of dozens of people to bring the pieces of the shrine to their new home where they can still be enjoyed today.

Why would this temple in the mountains of Tamsui, which is dedicated to Guan Gong (關聖帝君), want to preserve these pieces of the Shinto Shrine you ask? Well, thats not really very clear.

Your guess might be as good as mine.

When I enquired with the caretakers of the temple as to why they’d preserve these pieces of the Shinto Shrine, they replied: “I’m not really sure, but probably because they were pretty and free.”

Taiwanese temples can sometimes be a bit eccentric and if you visit this specific temple, you’ll see that it’s a bit odd compared to others in terms of its design and decoration. 

Address: #18 Chung-shan village Danshui District, New Taipei City

(新北市淡水區忠山里18號)

New Taipei Martyrs Shrine (新北市忠烈祠)

You’ve read this far and might still be asking yourself: “What exactly is a Martyrs Shrine?” 

That’s okay - I’ve visited quite a few of these shrines and I still find myself asking this question. 

To put it in simple terms, Martyrs Shrines in Taiwan are more or less war memorials for the fallen members of the Republic of China Armed Forces.

There are over twenty of these shrines throughout Taiwan (and the outlying islands), each of which with an interesting history - which doesn’t necessarily relate to anything to do with the Martyrs Shrine itself. 

Its also important to note that these shrines actually have very little to do with “Taiwan” as the majority of the ‘martyrs’ worshipped in the shrines were soldiers who died during the various conflicts in China from the founding of the Republic of China in 1912 until the 1950s.

That being said, even though the Republic of China has been at peace for several decades, if a member of the Armed Forces passes away in the line of duty, they are also afforded the respect of becoming a martyr.

If you’d like more detail about these shrines, I recommend taking a few minutes to check out my post about the National Revolutionary Martyrs Shrine, which explains the purpose of these shrines.

As I mentioned above, of the twenty or so Martyrs Shrines in Taiwan, the vast majority of them are located on the former site of (or are repurposed) Shinto Shrines that dates back to the Japanese Colonial Era.

Ironically, in a few cases, some of those Shinto Shrines were Japanese-style Martyrs Shrines dedicated to Taiwanese people who passed away in the line of duty.

Which if you think about it certainly has a lot more to do with “Taiwan” than the Martyrs Shrines of today do. 

The New Taipei City Martyrs Shrine, as I’ve likewise already mentioned, sits on the site of the former Tamsui Shinto Shrine (1939 - 1953), which was abandoned shortly after the Japanese relinquished control of Taiwan.

In 1953, the shrine was incorporated into the network of Shinto Shrines that were being preserved and converted into war memorials for the Republic of China.  

It goes without saying that when the Chinese Nationalists took control of Taiwan that they wanted to rid the island of the memory of its colonial past. When they arrived, Taiwan was home to over two-hundred Shinto Shrines, but only a few of them were saved from demolition and vandalism by being “preserved” and converted into Martyrs Shrines.

In 1953, when the Taipei County Martyrs Shrine (台北縣忠烈祠) was established, they initially left the buildings as they were, but removed any reference to the original shrine as well as the deities inside.

For the next two decades, not much changed at the shrine which kept its original Japanese-style design.  

In 1975, however it was decided that the original shrine would be demolished and a Chinese palace-style building would be constructed in its place.

It’s important to note that even though the original Shinto shrine was demolished, the grounds maintain much of the original landscape design and the Japanese adherence to harmony with the natural environment.

So today, when you approach the shrine you’ll still find the same set of stairs and the stone wall that date back to the days of the Shinto Shrine. The arched gate at the top of the stairs however has been converted into a white Chinese-style ‘pailou’ gate (牌樓) that has a plaque in the middle that reads “New Taipei City Martyrs Shrine” (新北市忠烈祠). 

Note: The “Taipei County Martyrs Shrine” was renamed the “New Taipei City Martyrs Shrine” in 2011 when the county was converted into an amalgamated super city. 

Once you’ve passed through the gate there is still the same path that leads you to the Middle Gate (中門). which is constructed using the same Chinese-palace style as the rest of the complex and has a wall that wraps around the rest of the shrine area. 

When you pass through that gate, you’ll see the Main Hall (主殿) directly in front of you, but you’ll also automatically be met with a giant tree on your left that is yet another leftover from the days of the Shinto Shrine. Likewise, with the exception of the pathway, the rest of the area is covered with well-maintained grass, which isn’t all that common in Taiwan. 

During my visit, the grassy courtyard area on the inside of the gates were the resting area for a couple of local egrets which were enjoying the sun at the quiet shrine. I’m guessing that their presence probably means that they feel comfortable in the area due to a lack of visitors to bother them. 

The Main Hall of the Martyrs Shrine is a simple building with a shrine room and two rooms to the side.

The room to the right has some benches and a television which plays an information video about the shrine and its history, while the room to the left is more or less used for storage.

One of the main differences between this Martyrs Shrine and the National Revolutionary Martyrs Shrine in Taipei is that you are able to simply walk into the main hall and check out the shrine.

The room is white and has Republic of China iconography on the walls and the ceiling, in addition to two sets of flags on the left and right side of the main shrine. 

The altar consists of a large collection of spirit tablets (牌位) dedicated to the ‘martyrs’ from the various conflicts that the Republic of China’s Armed Forces have taken part in over the past century. 

Link: Spirit Tablets (Wiki)

The set up of the shrine is simple and clean, without all of the pizazz that you’ll find at typical places of worship in Taiwan. In this way, it makes the place a lot more peaceful, but it is a war memorial, after all.

While there isn’t really all that much to see in the shrine room, I recommend walking around the to the back of the hall where you’ll find a grassy tree-covered rear courtyard.

This is the area that used to be home to the Shinto Shrine’s “Honden” (拜殿) and was once off-limits.

Today it’s probably a perfect place for a picnic.

Getting There

 

Address: No. 31, Lane 6, Section 1, Zhongzheng Road, Tamsui District, New Taipei City

(新北市淡水區中正路一段6巷31號)

The New Taipei City Martyrs Shrine is close to one of northern Taiwan’s most popular tourist destinations, the Tamsui Old Street (淡水老街).

I’m not exaggerating when I say that tourists who take a day-trip to the area are extremely spoiled for options.

In Tamsui, not only will you be able to enjoy the historic riverside and the ‘Old Street’, you’ll also be able to feast on lots of local snacks and have the opportunity to visit a number of historic and cultural destinations in close proximity to the MRT Station.

That being said, the Martyrs Shrine isn’t really all that close to the MRT Station.  

Sure you can walk from the station to the shrine, but with so much to do in the area, you’re much better off saving time by hopping on a bus, checking out the shrine, and then moving on to check out some of the other amazing places of interest in the area.

With so much to see, you’re also going to have to do a bit of research beforehand to decide where to spend your precious time! 

If you have a car or scooter, getting to the shrine is easy. 

Simply input the address provided above into your GPS or Google Maps or use the map provided here. 

If you’re driving a car or a scooter, you won’t have to worry, there is an ample amount of parking near the shrine, so you should be able to easily find a spot.

If you’re like most tourists though, you’ll probably make use of public transportation. 

To take the bus to the shrine, simply exit Tamsui MRT Station (淡水捷運站), the terminal station of the Taipei MRT’s Red Line (紅線) and walk to the large bus stop across the street. 

To do this, you’ll have to walk to the first walk to the large crosswalk and then backtrack a bit once you’ve crossed the street. The bus stops are directly in front of a gas station and are pretty hard to miss. 

From there you can take the five minute bus ride to the shrine on bus #757, #857, #880 or Red 26 where you’ll get off at the “Huwei Fort (Martyrs' Shrine Court)” (滬尾砲台(忠烈祠球場)) bus stop. 

Once you’ve gotten off the bus you’ll see a sign for the Martyrs Shrine and all you’ll have to do is walk up the historic and beautiful tree-covered hill to the entrance.

In terms of the other things in the area that you can see, you’ll find the Hobe Fort (滬尾礮臺) and the Drop of Water Memorial Hall (一滴水紀念館) next door to the shrine. Nearby you’ll also find the beautiful Fort San Domingo (淡水紅毛城), the Tamsui Customs Wharf (淡水海關碼頭), the Taipei Customs Officers’ Residence (小白宮) and a beautifully restored Japanese home overlooking the river known officially as “Former Residence of Tada Eikichi” (多田榮吉故居). 

In addition to these spots, there are a number of places to check out along Tamsui Old Street including the historic Tamsui Presbyterian Church, Huwei MacKay Hospital, Fuyou Temple (福佑宮), Qingshui Temple (淡水清水祖師廟), Tamsui Longshan Temple (淡水龍山寺), Lovers Bridge (情人橋), etc. There’s also the boat ride across the Tamsui River to Bali Old Street (八里老街).   

Its safe to say that the New Taipei City Martyrs Shrine probably isn’t high on the list of destinations for your average tourist. If you’re visiting the Hobe Fort or any of the spots nearby though, I’d say that a visit to the shrine is well worth an extra few minutes of your time.

That being said, I’ve been living in Taiwan for a long time and the only reason I wanted to visit was because it was the site of a former Shinto Shrine. Its definitely a nice option if you’re looking for a tranquil spot to take some photos of a pretty shrine without a million other people getting in the way! 


Zhongli Police Dorms (壢景町)

You may have forgotten, but a few years back I promised that I’d make a return to the Zhongli Police Dorms and offer a update when they were finally finished being restored.

Over the years I’ve probably made a hundred of these promises, so I hope that this blog is proof that I’m following through with some of those promises. I’m not completely full of it.

When I first discovered that the old dorms were slated to be restored by the Taoyuan City government, I decided to make an effort to visit them before the construction crews got their hands on them.

The thing is, when these old Japanese-era buildings get restored, they often end up looking nothing like the original. So, with little confidence in the skills of the construction crews (who would quickly be taking over), I decided to pay the dorms a visit. 

The problem was that the dorms were off-limits as they were part of a gated parking lot that was reserved for the good people working at the Zhongli Police Station. So, I had to figure out a way to get in to take photos. Admittedly, unlike a lot of the abandoned places I explore getting in was quite easy so I made a couple of visits before they were officially sealed off.  

And I’m sure glad I did. 

But probably not for the reason you’re thinking. 

When I visited the dorms a few years back, they were in rough shape - The interior and exterior of all three buildings were worn and falling apart due to years of neglect. Exacerbating the problem was that they were emptied out and open to the elements. If you take into account how humid it is in Taiwan, that the doors and windows were left wide open and the fact that these houses were made of wood, it wasn’t a recipe for longevity.

Nevertheless, like almost all of the buildings constructed by the Japanese during their fifty years in Taiwan, the foundations were solid and even though the houses were neglected after their residents moved away, they were still in pretty good shape, all things considered.

The Taoyuan City Government preserved the original three Japanese-era dorms across the street from the police station but sadly the community of dorms that were constructed directly behind the police station are gone.

Those dorms, which were built in the typical ‘Military Village’ (眷村) style were likely constructed shortly after the Chinese Nationalists took control of Taiwan. They ultimately could have been converted into something useful, but the government decided instead to bulldoze them to make way for a much needed parking lot for the police.

The three dorms that were preserved were originally named: Sakura House (櫻花樹屋), Guava House (芭樂樹屋) and Longan House (龍眼樹屋) thanks to the trees that were planted next to the houses. Today they have been cleverly renamed “A”, “B”, and “C.”

Another example of how far we’ve progressed as a society over the past century. 

Embarrassingly, when I visited I spent a bit of time talking to one of the people in charge of the exhibitions and showed them one of my photos of the “Sakura House” before it was restored.

He quickly became confused when I referred to the house by its original name and had no idea what I was talking about. Sorry bro, I should have said “Building A” (A棟). 

The Taiwanese government both at the national and local level has invested quite a bit as of late in the restoration of Japanese-era buildings in an attempt to preserve what little still remains. The problem is though (as I mentioned above) that the restoration projects often end up looking nothing like the original when they’re completed.

Like many in the online ‘Japanese Colonial Era’ groups I’m a part of on social media, I was skeptical that the restoration project on the dorms would be carried out in a responsible manner, so I made sure to visit before they were ruined.

Fortunately, I’m happy to say that in this case, the local government did stellar job restoring these buildings. Not only did the do their best to ensure that the interior and exterior of the buildings remained the same, they also did their best to preserve the original wood. 

While standing in the house, I took out my phone and loaded up the photos I took of the various rooms prior to restoration and was amazed at how great of a job they did in ensuring that the dorms stayed almost exactly the same. I’m usually quite critical when it comes to this stuff, so a round of applause for the Taoyuan City Government is well-deserved. 

  • Click on the before and after photos above to see what I mean. ↑↑↑

The three dorms now are part of a park which reserves one of the buildings for an exhibition on the history of the buildings, another for an exhibition about the Zhongli Incident (中壢事件) and the third has been converted into an impressively beautiful hot pot restaurant. 

The exhibition spaces in the two smaller dorms is likely to be revolving - which should be helpful in attracting visitors. The current exhibitions however are a great introduction to Zhongli’s history over the past century. One of them includes an in-depth look at what the area was like during the colonial era while the other highlights some of the important events that took place leading up to the Zhongli Incident. 

The “incident” is regarded as one of the instrumental events that lead to transforming Taiwan into the vibrant democratic country that it is today and was a pre-cursor to the much more widely-known Kaohsiung Incident (美麗島事件).

Links: Zhongli Incident (中壢事件) | Kaohsiung Incident (高雄事件)

The park, which has now been open to the public for a few months is named “Zhongli 1941” (壢景町) and is part of an ever-growing group of historic Japanese-era properties within the Zhongli city-centre. The English name and the Chinese name have completely different meanings, but you’ll note that the English name is a simple throwback to the year the dorms were constructed. 

Within walking distance from the dorms you’ll also easily find the Zhongping Story House (中平故事館) as well as the Zhongli Elementary School Teachers Dormitories (中壢國小日式宿舍), which will likewise both be home to rotating activities and exhibitions that highlight the history of the area.

And yes, I’ll be posting about both of them in the near future.

If you’re traveling to Zhongli, you should be able to easily visit the Police Dorms, Teachers Dorms and Zhongping Story House within a short period of time. They’re all within a short walking distance from one another and don’t require much time to check out. While you’re in town though, you’ll probably want to roam through some of the old streets. You’ll find maps with various points of interest within the downtown-core next to all of the dorms.

Getting There

 

The Zhongli Police Dorms are located within the downtown core of the city and are only a short distance from the Zhongli Train Station (中壢車站) and Zhongli Bus Terminal (中壢客運站). If you travel by High Speed Rail, the dorms are a bit of a distance away from the Taoyuan HSR Station (桃園高鐵站), but you’ll be able to take the free shuttle bus to the downtown area.

Address: #627 Yanping Road, Zhongli District, Taoyuan City (桃園市中壢區延平路627號)

If you arrive in town from the train station or the bus station, getting to the dorms is easy. Simply follow Zhongzheng Road (中正路) until you reach Yanping Road (延平路), the first big intersection. Once there turn left and you’ll reach the dorms within two minutes. 

If you’re driving a car, there is a parking lot across the road from the dorms, located next to Zhongli Elementary School (中壢國小) where you can park the car. Likewise, there is an ample amount of scooter parking spaces along Yanping road. The downtown area tends to be busy though, so parking might be difficult to find on weekends. 

The Zhongli Police Dorms are an excellent example of a restoration project done right and now that they’re open the public we can all enjoy their renewed existence and all of the events that will take place in the future.

Interestingly their existence came as somewhat of a surprise to quite a few people around town who (it seems) had completely forgotten about them or were totally unaware that they have always been there.

Now that they’re open and completely visible though, they’re a beautiful addition to the city and part of the ongoing beautification of the downtown core, which is aged, to say the least. 

If you’re in the area, you should definitely stop by and check them out.


Lukang Longshan Temple (鹿港龍山寺)

GTJ-2019-0408-26.jpg

When planning a trip to Taiwan, one of the stops that is always high on the list of places to visit is Taipei’s historic Longshan Temple - and for good reason - the bustling temple in the city’s historic Wanhua District (萬華區) offers tourists a first-hand experience with the vibrancy of Taiwanese religion, culture and the traditional architecture that is considered ‘exotic’ by a lot of foreign visitors.

What though do those tourists who are able to invest a bit more time exploring Taiwan do?

Well, they get out of Taipei and head south - Then they visit the ‘other’ Longshan Temple.

Yes, there is more than one Longshan Temple. (There are a handful of them actually)

Taipei’s Longshan Temple tends to be the busiest of the lot, but that is really only because it is conveniently located within the capital and is easily accessible thanks to the amazing MRT system. Don’t get me wrong, it is an amazing place to visit - I’ve been there a hundred times and I’ll probably go a hundred more times.

But, (yes, there is a but) Taiwan’s first “Longshan Temple”, the most historic of the group, not only stands out as one of the most attractive of the bunch - it is also regarded as one of the most beautiful temples in the whole of Taiwan as well as one of the best remaining examples of a building constructed during the Qing dynasty with traditional Fujian-style architecture.

Located in the historic village of Lukang (鹿港), the temple is just one of the many amazing destinations the small coastal village has to offer. Needless to say, if you haven’t heard of Lukang, you really should take some time to check it out. What might seem a small village in the middle of no where is actually an action packed day trip with some of the coolest historic sites you’re going to see in Taiwan. This is why it has become such a popular destination for both domestic and foreign tourists alike. Lukang is a village that has been frozen in time and provides visitors with an amazing snapshot of what the Taiwan of olde was like.

Longshan Temples of Taiwan

The Longshan Temples of Taiwan have a history that is directly related to the early migration of Hokkien Chinese settlers from China’s Fujian Province (福建省). Starting in the early 1600’s, due to the political instability of the Ming Dynasty (明朝), many people hailing from the Fujian and Guangdong (廣東省) areas made the decision to emigrate across the Taiwan strait and throughout various parts of South East Asia.

In Taiwan’s case, the Hokkien people sought to make a go of it in what was a very under-developed land bringing with them only their language, culture, cuisine and folk religion as well as what little possessions they could fit on the boat.

The original Longshan Temple, constructed during the Tang Dynasty (唐朝) somewhere between 618-619, received its name thanks to its location on “Longshan” (龍山) or Dragon Mountain in Anhai, Fujian.

The original, like every other ‘Longshan Temple’ that followed is dedicated to the Buddha of Compassion, whom in the Chinese Buddhist tradition takes the form of Guanyin (觀音菩薩), a female Buddha.

  • Non-Chinese Buddhists are likely more familiar with Tibet’s Buddha of Compassion who appears in human form as the Dalai Lama.

Here in Taiwan, the tradition that these temples would be dedicated to Guanyin has continued, but as the centuries have passed they started to accommodate Taoist and local folk-religion deities as well - many of whom also happen to hail from the Fujian region.

Even though you can now find several deities housed within Taiwan’s various Longshan Temples, the fact remains that essence of religious worship that takes place within is rooted in Chinese Zen Buddhist tradition.

Something that I can’t underscore enough about the religious experience in Taiwan compared to the west is that temples here have the ability to house gods from what are considered to be ‘different’ religions yet there are never any problems that arise from this. The religious experience here is one of tolerance and should certainly act as a model for those around the world who would use their beliefs to cause harm to others.

Today there are five temples in Taiwan with histories that date between 160 - 370 years which were all constructed during the Qing dynasty.

Lugang Longshan Temple (鹿港龍山寺) - 1647

Tainan Longshan Temple (台南龍山寺) - 1715

Monga Longshan Temple (艋舺龍山寺) - 1738

Fengshan Longshan Temple (鳳山龍山寺) - 1765

Tamsui Longshan Temple (淡水龍山寺) - 1858

Daxi Longshan Temple (大溪龍山寺) - 1868

Each of the temples differs in its design, but they all share a similar history and purpose making the Longshan Temple’s of Taiwan an important place of worship and of course, historical value.

Lukang Longshan Temple (鹿港龍山寺)

The oldest of all of the Longshan Temple’s in Taiwan is located in Changhua County’s Lukang Village - With a history that is said to date back to 1647. and is considered to be one of the most historic in all of Taiwan.

Something I’ve learned over the past few years though is to take some of these historical “facts” with a grain of salt.

Does the Lukang Longshan Temple in fact date back to 1647? Technically yes and technically no.

The history of a ‘Longshan Temple’ in the area most certainly dates back to the mid-1600s. However that history doesn’t necessarily relate to building that we see today. The original was actually a much smaller shrine, in another part of the village and was constructed solely to house a statue of Guanyin that was brought to Taiwan from the original Longshan Temple.

The temple we see today moved to its current location in 1786 and since then has been expanded upon, renovated and restored on several different occasions with reconstructions in the 1800s forming the basis of the structure that we continue to enjoy today.

So, while it may not be as old as advertised, Its still quite old.

History

To make things a bit clearer, I’ve gone ahead and translated some of the more important historical events over the temple’s long history:

  • 1647 - Immigrants from Quanzhou (泉州) bring a statue of Guanyin from the original Longshan Temple in Fujian on the voyage across the Taiwan strait and set up a small shrine on what is now a small alley near Dayou Street (大有街).

  • 1786 - The original shrine moves to its current location across town on a larger plot of land.

  • 1798 - After only a decade the newly constructed temple turns out to be far too popular and needs to be expanded to accommodate the amount of people who visit. The expansion sets in stone (literally) the layout for the temple which confines the complex to the 5,300 square meter plot of land that we still see today.

  • 1897 - Two years after the Japanese Colonial Era began, the Japanese authorities rented out the rear hall of the temple to create a Pure Land Buddhist (浄土仏教) shrine to accommodate Japanese Buddhists who lived in the area. Part of the temple is also used as a school for teaching the Japanese language to the local people.

  • 1904 - The temple joins a network of Pure Land Temples (淨土真宗本願寺派 / じょうどしんしゅうほんがんじは) and the Guanyin statue is relocated to the Rear Hall and replaced with a statue of Amida (阿彌陀佛) in the Main Hall.

  • 1921 - In what would become one of the worst tragedies in Lukang history, a fire completely destroys the Rear Hall of the temple taking with it the historic statue of Guanyin.

  • 1938 - Reconstruction of the Rear Hall is completed.

  • 1961 - Sixteen years after the Japanese Colonial Era ended, it is decided that the Main Shrine of the temple would revert back to Guanyin and the statue of Amida would be moved to the Rear Hall.

  • 1983 - The temple is awarded the designation as a ‘First Class National Historic Site’ (國家第一級古蹟) making it a protected historic building.

  • 1999 - On September 21st the powerful Jiji Earthquake (集集大地震) rocked Taiwan and created mass destruction all over the country. The temple was badly damaged as a result of the quake, so another massive reconstruction project is started to repair the damage.

  • 2002 - Reconstruction project is completed.

  • 2005 - Josh visits for the first time and falls in love (with the temple).

Design

When most people talk about the Lukang Longshan Temple, they only briefly mention the temple’s long history - Numbers are thrown out and people nod their heads and think “cool”, because when it comes to this temple, its not its age that really matters.

This temple is often described as one of the best remaining examples of Southern Fujian Qing-style architecture remaining in Taiwan. Does the average tourist really understand what any of that means though?

When you walk around the temple you don’t really have to really understand the complexities of historic architecture to realize that this temple is a masterpiece of design.

Interestingly though, whenever you search for “Southern Fujian Architecture” or “Hokkien Architecture” (閩南風格) most of the search results will feature a photo of the temple as the prime example of the characteristics of this style of architecture.

Hokkien-style architecture shares many similarities with other styles of Chinese architecture but there are of course several different ways that make buildings constructed in this style distinctive from others. First, the material used to construct this style of building is usually a mixture of red brick and wood. For most commoners in China, the usage of the colour red was frowned upon because “red” was typically reserved for imperial buildings. The Hokkien people it seems didn’t really care much about that though.

Swallowtail Roof

Another important characteristic is the “Swallowtail Roof” (燕尾脊) which refers to having a roof with an ‘upward-curving ridge’ shaped like the tail of a swallow. This design tends to vary in terms of the degree of the curve as well the number of layers on the roof but is something quite common throughout Taiwan.

Finally, to compliment the swallowtail roof designs, the Hokkien style often includes colourful porcelain carvings (剪瓷雕) which became common not only on the roofs of temples but also homes and ancestral shrines as well. The porcelain designs range from plants and animals to mystical creatures from Chinese mythology including dragons and phoenixes.

As one of the most well-preserved temples of its kind, the Lukang Longshan Temple combines all three of these architectural designs with beautiful red brick, swallowtail designed roofs on the main halls and gates and expertly crafted porcelain figures decorating the buildings.

The temple also follows the traditional ‘Three-Hall-Two-Courtyard’ design (三進二院) which refers to the three halls - The Front Hall (五門殿), Main Hall (正殿) and the Rear Hall (後殿) which are separated by the front courtyard and the rear courtyard and surrounded by passage ways on the perimeter of the building.

If you take a look at the diagram above, you may discover that the temple is constructed to resemble the Chinese Character “日“ which translates into English as either “sun” or “day”.

You could easily spend hours of your day enjoying the minutia and intricate designs of this temple, so I hope the following descriptions of each section helps to point out some of the things that you should pay close attention to when you visit.

Even if you can’t read Mandarin, I recommend checking out this site to see some historic photos of the temple as well as some sketches that beautifully illustrate the layout of the temple.

The Main Gate (山門)

The Main Gate of the temple, often referred to as the “Mountain Gate” (山門) is one of the most impressive you’ll see in Taiwan. The courtyard in front of the gate is decorated with red lanterns that lead up to the beautifully constructed wooden gate. Between the layers on the roof is a plaque that reads “Longshan Temple” (龍山寺). There are also red lanterns hanging off of the layer below that read “Lukang Longshan Temple” (鹿港龍山寺).

Not only is the gate held up on the front end by wooden pillars, it is also connected to a brick base that forms the entrance and also part of the wall that surrounds the entire perimeter of the temple.

The Main Gate is not only impressive from a distance but when you get close enough you can easily see the mastery it took to design such an intricate roof with the pillars holding the gate up.

Before entering the temple make sure to take some time to stand under the gate looking up at the beautiful work and all of its intricate pieces.

Paper Incinerator (惜字塔)

In the front square before you enter the temple quietly sits a relic of the past that isn’t widely talked about in English-language articles. What looks like a simple brick tower is actually a paper-burning incinerator that is of cultural and historic significance.

To describe it simply, Taiwan is a very humid place which makes it easy for things (like paper) to rot or become moldy. Before we had dehumidifiers and air conditioners people had little recourse to preserve the books they had, so as a show of respect for the written word, when people finished reading something they wouldn’t just leave it around. Likewise, throwing books in the garbage was simply not an option, so they took the book to an incinerator like this one and burnt it so that the words would live on in eternity.

I know, it sounds weird, right?

This practice was especially common with the Hakka people of Taiwan who constructed these special furnaces in the areas where they lived. As time went on, these towers became more and more unnecessary, so in many places around the country they’ve unfortunately been torn down.

In recent years however there has been a push to preserve them as they are of cultural and historical significance. In Taoyuan for example two of these incinerators, which are known as “Miracle Terraces” (聖蹟亭) have been restored and are open to the public as cultural shrines.

The paper incinerator at the temple looks like it hasn’t been in use for decades and sits quietly in a corner, still though, most people, including locals walk by it and don’t pay it any attention despite its historic significance.

Front Hall (五門殿)

The “Front Hall” is a actually a very simplistic term for what the main entrance of the temple actually is; In Chinese, the name translates directly as the “Five Door Hall” and is sometimes referred to as the “Five Door Portal”. No matter how you like to translate the name of the Front Hall, it consists of five doors with the three in the middle separated by four stone pillars.

Directly in front of the centre-most door is an incense cauldron with beautifully carved calligraphy on it.

On either side of the cauldron are stone pillars that have a dragon encircling the column.

On the walls you’ll find traditionally carved windows that are made out of wood and allow for the natural flow of air through the gate. On the windows you’ll find various designs including dragons, tigers, phoenixes which together symbolize prosperity and longevity.

On the interior it is important to pay attention to the ‘Door Gods’ (門神) that are painted on the doors.

When the doors are open they will face the inside of the temple and when the temple closes at night they’ll face the exterior. The ‘Door Gods’ have somewhat faded over the years but this style of artwork has started to become something of a lost art in Taiwan, so its great that we can still enjoy these.

The Door Gods on the main door in the centre represent Skanda (韋馱), the guardian of Buddhist Monasteries as well as Sangharama (伽藍), the Buddhist name for popular historical figure known as Guan Yu who is highly regarded for his ability to offer spiritual protection and grant blessings. The remaining four doors each have one of the Four Heavenly Kings (四大天王) who bestow wealth, success, peace and protection.

Theatre Pavilion (戲殿)

The ‘Theatre Pavilion’ is traditionally an area where temple performances would take place.

Temples constructed in Taiwan within the last century have (for the most part) constructed their performance stages in a separate area from the rest of the temple, usually outside of the main gates. This has allowed for larger, more mobile stages and more space for the audience, while reducing the amount of noise within the temple.

Truthfully, in all my years of temple hopping I can only count a handful of times where the Theatre Pavilion was actually constructed in such a central location in the temple.

Once you enter the Front Hall, the Theatre Pavilion is a large flat space with a spider-web caisson decorating the ceiling above it.

Few performances are held in this area anymore but the open space it provides in addition to the caisson above make it an especially grand spot that you won’t find at many other temples in Taiwan.

The Caisson (八卦藻井)

While doing research for this post I learned a new word - I’ve never actually known the English word for these so-called ‘spider web ceilings’ but whenever I see them I’m absolutely amazed by them.

In the case of this temple, the “caisson” is jaw-droppingly beautiful. There are so many adjectives that could be used to describe how beautiful the craftsmanship on this ceiling is but I’m at a loss for words - and if you have the chance to see it, I’m sure you will be too.

Known as the most beautiful “caisson” (藻井) in all of Taiwan, the “Ba-Gua ceiling” as I’d prefer to call it is an architectural masterpiece found in many East Asian temples and palaces. The reason I call it a “Ba-Gua” ceiling is because it is octagonal, a shape that has particular significance in local folk religion and culture.

Note: Bagua (八卦) refers to eight symbols in Taoism that represent the fundamental principles of reality and are interrelated with each other. At the centre of the Bagua is the Yin-Yang symbol. (Wikipedia link)

This particular caisson was constricted during the temple’s 1831 reconstruction and there are claims that it is one of the oldest of its kind in Taiwan.

A caisson is basically a sunken layered panel in a ceiling that raises above the rest of the ceiling almost as if there were a dome above it. The layers of the caisson are often beautifully decorated and with a design at the centre - in this case a beautifully painted dragon.

The most amazing thing about these caisson’s is that they are designed using expertly measured interlocking pieces that go together in a way that mean that neither beams nor nails are used to keep them together.

They just lock together to form a six-layer deep spider-web of beauty.

The Ba-Gua ceiling here commands respect and has become one of the most defining features of the temple. If you are visiting, I can’t stress it enough that you need to spend a few minutes with your head in the air appreciating the beauty and genius of this architectural masterpiece.

Worship Hall (拜殿)

To make a bit of a comparison, the Worship Hall at the temple is similar to something like the front patio of a house - It is more or less just a large covered platform that allows people to perform religious rituals without actually entering the Main Hall.

On the left and right side of the Worship hall sit a couple of century-year old trees that offer a bit of shade in front of the hall. Likewise each side of the hall has a station that allows people to light candles and incense for their prayers. In the centre there is another large incense cauldron with beautiful calligraphy carved on it. Behind the cauldron sits a large table where people can place offerings and is where you’ll often find beautiful floral decorations donated by visitors to the temple.

Of note when it comes to the design are the two stone dragon columns on either side of the incense cauldron - The columns which date back to 1852 are each carved with a dragon encircling the pillar. The dragons each have a pearl in their mouth and one in their foot while showing their fangs. The way the dragons encircle the columns make them is said to make them almost lifelike as they seem like they’re constantly in motion.

On the back of each column you’ll find the same four creatures featured in the windows of the Front Hall - A Phoenix (鳳), Qilin (麟), Crane (鶴) and Turtle (龜) - known as the ‘four spirit animals’ and together represent an idiom in Chinese (鳳毛麟趾、鶴算龜齡) that is really hard to translate to English but more or less refers to the rarity of the animals, how precious they are and the longevity of their lifespans (稀奇珍貴、祥瑞長壽) - certainly a metaphor for the temple.

Also of note are the two octagonal passageways on either side of the Worship Hall that lead to the the rear area of the temple. The passageways have become quite popular with photographers, especially wedding photographers who you might run into while touring the temple.

If you visit the temple make sure to take a few photos from the two doors as they’ve become quite iconic.

Main Hall (正殿)

To start, the roof of the Main Hall is actually quite simple; Following the same design as the other sections, the roof is a double-layered swallowtail design. On each of the tips you’ll find a dragon that is facing a pagoda in the middle.

Interestingly the Door Gods at the Main Hall mirror those of the Front Hall and consisting of the Four Heavenly Kings (四天大王), Skanda (韋馱), and Sangharama (伽藍). This time however they are painted a bit differently representing different aspects of their character. In this case they appear more ‘compassionate’ and ‘scholarly’ while they appear a bit more threatening on the outside.

Note: The scary, threatening Door Gods are considered to be “martial” (武) representations while the compassionate representations are considered ‘scholarly’ (文).

The interior of the hall is really where the design of the temple really shines - It is dark, not very well-lit and constructed with a network of stained wooden beams that hold everything up.

In the centre of the building, the ceiling rises almost a level higher than at the entrance - On the sides there are windows on both the east and west ends that allow for natural light to flow into the building offering a bit more light on the inside.

On the far right of the shrine room you’ll find statues dedicated to the Eighteen Arhats (十八羅漢), the original disciples of the Buddha. Next to them you’ll see desks nearby where there are attendants watching over the building and are there to answer any questions you may have.

The main shrine consists of several different statues of Guanyin, the Buddha of Compassion.

The largest statue is a replacement for the original that was brought to Taiwan in the 1600s. Accompanying the large image of Guanyin are several others which were carved out of wood or molded out of bronze.

Once again, to the direct left of the main shrine you’ll find martial representations of Sangharama (伽藍) and to the right Skanda (韋馱) whose purpose is to act as spiritual bodyguards for Guanyin.

You’ll also find a shrine dedicated to the Goddess of Childbirth (註生娘娘), The Monkey King (齊天大聖) and the Dragon King (龍王).

Rear Hall (後殿)

The Rear Hall of the temple is considered the youngest part of the entire complex due to the fact that it had to be rebuilt after a fire destroyed the original hall.

The new version of the hall dates back to 1938, during the Japanese Colonial Era and its design us a reflection of the era with a mixture of both Japanese and Chinese styles.

The exterior of the hall is a simple one that follows the Hokkien style of design making using of the swallowtail roof. The doors and the interior however are constructed completely of Taiwanese Cyprus and the Stone Dragon Columns are more ‘Japanese’ in design than the columns in the previous two halls.

To the sides of the Rear Hall you’ll find two round doors which used to be the dorm rooms for the temple abbot. Today the room to the right has been converted into a kitchen and the room on the left is partly used for storage and also allows guests to go to visit the back garden or the public restrooms.

On the doors of the Rear Hall you will find General’s Heng and Ha (哼哈二軍) who are mythical generals that date back to the Shang Dynasty (商朝). They’re mostly known today in their capacity as ‘Door Gods’ at Buddhist Temples.

Like the exterior, the interior of the hall is very simple in design with shrines dedicated to various Buddhist figures. In front of the shrines there is ample floor space that allows for the nuns who hold daily prayer services to take a seat on the floor.

In fact, the main reason why I don’t have many photos of the interior of the Rear Hall is due to one of the daily prayer services taking place at the same time of my visit. Even though I missed out on getting better photos of shrines inside, I did enjoy taking photos of the ladies who were busy chanting.

As mentioned above, the Rear Hall is home to several Buddhist figures which include Amida (阿彌陀佛), Sakyamuni Buddha (释迦牟尼) and the Medicine Buddha (藥師佛) - known as the ‘Three Treasures’ (三寶佛).

You’ll also find statues of Manjusri (文殊菩薩), Puxian (普賢菩薩), Jizo (地藏王菩薩), the Wind God (風神), Rain God (雨神), the God of Literature (文昌帝君) and the Zhenwu Emperor (玄天上帝).

Last but not least in the courtyard in front of the Rear Hall you’ll find an old well known as the “Dragon Stream Well” (龍泉井) which used to be where the people who lived and worked at the temple got their water. Today the well is closed up but you can still see that there is water inside.

Getting There

 

Lukang isn’t particularly a large town and is easily walkable - If you arrive in a car or on a scooter the best thing you can do is just find a parking space walk around to better explore the magic of the historic village.

Home to several historic temples, buildings, businesses as well as an old street were you can sample local delicacies, there is certainly more than enough to do while you’re in Lukang and if you plan your day well enough you should be able to explore for an entire day (or more if you have the time).

If you get tired of walking there are bicycle rental vendors all over the city - I’d recommend saving yourself some money and getting a Youbike instead. 

Lukang doesn’t have its own railway station, so if you want to visit using public transportation you have a few different options:

  1. Take a Ubus direct to the village from Taipei Bus Station ($350NT).

  2. Take a bus from Taichung - You can choose either Bus #6936 from Taichung HSR Station or Bus #6933 from Taichung Railway Station.

  3. Take a bus from Changhua - From the Changhua Railway Station you’ll find buses that frequently travel back and forth. (Buses: 6900, 6901, 6902, 6909, 6933, 6934, 6936 - Website)

  4. Take a scenic ride with a YouBike from Changhua Train Station on the six kilometre ride to Lukang - There are stations all over Changhua City as well as in Lukang to get a bike. Make sure to download the YouBike App so you’ll know where to get a bike.

Whatever method you choose to get to the village, I can’t stress it enough that once you’re there you should walk around and enjoy the quiet ambience of one of Taiwan’s most historic villages. You’ll easily be able to walk through the village and see all of the most important sites without needing a car or a scooter.

The Lukang Longshan Temple is located at “No. 81, Jinmen Street” (彰化縣鹿港鎮金門街81號) and is open to the public and to tourists everyday from 6:00am - 9:00pm.

Okay, so this post turned out much longer than I actually expected - And I really only scratched the surface when it comes to the history and design - You could write a thesis about this place and you still wouldn’t come close to describing all of the fine details. 

I suppose it is arguable whether or not Lukang‘s Longshan Temple is factually one of the “oldest” temples in Taiwan, it is however the oldest “Longshan Temple” in the country and when it comes to its beauty, it really does stand out as one of the most stunning places of worship in Taiwan. Its age and adherence to traditional architectural styles place it very high on the list of the most important historic temples to visit and I can assure you that if you do have the chance to go, you’ll certainly be glad you did.

Visiting Taipei’s Longshan Temple is obviously much more convenient for the majority of people who travel to Taiwan, but if you’re one of those people who takes a little bit of extra time to explore the country, a visit to Lukang and the many historic temples within the small village should be high on your list of things to do.